R. Hobold

Early 20th Century Bronze Figure Sculpture, Shepherd Girl with Staff Statue

late 19th c

A rare sculpture by Daniel Albert Harris (aka: Zev- the Wolf) (1914-1986) c. 1968 A substantial and stunning bronze sculpture of Poseidon (or Neptune) riding on a shell driven by hor...

Mother & Child, Mid-Century Figural Brutalist Bronze Sculpture by Curt Beckmann Rare and evocative mid-century figural bronze sculpture of mother and fleeing young child by Curt Bec...

Two Figures Bronze Sculptures Modernist style of Botero - Picasso Bronze figurative Nude sculptures by San Francisco Bay Area artist Mike Evans (American, 20th-21st C.). A Pensive m...

Randolph John Rogers (American, 1825 - 1892) Randolph Rogers' Nydia, the Blind Flower Girl of Pompeii debuted in 1856 to critical and public acclaim, solidifying Rogers’ position as a pre-eminent American sculptor and it remains one of the artist’s most celebrated works today. The subject of Nydia is drawn from Edward Bulwer-Lytton's The Last Days of Pompeii 1834. After touring the ruins of the ancient city in 1833, and inspired by the stories of blinding volcanic ash, he composed the tale of Nydia, a slave who led her master, Glaucus, to safety. Rogers depicts Nydia at the moment that she and Glaucus have become separated in their perilous journey through the rubble and Nydia seeks familiarity in the surrounding chaos, her distress evident in her pained expression. The grace of the sculpture is at odds with the turmoil portrayed; a toppled Corinthian capital lies at her feet and obstructs her next step, indicated by the tilt of her back foot and grip on her walking stick. Examples of this model can be found in major American collections, including The Metropolitan Museum of Art, the Art Institute of Chicago, the Detroit Institute of Arts, the Los Angeles County Museum of Art, and the Museum of Fine Arts, Boston. Literature, Millard F Rogers, Jr. Randolph Rogers, American Sculptor in Rome. University of Massachusetts Press, 1971, American Figurative Sculpture in the Museum of Fine Arts Boston. Museum of Fine Arts, Boston, 1986. Joyce K Schiller. "Nydia, A Forgotten Icon of the Nineteenth Century." Bulletin of the Detroit Institute of Arts, Born in Waterloo, New York, Randolph John Rogers became an expatriate* sculptor of idealized figures, portraits, and commemorative works in Neo-Classical* and Realist* styles. He worked in clay, plaster, marble and bronze, and lived both in Italy and the United States. He made 167 examples of Nydia in two sizes (varies depending on base height) 36" and 54'. Rogers was raised in Ann Arbor, Michigan, and as a young man did woodcuts* for the local newspaper, The Michigan Argus, and also worked as a baker's assistant and a dry goods clerk. In 1847, he moved to New York City, where he hoped to find work as an engraver*, but failing to do so, worked in a dry goods store owned by John Steward...

Bronze statue of young goatherder by Oscar Gladenbeck. circa 1900. Signed "Oscar Gladenbeck Friedrichshagen". # nude male Grand Tour.

Late 19th century french patinated bronze sculpture of a peasant/shepherd boy By: unknown Material: bronze, copper, metal Technique: cast, molded, patinated, metalwork Dimensions: 6 in x 7 in x 12 in Date: late 19th century Style: Romanticism, Naturalism, Realism...

Cast bronze and marble shepherdess with sheep sculpture signed D. Alonzo. France, early 20th century.

BRONZE “ THE SHEPHERD” RAPHAEL HUBERT FRANCE Circa 1920s An incomparably beautiful, large, dark brownish patinated bronze. A very detailed representation of a standing “shepherd”. ...