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Item Ships From: USA
Medium: Clay
Silence
Located in Dallas, TX
Earthenware with colored slips. Epoxy, acrylic paint. Cone 04 textured and satin glazes.
Signed, titled, and dated in ink on bottom.
Milnes served as Dean of the College of Visuals ...
Category
2010s Abstract Clay Abstract Sculptures
Materials
Earthenware, Slip, Glaze
Deep Blue 2
Located in Dallas, TX
Stoneware with colored slips. Cone 04 textured and satin glazes.
Signed, titled, and dated in ink on bottom by Robert Milnes
Milnes served as Dean of the College of Visuals Arts and...
Category
2010s Abstract Clay Abstract Sculptures
Materials
Earthenware, Slip, Glaze
Sea Grid
Located in Dallas, TX
Earthenware with colored slips. Epoxy. Cone 04 textured and satin glazes.
Signed, titled, and dated in ink on bottom.
Milnes served as Dean of the College of Visuals Arts and Design at the University of North Texas from January 2006 to his retirement in August 2014, when he moved to Asheville, NC with his wife Karen, re-establishing Arbitrary Forms Studio there. A sculptor and ceramist, he served previously as Director of the School of Art and Design at San Jose State University in California, Director of the School of Art at Louisiana State University, and as Chair of the Art Department at Edinboro University of Pennsylvania. He taught at the Penland School of Crafts in 1972 and 1979.
Milnes is the past president of the National Council of Art Administrators and the National Association of Schools of Art and Design. He has served as a consultant or evaluator for more than sixty universities, colleges, and independent schools of art in the US and abroad and served in Dallas on the Board of Directors of the Business Council for the Arts and as Chair of the Community Advisory Board for KERA, the NPR station for North Texas. He was recently named a Fellow and Lifetime Member of NASAD and served on the Board of Directors of the Center for Craft in Asheville, NC and as co-chair of the Blue Ridge Public Radio Strategic Planning Committee.
He is a member of the Southern Highland Crafts Guild.
Category
2010s Abstract Clay Abstract Sculptures
Materials
Earthenware, Slip, Glaze
Sora, Clay Abstract Sculpture, 2019
Located in Boston, MA
Artist Commentary:
Black stoneware; cone 5/6 oxidation firing; Slips and Oxides
Keywords: abstract, textured, ceramic, expressive
Artist Biography:
Beverly Morrison (Los Angeles...
Category
21st Century and Contemporary Modern Clay Abstract Sculptures
Materials
Clay
Delta
Located in Dallas, TX
Stoneware with colored slips. Cone 04 textured and satin glazes.
Signed, titled, and dated in ink on bottom by Robert Milnes
Milnes served as Dean of the College of Visuals Arts and...
Category
2010s Abstract Clay Abstract Sculptures
Materials
Earthenware, Slip, Glaze
Logical Picture
Located in Dallas, TX
Earthenware with colored slips. Epoxy, acrylic paint. Cone 04 textured and satin glazes.
Signed, titled, and dated in ink on bottom by Robert Milnes
Milnes served as Dean of the Col...
Category
2010s Abstract Clay Abstract Sculptures
Materials
Earthenware, Slip, Glaze
Shimmy
Located in Denver, CO
Steeped in the confines of domestic space, Amber Cobb’s biomorphic sculptures consider function and utility in their delightfully awkward attempts to hold s...
Category
2010s Contemporary Clay Abstract Sculptures
Materials
Enamel
Potential
Located in Dallas, TX
Earthenware with colored slips. Cone 04 textured and satin glazes.
Signed, titled, and dated in ink on bottom.
Milnes served as Dean of the College of Visuals Arts and Design at the University of North Texas from January 2006 to his retirement in August 2014, when he moved to Asheville, NC with his wife Karen, re-establishing Arbitrary Forms Studio there. A sculptor and ceramist, he served previously as Director of the School of Art and Design at San Jose State University in California, Director of the School of Art at Louisiana State University, and as Chair of the Art Department at Edinboro University of Pennsylvania. He taught at the Penland School of Crafts in 1972 and 1979.
Milnes is the past president of the National Council of Art Administrators and the National Association of Schools of Art and Design. He has served as a consultant or evaluator for more than sixty universities, colleges, and independent schools of art in the US and abroad and served in Dallas on the Board of Directors of the Business Council for the Arts and as Chair of the Community Advisory Board for KERA, the NPR station for North Texas. He was recently named a Fellow and Lifetime Member of NASAD and served on the Board of Directors of the Center for Craft in Asheville, NC and as co-chair of the Blue Ridge Public Radio Strategic Planning Committee.
He is a member of the Southern Highland Crafts Guild.
Category
2010s Abstract Clay Abstract Sculptures
Materials
Earthenware, Slip, Glaze
"FOR THE OLD ONES", sculpture, clay, abstract, contemporary, ceramic, tribal
Located in Toronto, Ontario
FOR THE OLD ONES, a ceramic sculpture of high-fired clay pigmented with oxides, sitting on a slab of limestone. It is a recent work by artist Harold Wortsman. Note the blending of volumetric and organic form in this work, the mark-making and perforations on the surface, the striking colors of black and copper in variable stripes – it is characteristic of his practice – warm, contemporary, uniquely crafted, yet speaks to ancient, primitive traditions of art-making that cross cultures and histories. Highly attuned to the art of Africa, the Middle East, India and Asia, his forms are organic abstracts with masculine and feminine attributes that resonate together as a pleasing enigma. They make sense immediately, yet never give up all their secrets.
From Harold Wortsman – "With sculpture, my material of choice is high-fired clay. Pieces are first low-fired in an electric kiln. I do not use glazes. Instead, I use oxides applied to the bisqued (low-fired) clay. As with a tattoo, oxides permit the surface underneath to breathe—like naked skin. The work is then high-fired in a gas kiln with double reduction to cone 10. The final temperature is 2,300 degrees F. At a certain point, oxygen intake is reduced to the kiln. Because the fire has reached a critical mass, it needs oxygen and chemically takes it from the clay and the oxides painted on. Like a jazz improvisation, each kiln load comes out slightly different."
From Jonathan Goodman, Poet & Art Critic – "Wortsman re-examines ancient and modern traditions in light of what it means to make art." – Tussle Magazine, July 2019.
Harold Wortsman is a sculptor and printmaker based in Brooklyn, NY. He “creates forms that bring to mind archaic cult objects and exude a quiet concentrated strength.” (Argauer Zeitung, Switzerland). His work, an edgy mix of freedom and clarity, can be found in public and private collections in the US, including The Library of Congress, Yale University, The New York Public Library Print Collection, The New York Historical Society, Smith College, Indiana University’s Lilly Library, Brandeis University, The Newark Public Library Special Collections Division, and the Jane Voorhees Zimmerli Art Museum Print Archive. Also in private and public collections in Europe, including the Municipal Collection of the City of Brugg, Switzerland.
Harold studied at the New York Studio School of Drawing, Painting and Sculpture, with sculptor George Spaventa...
Category
21st Century and Contemporary Contemporary Clay Abstract Sculptures
Materials
Limestone
"VERTICAL 7", sculpture, clay, ceramic, abstract, tribal, pattern, tower, column
Located in Toronto, Ontario
Vertical 7, a ceramic sculpture of wood-fired clay pigmented with oxides, is a work by New York artist Harold Wortsman. Vertical 7 was recently exhibited at "Harold Wortsman: Time and Space" at the Orange Art Foundation, February-March 2022, New York City.
Note the blending of geometric and organic forms in this work – it is characteristic of his practice – warm, contemporary, uniquely crafted, yet speaks to ancient, primitive traditions of art-making that cross cultures and histories. Highly attuned to the art of Africa, the Middle East, India and Asia, his forms are organic abstracts with masculine and feminine attributes that resonate together as a pleasing enigma. They make sense immediately, yet never give up all their secrets.
From Harold Wortsman – "With sculpture, my material of choice is high-fired clay. Pieces are first low-fired in an electric kiln. I do not use glazes. Instead, I use oxides applied to the bisqued (low-fired) clay. As with a tattoo, oxides permit the surface underneath to breathe. The work is then high-fired in a gas kiln with double reduction to cone 10. The final temperature is 2,300 degrees F. At a certain point, oxygen intake is reduced to the kiln. Because the fire has reached a critical mass, it needs oxygen and chemically takes it from the clay and the oxides. Like a jazz improvisation, each kiln load comes out slightly different."
From Jonathan Goodman – "Wortsman has increasingly moved into his own – a place in which the relations between the abstractions of volume and the intimations of very old culture are merged in a way that is new." – Essay, "Harold Wortsman: Time and Space", Orange Art Foundation, February 2022, New York City.
Harold Wortsman is a sculptor and printmaker based in Brooklyn, NY. He “creates forms that bring to mind archaic cult objects and exude a quiet concentrated strength.” (Argauer Zeitung, Switzerland). His work, an edgy mix of freedom and clarity, can be found in public and private collections in the US, including The Library of Congress, Yale University, The New York Public Library Print Collection, The New York Historical Society, Smith College, Indiana University’s Lilly Library, Brandeis University, The Newark Public Library Special Collections Division, and the Jane Voorhees Zimmerli Art Museum Print Archive. Also in private and public collections in Europe, including the Municipal Collection of the City of Brugg, Switzerland.
Harold studied at the New York Studio School of Drawing, Painting and Sculpture, with sculptor George Spaventa...
Category
21st Century and Contemporary Contemporary Clay Abstract Sculptures
Materials
Ceramic, Clay, Pigment, Other Medium
Untitled
Located in Kansas City, MO
“Untitled”
2018-2019
Porcelain, Paper Clay
Cone 6
Size: 54 in. x 54 in.
COA provided
Danielle Weigandt explores the construct of events in time and their role in our lives. Time can...
Category
2010s Abstract Geometric Clay Abstract Sculptures
Materials
Clay, Porcelain
The Reach, Clay Abstract Sculpture, 2019
Located in Boston, MA
Artist Commentary:
Chocolate Brown stoneware; cone 5/6 oxidation firing; Slips and Oxides; Faux metal detailing
Keywords: abstract, textured, clay, ceramic, expressive
Artist Bio...
Category
21st Century and Contemporary Minimalist Clay Abstract Sculptures
Materials
Clay
Antiguo, Clay Abstract Sculpture, 2019
Located in Boston, MA
Artist Commentary:
Dark Chocolate Brown Stoneware; Cone 5/6 Oxidation Firing; Slips & Oxides; Faux metal detailing
"A relic of nature."
Keywords: abstract, textured, ceramic, clay,...
Category
21st Century and Contemporary Abstract Clay Abstract Sculptures
Materials
Clay
Amante, Clay Abstract Sculpture, 2019
Located in Boston, MA
Artist Commentary:
Black stoneware; cone 5/6 oxidation firing; Slips and Oxides
"With some individuals you have to get really close before you get to see the heart inside."
Keywords: abstract, contemporary, ceramic, expressive
Artist Biography:
Beverly Morrison...
Category
21st Century and Contemporary Abstract Clay Abstract Sculptures
Materials
Clay
Floating Americana
Located in Kansas City, MO
Due to the current situation related to the Novel Coronavirus pandemic, our gallery will donate 10% of our commission from this sale to the Kansas City Artists Coalition, which has b...
Category
2010s Contemporary Clay Abstract Sculptures
Materials
Ceramic, Clay, Luster, Porcelain, Stoneware, Glaze, Underglaze
"Flying to the Inside", Contemporary, Ceramic, Sculpture, Geometric Patterning
By Judith Ernst
Located in St. Louis, MO
Originally from the Northwest with a B.A. from Stanford University, I have painted, published illuminated books, and lived and traveled extensively in Asia. Now working primarily in ceramics, I draw images from the deep well of past experience, always starting from a strong “mind’s eye” vision. My ceramic pieces are as much about their inside as they are about their sculpted outside. Implied are the dichotomies between the inner and outer, between that which is hidden and that which is seen, between the esoteric and the exoteric, between the soul and the body. I continue to create “Metaphysical Pots” that feature water both inside and outside, becoming metaphorically both the Water of Life and the Infinite Ocean, symbolizing the continuous process between creation and transcendence. Other pieces include shapes that repeat in a pattern that follows the form of the vessel. It is a “bio-geometry” that leads the eye back to the inside...
Category
2010s Contemporary Clay Abstract Sculptures
Materials
Stone
"RED, BLACK & BROWN", sculpture, clay, ceramic, abstract, tribal, pattern
Located in Toronto, Ontario
Red, Black & Brown, a ceramic sculpture of high-fired clay pigmented with oxides, is a work by New York artist Harold Wortsman. Red, Black & Brown was recently exhibited at "Harold Wortsman: Time and Space" at the Orange Art Foundation, February-March 2022, New York City.
Note the blending of geometric and organic forms in this work – it is characteristic of his practice – warm, contemporary, uniquely crafted, yet speaks to ancient, primitive traditions of art-making that cross cultures and histories. Highly attuned to the art of Africa, the Middle East, India and Asia, his forms are organic abstracts with masculine and feminine attributes that resonate together as a pleasing enigma. They make sense immediately, yet never give up all their secrets.
From Harold Wortsman – "With sculpture, my material of choice is high-fired clay. Pieces are first low-fired in an electric kiln. I do not use glazes. Instead, I use oxides applied to the bisqued (low-fired) clay. As with a tattoo, oxides permit the surface underneath to breathe. The work is then high-fired in a gas kiln with double reduction to cone 10. The final temperature is 2,300 degrees F. At a certain point, oxygen intake is reduced to the kiln. Because the fire has reached a critical mass, it needs oxygen and chemically takes it from the clay and the oxides. Like a jazz improvisation, each kiln load comes out slightly different."
From Jonathan Goodman – "Wortsman has increasingly moved into his own – a place in which the relations between the abstractions of volume and the intimations of very old culture are merged in a way that is new." – Essay, "Harold Wortsman: Time and Space", Orange Art Foundation, February 2022, New York City.
Harold Wortsman is a sculptor and printmaker based in Brooklyn, NY. He “creates forms that bring to mind archaic cult objects and exude a quiet concentrated strength.” (Argauer Zeitung, Switzerland). His work, an edgy mix of freedom and clarity, can be found in public and private collections in the US, including The Library of Congress, Yale University, The New York Public Library Print Collection, The New York Historical Society, Smith College, Indiana University’s Lilly Library, Brandeis University, The Newark Public Library Special Collections Division, and the Jane Voorhees Zimmerli Art Museum Print Archive. Also in private and public collections in Europe, including the Municipal Collection of the City of Brugg, Switzerland.
Harold studied at the New York Studio School of Drawing, Painting and Sculpture, with sculptor George Spaventa...
Category
21st Century and Contemporary Contemporary Clay Abstract Sculptures
Materials
Ceramic, Clay, Pigment, Other Medium
Ceramic and textile sculpture: 'No 2'
By Ak Jansen
Located in New York, NY
This is part of a collection of ceramics, textiles, and drawings by Ak Jansen which comprise his first solo show in New York City. Born in the Netherlands, Jansen’s work occupies que...
Category
2010s Contemporary Clay Abstract Sculptures
Materials
Gold
"4+4", sculpture, clay, ceramic, abstract, contemporary, tribal, disc, geometry
Located in Toronto, Ontario
4+4, a ceramic sculpture of high-fired clay pigmented with oxides, is a work by New York artist Harold Wortsman. Note the blending of geometric and organic forms in this work – it is characteristic of his practice – warm, contemporary, uniquely crafted, yet speaks to ancient, primitive traditions of art-making that cross cultures and histories. Highly attuned to the art of Africa, the Middle East, India and Asia, his forms are organic abstracts with masculine and feminine attributes that resonate together as a pleasing enigma. They make sense immediately, yet never give up all their secrets.
From Harold Wortsman – "With sculpture, my material of choice is high-fired clay. Pieces are first low-fired in an electric kiln. I do not use glazes. Instead, I use oxides applied to the bisqued (low-fired) clay. As with a tattoo, oxides permit the surface underneath to breathe. The work is then high-fired in a gas kiln with double reduction to cone 10. The final temperature is 2,300 degrees F. At a certain point, oxygen intake is reduced to the kiln. Because the fire has reached a critical mass, it needs oxygen and chemically takes it from the clay and the oxides painted on. Like a jazz improvisation, each kiln load comes out slightly different."
From Jonathan Goodman, Poet & Art Critic – "Wortsman re-examines ancient and modern traditions in light of what it means to make art." – Tussle Magazine, July 2019.
Harold Wortsman is a sculptor and printmaker based in Brooklyn, NY. He “creates forms that bring to mind archaic cult objects and exude a quiet concentrated strength.” (Argauer Zeitung, Switzerland). His work, an edgy mix of freedom and clarity, can be found in public and private collections in the US, including The Library of Congress, Yale University, The New York Public Library Print Collection, The New York Historical Society, Smith College, Indiana University’s Lilly Library, Brandeis University, The Newark Public Library Special Collections Division, and the Jane Voorhees Zimmerli Art Museum Print Archive. Also in private and public collections in Europe, including the Municipal Collection of the City of Brugg, Switzerland.
Harold studied at the New York Studio School of Drawing, Painting and Sculpture, with sculptor George Spaventa...
Category
21st Century and Contemporary Contemporary Clay Abstract Sculptures
Materials
Ceramic, Clay, Pigment, Other Medium
Contemporary Ceramic Wall Sculpture by Kaiser Suidan
Located in Palm Beach, FL
4 x 4 Ceramic Modern Cube Sculpture
Artist: Kaiser Suidan
Very easy to hang and ship
Each sold separtely
From first generation Lebanese descent, Kaise...
Category
2010s Abstract Clay Abstract Sculptures
Materials
Clay
Whaea- The Matriarch, ceramic figurative sculpture, female, clay, Maori woman
Located in Santa Fe, NM
Whaea- The Matriarch, ceramic figurative sculpture, female, clay, Maori woman
Category
Early 2000s Contemporary Clay Abstract Sculptures
Materials
Ceramic, Clay
Panier-maison II, Stéphanie Jacques
By Stéphanie Jacques
Located in Wilton, CT
Panier-maison II, Stéphanie Jacques, wood, willow, raw clay coated and limewash, 17" x 20" x 15", 2010.
This contemporary abstract mixed media sculpture was done by Belgian artist, ...
Category
2010s Abstract Clay Abstract Sculptures
Materials
Clay, Wood
Walter Midener "Contemplation" Seated Figure Clay Sculpture Mid-Century Modern
Located in Detroit, MI
SALE ONE WEEK ONLY
“Contemplation” is an abstract clay sculpture of a female. The figure has both arms and legs extended, but the dignified pose suggests an intimate rather than a sexual moment. The sculpture is delicately rendered, but monumental in pose and clean composition reminiscent of the English artist Henry Moore. The surface is warm and slightly rough to the touch. This sculpture is in the round and beautifully balanced geometrically with the hands clasped behind the head forming a slightly flattened polygon shape that is echoed in the positioning of the legs and draped fabric of a presumed dress. The figure draws the viewer into her contemplation, peace and confidence. An exceptional piece by Midener.
Walter Midener...
Category
Mid-20th Century Modern Clay Abstract Sculptures
Materials
Clay
"Milky Jumble", gestural, ceramic, sculpture, brown, cream, white, stoneware
Located in Natick, MA
Sara Fine-Wilsons ”Milky Jumble” is a gestural 12.5 x 10 x 8 inch ceramic sculpture in shades of brown, white and cream. In this powerful and evocative sculpture individual slab and ...
Category
2010s Contemporary Clay Abstract Sculptures
Materials
Stoneware, Glaze, Clay
Ceramic and textile small sculpture: 'No. 19'
By Ak Jansen
Located in New York, NY
This is part of a collection of ceramics, textiles, and drawings by Ak Jansen which comprise his first solo show in New York City. Born in the Netherlands, Jansen’s work occupies que...
Category
2010s Contemporary Clay Abstract Sculptures
Materials
Gold
"Fold", gestural, ceramic, sculpture, white, cream, grey, blue, stoneware
Located in Natick, MA
Sara Fine-Wilson's "Fold" is a gestural 20 x 9 x 8 inch ceramic sculpture in white and cream with accents of grey and blue. It is constructed out of white stoneware with porcelain...
Category
2010s Contemporary Clay Abstract Sculptures
Materials
Stoneware, Slip, Glaze
Granny's Curse Jar
Located in Kansas City, MO
Due to the current situation related to the Novel Coronavirus pandemic, our gallery will donate 10% of our commission from this sale to the Kansas City Artists Coalition, which has been supporting local Kansas City Artists for the past 40 years. The Kansas City Artists Coalition (KCAC), is a non-profit, artist-centered, artist-run alternative space, supporting artists at every level in their career through exhibitions, continuing education and artist studios.
Title : Granny's Curse Jar
Materials : Stoneware, Underglaze, Glaze
Date : 2015
Dimensions : 4" x 3.5" x 3.5"
Description : Ceramic jar with vintage textile prints and vignette phrases
Rachel Hubbard Kline's work explores the wistfulness of personal connections to historical domestic objects and material culture. Kline seeks symbiosis in the relationship of surfaces to forms and addresses the hierarchy of importance between the form itself and the image or decoration. Objects both functional and decorative, factor into the banality and routineness of daily life. As the current political and social climate continues to shift, She seeks to compare past and present means of the production of goods and labor. Surface design inspired by vintage textile prints from family quilts and other historical motifs appear in Kline's work. The vessel acts as a stand in for the body and a metaphor for preservation. Kline's series of jars and jugs are intended to preserve memories of family members and places by using specific colors, patterns and objects she remembers from childhood to the present.
Rachel Hubbard Kline is an art educator and artist in her hometown Kansas City, MO.
With a background in fashion and art history, she explores relationships of fine art and craft in the disciplines of drawing, painting, ceramics, and fiber. Hubbard draws on her Midwestern roots and ties to rural farm life to reflect on past ways of life based on collections and artifacts.
Hubbard Kline has been the recipient of educator residencies at the Kansas City Art Institute, a participant in the Connecting Collections teacher institute in New York, and Educator Conferences and AP Teacher Training at the Savannah College of Art and Design. She earned a Master of Arts in Teaching from Park University in 2010, a Bachelor of Arts from the University of Connecticut in 2007, and attended Parsons School of Design. She is currently pursuing her Master of Fine Arts in Studio Art at the Maryland Institute College of Art.
Contemporary Ceramics, Functiona lCeramics, Pattern, Stoneware, Underglaze, Glaze, Decals, Luster, Craft, Fine Art, Contemporary Craft, Contemporary Fine Art, Beatrice Wood, Nampeyo, Karen Karnes, Tammy Garcia, Melanie Sherman, Mary Rose Young...
Category
2010s Folk Art Clay Abstract Sculptures
Materials
Ceramic, Clay, Luster, Porcelain, Stoneware, Glaze, Underglaze
CINCHES (Ceramic Octo) - Reductive Minimalist Industrial Sculpture, Terracotta
Located in Signal Mountain, TN
In this piece, seven octagonal terra-cotta bricks of cylindrical shape are on the floor in a V shape. Two concrete bricks are placed amongst these cylinders. All of these objects are bound together by a string that is tied around the objects.
Brian Russell...
Category
2010s Contemporary Clay Abstract Sculptures
Materials
Concrete
“I Know You Know I Love Yew” Blue and Gold Decorative Sculpture
Located in Houston, TX
Blue decorative sculpture with gold accents by Houston, TX contemporary artist Jude Rosemond. Sculpture is made from concrete, clay, stone with rosewater...
Category
2010s Contemporary Clay Abstract Sculptures
Materials
Stone, Concrete
Medium Abstract Ceramic Sculpture with Textile: 'Mariette'
By Ak Jansen
Located in New York, NY
This is part of a new collection work that encompasses ceramics and textiles by Ak Jansen. Born in the Netherlands, Jansen’s work occupies queerness on both poetic and political term...
Category
2010s Contemporary Clay Abstract Sculptures
Materials
Gold
Untitled
Located in Kansas City, MO
“Untitled”
2018-2019
Porcelain, Paper Clay
Cone 6
Size: 19 in. x 27 in.
COA provided
Danielle Weigandt explores the construct of events in time and their role in our lives. Time can...
Category
2010s Abstract Geometric Clay Abstract Sculptures
Materials
Clay, Porcelain
"Naked Truth", Abstract Porcelain Sculpture, Surface Illustration, Underglaze
By Kevin Snipes
Located in St. Louis, MO
Kevin Snipes creates ceramic vessel forms that act as canvases for self referential narratives that are brought to the viewer through a combination of illustration and symbolism, obs...
Category
2010s Contemporary Clay Abstract Sculptures
Materials
Underglaze, Ceramic, Clay, Porcelain, Glaze
Contemporary Wood Fired Porcelain Jar Form, Design, Sculpture, Glaze, Ceramic
By Perry Haas
Located in St. Louis, MO
Perry Haas is a ceramic artist making functional pottery and focusing on wood-firing techniques. Drawing from a love for the wood-fired ceramic surface, Perry looks to anticipate the...
Category
2010s Contemporary Clay Abstract Sculptures
Materials
Iron
"JAMÓN JAMÓN VI", pitfire ceramic sculpture, table, food, bait, identity, vessel
Located in Toronto, Ontario
"JAMÓN JAMÓN VI (Language of Flowers)", 2019, in slipcast glazed, pit smoke fired ceramic by artist Andrew Cornell Robinson, is one of a series...
Category
21st Century and Contemporary Contemporary Clay Abstract Sculptures
Materials
Ceramic, Slip, Glaze
"JAMÓN JAMÓN VIII", glaze ceramic sculpture, table, food, bait, identity, vessel
Located in Toronto, Ontario
"JAMÓN JAMÓN VIII", 2019, in slipcast glazed ceramic by artist Andrew Cornell Robinson, is one of a series of sculptural objects that include c...
Category
21st Century and Contemporary Contemporary Clay Abstract Sculptures
Materials
Ceramic, Slip, Glaze
Ceramic and textile sculpture: 'No. 6'
By Ak Jansen
Located in New York, NY
This is part of a collection of ceramics, textiles, and drawings by Ak Jansen which comprise his first solo show in New York City. Born in the Netherlands, Jansen’s work occupies que...
Category
2010s Contemporary Clay Abstract Sculptures
Materials
Gold
Medium Abstract Ceramic Sculpture with Fiber: 'Stephanie'
By Ak Jansen
Located in New York, NY
This is part of a new collection work that encompasses ceramics and textiles by Ak Jansen. Born in the Netherlands, Jansen’s work occupies queerness on both poetic and political term...
Category
2010s Contemporary Clay Abstract Sculptures
Materials
Gold
"CUBE, PYRAMID & SPHERE", sculpture, clay, abstract, geometric, installation
Located in Toronto, Ontario
CUBE, PYRAMID & SPHERE is a major work created over a five-year period. It is a variable installation, composed of 4 geometric sculptures of high-fired clay pigmented with oxides, a block of wood found in the ocean, river gravel, limestone, and slate shattered to fragments. Note the surface textures, the ground of natural stone, the colors black, umber, copper and tan throughout, the pattern of slate fragments. CUBE, PYRAMID & SPHERE is characteristic of Wortman's practice – warm, contemporary, uniquely crafted, yet speaks to ancient, primitive traditions of art-making that cross cultures and histories. Highly attuned to the art of Africa, the Middle East, India and Asia, his forms are organic abstracts with masculine and feminine attributes that resonate together as a pleasing enigma. They make sense immediately, yet never give up all their secrets.
CUBE, PYRAMID & SPHERE was exhibited at BASE: Immersive Art Experiences, Industry City, Brooklyn, NY, 2017. It was also reproduced in Tussle Magazine, alongside "An Interview with Harold Wortsman...
Category
21st Century and Contemporary Contemporary Clay Abstract Sculptures
Materials
Stone, Limestone, Slate
Medium Abstract Ceramic Sculpture with Textile: 'David'
By Ak Jansen
Located in New York, NY
This is part of a new collection work that encompasses ceramics and textiles by Ak Jansen. Born in the Netherlands, Jansen’s work occupies queerness on both poetic and political term...
Category
2010s Contemporary Clay Abstract Sculptures
Materials
Gold
"NEW YORK NIGHTS", sculpture, clay, relief, abstract, contemporary
Located in Toronto, Ontario
NEW YORK NIGHTS, a ceramic relief sculpture of high-fired clay pigmented with oxides, is a work by artist Harold Wortsman. The relief is ready to be mo...
Category
21st Century and Contemporary Contemporary Clay Abstract Sculptures
Materials
Ceramic, Clay, Pigment, Other Medium
CINCHES (SPALLED BRICK) - industrial reductive minimalist sculpture, orange
Located in Signal Mountain, TN
This piece consists of pieces of spalled brick, which had crumbled from the artist's chimney. The artist has used natural string to tie these brick pieces in a neat package. The brick package is delicately placed on a pile of bright orange chalk powder.
Brian Russell...
Category
2010s Minimalist Clay Abstract Sculptures
Materials
Brick, Chalk
Waita - Song, Contemporary Maori Sculpture, Aotearoa, facial moko, tatoo, male
Located in Santa Fe, NM
Waita - Song, Contemporary Maori Sculpture, Aotearoa, facial moko, tattoo, male
Category
Early 2000s Contemporary Clay Abstract Sculptures
Materials
Ceramic, Clay
Wood-fired ceramic abstract sculpture: 'Four'
By Tony Moore
Located in New York, NY
My work is concerned with the relationship of humanity and nature. I conceive of an expanded concept of “Nature” as embodying all existence, both the seen and unseen, socio-politica...
Category
2010s Contemporary Clay Abstract Sculptures
Materials
Ceramic, Clay, Glaze
Medium Abstract Ceramic Sculpture with Textile: 'Tijme'
By Ak Jansen
Located in New York, NY
This is part of a new collection work that encompasses ceramics and textiles by Ak Jansen. Born in the Netherlands, Jansen’s work occupies queerness on both poetic and political term...
Category
2010s Contemporary Clay Abstract Sculptures
Materials
Gold
Ontogeny Recapitulates Phylogeny
Located in Dallas, TX
Cone 04 earthenware sculpture with textured glazed and slips.
Signed, titled, and dated in black ink on bottom.
Milnes served as Dean of the College of Visuals Arts and Design at the University of North Texas from January 2006 to his retirement in August 2014, when he moved to Asheville, NC with his wife Karen, re-establishing Arbitrary Forms Studio there. A sculptor and ceramist, he served previously as Director of the School of Art and Design at San Jose State University in California, Director of the School of Art at Louisiana State University, and as Chair of the Art Department at Edinboro University of Pennsylvania. He taught at the Penland School of Crafts in 1972 and 1979.
Milnes is the past president of the National Council of Art Administrators and the National Association of Schools of Art and Design. He has served as a consultant or evaluator for more than sixty universities, colleges, and independent schools of art in the US and abroad and served in Dallas on the Board of Directors of the Business Council for the Arts and as Chair of the Community Advisory Board for KERA, the NPR station for North Texas. He was recently named a Fellow and Lifetime Member of NASAD and served on the Board of Directors of the Center for Craft in Asheville, NC and as co-chair of the Blue Ridge Public Radio Strategic Planning Committee.
He is a member of the Southern Highland Crafts Guild.
Category
2010s Abstract Clay Abstract Sculptures
Materials
Earthenware, Slip, Glaze
Awhi Whakapapa, Embracing Geneaology, ceramic figurative sculpture, Contemporary
Located in Santa Fe, NM
Awhi Whakapapa, Embracing Geneaology, ceramic figurative sculpture, Contemporary
Category
Early 2000s Contemporary Clay Abstract Sculptures
Materials
Ceramic, Clay
"Droplet 1916", Contemporary, Ceramic, Wood Fired, Porcelain, Glaze, Wood Stand
By Perry Haas
Located in St. Louis, MO
Perry Haas is a ceramic artist making functional pottery and focusing on wood-firing techniques. Drawing from a love for the wood-fired ceramic surface, Perry looks to anticipate the...
Category
2010s Contemporary Clay Abstract Sculptures
Materials
Iron
Wood-fired ceramic abstract sculpture: 'Three'
By Tony Moore
Located in New York, NY
My work is concerned with the relationship of humanity and nature. I conceive of an expanded concept of “Nature” as embodying all existence, both the seen and unseen, socio-politica...
Category
2010s Contemporary Clay Abstract Sculptures
Materials
Ceramic, Clay, Glaze
Tupuna, ceramic series, ancestor's cloak, contemporary sculpture, Maori
By Wi Taepa
Located in Santa Fe, NM
Tupuna, ceramic series, ancestor's cloak, contemporary sculpture, Maori
Category
Early 2000s Contemporary Clay Abstract Sculptures
Materials
Ceramic, Clay
Ceramic and textile small sculpture: 'No. 17'
By Ak Jansen
Located in New York, NY
This is part of a collection of ceramics, textiles, and drawings by Ak Jansen which comprise his first solo show in New York City. Born in the Netherlands, Jansen’s work occupies que...
Category
2010s Contemporary Clay Abstract Sculptures
Materials
Gold
Attached
Located in Kansas City, MO
Artist : Stephanie Lanter
Title : "Attached"
Materials : Porcelain, glaze, stoneware, wire, thread
Date : 2020
Dimensions : 20" x 9" x 8.5"
Description : Manually slip-trailed sculpture...
Category
2010s Contemporary Clay Abstract Sculptures
Materials
Wire
Wood-fired ceramic abstract sculpture: 'All Used Up'
By Tony Moore
Located in New York, NY
My work is concerned with the relationship of humanity and nature. I conceive of an expanded concept of “Nature” as embodying all existence, both the seen and unseen, socio-politica...
Category
2010s Contemporary Clay Abstract Sculptures
Materials
Ceramic, Clay, Glaze
"Orange Mound", Contemporary, Abstract, Ceramic, Sculpture, Porcelain Assemblage
Located in St. Louis, MO
"I work with a simple elemental form, a curve made from the most basic natural material, clay. I make and build with hundreds or thousands of these forms. The clay curve connects me ...
Category
2010s Contemporary Clay Abstract Sculptures
Materials
Ceramic, Clay, Porcelain, Glaze, Pigment
"Scaffolding with Blue", Architectural, Ceramic, Porcelain, Sculpture, Glaze
Located in St. Louis, MO
"My work explores transformation using the kiln as a vehicle for deconstruction. The porcelain grid systems become an architecture over which to stretch a fluid skin that warps or co...
Category
2010s Contemporary Clay Abstract Sculptures
Materials
Ceramic, Clay, Porcelain, Glaze
Wood-fired ceramic abstract sculpture: 'Walker'
By Tony Moore
Located in New York, NY
My work is concerned with the relationship of humanity and nature. I conceive of an expanded concept of “Nature” as embodying all existence, both the seen and unseen, socio-politica...
Category
2010s Contemporary Clay Abstract Sculptures
Materials
Ceramic, Clay, Glaze
"MONUMENT", sculpture, clay, abstract, geometry, contemporary, ceramic, tribal
Located in Toronto, Ontario
MONUMENT, a ceramic sculpture of high-fired clay pigmented with oxides, is a recent work by artist Harold Wortsman. Note the volumetric geometry inhere...
Category
21st Century and Contemporary Contemporary Clay Abstract Sculptures
Materials
Ceramic, Clay, Pigment, Other Medium
Wood-fired ceramic abstract sculpture: 'One'
By Tony Moore
Located in New York, NY
My work is concerned with the relationship of humanity and nature. I conceive of an expanded concept of “Nature” as embodying all existence, both the seen and unseen, socio-politica...
Category
2010s Contemporary Clay Abstract Sculptures
Materials
Ceramic, Clay, Glaze, Underglaze
"HER DREAM", sculpture, clay, abstract, organic, contemporary, ceramic, tribal
Located in Toronto, Ontario
HER DREAM, a ceramic sculpture of high-fired clay pigmented with oxides, is a work by artist Harold Wortsman. Note the blending of geometric and organic forms in this work – it is ch...
Category
21st Century and Contemporary Contemporary Clay Abstract Sculptures
Materials
Ceramic, Clay, Pigment, Other Medium
Clay abstract sculptures for sale on 1stDibs.
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