Mixed Media Abstract Sculptures

Hypomnema. A term that is composed of the ancient Greek preposition Hypo-Mneme and literally means “commemorative memory.” It is the meeting of several layers in an object, the memor...

Abstract composition in white is a sculpture realized by Tonino Maurizi, in 2000s. 28x21 cm. Hand signed in felt-tip pen. Ecellent conditions Tonino Maurizi (1940): painter, sculptor, designer, cabinetmaker, Tonino Maurizi lives and works in Montecosaro, where he was born on 19 February 1940. He graduated from the Art Institute of Macerata together with enterprising and creative students such as Dante Ferretti...

Titled "In G-d We Trust" signed dated and titled verso. there is also a gallery label. Mixed Media wall hanging in a pop art style. Background of pennies and then the foreground is l...

We are proud to premiere the latest works by American artist Darren LeGallo. Our second exhibition, Darren LeGallo, "From Destruction" has just opened at our West Hollywood gallery...

Hypomnema. A term that is composed of the ancient Greek preposition Hypo-Mneme and literally means “commemorative memory.” It is the meeting of several layers in an object, the memor...

Eileen Braun delights in creating biomorphic or organic sculptural forms. Although they may look as though they're constructed of metal rods, they're actually created from rattan ree...

This 19" x 9" round clay sculpture by Paul Medina represents a crown of thorns with multi-colored roses in orange, green and red. The clay crown is painted dark brown with protruding...

Eileen Braun delights in creating biomorphic or organic sculptural forms. Although they may look as though they're constructed of metal rods, they're actually created from rattan ree...

Eileen Braun delights in creating biomorphic or organic sculptural forms. Although they may look as though they're constructed of metal rods, they're actually created from rattan ree...

Hypomnema. A term that is composed of the ancient Greek preposition Hypo-Mneme and literally means “commemorative memory.” It is the meeting of several layers in an object, the memor...

This work from Linda Stein's Displacement From Home series draws from the tradition of wunderkammer/cabinets of curiosities to highlight the global displacement and traumatic memory of migrants and refugees around the world. Works from this series are in the Permanent Collections...

This sculpture from Linda Stein’s Knights of Protection series functions both as a defender in battle and a symbol of pacifism. The series references popular and religious icons suc...

Groot Foundation Grant Honorable Mention Recipient 2025 "My work, both in painting and sculpture, involve networks of intricately connected, overlapping, and morphing shapes and pat...

Artist: Betty Bairamian Work: Original Sculpture, Handmade Artwork, One of a Kind Medium: Metal, Wood, Mixed Media Year: 2024 Style: Contemporary Art...

The Big Door (La Grande Porta) is an original Contemporary artwork realized in 1986 by the italian Contemporary artist Leo Guida (1992 - 2017). Relief ...

Antonio Puri's "Tantra" sculptural painting is one of 100 intimately-scaled minimalist round mandala circles built from tiny seed beads adhered to canvas in a range of red hues, crea...

Len Klikunas creates sculptural minimalist artworks to modify experienced reality through visual perception. His original artwork is a mix of art and architecture, hovering between p...

Len Klikunas creates sculptural minimalist artworks to modify experienced reality through visual perception. His original artwork is a mix of art and architecture, hovering between p...

Len Klikunas creates sculptural minimalist artworks to modify experienced reality through visual perception. His original artwork is a mix of art and architecture, hovering between p...

Linda Stein Soft Curve 312 (from the Estate of artist Will Barnet), 1998 Mixed media sculpture of wood, metal and stone Signed, titled and dated with additional sculpted text Unique ...

Seymour Lipton Maquette for Laureate, ca. 1968-1969 Nickel silver on monel metal Unique 18 × 8 1/2 × 7 inches Marlborough-Gerson Gallery, New York Acquired from the above by the previous owner, 1969 thence by descent Christie's New York: Monday, June 30, 2008 [Lot 00199] Acquired from the above Christie's sale This unique sculpture by important Abstract Expressionist sculptor Seymour Lipton is a maquette of the monumental sculpture "Laureate" - one of Lipton's most iconic and influential works located on the Riverwalk in downtown Milwaukee, Wisconsin. Laureate is a masterpiece that was commissioned by the Allen-Bradley Company in memory of Harry Lynde Bradley and as an enhancement for the newly constructed Performing Arts Center. It is located on the east bank of the Milwaukee River at 929 North Water Street. The Bradley family in Milwaukee were renowned patrons of modernist sculpture, known for their excellent taste who also founded an eponymous sculpture park. For reference only is an image of the monumental "Laureate" one of Milwaukee's most beloved public sculptures. According to the Smithsonian, which owns a different unique variation of this work, "The full-size sculpture Laureate was commissioned by the Marcus Center for the Performing Arts in Milwaukee. In the initial drawings, Seymour Lipton combined details from the architectural plan with a wide variety of images, ranging from musical instruments to a lighthouse on the island of Tobago. He transformed the basic shapes from these sketches into a welded sculpture, which evokes a figure composed of columns, harp strings, and coiled rope. Lipton created this piece to celebrate achievement in the arts. The dramatic silhouette commands your attention, reflecting the title Laureate, which means worthy of honor and distinction. The final version of the piece is over twelve feet high and stands out against the pale, flat buildings of the arts center.,," Provenance Marlborough-Gerson Gallery, New York Acquired from the above by the previous owner, 1969 thence by descent Christie's New York: Monday, June 30, 2008 [Lot 00199] Acquired from the above Christie's sale About Seymour Lipton: Born in New York City in 1903, Seymour Lipton (1903-1986) grew up in a Bronx tenement at a time when much of the borough was still farmland. These rural surroundings enabled Lipton to explore the botanical and animal forms that would later become sources for his work. Lipton’s interest in the dialogue between artistic creation and natural phenomena was nurtured by a supportive family and cultivated through numerous visits to New York’s Museum of Natural History as well as its many botanical gardens and its zoos. In the early 1920s, with the encouragement of his family, Lipton studied electrical engineering at Brooklyn Polytechnic Institute and pursued a liberal arts education at City College. Ultimately, like fellow sculptor Herbert Ferber, Lipton became a dentist, receiving his degree from Columbia University in 1927. In the late 1920s, he began to explore sculpture, creating clay portraits of family members and friends. In addition to providing him with financial security, dentistry gave Lipton a foundation in working with metal, a material he would later use in his artwork. In the early 1930s, though, Lipton’s primary sculptural medium was wood. Lipton led a comfortable life, but he was also aware of the economic and psychological devastation the Depression had caused New York. In response, he generally worked using direct carving techniques—a form of sculpting where the artist “finds” the sculpture within the wood in the process of carving it and without the use of models and maquettes. The immediacy of this practice enabled Lipton to create a rich, emotional and visual language with which to articulate the desperation of the downtrodden and the unwavering strength of the disenfranchised. In 1935, he exhibited one such early sculpture at the John Reed Club Gallery in New York, and three years later, ACA Gallery mounted Lipton’s first solo show, which featured these social-realist-inspired wooden works. In 1940, this largely self-taught artist began teaching sculpture at the New School for Social Research, a position he held until 1965. In the 1940s, Lipton began to devote an increasing amount of time to his art, deviating from wood and working with brass, lead, and bronze. Choosing these metals for their visual simplicity, which he believed exemplified the universal heroism of the “everyman,” Lipton could also now explore various forms of abstraction. Lipton’s turn towards increasing abstraction in the 1940s allowed him to fully develop his metaphorical style, which in turn gave him a stronger lexicon for representing the horrors of World War II and questioning the ambiguities of human experience. He began his metal work with cast bronze sculptures, but, in 1946, he started welding sheet metal and lead. Lipton preferred welding because, as direct carving did with wood, this approach allowed “a more direct contact with the metal.”[ii] From this, Lipton developed the technique he would use for the remainder of his career: “He cut sheet metal, manipulated it to the desired shapes, then joined, soldered, or welded the pieces together. Next, he brazed a metal coating to the outside to produce a uniform texture.”[iii] In 1950, Lipton arrived at his mature style of brazing on Monel metal. He also began to draw extensively, exploring the automatism that abstract expressionist painters were boasting at the time. Like contemporaries such as Jackson Pollock, Lipton was strongly influenced by Carl Jung’s work on the unconscious mind and the regenerative forces of nature. He translated these two-dimensional drawings into three-dimensional maquettes that enabled him to revise his ideas before creating the final sculpture.The forms that Lipton produced during this period were often zoomorphic, exemplifying the tension between the souls of nature and the automatism of the machine. In the years following the 1950s, Lipton’s optimism began to rise, and the size of his work grew in proportion. The oxyacetylene torch—invented during the Second World War—allowed him to rework the surfaces of metal sculptures, thus eliminating some of the risks involved with producing large-scale finished works. In 1958, Lipton was awarded a solo exhibition at the Venice Biennale and was thus internationally recognized as part of a small group of highly regarded avant-garde constructivist sculptors. In 1960, he received a prestigious Guggenheim Award, which was followed by several prominent public commissions, including his heroic Archangel, currently residing in Lincoln Center’s David Geffen Hall. A number of important solo exhibitions of his work followed at The Phillips Collection in Washington, DC (1964); the Milwaukee Art Center and University of Wisconsin, Milwaukee (1969); the Virginia Museum of Fine Arts in Richmond (1972); the Everson Museum in Syracuse, NY (1973); the Herbert E. Johnson Museum of Art of Cornell University in Ithaca, NY (1973); the National Collection of Fine Arts, Smithsonian Institution (now the Smithsonian American Art Museum) in Washington, DC (1978); and a retrospective in 1979 at The Jewish Museum in New York. In 1982 and 1984 alone, two exhibitions of his sculpture, organized respectively by the Mint Museum (Charlotte, NC) and the Hillwood Art Gallery of Long Island University (Greenvale, NY), traveled extensively across museums and university galleries around the nation. In 2000, the traveling exhibition An American Sculptor: Seymour Lipton was first presented by the Palmer Museum of Art of Pennsylvania State University in University Park. Most recently, in 2009, the Ackland Art Museum in Chapel Hill, NC mounted The Guardian and the Avant-Garde: Seymour Lipton’s Sentinel II in Context. Since 2004, Michael Rosenfeld Gallery has been the exclusive representative of the Estate of Seymour Lipton and has presented two solo exhibitions of his work—Seymour Lipton: Abstract Expressionist Sculptor (2005) and Seymour Lipton: Metal (2008). In 2013, Michael Rosenfeld Gallery presented Abstract Expressionism, In Context: Seymour Lipton, which included twelve major sculptures by the artist, along with works by Charles Alston, Norman Bluhm, Beauford Delaney, Willem de Kooning, Jay DeFeo, Michael Goldberg, Adolph Gottlieb, Hans Hofmann, Lee Krasner, Norman Lewis, Conrad Marca-Relli, Boris Margo, Alfonso Ossorio, Richard Pousette-Dart, Milton Resnick, Charles Seliger...

ALTERATION ART . . . is a collaboration process between Rick Wolfryd, fine artist and art dealer with over 40 years experience, and various Mexican Huichol artists and Mexican Huich...

Eileen Braun delights in creating biomorphic or organic sculptural forms. Although they may look as though they're constructed of metal rods, they're actually created from rattan ree...

This Mixed Media piece titled "Fern Spiral Series 3" is an original artwork by Roxana Azar made of an etched fluorescent acrylic. The piece measure...

Eileen Braun delights in creating biomorphic or organic sculptural forms. Although they may look as though they're constructed of metal rods, they're actually created from rattan ree...

Eileen Braun delights in creating biomorphic or organic sculptural forms. Although they may look as though they're constructed of metal rods, they're actually created from rattan ree...

Entanglements: Seeking Beauty in the Overlooked My work challenges the traditional norms of an artist's medium and practice. Materiality often becomes my muse, driving my creative pr...

Artist Len Klikunas paints to modify experienced reality through visual perception. Klikunas focuses on the larger idea behind his original abstract minimalist artworks. The work is ...

Focusing on making human-scale, abstract, minimalist, and often kinetic sculptures, D'Arcy Bellamy creates art exclusively from steel pipe. Bellamy’s work is characterized by flowing...

Eileen Braun delights in creating biomorphic or organic sculptural forms. Although they may look as though they're constructed of metal rods, they're actually created from rattan ree...

Eileen Braun delights in creating biomorphic or organic sculptural forms. Although they may look as though they're constructed of metal rods, they're actually created from rattan ree...

Linda Stein, Spoon to Shell 912 - Mixed Media Shell Wood Contemporary Assemblage Sculpture Spoon to Shell 912 is from Linda Stein's Holocaust Heroes: Fierce Females series, which h...

Spray painted Street banner vinyl Wall Sculpture/ tapestry One of a kind

Antonio Puri's "Tantra" sculptural painting is one of 100 intimately-scaled minimalist round mandala circles built from tiny seed beads adhered to canvas ...

Acrylic paint and aluminum leaf on acrylic glass. 36" diameter. This is a time that has forced us to redefine. Redefine how we live, how we interact, how we see, what we value. Th...

Groot Foundation Grant Honorable Mention Recipient 2025 "My work, both in painting and sculpture, involve networks of intricately connected, overlapping, and morphing shapes and pat...

Ben Eine SCARY (Hand painted Skateboard Skate Deck), 2017 Hand painted with blue skate deck on 100% Canadian maplewood Boldly signed and dated on the front in black marker; numbered ...

Untitled 02, 2016 Mixed media on metal sheet (Signed on reverse) 70,87 H × 39,37 W x 12,6 D in 180 H × 100 W x 32 D cm Berszán’s black silicon structures arise through a process of ...

Black Guard 633 from Linda Stein’s Knights of Protection series functions both as a defender in battle and a symbol of pacifism. The series references popular and religious icons such as Wonder Woman, Princess Mononoke and the Buddhist goddess of mercy Kannon, and addresses protection, safety and upstander behavior. This artwork was exhibited in a group exhibition titled "Beware: Women Working...

"Wandering Bonanza 19" is an original Lost Object Series assembly with string by Amsterdam-based artist X-O (Hyland Mather) measuring 20in x 16in x 2in.

Eileen Braun delights in creating biomorphic or organic sculptural forms. Although they may look as though they're constructed of metal rods, they're actually created from rattan ree...

Modern abstract mixed media sculpture by Texas artist McKay Otto. The work features steel arms twisting out of a wood center pillar that is attached to a cement base. Signed, dated, ...

Hugo Urrutia’s “From Dusk to Dawn” is a masterful 29-inch high by 38-inch wide sculptural wall artwork, crafted with meticulous precision using oil lacquer paint on carved Baltic birch. Part of his acclaimed “Flexible Rigids” series, this work challenges the boundaries between rigid geometry and fluid motion, transforming a structured surface into a captivating, undulating form. Urrutia’s innovative approach to sculptural abstraction and his ability to evoke natural harmony through architectural precision make this artwork ideal for collectors of modern wall sculptures, geometric art, and unique design-inspired pieces. In “From Dusk to Dawn”, Urrutia builds a mesmerizing composition of repeating triangular modules, meticulously carved to create a dynamic wave-like effect across the surface. The artwork’s deep red gradient transitions from darker tones at the top to vibrant crimson hues at the base, suggesting a natural progression reminiscent of twilight giving way to morning light. The carved facets interact beautifully with light, producing subtle shifts in shadows, reflections, and tones that shift as the viewer changes perspective. The repetitive geometric pattern creates both rhythm and structure, while the gentle curvature of the surface adds an organic flow, echoing Urrutia’s inspiration from natural phenomena like rippling water, wind-blown fabric, or synchronized flocks of birds. The contrast between the bold, rich hues and the natural wood accents further enhances the sculpture’s modern elegance, making it a striking centerpiece for contemporary interiors and architectural spaces. Key Features: Original artwork: Sculptural wall art crafted with carved Baltic birch and oil lacquer paint Dimensions: 29 inches high by 38 inches wide; 5 inches deep Design concept: “Flexible Rigids” series, transforming rigid geometry into flowing, harmonic forms Visual impact: Rich red gradient with natural wood accents and dynamic triangular carvings Display: Signed by the artist on the back; no framing required Certificate of authenticity included with purchase Delivery: Free local Los Angeles area delivery; affordable Continental U.S. and worldwide shipping available Hugo Urrutia, a multidisciplinary artist and architect, explores the intersection of art, design, and technology in his sculptural works. Inspired by natural movement and architectural precision, Urrutia’s pieces evoke the beauty of harmony, rhythm, and balance. A graduate of the prestigious Architectural Association in London, Urrutia has exhibited his works worldwide, solidifying his reputation as a visionary artist who redefines the relationship between art and space. “From Dusk to Dawn” is a stunning exploration of geometry, color, and form, seamlessly blending organic flow with architectural structure. Ideal for modern interiors, creative workspaces, or gallery walls, this one-of-a-kind sculpture transforms its environment with a dynamic energy and sophisticated elegance. Collectors seeking art that embodies innovation, movement, and timeless design will find “From Dusk to Dawn” an exceptional addition to their collection. REPRESENTATION Artplex Gallery, Los Angeles, CA EXHIBITIONS 2023 Artplex Gallery, Los Angeles, CA 2019 JoAnne Artman Gallery, Laguna Beach, USA 2019 Contemporaneo Ashville, Ashville, USA 2019 Canvas Hotel, Dallas, USA 2019 Decorazon Gallery, New York, USA 2018 George Billis Gallery, New York City, USA 2018 Ro2 Gallery, Dallas, USA 2018 Reveal Art Fair, Saratoga Springs, USA 2018 Aqua Art Fair, December. Miami, USA 2018 Cube Gallery, Winter 2018 London, UK 2018 SORAA, Frankfurt, Germany 2017 Decorazon Gallery, Dallas, USA 2016 Retrospect Galleries, Byron Bay, Australia 2015 Angela Royo Contemporary Art, Bogota, Colombia 2014 Decorazon Gallery, Dallas, USA 2012 Architectural Association Members’ Room, London 2012 Angela Royo Contemporary Art, Bogota, Colombia 2012 The Delicate Mayhem Gallery, London, UK 2011 Charlotte Jackson...

Matt Mitros was born in Philadelphia, PA. Upon completing his BFA at Penn State University, he was an Artist-In-Residence at Arrowmont School of Arts & Crafts as well as the Archie B...

Jana Osterman is fascinated and inspired by the organic shapes found in nature. This is one in a series of imposing wall reliefs created in venetian plaster. Osterman’s biomorphic wo...

Modern mixed media sculpture by Texas artist Roy Fridge. The work features a mummified portrait bust encased in a red, white, and blue flag placed in a wooden box or crate. Artist Biography: A native of Beeville, Fridge was an only child who made his own toys. After serving in the U.S. Navy, he graduated from Baylor University in Waco with a degree in filmmaking. In the 1960s, he and his best friends, sculptors Jim Love and Dave McManaway, became known as the "unholy trio" of Texas contemporary art. In 1963, Fridge left a career in television advertising and "ran away to the beach." He settled in the sleepy town of Port Aransas...

This sculpture from Linda Stein’s Knights of Protection series functions both as a defender in battle and a symbol of pacifism. The series references popular and religious icons such as Wonder Woman, Princess Mononoke...

Phillip King Yellow Disc, 2007 Hand painted steel on a marble base Signed and numbered 21/35 on base. Provenance: Bernard Jacobson Gallery, London Private Collection, UK 5 3/5 × 12 ...

3-D sculpted multiple (to be hung on the wall) by British Pop Art pioneer Richard Smith: Richard Smith D from Logo Suite (Magenta), 1971 Silkscreen on 3-D Molded Plastic Over Wood P...

Eileen Braun delights in creating biomorphic or organic sculptural forms. Although they may look as though they're constructed of metal rods, they're actually created from rattan ree...

A native New Yorker, Diane had an earlier career including 17 years as a management consultant to local nonprofits concerned with poverty or disenfranchisement; work in NYC governmen...

'We surround ourselves with elements from nature in the form of manicured lawns, sculpted trees, and our domesticated companions. We bend the natural world to our tastes and create a...

Groot Foundation Grant Honorable Mention Recipient 2025 "My work, both in painting and sculpture, involve networks of intricately connected, overlapping, and morphing shapes and pat...

William Weege (b. 1935). American Pop Art Artist. Colorful mixed media on a vintage vinyl LP record Hand signed and dated 1976 recto. Born in Milwaukee, Wisconsin in 1935, Weege studied printmaking, collage and sculpture at the University of Wisconsin. In the late 60's Vietnam war era his politically charged radical anti war posters...

An abstract artwork of a figure using mixed media by Robert Brady.

Maki's work is influenced by early Modernist Abstraction, while her combination of materials and technique make the pieces uniquely her own. This work, in subtle shades of white, gra...

Eileen Braun delights in creating biomorphic or organic sculptural forms. Although they may look as though they're constructed of metal rods, they're actually created from rattan ree...

Eileen Braun delights in creating biomorphic or organic sculptural forms. Although they may look as though they're constructed of metal rods, they're actually created from rattan ree...

Nam June Paik and Charlotte Moorman Happy New Year, circa 1970 Signed by both artists Electronic circuit board 8 1/4 x 9 1/4 x 1 1/4 inches Nam June Paik (1932–2006), international...

Louise Bourgeois Limited Edition Ceramic Plate depicting Malloreddus alla Sarda, Dallas Texas, 1998 Ceramic Plate 10 in diameter Edition 457/1000 (read description; the edition was not completed) Unframed (Stand shown is not included) Makes a memorable gift! This striking, rare limited edition, signed and numbered bowl/plate was handmade in southern Italy by master artisans near Vietri sul Mare. It was designed by renowned American artist Louise Bourgeois. From the late 1990s through the millenium, Buon Ricordo...