Betye Saar

A Handful of Stars, patinated bronze sculpture with walnut base, signed edition

2016

Nathaniel Kaz Bronze Sculpture to Isaac Bashevis Singer for Arts in Judaism Award, 1966 Bronze, Square wooden base, Metal tag Signed and dated "66" to back of bronze portion of the w...

Peter Reginato Abstract Bronze Sculpture, ca. 1987 Bronze Signed on the underside 4 × 6 1/2 × 5 1/2 inches This bronze sculpture is by the American abstract sculptor Peter Reginato. ...

William Tucker The Promise, ca. 1980 Bronze Signed and numbered 5/6 - incised on the metal 2 5/8 × 8 5/8 × 1 inch This abstract sculpture is by the renowned modern British born sculp...

Dimitri Hadzi Uxmal, 1991 Cast bronze on custom made granite base 17 × 30 1/2 × 14 inches The title UXMAL, refers to the ancient Mayan city of Uxmal, which is known for its "Pyramid of the Magician" Provenance: Acquired by the original owner from the prestigious Gremillion Gallery in Houston, Texas (accompanied by a copy of the original receipt) Measurements: Base: 26.5 by 11 by 1.75 inches Work longest 30.5 inches Widest 14 inches Highest. 17 inches More about Dimitri Hadzi" Derived from the figure and mythic narratives, Hadzi’s sculpture references antiquity and classical artifacts – abstracted anatomical forms, columnar and other architectural elements, helmets, weaponry and body armor function as visual metaphors for ancient cultures. “I was interested in mythology, and I was interested in movement,” Hadzi remarked on his years in Rome, “I was attempting through formal methods to exaggerate sexual tension or apprehension. Suddenly I was myself in an atmosphere of freedom.” [1] Powerfully rendered in bronze his sculptures convey raw emotion, brute strength and mass, tempered with a delicate rush of whimsy, vivacity and sensuality. Born in New York City on March 21, 1921, Hadzi graduated from Cooper Union in 1950 and received a Fulbright Fellowship in the same year. After studying sculpture in Greece, he moved to Rome under the GI Bill where he lived for twenty-five years. Hadzi returned to the U.S. where he taught at Harvard University for fourteen years. He continued to create sculpture until his death in 2006. Hadzi is included in the permanent collections of the Museum of Modern Art; the Whitney Museum of American Art; the Museum of Fine Arts, Boston; the Hirshhorn Museum and Sculpture Garden; The Phillips Collection and the Guggenheim Museum. Receiving over twenty sculpture commissions, Hadzi’s work appears in public squares, concert halls, federal and private plazas, and universities throughout the world. --------------- [1] Elsen, Albert. “On Artistic Freedom: An Interview,” Dimitri Hadzi, (New York: Hudson Hills Press, 1996), 30. Additional Biography: Dimitri Hadzi (1921 – 2006) is among the most distinguished modernist sculptors, creator of works in bronze and stone that are powerfully abstract and expressionist in character. His contribution to the international language of sculpture continues to influence and inspire through permanent installations and collections, and exhibitions worldwide. Born to Greek-American immigrant parents in New York City, he had a talent for drawing at an early age and won a prize for his young ability. But, it wasn't until after serving in the Air-force in the South Pacific during WWII that he turned his sights fully to painting and sculpture, going on to study both at Cooper Union. Eventually, he would become a mainstay of the Cambridge, MA art community. He was a Guggenheim Fellow (1957), the winner of the Venice Biennale Award (1962), and the Rome Prize (1974). His most notable sculptures are: Copley Place Waterfall (Boston, MA), Owen Glass Co. (Toledo, OH), as well as Thermopolis, adjacent to Boston’s City Hall Plaza, and the former Omphalos in Harvard Square (Cambridge, MA). Hadzi is included in the permanent collections of the Museum of Modern Art; National Gallery of Art; Whitney Museum of American Art; Museum of Fine Art, Boston; Hirshhorn Museum and Sculpture Garden; The Phillips Collection and the Guggenheim Museum. Additionally, Hadzi was also a prolific painter, and printmaker. He also taught at Harvard University for over a decade. Famously, David Hockney attended one of Hadzi’s classes at the Carpenter Center at Harvard, where Hadzi served as director. The two of them spent time together painting and discussing techniques. Hockney gifted Hadzi one of his paintings. He worked alongside his good friend, Nobel Prize winning Irish poet...

We present a magnificent Buddha hand in patinated bronze, a rare and elegant piece dating from the 20th century. This masterpiece of Asian art embodies serenity and wisdom, charact...

Belle Main (Les mains libre) is a bronze sculpture realized by Man Ray in 1971. Signed with initials and numbered on the base. Cast by Fratelli Barberis in Turin for Luciano Anselm...

Divyendu Anand - Morning Healing Edition of 9, Hand Paint & Patinated Copper Skin over Stone Composite Granite H 29.5 x W 12 x D 10 inches, 2025 Growing up with the thoughts of altr...

A 2023 recipient of the Vermont Governor’s Award for Excellence in the Arts, Leslie Fry is represented in this show with fantastical sculptures of female hands, titled the “Cuffed” series. Tensely poised and mannered gestures, inspired by Parmigianino and Caravaggio, cascade into blooms and barnacles, creating a mesmerizing visual dissonance. This elision of romance and rigidity both draws attention to the limitations of the female form and liberates it from the constraints of reality. Leslie Fry’s works have been exhibited internationally at such venues as Kunsthaus in Hamburg, Zwitscher Machine Gallery in Berlin, Hangaram Art Museum in Seoul, Windspiel Galerie in Vienna, Couvent des Cordeliers in Paris, Artists Space and Wave Hill in New York, deCordova Sculpture Park and Museum near Boston, and Centre des Arts Visuels in Montreal. Her public sculptures have been commissioned in New York, South Korea, Montreal, Florida, Wisconsin, and Vermont; public collections include Tufts University, Songchu International Sculpture Park, Freehand New York, Kohler Arts Center, Tampa Museum of Art, Fleming Museum of Art, Musée d’art de Joliette, and St. Petersburg, Florida’s Museum of Fine Arts. Fry’s M.F.A. is from Bard College, and her B.A. is from the University of Vermont, with a Foundation year at the Central School of Art in London. She currently lives and works in Winooski, VT. Artist Statement: #1 My hands reach, touch, and shape. Hands let go and receive; they try to hold things and to hold things together. Some of my images of hands are derived from Mannerist paintings by Parmigianino and Caravaggio, and are ink-washed onto vintage tablecloths...