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Jean-Léon GérômeJean-Léon Gérôme La Danseuse au Cerceau - Gilt Bronze Statue of a Hoop Dancer19th Century
19th Century
$5,500
£4,177.39
€4,804.76
CA$7,684.58
A$8,569.17
CHF 4,471.03
MX$105,147
NOK 56,909.09
SEK 53,920.12
DKK 35,859.68
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About the Item
Jean-Léon Gérôme
French
1824 - 1904
La Joueuse De Cerceau - The Hoop Dancer
A mini gilt bronze female figural statue of a young hoop dancer inspired by a trove of ancient terracotta statuettes discovered at the archaeological site of Tanagra at Boeotia, Greece, in 1878, that enchanted the public’s imagination.
Uniquely among his sculpted works, Gérôme envisioned the subject of the Hoop Dancer as both an independent artwork and as part of a larger ensemble. In 1890, plagued by accusations that he could not render movement or emotion in stone, he produced two interpretations of the classical and idealized female form. One, a large seated monumental nude, stretches her hand outward, stoic, sober, and still. Balanced on her palm is the graceful Hoop Dancer, turning and twirling in a cascade of seemingly liquid Grecian robes. Her head dipping into a golden ring that she cradles in one hand; in the other is a golden ball. Gérôme’s investigation into the rhythmic movement of the female body and the contortions of the human form, exemplified through her.
Inscribed J.L. GROME on base and stamped Soit Paris / P74.
Height 9" (22.8 cm) X width 3.5" (8.9 cm), depth 5" (12.7 cm)
- Creator:Jean-Léon Gérôme (1824 - 1904, French)
- Creation Year:19th Century
- Dimensions:Height: 9 in (22.86 cm)Width: 3.5 in (8.89 cm)Depth: 5 in (12.7 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:New York, NY
- Reference Number:Seller: Br052925-021stDibs: LU1282116406872
Jean-Léon Gérôme
One of the most prominent French Academic painters of the 19th century, Jean-Léon Gérôme is today credited with fashioning an entirely new artistic ideology. One of the originators of the Orientalist style, Gérôme was also a stalwart defender of Academic painting, which was waning under the rise of realism and Impressionism. Inspired by the year he spent in Rome with Paul Delaroche in 1834, he developed an insatiable appetite for traveling, and throughout his career, he traveled widely in Turkey, Egypt, and North Africa. His years exploring the Near East inspired his greatest Orientalist works, his Moorish and Turkish bath scenes.
A sculptor as well as a painter, Gérôme’s female figures have the same classical precision of Ingres but are executed with a more pronounced sensuality and realism. Enjoying great popularity and success during his lifetime, he was actively courted and patronized by private collectors and nobility. Today, the majority of Gérôme's works are held in major museums, with very few remaining in private hands.
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(Biography provided by M.S. Rau)
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