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Eduardo PaolozziOriginal Card Construction by Eduardo PaolozziCirca 1970s
Circa 1970s
About the Item
Original Card Construction sculpture made by Eduardo Paolozzi and acquired directly from the artist's studio in 2006. (With supporting provenance).
Condition: Good - the background plate and acrylic box surrounding the artwork display scratch marks.
Eduardo Paolozzi (1924 – 2005) was a prolific and inventive Scottish artist most known for his marriage of Surrealism's early principles with brave new elements of popular culture, modern machinery and technology. He was raised in the shadows of World War II in a family deeply affected by the divisive nature of a country involved in conflict, which birthed his lifelong exploration into the many ways humans are influenced by external, uncontrollable forces. This exploration would come to inform a vast and various body of work that vacillated between the darker and lighter consequences of society's advancements and its so-called progress. His collages reflect the way contemporary culture and mass media influenced individual identity. Some of these, with their appropriation of American advertising's look and feel would inspire the future Pop art movement.
- Creator:Eduardo Paolozzi (1924 - 2005, British)
- Creation Year:Circa 1970s
- Dimensions:Height: 6.89 in (17.5 cm)Width: 8.67 in (22 cm)Depth: 1.78 in (4.5 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:London, GB
- Reference Number:1stDibs: LU2333211762822
Eduardo Paolozzi
Eduardo Paolozzi (1924 – 2005) was a prolific and inventive Scottish artist most known for his marriage of Surrealism's early principles with brave new elements of popular culture, modern machinery and technology. He was raised in the shadows of World War II in a family deeply affected by the divisive nature of a country involved in conflict, which birthed his lifelong exploration into the many ways humans are influenced by external, uncontrollable forces. This exploration would come to inform a vast and various body of work that vacillated between the darker and lighter consequences of society's advancements and its so-called progress. His collages reflect the way contemporary culture and mass media influenced individual identity. Some of these, with their appropriation of American advertising's look and feel would inspire the future Pop art movement.
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