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Sergii Shaulis
"Wind of Change" Sculpture 20.5" x 10" x 6.3" inch Ed. 1/1 by Sergii Shaulis

2020

$5,500List Price

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"The Man Without a Rod №3" Bronze Sculpture 26x20x9in Ed. 3/8 by Sergii Shaulis
By Sergii Shaulis
Located in Culver City, CA
"The Man Without a Rod №3" Bronze Sculpture 26x20x9in Ed. 3/8 by Sergii Shaulis Limited Edition 3/8 From "The man without a rod" series Approximate weight 77 lbs. The artist spent almost ten years of his life in the making of this eight-piece series. It is an introspective representation of what he calls absolute hopelessness. “It's about the emptiness of the soul, but it's also about starting anew; when you feel nothing but finding the power inside of you to stand up and move.” ABOUT ARTIST Born on 27 May 1985 in Kharkiv, Ukraine. From 2005 to 2011 studied at the Kharkiv State Academy of Design and Arts, at the Faculty of "Fine Arts" specialty "Easel and monumental sculpture." Now studying postgraduate at Kharkiv State Academy of Design and Arts. Works are in private collections in Ukraine, Israel, Germany, USA, Australia, Finland, Holland, Spain, Belgium, England. Education 2002‑2005 Faculty of Engineering and Physics (NTU KhPI) 2005‑2011 Easel and monumental sculpture (KSADA) 2012-2016 postgraduate education (KSADA) Exhibitions 2007-15 City exhibition HONSKHU. Kharkiv. 2007-14 Ukrainian Exhibition KONSKHU. Kyiv. 2008-11 "The maestro and his students", KSADA. Kharkiv (Audience Award 2009) 2008 11 International Triennial of sculpture. Kyiv . 2009 “Male portrait”, gallery KSADA. Kharkiv . 2009 "You get SMS ", Kharkiv ( Grand Prix "The best sculpture project "). 2009 “Gogol-fest”, Museum Arsenal. Kyiv. 2016 "Corpus", Come in gallery, Kharkiv. 2016 KSADA "Loft", Kharkiv. 2017 “Art seasons”, M17. Kyiv. 2017 Gallery "Semiradskiy", Kharkiv. 2017 "Mundi contraria", M17. Kyiv. 2018 "More than sculpture", ArtUkraineGallery. Kyiv. 2018 “Auguste Rodin. "Premonition of the future...
Category

21st Century and Contemporary Abstract Abstract Sculptures

Materials

Bronze

"Experience №1 v.2" Bronze sculpture Edition 1/5 by Sergii Shaulis
By Sergii Shaulis
Located in Culver City, CA
"Experience №1 v.2" Bronze sculpture Edition 1/5 by Sergii Shaulis 2019 From the EXPERIENCE series Bronze Approximate weight 15lbs ABOUT ARTIST Born on 27 May 1985 in Kharkiv, U...
Category

21st Century and Contemporary Abstract Abstract Sculptures

Materials

Bronze

"The man without a rod D" Bronze Sculpture 8.5" x 3.5" x 2" in by Sergii Shaulis
By Sergii Shaulis
Located in Culver City, CA
"The man without a rod D" Bronze Sculpture 8.5" x 3.5" x 2" in by Sergii Shaulis The artist spent almost ten years of his life in the making of this eight-piece series. It is an int...
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"Symphony II" Bronze Sculpture 14.5" x 17" inch by Ibrahim Abd Elmalak
Located in Culver City, CA
"Symphony II" Bronze Sculpture 14.5" x 17" inch by Ibrahim Abd Elmalak Bronze & Marble Signed & Dated Sculptures that mostly depict his characteristic figures of feminine form an...
Category

20th Century Abstract Expressionist Figurative Sculptures

Materials

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"Symphony I" Bronze Sculpture 28" x 15" inch by Ibrahim Abd Elmalak
Located in Culver City, CA
"Symphony I" Bronze sculpture 28" x 15" inch by Ibrahim Abd Elmalak Bronze & Marble Signed & Dated Sculptures that mostly depict his characteri...
Category

20th Century Abstract Expressionist Figurative Sculptures

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"Entropy" Bronze Sculpture 22" x 9" inch by Ibrahim Abd Elmalak
Located in Culver City, CA
"Entropy" Bronze sculpture 22" x 9" inch by Ibrahim Abd Elmalak Entropy, 2005 Bronze & Marble Signed & Dated Sculptures that mostly depict his ...
Category

21st Century and Contemporary Abstract Expressionist Figurative Sculptures

Materials

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William King (1925-2015). Reclining figure, ca. 1965. Cast and welded bronze, 7 x 9.5 x 5 inches. Unsigned. William King, a sculptor in a variety of materials whose human figures traced social attitudes through the last half of the 20th century, often poking sly and poignant fun at human follies and foibles, died on March 4 at his home in East Hampton, N.Y. He was 90. His death was confirmed by Scott Chaskey, who is married to Mr. King's stepdaughter, Megan Chaskey. Mr. King worked in clay, wood, bronze, vinyl, burlap and aluminum. He worked both big and small, from busts and toylike figures to large public art pieces depicting familiar human poses -- a seated, cross-legged man reading; a Western couple (he in a cowboy hat, she in a long dress) holding hands; a tall man reaching down to tug along a recalcitrant little boy; a crowd of robotic-looking men walking in lock step. But for all its variation, what unified his work was a wry observer's arched eyebrow, the pointed humor and witty rue of a fatalist. His figurative sculptures, often with long, spidery legs and an outlandishly skewed ratio of torso to appendages, use gestures and posture to suggest attitude and illustrate his own amusement with the unwieldiness of human physical equipment. His subjects included tennis players and gymnasts, dancers and musicians, and he managed to show appreciation of their physical gifts and comic delight at their contortions and costumery. His suit-wearing businessmen often appeared haughty or pompous; his other men could seem timid or perplexed or awkward. Oddly, or perhaps tellingly, he tended to depict women more reverentially, though in his portrayals of couples the fragility and tender comedy inherent in couplehood settled equally on both partners. Mr. King's work is in the collections of the Metropolitan Museum of Art and the Museum of Modern Art in New York and the Smithsonian American Art Museum in Washington, among other places, and he had dozens of solo gallery shows in New York and elsewhere. But the comic element of his work probably caused his reputation to suffer. Reviews of his exhibitions frequently began with the caveat that even though the work was funny, it was also serious, displaying superior technical skills, imaginative vision and the bolstering weight of a range of influences, from the ancient Etruscans to American folk art to 20th-century artists including Giacometti, Calder. and Elie Nadelman. The critic Hilton Kramer, one of Mr. King's most ardent advocates, wrote in a 1970 essay accompanying a New York gallery exhibit that he was, "among other things, an amusing artist, and nowadays this can, at times, be almost as much a liability as an asset." A "preoccupation with gesture is the focus of King's sculptural imagination," Mr. Kramer wrote. "Everything that one admires in his work - the virtuoso carving, the deft handling of a wide variety of materials, the shrewd observation and resourceful invention - all this is secondary to the concentration on gesture. The physical stance of the human animal as it negotiates the social arena, the unconscious gait that the body assumes in making its way in the social medium, the emotion traced by the course of a limb, a torso, a head, the features of a face, a coiffure or a costume - from a keen observation of these materials King has garnered a large stock of sculptural images notable for their wit, empathy, simplicity and psychological precision." William Dickey King...
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