2010s Abstract Sculptures

The project "Eternal and Ingenious" is taken as a basis for portraits of all kinds of mitts in the world of Ukraine. The concept of the creation is the image of the inner and outward...

Among the pioneering California-based Light and Space artists, Peter Alexander has spent the course of his career focusing intensely on light and its manifold effects in his sculptur...

Where do we come from? Where are we going? What the hell is going on here? 2017-2018 Hand cut paper in wood box Gil Scullion’s conceptual text-based work has been featured in exhibi...

Longquan, China, Solo exhibition A Matter of Time Wangou Art Center 30.08-30.09 2025 Drawing inspiration from ancient ceramic traditions, including Korean pottery and the Japanese w...

Radioluminescence is the phenomenon by which light is produced in a material by bombardment with ionizing radiation and can be used as a low-level light source for night illumination of instruments or signage or other applications where light must be produced for long periods without external energy sources. Radioluminescent paint used to be used for clock hands and instrument dials...

Architecture and functional objects inform the vocabulary of Richard Bottwin’s sculpture. The plywood surfaces, laminated with wood veneers or painted with acrylic colors, are confi...

Sara Fine-Wilson's "Fractured" is a gestural 13 x 16 x 8 inch ceramic sculpture in white and cream with accents of grey and teal. It is constructed out of white stoneware and layered...

Where do we come from? Where are we going? What the hell is going on here? 2017-2018 Hand cut paper in wood box Gil Scullion’s conceptual text-based work has been featured in exhibi...

Radioluminescence is the phenomenon by which light is produced in a material by bombardment with ionizing radiation and can be used as a low-level light source for night illumination of instruments or signage or other applications where light must be produced for long periods without external energy sources. Radioluminescent paint used to be used for clock hands and instrument dials...

Contemporary, Porcelain, Sculpture, Abstract, Design, Harumi Nakashima, Japanese Japanese artist Harumi Nakashima creates free-form ceramic sculptures that feature organic, yet psyc...

Emily Feinstein grew up with a father who was a cabinetmaker with a shop in the basement. She spent a lot of time making things and constructing with wood. Her ongoing interest in r...

Radioluminescence is the phenomenon by which light is produced in a material by bombardment with ionizing radiation and can be used as a low-level light source for night illumination of instruments or signage or other applications where light must be produced for long periods without external energy sources. Radioluminescent paint used to be used for clock hands and instrument dials...

Radiant Afternoon by Neva Setlow is created with layered colored Plexiglass, both flat and round. It is 16x16x2 created with bright colors and dimension. It is on a wood frame and...

Emily Feinstein grew up with a father who was a cabinetmaker with a shop in the basement. She spent a lot of time making things and constructing with wood. Her ongoing interest in r...

Weaving is a form of drawing, of plotting and connecting lines. Fabricating a three-dimensional, transparent object using thin strips of paper with differing colors on either side re...

This 123 Drumming Girl Collectible Object exemplifies the aesthetic of its creator, Yoshitomo Nara: naive and cute but with an edgy undercurrent dri...

Aluminum sheet, metal wire and acrylic - mobile "Limited edition of 8 1/8 Available on request — 3 week turnaround " Amaury Maillet is a self-taught ...

While working on a large building project several years ago the artist, Fritz Horstman was struck by the poetry in the unfinished state of the construction site. He was drawn specifically to the space between the plywood walls that were raised as formworks for the pouring of cement. That space could only exist for a few hours before the cement truck...

Hand Built and glazed ceramic. Free standing, safe for outdoors. My interest in clay as an artistic medium began in 1984. Like most beginners in the medium, I focused on creating ...

While working on a large building project several years ago the artist, Fritz Horstman was struck by the poetry in the unfinished state of the construction site. He was drawn specifically to the space between the plywood walls that were raised as formworks for the pouring of cement. That space could only exist for a few hours before the cement truck...

Lithoid #66 This minimalist Zen like sculpture is formed from Linden wood, also known as Basswood, which was considered sacred in Slavi mythology. I...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Authenticity, guaranteeing its originality and provenance. We offer secure worldwide delivery to any address you specify, ensuring that your purchase arrives in pristine condition. If you require additional shipping options or a bespoke quote from our trusted network of carriers, please do not hesitate to contact us. Our team is here to help you find the best solutions for a smooth and secure delivery experience. Elisabet Urpí Ràfols and Nacho Umpiérrez Fripp, collectively known as ELIURPI, are the creative duo behind our brand. Based in Barcelona, we specialize in shaping unique pieces through a fusion of culture, architecture, and contemporary art. Founded 14 years ago, ELIURPI originally gained recognition for our sculptural hats. Over time, our artistic scope has broadened to encompass sculptures and art-design pieces. Recently, we showcased our latest creations at the Milan Fair, including an individual exhibition at Palazzo Litta titled "Shadows and Poems," inspired by Junichiro Tanizaki’s "In Praise of Shadows," which extols chiaroscuro as the pinnacle of beauty. Raffia served as the central material uniting all exhibited pieces, creating a harmonious narrative throughout the exhibition space. Our professional and personal lives intertwine, enriching our distinctive artistic language that blends cultural traditions with contemporary aesthetics. We draw inspiration from the interplay of light and shadow, while craftsmanship, creativity, and integrity guide our use of natural materials such as wood, straw, raffia, linen, and silk. Notable milestones include our ongoing exhibitions during ARCO week in Madrid, as well as appearances in international art galleries and craft biennials. In 2023, our work "Sculptural Head Object...

"Gershwin" by Richard Pitts Brushed aluminum Richard Pitts works in many media, from steel to wood to bronze to aluminum, not to mention his paintings. His often colorful, abstract ...

Rondo (Blue and Yellow) (1965) by Carmen Herrera - Artist Plate Fine Bone China Edition of 250 Printed signature and edition details on verso comes with the original presentation box...

tabletop sculpture, indoor sculpture, metal, colorful; “Shelter – Bilbao” is from my Shelter Series of tabletop sculptures. They make reference to the basic design of the human shelt...

Born in Colorado and raised in Nebraska, Sandy Graves first forayed into the art world by presenting work as a child and 4-H member at local county fairs. As she continued her educat...

Toshiko Takaezu Closed Form (INV# NP3927) 4.5 x 5 x 5" date unknown signed by artist Toshiko Takaezu (June 17, 1922 – March 9, 2011) was an American ceramic artist and painter. She ...

Spinnaker is a modern mixed media wall sculpture. Made from MDF, acrylic and repurposed Black cherry wood. This is the second piece I made as I begin to experiment with additional ma...

"Waikiki" is a minimalist and modernist, solid wood wall sculpture that brings bold statement to wherever it is placed. Artist Scott Troxel says "The piece is part of my popular "S...

"Citrus" Wood Wall Sculpture- 2024 Acrylic with gloss clear coat on solid 2" maple wood. Finished on three sides and ready to hang. Scott Troxel draws on the aesthetics of bygone te...

The freestanding sculptures in this portfolio are made from the “sticks”: a pile of found wood that Sweibel has been pulling from to make new works since about 2002. The pile consist...

James Surls (Born 1943) Texas / Colorado Artist Image Size: 50 x 29 x 19 Medium: Wood Sculpture from the Cabinet Oak Tree at LBJ Ranch 2024 "Whistling Man...

Stacking printed on photographic paper Jeon Byeong Sam is a South Korean artist born in 1977 who lives and works in Seoul, South Korea. He is a contemporary artist internationally k...

A native New Yorker, Diane had an earlier career including 17 years as a management consultant to local nonprofits concerned with poverty or disenfranchisement; work in NYC governmen...

Magic Circle by Rogan Brown Laser and hand cut paper, framed Available by commission. Please allow 8-12 weeks production time. Rogan Brown creates abstract and sculptural wall reli...

I created this piece to celebrate the quiet beauty and resilience found in simplicity. Using ceramics and clay, I shaped delicate petals that bloom in pristine white, inviting calm a...

46ms high x 40 x 15 Painted wood turning on an oak base Stamped with monogram signature and uniquely numbered 863 Unique Rotating the sculpture allows the spectator to choose a favou...

Diane Englander uses formal means to create a place between discord and tranquility, a zone with a charged harmony that energizes as it also provides refuge. That often requires tha...

Drawing, glass, and light: these three ingredients are the basis of Katherine Jackson’s work. She begins with drawing, which sometimes becomes an end...

Jo Yarrington’s photographs, prints, works on paper, glass sculptures and architecturally-based installations have been shown in exhibitions at the Aldrich Contemporary Art Museum, Yale University, Cornell University, the Museum of Glass, the DeCordova Museum and Sculpture Park, Artists Space, St. John the Divine Cathedral, Grounds for Sculpture, the Museum of American Glass and ODETTA, among others. International exhibitions have included Guangzhou Academy of Fine Arts Museum, Glasgow School of Art, Glasgow Cathedral, Glasgow University, Galeria Sala Uno and Centro de las Artes de Guanajuato. She represented the United States at the Sharjah Biennial, United Arab Emirates and participated in the Berlin Biennial. in 2010 she received the Bronze Prize, the Museum of Contemporary Art, Skopje, Macedonia. Yarrington is a recipient of artist grants and Fellowships from the Pollock Krasner Foundation, the New York Foundation for the Arts, the Pennsylvania Council on the Arts and the Connecticut Commission on Culture and Tourism. She has received Residency Fellowships from the MacDowell Colony, the Museum of Glass, the Museum of American Glass, the Bridge Virtual Residency/ SciArt Center, the Lucile Walton Fellow/Mountain Lake Biological Station, the Virginia Center for Creative Arts, the Anderson Center and the Ucross Foundation, among others. International grants and fellowships have included the Banff Center for Arts and Creativity/Canada, SIMS Residency/ Iceland, Cill Rialaig Artists Residency/Ireland, the Burren College of Art Residency/Ireland and the American Scandinavian Foundation. She is a Professor of Visual and Performing Arts at Fairfield University and lives and works in New York City. STATEMENT In site-specific exhibitions, public art commissions, collaborative and individual projects Jo Yarrington has used varied combinations of glass, waxed surfaces, found artifacts and experimental analog photography to investigate the way we perceive – searching for, experimenting with and developing throughout a sensory-based vernacular. Her mostly translucent materials function as physical framework and symbolic membrane. Light, both natural and ambient, provides a kinetic or time-based element to her work. Scale and the integration of architecture are also pivotal components. In the 6-part installation for the two-person exhibition Illuminated, Yarrington continues her interest in the connections between vision, sound and language. In Mute-ability: Compositions 1 – 6, her title for this light-based comprehensive work, she combines the words mute and malleability. The work focuses on found piano rolls, a music storage medium, originally conceived as coded notations or ‘note control data’ for music produced in pneumatic player pianos...

Jo Yarrington’s photographs, prints, works on paper, glass sculptures and architecturally-based installations have been shown in exhibitions at the Aldrich Contemporary Art Museum, Y...

Emily Feinstein grew up with a father who was a cabinetmaker with a shop in the basement. She spent a lot of time making things and constructing with wood. Her ongoing interest in r...

Antonio Puri's "Tantra in Blue" sculptural painting is one of 100 intimately-scaled minimalist round mandala circles built from tiny glass seed beads adhered to canvas in a range of ...

A very personal piece from this artist. Human figures are carved in this horse sculpture, one of which is in the back of the horse neck and opens its back ...

Over many decades Loren Eiferman has created and mastered a unique technique of working with wood—her primary material. First, she begins with a drawing of an idea. Then she takes a daily walk in the woods surrounding her studio and collects tree limbs and long sticks that have fallen to the ground. She never chops down a living tree or uses green wood. Eiferman allows the wood time to cure in the studio to make sure it won’t check or crack. Next, she debarks the branch and looks for shapes found within each piece of wood. Using a Japanese hand saw, she cuts and connect these small shapes together using dowels and wood glue. Then, all the open joints get filled with a home made putty, which is then sanded so she can see the newly formed shapes. This process is until the new sculpture appears like the original line drawing but in space. She wants the work to appear as if it grew in nature, when in fact each sculpture is composed of over 100 small pieces of wood that are seamlessly jointed together. Her work can be called the ultimate recycling: taking the detritus of nature and giving it a new life. We have all at one point or another picked up a stick from the ground—touched the wood, peeled the bark off with our fingernails. Her work taps into that same primal desire of touching nature and being close to it. Trees connect us back to nature, back to this Earth. Her work has a meditative quality to it—a quiet, calming energy. Her influences are many; from looking at nature and plant life on this Earth to researching the heavenly bodies in the images beamed back from the Hubble Telescope. From studying ancient Buddhist mandalas and designs to delving deeper into quantum physics. And from researching mysterious manuscripts to studying the patterns inside our brains. For Invocation, we are exhibiting her newest body of work, inspired by the illustrations found in the Voynich Manuscript. This 250-page book, is believed to have been written in the early 15th century, of a mysterious origin and purpose. Written in an unknown language and currently housed at Yale University’s Beinecke Rare Book Library, the manuscript has eluded all attempts in the intervening centuries to decode or decipher its purpose and meaning. This enigmatic book is divided into 6 different sections (herbal, astronomical, biological, cosmological, pharmaceutical and recipes). Having discovered the images contained in this codex over the Internet, Eiferman felt an immediate, profound and inexplicable connection to this manuscript and its creator. The artist is currently transposing the “herbal” section of manuscript into sculptures. This section has drawings in it of plants and flowers that do not really exist in nature—past or present. These aren’t just pretty images of flowers—they also contain the wacky root systems and seemingly out of proportion leaves, stamens and pistils. Loren Eiferman was born in Brooklyn, NY. She received her BFA from SUNY Purchase. Her work has been exhibited extensively throughout the Tri-State region including gallery and museum exhibitions in the Hudson Valley and Connecticut. Her work is included in numerous corporate and private art collections. In 2014 she was awarded a NYC MTA Arts & Design art commission to produce steel railings...

Over many decades Loren Eiferman has created and mastered a unique technique of working with wood—her primary material. First, she begins with a drawing of an idea. Then she takes a daily walk in the woods surrounding her studio and collects tree limbs and long sticks that have fallen to the ground. She never chops down a living tree or uses green wood. Eiferman allows the wood time to cure in the studio to make sure it won’t check or crack. Next, she debarks the branch and looks for shapes found within each piece of wood. Using a Japanese hand saw, she cuts and connect these small shapes together using dowels and wood glue. Then, all the open joints get filled with a home made putty, which is then sanded so she can see the newly formed shapes. This process is until the new sculpture appears like the original line drawing but in space. She wants the work to appear as if it grew in nature, when in fact each sculpture is composed of over 100 small pieces of wood that are seamlessly jointed together. Her work can be called the ultimate recycling: taking the detritus of nature and giving it a new life. We have all at one point or another picked up a stick from the ground—touched the wood, peeled the bark off with our fingernails. Her work taps into that same primal desire of touching nature and being close to it. Trees connect us back to nature, back to this Earth. Her work has a meditative quality to it—a quiet, calming energy. Her influences are many; from looking at nature and plant life on this Earth to researching the heavenly bodies in the images beamed back from the Hubble Telescope. From studying ancient Buddhist mandalas and designs to delving deeper into quantum physics. And from researching mysterious manuscripts to studying the patterns inside our brains. Her newest body of work is inspired by the illustrations found in the Voynich Manuscript. This 250-page book, is believed to have been written in the early 15th century, of a mysterious origin and purpose. Written in an unknown language and currently housed at Yale University’s Beinecke Rare Book Library, the manuscript has eluded all attempts in the intervening centuries to decode or decipher its purpose and meaning. This enigmatic book is divided into 6 different sections (herbal, astronomical, biological, cosmological, pharmaceutical and recipes). Having discovered the images contained in this codex over the Internet, Eiferman felt an immediate, profound and inexplicable connection to this manuscript and its creator. The artist is currently transposing the “herbal” section of manuscript into sculptures. This section has drawings in it of plants and flowers that do not really exist in nature—past or present. These aren’t just pretty images of flowers—they also contain the wacky root systems and seemingly out of proportion leaves, stamens and pistils. Loren Eiferman was born in Brooklyn, NY. She received her BFA from SUNY Purchase. Her work has been exhibited extensively throughout the Tri-State region including gallery and museum exhibitions in the Hudson Valley and Connecticut. Her work is included in numerous corporate and private art collections. In 2014 she was awarded a NYC MTA Arts & Design art commission to produce steel railings...

Contemporary Wall Hanging Sculpture, Framed Composition of Hand Made Paper Glover did not begin her career as an artist. After receiving an MBA from Harvard Business School, she ser...

cold rolled steel wall sculpture

David Borawski lives and works in Hartford, Connecticut, and received his BFA from the Hartford Art School of the University of Hartford. A multi-media installation artist, his work...

“Is beating me from the inside..” …Is beating me from the inside. Breaking my ribcage just to reach you. The palm trees are rustling, making secrets with the wind. The water is rumbl...

"Rose Gold Shimmers" is a contemporary and parametric wall sculpture. Made from oil lacquer paint and acrylic mirror on carved maple, this body of work...

Puzzle 92 by David E. Peterson is part of an ongoing series featuring a beautiful, exotic Zebrawood and abstract painting. David E. Peterson Artist Statement “Industrial Design informs my work. Inspiration might come from a brightly coloured sneaker, an eye- catching dress, an intricate watch...

In recent years, Daniel G. Hill has been fixated on the work’s method of construction and its physical presence. During the winter of 2014, he began a new line of inquiry, translati...

Vase with silver glaze 2017. Stone mass, 19x23,5x15,5 cm

Hadi Tabatabai is known for his delicate, meticulously executed pattern-based works in mixed media. Tabatabai, who holds degrees in industrial technology and painting, is known for e...

Deconstructed Ceramic Vessel Form, Contemporary Glazed Porcelain Sculpture, Lee Steven Young Lee is the Resident Artist Director of the Archie Bray Foundation in Helena, Montana. A ...

Sara Fine-Wilson's "Tousle" is a gestural 13 x 10 x 8.5 inch ceramic sculpture in white and cream with accents of grey and blue. It is constructed out of white stoneware with porcelain...

RDN15LV is a unique small size contemporary modern wall sculpture painting relief by German artist Dieter Kränzlein. This sculpture relief is carved from a single block of limestone,...

Karen Schiff is an artist and wordsmith based in New York; she has always been a reader as well as a visual artist. Her drawings, paintings, installations, and performances combine t...

Stainless Steel TIG Welding Rod, Aluminum, Fishing Accessories, Wire, Paint Jeremy Bullis after David L. Bullis Edition 1/5