Salvador Dalí­

Daum Montre Molle Sculpture

Artist: Eliot Greenwald Title: Instrument Size: 18 1/2 × 18 1/10 × 6 3/10 in (47 × 46 × 16 cm) Medium: Wood and Metal Edition: of 40 Year: 2022 Notes: Instrument is a hand-wou...

Artist: PEZ (Pierre-Yves Riveau) Title: The Big Apple Size: 14.50 x 10.50 x 9.50 in Medium: Concrete, Paint and Resin Edition: Unique Original Year: 2019 Notes: Hand Signed. Uni...

ARTIST: Salvador Dali TITLE: Apocalyptische Reiter (Apocalyptic Rider) MEDIUM: Etching SIGNED: Hand Signed EDITION NUMBER: 166/175 MEASUREMENTS: 22" x 30" YEAR: 1974 CONDITIO...

ARTIST: Salvador Dali TITLE: Aaliyah The Wailing Wall MEDIUM: Lithograph SIGNED: Hand Signed EDITION NUMBER: 232/250 MEASUREMENTS: 25" x 19.6" YEAR: 1968 FRAMED: No CONDITI...

ARTIST: Salvador Dali TITLE: Alchimie des Philosophes The Angel of Alchemy MEDIUM: Etching on parchment paper SIGNED: Hand Signed PUBLISH...

ARTIST: Salvador Dali TITLE: Alchimie des Philosophes L'Ouraboros MEDIUM: Etching on parchment paper SIGNED: Hand Signed PUBLISHER: Art e...

Direction blue - black. 2006, glass, copper, author technique 18x56x50 cm

“Mindful” 2017 A unique, surrealist sculpture made from fabricated steel, glass, cast concrete, yellow glass & paint. 28 h x 33 w x 14 d (inches) Signed Provenance: The collection of the artist Born in Jamaica, West Indies, and raised in Rochester, New York, Earl James...

I love this extraordinary American surrealist piece - a collage/montage, an assembly of objects in a velvet-clad box/frame - for a number of reasons reasons. I love the fact that it depicts pipes, among the most iconic images of the surrealist movement, rooted in Magritte’s famous 1929 painting which depicts a pipe accompanied by the caption “Ceci n'est pas une pipe” (This is not a pipe). Marcel Duchamp loved using pipes...

Salvador Dalí "Triomphale" Original pâte de verre Salvador Dalí plate Daum Editeur, Nancy, France Inscribed Dalí on lower right, and numbered 1199...

May Wilson (1905–1986) was an American artist and figure in the 1960s New York City avant-garde art world. A pioneer of the feminist and mail art movement, she is best known for her Surrealist junk assemblages and her "Ridiculous Portrait" photo collages. Wilson was born in Baltimore, Maryland, into an underprivileged family. Her father died when she was young. She was reared by her Irish Catholic mother, who sewed piecework at home. Wilson left school after the ninth grade to become a stenographer/secretary to help support her family. When she turned 20, she married a young lawyer, William S. Wilson, Jr., and give birth to her first child. She continued to work until the birth of her second child, after which she devoted her energies primarily to mothering and homemaking. In 1942, the couple had prospered enough to move to Towson, Maryland, where she began to take correspondence courses in art and art history from several schools, including the University of Chicago. In 1948, after the marriage of their daughter, the couple moved to a gentleman's farm north of Towson, where she pursued painting and gave private art lessons to neighbors. She exhibited her paintings, scenes of everyday life painted in a flat, purposefully primitive manner in local galleries and restaurants. In 1952 and 1958, she won awards for work submitted to juried exhibitions at the Baltimore Museum of Art. In 1956, her son, the writer Williams S. Wilson, gave to Ray Johnson, the founder of the New York Correspondence School, his mother's address. This began a friendship and artistic collaboration between Johnson and Wilson, which would last the remainder of her life. Wilson became an integral part of Johnson's mail art circle and was initiated into the New York avant-garde through letters and small works that she exchanged with Robert Watts, George Brecht, Ad Reinhardt, Leonard Cohen, Arman, and many others. When her marriage dissolved, she moved to New York City in the spring of 1966, aged 61, taking up residence first in the Chelsea Hotel and then in a studio next door, where she threw legendary soirées and became known as the "Grandma Moses of the Underground". By the time she arrived, Wilson was already working with photomontage collage...

Limited Edition of 10 sets. Laser cut steel with powder coat. “Geometrical Clouds” is reimagined as a major theme in my life’s work, with the earliest pieces of that name dating back...