Wood Figurative Sculptures

Philippe Guillerm began his professional life in Paris, France, where he was born in the late 1950s. He has traveled around the world on his forty-ei...

Linda Stein, Warrior Waging Peace: Addressing Protection 1282 - Feminist Figurative Mixed Media Black and Colorful Contemporary Sculpture Free-standing contemporary sculpture with...

Edition of 15

"On the Water's Edge XIV" is a bronze sculpture of a nude sitting female on a wooden block. Edition 18, signed, numbered and dated on the bottom. The wooden block can be hung on a w...

A sculpture of a man.

Metal & wood sculpture Rezo Khasia is a Georgian artist born in 1947 who lives and works in Tbilisi, Georgia. The sculptures performed by him are generalized and minimalist. He Uses as a working material the bronze, wood, stone, metal and general energy, which perfectly perfects both exterior and interior spaces. All sculpture itself is made of solid material. He has implemented many creative projects both in Georgia and abroad, participated in both domestic and international exhibitions, exhibitions-competitions, symposia and architectural-creative competitions. He has been awarded from numerous creative awards and prizes as Grand Prix - Work Muse International Sculpture Symposium in Nadiotadi, Hungary, I Prize - International Exhibition-Competition Olympiad-2004 in Tbilisi, Georgia, Grand Prix in Sculpture - International Exhibition at Blue Gallery...

Rakesh Sadhak - Pandemic Panel Wood & Metal, H 42 x W 54 x D 12 inches, 2020 Born : 1970 Qualification: B.V.A. in Sculpture from Govt. College of Art & Craft 2012 M.F.A. in Sculptur...

Size includes wood mounting. George Aarons (born Gregory Podubisky, in St. Petersburg, Russia, 1896 - died in Gloucester, Massachusetts 1980) was a distinguished sculptor who lived and taught in Gloucester, Massachusetts, for many years until his death in 1980. He had, many students in the area and he designed Gloucester's 350th Anniversary Commemorative Medal. Aarons moved from Russia to the United States when he was ten. His father was a merchant. He began taking drawing classes during evenings at Dearborn Public School in Boston as a teenager and went on to study at the Boston Museum of Fine Arts in 1916. Aarons later moved to New York City to study with Jo Davidson, and other Paris-trained masters at the Beaux-Arts Institute. He eventually returned to the Boston area and established studios in Brookline and Gloucester, Massachusetts. During his lifetime, he was recognized internationally and won several prestigious awards. Aarons had studios in Brookline, Massachusetts and Gloucester, Massachusetts where he produced large bronze and marble figures and wood carvings. He produced several projects for the Works Progress Administration including a group of three figures for the Public Garden (Boston), a longshoreman, fisherman and foundry worker, as well as a large relief (1938) for the South Boston Housing Project and façade of the Baltimore Hebrew Congregational Building (1956). His works are at the Museum of Art in Ein Harod, Israel; Fitchburg Art Museum in Massachusetts, Musée de St. Denis in France; Hilles Library at Radcliffe College in Cambridge, Massachusetts; and Hillel House at Boston University in Massachusetts. He did reliefs for Siefer Hall at Brandeis University in Waltham, Massachusetts (1950); Edward Filene (the founder of Filene's Department Store and a philanthropist) on the Boston Common; Fireman's Memorial in Beverly, Massachusetts; a memorial to Mitchell Frieman in Boston; the U.S. Post Office in Ripley, Mississippi; and at the Cincinnati Telephone Building; the Combined Jewish Philanthropies building in Boston (1965); and a commemorative medal for the 350th Anniversary of the City of Gloucester, Massachusetts (1972). Characteristic of his era, George Aarons was among the foreign-born American sculptors of the early 20th century who started their careers as academicians and evolved into modernists and increasingly abstract artists. Over thirty pieces spanning the length of this sculptor's career were featured in this exhibition, including work in various medium bronze, wood and original plasters. Like his contemporaries, Aarons experimented with direct carving in wood, and he was one of the few academically trained sculptors who consistently cut his own works in marble. His early work was classically inspired figurative work, along with sensitive portraits. Some of his most powerful sculpture comes from his middle period, when he worked through his emotional pain following the global realization of the Jewish Holocaust. He depicted humanity deep anxiety over this tragedy with figures that are at once symbolically charged and movingly beautiful. Aarons late work consists of radically simplified forms that continue to reference the human form and often are carved directly in wood and stone. Aarons summered and taught classes on Cape Ann for many years before moving to Gloucester full-time with his wife about 1950. While Aarons is best known locally for his domestic-scale works, he also executed numerous monumental, public commissions that can be found throughout the United States in cities such as Washington, D.C.; Baltimore, Maryland; and Cincinnati, Ohio; as well as in France and Israel. As noted in a Gloucester Daily Times Article, Aarons wanted his sculptures to honor the struggles and nobility of people and rail against the evil done against them. And that was why, even as his work grew more and more abstract, stylized and simplified, he never left behind the form of the human figure that had been his focus from his earliest works. Aarons told the Gloucester Daily Times in September 1954 that he found it hard to remember at just what age he started studying art, but he recalled that the nude model had to partially dress when he was in class because he was so young. He initially studied painting and drawing at the museum school, but he once said he became fascinated by sculpture when he met an established sculptor at the Copley Society in Boston who invited Aarons to his studio and offered him some clay to "play around" with. After he graduated, he apprenticed under sculptors Richard Brooks, Robert Baker and Solon Borglum. He worked as a carpenter, shipbuilder, dishwasher and chimney sweep. He fashioned architectural decorations, including figures for fountains and now and then a few commissioned portraits. He returned to Boston by the early 1920s and began to exhibit his own works and get commissions for portraits, fountains and reliefs. His sculptures from this time are dreamy and romantic in the realistic, academic style of the time. A painted portrait of the young Aarons that is included in the North Shore Arts Association exhibit shows a determined fellow with dark brown hair, a suit and bow tie. However, in 1922, this determined young artist was living with his parents on Calder Street in Dorchester. In the 1930s, Aarons adopted the streamlined, monumental style of the socialist works of the time. Aarons made money, as he would all his life, from commissions, selling his personal work and teaching sculpture, but the Depression of the 1930s was tough for everyone. So Aarons found work though the federal Works Progress Administration, one of Franklin Roosevelt's New Deal programs. He received his first major commission when he was asked to create a public sculpture for the South Boston Harbor Village public housing project around 1937. He was elevated to the position of supervisor for the project and received a corresponding $5 pay increase to make his weekly salary $32. The raise convinced him he was fit to marry and he proposed to Gertrude Band, an attractive brunette dancer whom he had been dating for more than a year. They were married before the Harbor Village project was dedicated on Labor Day 1938. Aarons' design featured a brawny, larger-than-lifesize fisherman, longshoreman and a laborer flanked by a boy and girl at either end to portray the children who would live in the apartments. Aarons elected to do the piece in cast stone to employ carpenters and laborers as well as craftsman for a total of 10 men. In his sculpture, Aarons focused more and more on the theme of oppressed people as he worried about the spread of fascism and Nazism during the 1930s, World War II and after. He had done pieces during the mid-1930s about the oppression of African-Americans, including "Negro Head," which is in the North Shore Art Association retrospective. After the war, he also delved into Jewish themes and became increasingly known as an important Jewish artist, leading to commissions from Jewish organizations across the country and abroad. "He gets into raw emotion. Some people describe him as an expressionist because of the emotion (in his work)," Reynolds says. But Aarons, also sculpted sensual sexual nudes...

An abstract sculpture of wood and paint.

An original work by Noche Crist (1909- 2004). Titled "Femme Fatale" and signed on reverse. Wonderful work made with cut wood, paint and plaster. Catalogue of an exhibition in 2008 ...

Artist: Chaim Gross, Austrian (1904 - 1991) Title: Acrobats Year: 1948 Medium: Hand-carved wood sculpture, signature and date inscribed Size: 21 in. (53.34 cm) tall

This piece titled "Halftime" is an original artwork by Drew Leshko made of painted paper, pins, inkjet prints, and pigments. It measures 8”h x 1”w x 3.75”d Drew Leshko is a Philadel...

This piece titled "Double Barrel with Pallets" is an original artwork by Drew Leshko made of painted paper, inkjet prints, plaster wood, glue, plaster. I...

Philip Shore uses his art to illustrate man's relationship to the environment and how the connection between nature and culture is becoming more fractured. Rel 17.1 consists of wood,...

This Golek puppet was made by an unknown Indonesian artist using wood and cloth. It is approximately 28" tall. Traditional Wayang Golek plays can be compared to European and North America: most performances revolve around Kings, Queens, Princes and Princesses who fight against evil, mystical, beings to (usually) end happily. Three-dimensional Indonesian puppets...

Antique carving of a saint or martyr. 17th century Flemish hardwood carving. Wonderful wear and rich color.

Metal sculpture on wood by Houston, Texas modernist sculptor and painter David Adickes. High relief sculpture of George Bush facing right cast in metal and mounted on wood. Signed by artist. Metal Sculpture Diameter: 6" Artist Biography: Born 1927 in Huntsville, Texas, David Pryor...

'We surround ourselves with elements from nature in the form of manicured lawns, sculpted trees, and our domesticated companions. We bend the natural world to our tastes and create a...

Elizabeth Jordan is an artist working primarily in sculpture and whose work uses multiple materials to produce unique, organic forms. In addition to a solo and group shows at Ivy Brown Gallery, she has exhibited at The American Academy of Arts and Letters, the Nassau County Museum of Art, The Cornell Art Museum in Delray Beach, Florida and the New York Artists Equity Gallery. In 2023, she received a 2023 Fellowship from the New Jersey State Council on the Arts in sculpture, and in 2022 was awarded the Alex J...

Referenced in Uricariu & Bulat "Antonovici" on page 134, this bronze sculpture by Constantin Antonovici plays on a common shape composition of the artist's practice. At their core, t...

Rakesh Sadhak - Journey of Bridge Metal & Wood, H 18 x W 12 x D 7 inches Born : 1970 Qualification: B.V.A. in Sculpture from Govt. College of Art & Craft 2012 M.F.A. in Sculpture fr...

Inspired by amateur archaeologists such as Heinrich Schliemann who discovered Troy and by past elaborate hoaxes like that of the Piltdown Man, Joshua travels the world performing sta...

Rakesh Sadhak - Silence of Victoria Metal & Wood, H 23 x W 16 x D 7 inches Born : 1970 Qualification: B.V.A. in Sculpture from Govt. College of Art & Craft 2012 M.F.A. in Sculpture ...

Joseph Goethe was one of our finest American modernist carvers in wood. He loved to use exotic and or beautiful woods to inspire his compositions which ranged from figurative, to an...

The sculpture Cranium (2020) is an exploration of consciousness in isolation. It re-imagines the human skull as an ever-expanding container, complete with its own internalized logic...

"Veteran of Wounded Knee" by Denny Haskew Figurative Bronze Bust of a Native American 10.5x23.5x19" Ed/20 "Proud Man look this way coyote sittin on your head, good for foolin the s...

TONY DAGRADI is an internationally recognized jazz performer, artist, composer, author, and educator. For over three decades he has made his home in New Orleans, performing on tenor ...

In addition to the professional photos here, I have added some "home made" ones that I think better show off the exquisite character of the wood the artist used to create this large,...

Guillaume Cornelis van Beverloo (Corneille) Tropical Parrot with Woman, circa 1970 Signed: Corneille Edition Number: 6 of 8 Constructed and Painted wood 39" high x 40 1/2" wide x 6" ...

A very personal piece from this artist. Human figures are carved in this horse sculpture, one of which is in the back of the horse neck and opens its back ...

Eva Ennist, a mixed media and fiber artist, travels extensively through the Far East, gathering materials and techniques for her practice. The artwork "SOMETHING ELSE #2" uses materi...

Magnificent sculpture on wood by Spanish artist CODINA CORONA. Sculpture of one piece of wood without pieces superposed Josep Maria Codina Corona (Igualada, 1935 - Barcelona, 2006) w...

Electric Coffin is coded within art history and ideologies from archetypes of mysticism. We explore found truths from modernity and a personal historical perspective. A process-drive...

This sculpture was created by an unknown Baule artist from Ivory Coast. It depicts a man in a suit with a white hat. He stands with his hands in his pockets. 18 1/2" x 6 1/4" sculpture The Baule or Baoulé are an Akan people and one of the largest groups in Côte d'Ivoire. The Baoulé people are talented in African art. Their sculptures are renowned for their refinement, form diversity and the labor they represent. The sculptures do not only include face masks and human figurines...

Pair of Lacquer wood Buddhist Monks Burmese wood and lacquer and gold, color glass decoration. Figures in a praying tranquil position. They are wearing jeweled robes with inlay an...

Limited edition skate board series with original photography artwork by Frank Schott, in collaboration with Swiss design studio Doodah. Limited edition series 100 boards produce...

The Palace at 3am (2022) by Gary Sczerbaniewicz. Wood, laser cut & etched chipboard, latex, plaster, and cast plastic.

Joe Brubaker was born in Lebanon, Missouri and raised in Southern California. He received his B.A. from Sacramento State University, then attended UCLA where he earned his MA and MFA...

Aronson, David 1923- David Aronson, son of a rabbi, was born in Lithuania in 1923 and immigrated to America at the age of five. He settled in Boston, Massachusetts where he studied at the school of the Museum of Fine Arts under Karl Zerbe, a German painter well known in the early 1900s. Aronson later taught at the school of the Museum of Fine Arts for fourteen years and founded the School of Fine Art at Boston University where he is today a professor emeritus. An internationally renowned sculptor & painter, Aronson has won acclaim for his interpretation of themes from the Hebrew Talmud and Kabala. His best known works include bronze castings, encaustic paintings, and pastels. His work is included in many important public and private collections, and has been shown in several museum retrospectives around the country. He is considered to be one of the most important 20th century American artists. At twenty-two David Aronson had his first one-man show at New York's Niveau Gallery. The next year, six of his Christological paintings were included in the Fourteen Americans exhibition at Manhattan's Museum of Modern Art where Aronson’s work was included alongside abstract expressionists Arshile Gorky, Robert Motherwell and Isamu Noguchi. In the 1950s, Aronson turned more toward his Jewish heritage for the inspiration for his art. Folklore as well as Kabalistic and other transcendental writings influenced his work greatly. The Golem (a legendary figure, brought to life by the Maharal of Prague out of clay to protect the Jewish community during times of persecution) and the Dybbuk (an evil spirit that lodges itself in the soul of a living person until exorcised) frequently appear in his work. In the sixties, Aronson turned to sculpture. His work during this period is best exemplified by a magnificent 8’ x 4’ bronze door which now stands at the entrance to Frank Lloyd Wright's Johnson Foundation Conference Center for the Arts in Racine, Wisconsin. In the seventies and eighties, Aronson continued his work in pastel drawings, paintings, and sculptures, often exploring religion and the frailties of man's nature. During this time, in addition to a traveling retrospective exhibition and many one-man shows in New York, Los Angeles, Chicago, and Boston at the Pucker-Safrai Gallery on Newbury Street, Aronson won many awards and became a member of the National Academy of Design in New York. Two years ago he retired from teaching to work full-time in his studio in Sudbury, Massachusetts. included in the catalog Contemporary Religious Imagery in American Art Catalog for an exhibition held at the Ringling Museum of Art, March 1-31, 1974. Artists represented: David Aronson, Leonard Baskin, Max Beckmann, Hyman Bloom, Fernando Botero, Paul Cadmus, Marvin Cherney, Arthur G. Dove, Philip Evergood, Adolph Gottlieb, Jonah Kinigstein, Rico Lebrun, Jack Levine, Louise Nevelson, Barnett Newman, Abraham Rattner, Ben Shahn, Mark Tobey, Max Weber, William Zorach and others. Selected Awards 1990, Certificate of Merit, National Academy of Design 1976, Purchase Prize, National Academy of Design 1976, Joseph Isidore Gold Medal, National Academy of Design 1976, Purchase Prize in Drawing, Albrecht Art Museum 1975, Isaac N. Maynard Prize for Painting, National Academy of Design 1973, Samuel F. B. Morse Gold Medal, National Academy of Design 1967, Purchase Prize, National Academy of Fine Arts 1967, Adolph and Clara Obrig Prize, National Academy of Design 1963, Gold Medal, Art Directors Club of Philadelphia 1961, 62, 63, Purchase Prize, National Institute of Arts and Letters 1960, John Siimon Guggenheim Fellowship 1958, Grant in Art, National Institute of Arts and Letters 1954, First Prize, Tupperware Annual Art Fund Award 1954, Grand Prize, Third Annual Boston Arts Festival 1953, Second Prize, Second Annual Boston Arts Festival 1952, Grand Prize, First Annual Boston Arts Festival 1946, Traveling Fellowship, School of the Museum of Fine Arts 1946, Purchase Prize, Virginia Museum of Fine Arts 1944, First Popular Prize, Institute of Contemporary Art 1944, First Judge's Prize, Institute of Contemporary Art Selected Public Collections Art Institute of Chicago Virginia Museum of Fine Arts Bryn Mawr College Brandeis University Tupperware Museum, Orlando, Florida DeCordova Museum Museum of Modern Art Print Collection, New York Atlanta University Atlanta Art...

Philippe Guillerm began his professional life in Paris, France, where he was born in the late 1950s. He has traveled around the world on his forty-ei...

It happened near you. He murders with such humanity... He's a streetwise Belgian hiding an immense talent.

A very cool and stylish mini folding screen of carved figures hand painted by an unknown artist. It is likely from around 1970, the figures are a bit surrealist and match in a stiff ...

Half-woman/half-cat actress, Buddhist at heart, anarchist at heart. This nose sculpture is my first creation in glazed ceramic...

This Golek puppet was made by an unknown Indonesian artist using wood and cloth. It is approximately 24" tall. Traditional Wayang Golek plays can be comp...

Marcel Cerdan, a French boxer, is one of the few to have dethroned, thanks to his fearsome right hook, the Americans who have held the world title of "English middleweight boxing" si...

Head sculpture is 18.5"h. Base is 2.5"h x 10.5"d. David was inspired to carve a burl after receiving a turned burlwood bowl. He captured the shape and re...

"Pair III" is a bronze sculpture of a couple sitting on a wooden block. Edition 18, signed, numbered and dated on the bottom. The wooden block has a concrete aesthetic. Comes with t...

"Small Sitting Figure XXII" is a bronze sculpture of a sitting nude female on a white wooden frame. Edition 18, signed, numbered and dated on the back. The wooden block can be hung ...

Arieh Merzer was a prominent Israeli artist and metal worker. Arie Merzer, an artist who worked in hand-hammered copper, was born in Warsaw, Poland in 1905, the scion of a large Has...

The artworks of 2031 series bring up the subject of epochs clash and the search for balance in a modern technological world. Symbolic accents in this series are even more contrasting...

"High art and low culture need each other to renew their vitality-- without each to enhance the other, both would full flat." Donald Kuspit, American Ceramics, Jan/Feb 1999 Artis...

Sunil Kumar Das - Family - 37 x 12 x 6 inches Wood & Fiberglass. Style : In his works, Das strives to simplify, elements and features- as if he wants...

This elegant hanging Wall Art sculpture is perfect for both neutral and modern spaces. The artist was inspired in long walks and pathways many peolple take every day in order to fill a single bucket of water, making it last a whole week. The silhouette is made with delicately placed pins. One by one, the artist placed them with resin and once they were firm, she cut the back part points. It is easy to install for it can be hung directly to the wall with two screws or from the cieling above to make a separation from the wall and project shadows. Mexican Modern Art...

Medium: wood, steel, pigment (wall hung) As an artist, I strive to create elegant sculptures that capture the true essence of the subject matter. Form, line, and surface are used as...

Medium: Basswood and milk paint (wall mounted) As an artist, I strive to create elegant sculptures that capture the true essence of the subject matter. Form, line, and surface are u...

Medium: reclaimed wood, pigment As an artist I strive to create elegant sculptures that capture the true essence of the subject matter. Form, line and surface are used as the visual...

Medium: oak, bleached and dye, concrete As an artist I strive to create elegant sculptures that capture the true essence of the subject matter. Form, line and surface are used as th...

Medium: reclaimed wood, dye , lacquer As an artist I strive to create elegant sculptures that capture the true essence of the subject matter. Form, line and surface are used as the ...

Narrative figures in various combinations of human, animal and natural forms are the main characters of this work. This blending of forms is reflective of nature, mythology and story...

Narrative figures in various combinations of human, animal and natural forms are the main characters of this work. This blending of forms is reflective of nature, mythology and story...