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Dale DunningShiro Koi AP - white, rustic, baroque, face, figurative, bronze wall sculpture2014
2014
About the Item
Using small hand carved wooden escutcheons created by rural furniture makers early in the last century as the basis for the molds, Dunning has created the wax elements and sculpted a series of four bronze masks. This is one in that series.
Dale Dunning has had a distinguished career as a sculptor. He holds an MFA from the Cranbrook Academy of Art in Michigan. He has studied under acclaimed artists such as Lawren Harris, David Sliverberg and George Tiesen. His work has been exhibited extensively across Canada, and is also held in a number of public collections. His work was recently featured in the periodical Diacritics, A Review of Contemporary Criticism, published by Johns Hopkins University. Dunning is represented by the Oeno Gallery.
This is the Artist's Proof. The mask will be cast in an edition of 7.
- Creator:Dale Dunning (1946, Canadian)
- Creation Year:2014
- Dimensions:Height: 26 in (66.04 cm)Width: 17 in (43.18 cm)Depth: 8 in (20.32 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Bloomfield, CA
- Reference Number:1stDibs: LU291124040
Dale Dunning
Dale Dunning holds a Master of Fine Arts Degree from Cranbrook Academy of Art in Bloomfield Hills, Michigan. While earning his Bachelor of Fine Arts Degree from Mt. Allison University, NB, he studied under Lawren P. Harris. This academic training is reflected in Dunning’s approach to his work. Early on, he decided to focus on the human head and the mask. Inspired by the Gothic and Classical periods of “Grotesque” art, his work often reflects a romantic sensibility. His sculptures may recall the Gothic literature of Mary Shelley or historical novels of Alexandre Dumas. "The head is universally recognized, easy to identify with. We live in our heads, see, feel, and experience the world in our head. It serves as the foundation upon which I can develop various paths to explore." ~ Dale Dunning Dunning explores a variety of materials – bronze and aluminum casting, welded screws and wrenches, typeset, cable – all in the interest of creating the form. In 2012, Dunning’s work was chosen to illustrate an entire volume of Dacritics, a journal of linguistic criticism published by Johns Hopkins University Press. Dunning has exhibited across Canada and his work is held in private, corporate and public collections including the Montreal Museum of Fine Arts, Robert McLaughlin Gallery, McIntosh Gallery at Western University, Carleton University Art Collection, and the National Library of Canada.
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