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William King (b.1925)Reclining Figure (woman)ca. 1960
ca. 1960
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About the Item
William King (1925-2015). Reclining figure, ca. 1965. Cast and welded bronze, 7 x 9.5 x 5 inches. Unsigned.
William King, a sculptor in a variety of materials whose human figures traced social attitudes through the last half of the 20th century, often poking sly and poignant fun at human follies and foibles, died on March 4 at his home in East Hampton, N.Y. He was 90.
His death was confirmed by Scott Chaskey, who is married to Mr. King's stepdaughter, Megan Chaskey.
Mr. King worked in clay, wood, bronze, vinyl, burlap and aluminum. He worked both big and small, from busts and toylike figures to large public art pieces depicting familiar human poses -- a seated, cross-legged man reading; a Western couple (he in a cowboy hat, she in a long dress) holding hands; a tall man reaching down to tug along a recalcitrant little boy; a crowd of robotic-looking men walking in lock step.
But for all its variation, what unified his work was a wry observer's arched eyebrow, the pointed humor and witty rue of a fatalist. His figurative sculptures, often with long, spidery legs and an outlandishly skewed ratio of torso to appendages, use gestures and posture to suggest attitude and illustrate his own amusement with the unwieldiness of human physical equipment.
His subjects included tennis players and gymnasts, dancers and musicians, and he managed to show appreciation of their physical gifts and comic delight at their contortions and costumery. His suit-wearing businessmen often appeared haughty or pompous; his other men could seem timid or perplexed or awkward. Oddly, or perhaps tellingly, he tended to depict women more reverentially, though in his portrayals of couples the fragility and tender comedy inherent in couplehood settled equally on both partners.
Mr. King's work is in the collections of the Metropolitan Museum of Art and the Museum of Modern Art in New York and the Smithsonian American Art Museum in Washington, among other places, and he had dozens of solo gallery shows in New York and elsewhere. But the comic element of his work probably caused his reputation to suffer.
Reviews of his exhibitions frequently began with the caveat that even though the work was funny, it was also serious, displaying superior technical skills, imaginative vision and the bolstering weight of a range of influences, from the ancient Etruscans to American folk art to 20th-century artists including Giacometti, Calder. and Elie Nadelman.
The critic Hilton Kramer, one of Mr. King's most ardent advocates, wrote in a 1970 essay accompanying a New York gallery exhibit that he was, "among other things, an amusing artist, and nowadays this can, at times, be almost as much a liability as an asset."
A "preoccupation with gesture is the focus of King's sculptural imagination," Mr. Kramer wrote. "Everything that one admires in his work - the virtuoso carving, the deft handling of a wide variety of materials, the shrewd observation and resourceful invention - all this is secondary to the concentration on gesture. The physical stance of the human animal as it negotiates the social arena, the unconscious gait that the body assumes in making its way in the social medium, the emotion traced by the course of a limb, a torso, a head, the features of a face, a coiffure or a costume - from a keen observation of these materials King has garnered a large stock of sculptural images notable for their wit, empathy, simplicity and psychological precision."
William Dickey King was born in Jacksonville, Fla., on Feb. 25, 1925. His father, Walter, was a surveyor and an engineer who moved his family around Florida to accommodate his work. As a boy, William made model airplanes and helped his father and older brother build furniture and boats. Expected to follow in his father's footsteps, he began to study engineering at the University of Florida, but it was his mother, the former Florence Dickey, a teacher, who recognized his independent streak and encouraged his departure.
"I was 19, 20, my mother gave me a hundred bucks, says, 'Get out of this state and don't come back until you're 65; there is nothing here for you,' " Mr. King recalled in a video interview for the Smithsonian museum.
He came to New York, where he attended the Cooper Union and began selling his early sculptures even before he graduated. He later studied with the sculptor Milton Hebald (who died this year) and traveled to Italy on a Fulbright grant.
Mr. King's work often reflected the times, taking on fashions and occasional politics. In the 1960s and 1970s, his work featuring African-American figures (including the activist Angela Davis, with hands cuffed behind her back) evoked his interest in civil rights.
Mr. King's first three marriages ended in divorce. He is survived by his fourth wife, Connie Fox, whom he married in a Buddhist ceremony in 2003 presided over by the novelist and Zen roshi Peter Matthiessen; a son, Eli King; a daughter, Amy King; a stepdaughter, Megan Chaskey; a stepson, Brian Boyd; and seven grandchildren. The New York Times critic Holland Cotter once described Mr. King's sculpture as “comical-tragical-maniacal," and "like Giacomettis conceived by John Cheever."
"Misery loves comedy" was one way Mr. King himself described his attitude. He continued to work until just a few months before his death.
Mr. Chaskey, his stepdaughter's husband, recalled, "He said, 'If I can’t go out in the studio, what’s the point?' "
- Creator:William King (b.1925) (1925 - 2015, American)
- Creation Year:ca. 1960
- Dimensions:Height: 7 in (17.78 cm)Width: 9.5 in (24.13 cm)Depth: 5 in (12.7 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Wilton Manors, FL
- Reference Number:1stDibs: LU245210319362
William King (b.1925)
American artist William King was best known for his comedic sculptures — working in clay and a range of metals, he created a wide variety of toy-like figures over the years that were cartoonish in their contorted forms and unlikely poses. King emphasized posture and body language in his art and poked fun at societal conventions as well as how we navigate the trials of our daily lives in a cheerful, clever manner.
Born in Jacksonville, Florida, King grew up in Coconut Grove, a historic Miami neighborhood. He studied at the University of Florida and later moved to New York City, finishing his studies at the Cooper Union in the late 1940s. King subsequently traveled to Rome on a Fulbright scholarship and explored the arts of Europe, including in London and Athens. In 1953, after returning to the United States, he began teaching at the Brooklyn Museum Art School.
In 1954, King had his first solo show at Alan Gallery in New York and continued to exhibit in and around the city until 2014. He worked across a wide variety of media, most frequently metal, such as bronze, aluminum and steel of varying finishes. His more serious pieces saw an integration of darker materials with rougher textures to amplify his figures' reflective, dismayed or generally somber expressions.
King received numerous awards for his work, including acknowledgments from the Guggenheim Foundation, National Endowment for the Arts and the San Francisco Arts Commission, as well as an honorary doctorate from the San Francisco Art Institute.
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Klaus Karl Otto Ihlenfeld. He was born in Berlin, Germany in 1934. He studied art at the Hochschule für Bildende Künste and completed graduate work with the metal sculptor Hans Uhlmann. He visited the US in 1957 for the first time living in Durham, NC, where he befriended Dr. W. R. Valentiner, the Rembrandt authority and Director of the Museum of Art, Raleigh, NC. Through this friendship in 1960 he met and worked with the metal sculptor Harry Bertoia in Barto, PA.
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North Carolina Museum of Art in Raleigh, NC - 1957
Solomon R. Guggenheim Museum in New York City - 1962
Staempfli Gallery in New York City - 1962, 1964 and 1965
Gallery Ludwig Lange in West Berlin, Germany - 1977
Gallery Herbert Remmert and Dr. Barth in Dusseldorf in West Germany - 1981
Jack Savitt Gallery in Macungie, PA - 1981 and 1984
Heinz Ortleb Gallery, West Berlin, Germany - 1992
Central Bucks Chamber of Commerce Show at the James A. Michener Art Museum in Doylestown, PA - 1997
Berks Art Alliance Show at the Reading Art Museum in Reading, PA - 1997
Mayfair Festival of the Arts at the Allentown Art Museum - 1998
Baum School of Art in Allentown, PA - 1997
Schwenkfelder Library and Heritage Center Art Show in Pennsburg, PA - 2001
Reading Public Museum in Reading PA, 2014
Solo Shows:
Kutztown University in Kutztown, PA - 1960 and 1965
Allentown Art Museum in Allentown, PA - 1960 and 1961
Staempfli Gallery in New York City - 1962
Penn State University in University Park, PA - 1964 and 1972
Berks Art Alliance in Wyomissing, PA - 1966
Bertha Eccles Art Center in Ogden, Utah - 1967
Mansfield University in Mansfield, PA - 1967
Huntington Museum of Art in Huntington, WV - 1971
Shippensburg University in Shippensburg, PA - 1972
Albright College in Reading, PA - 1973
Ianuzzi Gallery in Scottsdale, AZ - 1974
Gallery Heimat 85 in West Berlin, Germany - 1977
Jack Savitt Gallery in Macungie, PA - 1981
College Misericordia in Dallas, PA - 1983
Schwenkfelder Library and Heritage Center in Pennsburg, PA, 2013
Periodical Reference:
Kaye, Ellen "The Obsessive Collector," Philadelphia Inquirer Sunday Magazine Sptember 21, 1986 pp. 32-33.
Chronology:
1-30-1934 Born in Berlin, Germany. Father, Kurt Ihlenfeld, Lutheran pastor, novelist, critic and publisher was born in 1901 in Colmar, Alsace Lorain. Mother, Annie Stuhlmann, was born in 1905 in Breslau, Lower Silesia.
1940 - 1950 Public schools in Berlin; Löwen, Lower Silesia; Coswig, Radebeul, Glaubitz, Saxony. Königin Luise-Gymnasium in Dahlem, Berlin. First artworks, drawings and paintings; few sculptures.
1950 - 1956 Studied at the Hochschule für Bildende Künste in West Berlin, Germany. Graduate work with metal sculptor Hans Uhlmann. For 2 years maintained own studio at the Academy. Friendship with writer Günter Grass, and painter F. S. Sonnenstern. Met painters: Max Pechstein, Karl Schmidt-Rottluff, Carl Hofer, Max Kaus, and sculptors: Bernhard Heiliger, Renee Sintenis, and Richard Scheibe. Opened own gallery in the Kurfürstendam area of Berlin.
1954 Traveled to West Germany, France, Barcelona, Spain (Balearic Islands), and Menorca for 3 months.
1957 First visit to the United States in Durham, NC. Participated in a group show at the Museum of Art, Raleigh, NC. Friendship with Dr. W. R. Valentiner, the Rembrandt authority and Director of the Museum of Art, Raleigh, NC. Work with metal sculptor Harry Bertoia in Bally, PA. Started own metal sculptures in Bertoia Studio. Traveled to Mexico and throughout the US. Visited Monte Alban, and Mitla-Oaxaca. Started collecting works of pre-Columbian art. Also African and South Pacific works of art and the works of children.
1958 Returned to West Berlin, Germany to open own workshop and gallery. Cooperation with his brother Bertram Ihlenfeld and brother-in-law, violinist Heinz Ortleb. Precise metal sculptures in various medias.
1959: Motion picture of the development of sculptures: Spiel in Stahl (Play in Steel), filmed by Dr. Hans Cürlis shown at the Bergamo Film Festival in Italy, in West Germany, and German Embassies in South America.
1960 Second visit to the United States. Cooperation with sculptor Harry Bertoia in Bally, PA. Friendship with Brigitta Valentiner Bertoia. Worked on large commissions. Met painter Willem DeKoonig, gallerist Georg W. Staempfli in New York City, and furniture maker George Nakashima in New Hope, PA. First one-man show of sculptures at Kutztown State College, Kutztown, PA. One-man show of sculptures at the Allentown Museum of Art under Director Hirsch.
1961 Traveled and studied archeological sites in Mexico (Monte Alban, Mitla-Oaxaca; Colima, Nayarit, Sinaloa, Patzcuaro, etc.). Collected pre-Columbian art in Mexico and New York City. Second one-man show at the Allentown Museum of Art (sculptures) under Director Caldwell.
1962 One-man show at Staempfli Gallery in New York City. Participated in various group shows at the gallery: "Twenty Sculptors" and "Recent Acquisitions". Met artists Marcel Duchamp and Salvador Dali; sculptors Alexander Calder and Alexander Lieberman. Participated in a major exhibition at the Solomon R. Guggenheim Museum in New York City entitled "Modern Sculpture from the Joseph H. Hirshhorn Collection".
1963 Married Patricia A. Lambert of Springfield, PA. Harry Bertoia was their best man.
1964 One-man show at the Pennsylvania State University, University Park, PA and a group show "Stone, Wood and Metal" at Staemplfi Gallery in New York City. First child, Paul Vincent born.
1965 Entered group show at Staempfli Gallery "Stone and Crystal". One-man show of graphics at Kutztown State Teachers College in Kutztown, PA. One-man show at Wyomissing Art Alliance, Reading, PA.
1966 Commissioned for a fountain sculpture at Kutztown State Teachers College, Kutztown, PA. Birth of twins, Phillip Sydney and Naomi Andrea.
1967 Artist-in-Residence at the Bertha Eccles Art Center, Ogden, Utah (received a grant from the National Endowment of the Arts). Met sculptor Larry Elsner. One-man show at Mansfield State College, Mansfield, PA. Fourth child born, Douglas Robinson.
1968 - 1969 Commissioned to create a large relief sculpture for the Emigrant Savings Bank at 5 East 42nd Street in Manhattan, New York City entitled: Heavenly Bodies, 250 ft. X 32 ft. (weighing 8 tons). Moved to the estate "Iron Masters Mansion", Barto, PA.
1970 - 1971 Artist-in-Residence at the Huntington Museum of Art, Huntington, WV (received a grant from the National Endowment of the Arts). One-man show at the Huntington Museum of Art. A movie was made of the exhibition by the Huntington Television Station. Met A. Moretti, sculptor of glass figures. One-man show at the old Sears and Roebuck mansion in Haverford, PA.
1971 - 1972 Artist-in-Residence at the Pennsylvania State University, University Park, PA (received a grant from the National Endowment of the Arts). Classes for drawing and experimental sculpture. One-man show at the Chambers Building and the Hetzel Union Building. Also Artist-in-Residence at Shippensburg State College, Shippensburg, PA. Commissioned to execute a sculpture for the new Library at the Shippensburg State College. Death of father, Kurt Ihlenfeld.
1973 Invitation to lecture and work with sculpture classes at Colorado State University, Denver, Colorado. One-man show at Albright College, Reading, PA.
1974 - 1976 Years of increased studies and work. Acquisition of a farm in Barto, PA. Built a new workshop. Works and lives with his wife and four children at the Barto, PA farm. New sculptures in iron, bronze, brass and wood. Traveled to Belgium, West Germany and Switzerland. One-man show at Gallery Heimat 85, West Berlin, Germany. One-man show at the Ianuzzi Gallery, Scottsdale, Arizona. Friendship with sculptor Tom Althouse and paintress Jane Mitchell.
1977 - 1981 Traveled to West Berlin. Works exhibited at Gallery Heimat 85, West Berlin. Also exhibited at Gallery Ludwig Lange. New workshop opened at parent's house in West Berlin. Many sculptures in steel, iron and bronze, some are represented at the Gallery Herbert Remmert and Dr. Barth, Düsseldorf, West Germany. Visited the Island of Korfu in Greece. New graphics. First visit to Italy. A fire at the farm destroyed two buildings, also 38 sculptures (created from 1950 to 1979), reliefs, graphics, correspondences, and various art collections.
1981 - 1984 One-man show and group shows at the Jack Savitt Gallery, Macungie, PA. One-man show at Misericordia College, Dallas, PA.
1984 - 1985 Change of direction. Painting in watercolor dominates sculptural work. Also greater interest in collecting other artists' work. One-man show at the James A. Caplan estate in Villanova, PA.
1989 Represented in the June 1989 Colonial Homes magazine. The article and photographs described the artist's life and his collections.
1992 Traveled to Europe, mainly living and working in Germany and Belgium. One-man show in Liegé, Belgium. Sculptures, drawings and paintings shown at the Heinz Ortleb Gallery, Berlin. Death of mother, Annie Ihlenfeld, in Berlin.
1994 - 1996 Restored a large barn at the farm with his son Phillip for extensive art collections and completed sculptures. Created sculpture garden at farm.
1996 Created many new bronze and brass sculptures during the winter months. Participated in the Central Bucks Chamber of Commerce Sculpture Show. Study tour to Bermuda with his wife. The semi-tropical plants and landscapes inspired new works.
1997: Traveled, study-tour, to St. Lucia, near Martinique, in the West Indies with his wife. This tropical environment was most inspiring. Participated in the Central Bucks Chamber of Commerce Sculpture Show at the James A. Michener Art Museum in Doylestown from June 13 to September 7, 1997.
1998 Entered the Berks County Art Alliance juried art show in the fall at the Reading Art Museum, Reading, PA.
1999 Travels and studies with family members of ruins near Oaxaca City, Oaxaca, Mexico (Monte Alban, Mitla, Dainzu, Teotitlan del Valle, Lambityeco, San Jose El Mogote, Yagul), the Rufino Tamayo Museum of Pre-Columbian Art, and the Regional Museum of Anthropology in Oaxaca City, in May. This is one of the most productive years in metal sculpting - forged iron and steel (many large scale works) all welded, new watercolors and art acquisitions.
2000 Sculptures entered in the Baum School Art Auction, Allentown, PA.
2001 Entered a group show of sculpture and paintings at the Schwenkfelder Library and Heritage Center, Pennsburg, PA. Continues to create new sculptures in iron, bronze, brass and wood. Also has continued to produce a wide variety of watercolor & other graphics large and small.
2002 Study tour to the Key West, Cozumel, Tulum, Belize and Nassau. Continues to produce many sculptures in bronze and iron.
2003 - 2004 Visited Niagara Falls, the Finger Lakes, Thousand Islands, Rockport, Maine and Concord, Massachusetts. Many inspirations for water colors and sculptures.
2005 - Exploring Maryland during the summer. First grandchild born in July, which was an extraordinary event. Painting many watercolors and continuing to work in forged iron.
2006
Sculptures entered in the PA Sinfonia Orchestra Art Auction, Allentown, PA. Continues to produce a wide variety of watercolors and bronze sculptures. Acquired over 200 African artifacts. Sculptures sold at David Rago Auctions...
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Seated Figure, ca. 1970.
Charcoal, gouache and decorative paper collage.
Measuring 15.5 x 20.5 inches; 22.75 x 27.75 inches framed.
Signed lower left. Excellent condition.
Period frame original to the piece in mahogany with natural wood grain on sides and 22k gold leaf gilt face.
After graduating from Simon Gratz High School, Maitin won a scholarship to the Pennsylvania Museum School of Industrial Art (now the University of the Arts). A painter, printmaker, sculptor, muralist, graphic designer, political activist, and beloved teacher, Maitin headed the Visual Graphics Communication Laboratory at the University of Pennsylvania’s Annenberg School for Communication from 1965–1972 and served on the board of Woodmere Art Museum from 1995–2004. He received a number of awards, including a 1968 Guggenheim Foundation Fellowship. He created murals and other public art for the Children’s Hospital of Philadelphia, the University of Pennsylvania, Temple University’s Kornberg School of Dentistry, the Please Touch Museum, and Hahnemann University Hospital, among others.
Maitin's work is museum collections in the United States and Europe, including (but not limited to):
Philadelphia Museum of Art
Library of Congress, Washington, D.C.
National Gallery of Art, Washington, D.C.
Museum of Modern Art, New York
Tate Gallery, London
Bauersche Geisserie, Germany
Oakland Museum, California
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