Winged Male Figure - Apollo

View Similar Items

Brian Jobe - PAX (BETWEEN TIMES) - Geometric Sculpture Vintage Salvaged Building Materials

Mattia Listowski - Architectural Concrete Staircase Sculpture, 2021 - 'Passage 7'

Mattia Listowski - Architectural Concrete Staircase Sculpture, 2021 - 'Escalier droite droite'

Mattia Listowski - Architectural Concrete and Plaster Staircase Sculpture, 2025 - 'Mur'

Dena Paige Fischer - Dusty Rose Sage (2022), terracotta concrete abstract face sculpture, metal wire

Dena Paige Fischer - Speckled Sage (2022), gray concrete abstract face sculpture, metal wire, earthy

Dena Paige Fischer - Marbled Sage (2022), gray concrete abstract face sculpture, metal wire, earthy

Dena Paige Fischer - Whitewashed Sage (2022), gray white concrete face sculpture, metal wire, earthy

Dena Paige Fischer - Red Clay Sage (2022), terracotta concrete abstract face sculpture, metal wire

LESLIE HAWK - Leslie Hawk Sculptural Human Figure & Horse "Person on a Horse"

Huang Yulong - "Scarecrow" Sculpture 24" x 22" x 4" inch Ed. of 99 by Huang Yulong

Jonathan Casey - Leather Daddy (Peter)

Want more images or videos?

Request additional images or videos from the seller

1 of 3

Jason (Jessie) Herron
Winged Male Figure - Apollo
c. 1930s

$9,500List Price

About the Item

This work is part of our exhibition America Coast to Coast: Artists of the 1930s Winged Male Figure - Apollo, c. 1930s, polychrome bas-relief of cast aggregate, 12 x 26 inches; the mold from which this cast was taken by the artist is illustrated in St. Gaudens, Maurine, Emerging from the Shadows: A Survey of Women Artists Working in California, 1860-1960, Schiffer Publishing, Inc. (2015), p. 487; provenance includes Estate of Spencer Jon Helfen; presented in a newer wood frame About the Bas-Reilef Winged Male Figure is an extraordinarily rare bas-relief created around the time Jason Herron served as the Federal Art Project (FAP) sculpture supervisor for Los Angeles. Although Herron produced other bas-reliefs, such as Woman with Red Ball (Collection of Mitchell Wolfson, Jr., courtesy of the Wolfsonian - Florida International University), there are no other known examples of this work. In her encyclopedic Emerging from the Shadows: A Survey of Women Artists Working in California, 1860-1960, Maurine St. Gaudens describes the mold for this work, "Winged Male Figure - Apollo was originally executed as a mold from which a bas-relief would have been cast. This is the negative master form with the rebar supports evident verso. It is unknown whether a completed bas-relief was ever cast from the mold, but at some point, the artist treated the mold as an independent work adding polychrome to the surface." Like the original mold described by St. Gaudens, Herron painted the bas-relief to create a beautiful surface effect with subtle shadows and shimmering highlights. The underlying form is a sleek and stylized art deco image that fits elegantly with the prevailing 1930s Machine Age aesthetics of the type which adorned buildings across the country. About the Artist Jason Herron was one of the most prominent female sculptors living and working in California during the first half of the 20th century. Born in Denver, Colorado, her given name was Jessie Emerson Herron, but she assumed the name “Jason” early in her professional career. As an infant, Herron moved with her family to Los Angeles. She earned a bachelor’s degree from Stanford University and studied art at L’Academie Colarrossi in Paris, the Los Angeles Art Institute, the Otis Art Institute, and the University of Southern California. Herron was active in the Federal Art Project, a New Deal program which provided work to artists across the country. Herron served as Supervisor and Assistant Supervisor of Sculpture for the Federal Art Project in Los Angeles. Together with Henry Lion and Sherry Peticolas, Herron sculpted a work entitled The Power of Water in Lafayette Park in Los Angeles. She also sculpted two large works, Erda and Modern Youth, both of which were placed in Los Angeles Country Schools by the Project. Herron was well respected not only as an artist, but also as a savvy arts administrator. In 1941, she served as the Southern California Chairperson for National Art Week, an ambitious program with the dual purposes of promoting the sale of paintings, sculpture, drawings and prints for the benefit of artists who were still struggling under the weight of the Great Depression and providing the opportunity for average Americans to purchase artwork at a fraction of the customary prices by avoiding the traditional gallery system. Herron served on the board of governors of the Los Angeles County Art Institute and the Otis Art Institute. She was a member of the Los Angeles Art Association, California Art Club, Western Women Art Association, and the Southern California Artists. Herron exhibited nationally during the 1930s and 1940s, including at the Legion of Honor (San Francisco), the National Academy of Design (New York), the Los Angeles County Museum of Art and the Corcoran Gallery of Art (Washington DC). She won prizes at the Los Angeles County Fair (1934), the Pomona Fair (1934), the Ebell Club (Los Angeles 1935 and 1939), and the California Art Club (1946). She is listed in Who Was Who in American Art and other standard references.

Creator:
Jason (Jessie) Herron (1900 - 1984, American)
Creation Year:
c. 1930s
Dimensions:
Height: 12 in (30.48 cm)Width: 26 in (66.04 cm)Depth: 4 in (10.16 cm)
Medium:
Concrete
Movement & Style:
Art Deco
Period:
1930-1939
Condition:
Gallery Location:
Los Angeles, CA
Reference Number:
1stDibs: LU1859213055242

More From This Seller

View All

Music (attributed)

By Philip Kran Paval

Located in Los Angeles, CA

This sculpture is part of our exhibition America Coast to Coast: Artists of the 1930s Music (attributed), brass and wire construction, c. 1936, 28 x 14 x 5 inches; perhaps exhibited at Hollywood Riviera Gallery, 1936 (third prize); provenance includes Estate of Jon Spencer Helfen (Los Angeles, CA About the Sculpture In 1935, Philip Paval bought a box of metal in a “blind auction.” Paval, a painter, sculptor, and jeweler, had hoped the box contained silver. To his dismay, it was brass. Seeing an opportunity, Paval started to make sculptures from the brass sheets. His subjects included Cinema, Hollywood, Radio, Dance, Aviation and Music. The works were well-received with the Hollywood crowd and critically acclaimed. Actor and comedian, Ben Bard, purchased four of them for his theater, and novelist and screenwriter, Vicki Baum ordered four more for her drawing room. Movie director King Vidor also purchased them. Los Angeles Times art critic, Arthur Millier, described Paval’s “contraptions” as “ingenious, decorative, different.” Paval exhibited these works for several years in the late 1930s, including at the American Artists’ Congress Gallery in Los Angeles in an exhibition called Formalism and Abstraction in 1938 and at a solo show at Stendahl Galleries in 1939. The appeal of these works must have been irresistible, as a 1936 Los Angeles Times article noted, “Two feet of brass art has been stolen from the Hollywood Riviera Galleries. The work is an abstraction. It portrays the spirit of music and rested on the grand piano in the main hall. The work of Philip Paval, it won third prize in the current gallery exhibition at the gallery.” One can only wonder whether this is the “contraption” which was pilfered from the gallery nearly one hundred years ago. Given the description of the work, its subject matter and size, it seems likely. About the Artist Philip Paval was a sculptor, painter, and jeweler. Born in Denmark, Paval was apprenticed to a silversmith and studied art in Denmark. He immigrated to the US in 1919 and first worked as a merchant seaman in New York. The following year, Paval settled in Los Angeles where he later opened his own jewelry shop featuring works he designed and produced. Paval became a favorite in the entertainment world, making a good living selling silver...

Category

1930s Art Deco Figurative Sculptures

Materials

Brass

Philip Kran Paval
Music (attributed), c. 1936

$7,500

Dusty Rose Sage (2022), terracotta concrete abstract face sculpture, metal wire Biomorphic and earthy yet industrial style wall sculpture, she...

Category

2010s Contemporary Abstract Sculptures

Materials

Concrete, Wire

Dena Paige Fischer
Dusty Rose Sage (2022), terracotta concrete abstract face sculpture, metal wire, 2022

Price Upon Request

Speckled Sage (2022), gray concrete abstract face sculpture, metal wire, earthy

By Dena Paige Fischer

Located in Jersey City, NJ

Speckled Sage (2022), gray concrete abstract face sculpture, metal wire, earthy Biomorphic and earthy yet industrial style wall sculpture, she...

Category

2010s Contemporary Abstract Sculptures

Materials

Concrete, Wire

Dena Paige Fischer
Speckled Sage (2022), gray concrete abstract face sculpture, metal wire, earthy, 2022

Price Upon Request

More Ways To Browse

Tete De Chevre De Profil

Alfonso Castillo Orta

Bearbrick Kaws Dissected

Bearbrick Van Gogh

Beto Gatti

Bill Mack Bonded Sand

Winged Male Figure - Apollo

View Similar Items

Jason (Jessie) Herron
Winged Male Figure - Apollo
c. 1930s

About the Item

More From This Seller

1930s Art Deco Figurative Sculptures

Philip Kran Paval
Music (attributed), c. 1936

1940s American Modern Sculptures

Robert Chester Thomas
Two Figures, 1949

1930s American Modern Figurative Sculptures

Charles Louis Goeller
Untitled (Hulda Goeller), Circa 1930s

1940s American Modern Figurative Sculptures

Avis Zeidler Nemkoff
Kossack

1920s American Modern Figurative Sculptures

Elizabeth Chase
Untitled Portrait Head (perhaps Arnold Geissbuhler, the artist’s husband), c. 1920s

1930s American Modern More Art