Furniture Figurative Sculptures

Pegasus II, is a bronze sculpture of a horse with wings, from Greek mythology, with beautiful light green patina. Pegasus II Horse Bronze Sculpture G...

Linda Stein, Welcome to Another Country 1275 - Contemporary Art Mixed Media Wunderkammer Sculpture This work from Linda Stein's Displacement From Home series draws from the traditio...

Fisherman on stilt III is a bronze sculpture by French contemporary artist Marine de Soos, dimensions are 45 × 25 × 19 cm (17.7 × 9.8 × 7.5 in). The sculpture is signed and numbered...

Swami II is an elegant figurative bronze sculpture by Nando Kallweit. Modelled on modern youthful postures but with a nod to the importance of heritage through the stylised Egyptian...

Kiora is a bronze sculpture of a bear by contemporary artist Jacques Owczarek. Dimensions are 19.5 × 34 × 14 cm (7.7 × 13.4 × 5.5 in). The sculpture is signed and numbered, it is pa...

JUAN CLARÁ AYATS Spanish, 1878 - 1958 A GIRL SITTING ON A HIGH CHAIR signed "Juan Clara" (on the back of the chair ) bronze figure 8-3/4 x 7-1/8 x 4-3/4 inches (22 X 18 X 12 cm.) PROVENANCE Private Spanish Collector A young girl sitting on a high chair, with a naughty attitude that wants to escape from the high chair. She is making a great effort to get rid of the bars of the high chair, just as her whole body accompanies her to this effort. The candid and innocent attitude of the girl, but at the same time fun and mocking we love and conquer. Juan Clará Ayats. Olot (Gerona), 6.XII.1875 - Paris (France), II.1958. Sculptor Student of José Berga at the Olot School of Fine Arts, developed his training in France, first at the School of Fine Arts in Toulouse, in 1896, and from 1901 in Paris. At this stage he lived with his younger brother, José Clará...

Nicholas Crombach (BFA, 2012) is an artist working in Kingston Ontario. Crombach has been awarded the Elizabeth Greenshields Foundation Award. His solo exhibition, Behind Elegantly Carved Wooden Doors, was presented at Art Mûr...

Instant Moules I is a nickeled aluminium and bronze sculpture by contemporary Czech sculptor Ondřej Oliva, dimensions are 385 × 45 × 34 cm (151.6 × 17.7 × 13.4 in). This sculpture is...

Bjorn Sjoling has worked in many mediums, including oil painting, stained glass, wrought iron design and traditional sculpture. With a degree in Electrical and Electronic Engineering, Sjoling is fascinated by mechanics and possesses an uncanny aptitude for understanding and manipulating the mechanical world. He is drawn to the hidden workings of the human body, and of this, the Remains to be Seen collaborative series was born. Remains to be Seen is created in close conjunction with his wife and artistic partner, Amanda Sjoling. The series peels away the external layers of our corporal bodies to showcase the beauty of the mechanical framework of skeletons. These expressive and humorous figures, cast in the traditional lost wax process, are life-size and completely anatomically correct limited edition works. The Sjoling team aims to create such quality bronze works that they present just as well from a distance as they do upon close examination. The works are both nobody and everybody at the same time through their lack of external characteristics. The Sjoling team aims to facilitate the viewer’s thoughts through such expansive and intricate topics as love, vanishing consumerism and greed, and life and death by offering the observer a universal portrait and a profound dichotomy that is so simple that it is obvious. Sjoling currently works out of the United Kingdom and ÆRENA Galleries...

Born in Byblos lebanon, in 1946, is a contemporary plastician artist franco-canadian. Artistic journey Early days (1970-1975) Paris (1976-2001) Quebec...

Painted Terracotta sculpture realized by Sirio Pellegrini in 1960s. Good condition. Sirio Pellegrini, born in Rome on March 1, 1922, of Abruzzo origins (Capestrano), spent his chil...

Louis Durot was born in Paris on April 22, 1939. He was something of an enfant terrible, and managed to be expelled from various schools for bad conduct. His ambition, as stated to his parents, was to earn money without having to work, and for a time, he was an “escort-boy” for a Parisian Grande Dame. He did, however, manage to get a good education in spite of himself, and received his Baccalaureate degree from Lycee Louis Pasteur in 1956. In 1960, he enrolled in the Facultie de Sciences, where he studied mathematics. He terminated his math studies in 1963, and turned his attention to engineering, working for Equipel, where he was responsible for calculating and measuring resistance for prototype nuclear generators. Equipel became a research facility, and offered Durot the opportunity to study organic chemistry. Durot directed numerous research projects for Equipel between 1966 and 1972. During this time, in fact, starting in 1964, he made many friends in the art world, gathering together artists from a variety of disciplines to form an artists commune — the Freelane Studio. Among the members were jazz journalist Gilles Brinnon, and a young painter, Jean Ihallero — a friend of the painter Maxime Defert. Through them, he met the artist Francois Arnal, who was interested in Durots’ engineering expertise for his sculptures. They got on well, and worked together for two years. Also in this circle were the actress Micheline Presle and the actor Daniel Gelin. In 1968, Arnal and Presle created Le Festival de Theatre de Chateauvallon, and through this, Durot became friends with the noted film director Ulysse Reynaud. In 1966, Francois Arnal introduced Durot to the artist Cesar, with the idea that Durot’s talents as a chemical engineer would be useful. Durot spent a year helping Cesar to master the techniques of working with polyurethane foam, with Durot searching for ways to make this fragile and ephemeral substance more stable and permanent, and more amenable to control. Cesars’ first works in this medium were flat, due to the difficulty of controlling the foam, but he went on to create his famous “expansions”. In 1968, Durot conceived a project to create more three-dimensional sculptures following a simple and precise design. It was during this time that Durot made his first polyurethane sculptures — the Champignons and Plantes Carnivores. Also in 1968, he He opened his first technical studio at 35, rue Leon. In order to support this new endeavor,( he needed more space, equipment, time and money), he created La Societe Durgalith. 1971 saw the Durat’s first works exhibited at the Salon Batimat in Paris. With this exhibition, Durot was hoping to attract the attention of architects with whom he could collaborate. Between 1971 and 1974, Durot created sixty sculptures inspired by fantastical “alien” life, mushrooms, and carnivorous plants. In 1974, Durot”s Societie Durgalith ran into problems with the Italian firm that owned Batimat. Credit Lyonnaise seized his studio and many of his sculptures, and quite a number of them were destroyed. This same year, Durot worked with the architects Sloan and Lecouter on an inflatable structure for the Pavillion Franaise in Osaka. Unfortunately, the project was never realized. Durot continued to pursue his research on polyurethanes, and gained world-wide recognition for his developments in this field. In 1977, a “student prank” had un-expectedly bad consequences. Durot was employed as an engineer at L’Usine Francaise de la Monnaie (the French mint) in Pessac. He took three kilos of “blanks”, and used them for playing slot-machines. For this, he spent seven weeks in jail, which was ended by an amnesty granted by Mitterand in 1981. During Durot’s time in prison, he took up weight-lifting, and also designed his next generation of sculptures. The spirals, feet, lips, and a series of erotic chairs...

Nando Kallweit's Juliana II depicts a reclining female figure with a spear executed in a stylized, abstract manner. The elongated form captures a sense of serene relaxation and intro...

FRANZ BERGMANN Austrian, (1838-1894) Bath Tent Two nude women in a bathing tent, reverse impressed with "B" within a vasiform mark for Franz Bergman. 17 1/2 inches high

Daniel Grantham (American, 20th Century) Jellyfish, 2017 Cedar wood on maple Engraved signature on bottom of base 20 x 6.5 x 6 inches Daniel Grantham was born and raised in Clevela...

Urbanut II is a bronze sculpture by contemporary Czech sculptor Ondřej Oliva, dimensions are 40 × 50 × 40 cm (15.7 × 19.7 × 15.7 in). This artwork is from a limited edition of 6, eac...

FREE SHIPPING TO WORLDWIDE! Artisan: Fidel Martinez Martinez MASTERPIECE Made with Black Clay, hand-modeled technique and cooked in a wood-fired oven. - Dimensions: 22" x 18" x ...

The contemporary artistic duo of Gillie and Marc are passionate environmental activists who have used their sculptures, paintings and photographs to celebrate and save endangered ani...

Louis Durot was born in Paris on April 22, 1939. He was something of an enfant terrible, and managed to be expelled from various schools for bad conduct. His ambition, as stated to his parents, was to earn money without having to work, and for a time, he was an “escort-boy” for a Parisian Grande Dame. He did, however, manage to get a good education in spite of himself, and received his Baccalaureate degree from Lycee Louis Pasteur in 1956. In 1960, he enrolled in the Facultie de Sciences, where he studied mathematics. He terminated his math studies in 1963, and turned his attention to engineering, working for Equipel, where he was responsible for calculating and measuring resistance for prototype nuclear generators. Equipel became a research facility, and offered Durot the opportunity to study organic chemistry. Durot directed numerous research projects for Equipel between 1966 and 1972. During this time, in fact, starting in 1964, he made many friends in the art world, gathering together artists from a variety of disciplines to form an artists commune — the Freelane Studio. Among the members were jazz journalist Gilles Brinnon, and a young painter, Jean Ihallero — a friend of the painter Maxime Defert. Through them, he met the artist Francois Arnal, who was interested in Durots’ engineering expertise for his sculptures. They got on well, and worked together for two years. Also in this circle were the actress Micheline Presle and the actor Daniel Gelin. In 1968, Arnal and Presle created Le Festival de Theatre de Chateauvallon, and through this, Durot became friends with the noted film director Ulysse Reynaud. In 1966, Francois Arnal introduced Durot to the artist Cesar, with the idea that Durot’s talents as a chemical engineer would be useful. Durot spent a year helping Cesar to master the techniques of working with polyurethane foam, with Durot searching for ways to make this fragile and ephemeral substance more stable and permanent, and more amenable to control. Cesars’ first works in this medium were flat, due to the difficulty of controlling the foam, but he went on to create his famous “expansions”. In 1968, Durot conceived a project to create more three-dimensional sculptures following a simple and precise design. It was during this time that Durot made his first polyurethane sculptures — the Champignons and Plantes Carnivores. Also in 1968, he He opened his first technical studio at 35, rue Leon. In order to support this new endeavor,( he needed more space, equipment, time and money), he created La Societe Durgalith. 1971 saw the Durat’s first works exhibited at the Salon Batimat in Paris. With this exhibition, Durot was hoping to attract the attention of architects with whom he could collaborate. Between 1971 and 1974, Durot created sixty sculptures inspired by fantastical “alien” life, mushrooms, and carnivorous plants. In 1974, Durot”s Societie Durgalith ran into problems with the Italian firm that owned Batimat. Credit Lyonnaise seized his studio and many of his sculptures, and quite a number of them were destroyed. This same year, Durot worked with the architects Sloan and Lecouter on an inflatable structure for the Pavillion Franaise in Osaka. Unfortunately, the project was never realized. Durot continued to pursue his research on polyurethanes, and gained world-wide recognition for his developments in this field. In 1977, a “student prank” had un-expectedly bad consequences. Durot was employed as an engineer at L’Usine Francaise de la Monnaie (the French mint) in Pessac. He took three kilos of “blanks”, and used them for playing slot-machines. For this, he spent seven weeks in jail, which was ended by an amnesty granted by Mitterand in 1981. During Durot’s time in prison, he took up weight-lifting, and also designed his next generation of sculptures. The spirals, feet, lips, and a series of erotic chairs...

The three series that make up her thesis show all center around the woman as an art historical trope who becomes a contemporary archetype of tenderness and tenacity with her own narrative. The tradition of the woman as muse or object is questioned and turned upside down as she gives her women the position of subject, i.e., the position of power. The jars, which uphold pairs of women, are the ultimate overturn of male dominance as she removes and replaces all male characters from famous artworks with women...

In this dramatic abstract sculpture by Robert Clarke Ellis a silhouette of a figure, broad chest puffed up in confidence, strides boldly forward towards the viewer. Constructed of la...

Mistery is a bronze sculpture with dark patina, it is connected to a steel base. The edition size is 25. This sculpture stands on shelf as well as be hung on wall. Joan’s latest sc...

Wire sculpture by Steve Martin (b.1968) Note : 'Serious art without seeming to be' describes the whimsical line drawings transformed to three dimensions by artist Steve Martin. Ma...

Wood, stone, iron. The raw material and the material of a sculptor. ancestor of any architectural practice. But the architect, the sculptor and the artist do not remain alone in thei...

George Merheb was born in Lebanon in 1960 where he currently works and resides. He obtained a Master’s degree in Drawing and Painting from the Lebanese University of Beirut, Lebanon....

This is a unique bronze container. The figure has always been Deborah Ballard’s muse in her sculptures. Ballard works in bronze, cast stone, and plaster; her figures ranging from li...

Small Bear Armchair is a polyester sculpture by contemporary artist Eric Valat, dimensions are 130 × 80 × 90 cm (51.2 × 31.5 × 35.4 in). The sculpture is signed and numbered, it is part of a limited edition of 8 editions + 4 artist’s proofs, and comes with a certificate of authenticity. Available colours: *black *red *blue *white This sculpture represents a seating bear, with its arms on its knees. This functional sculpture of wild animal can be used as an armchair. The bear makes an appearance in Eric Valat's bestiary of scribal vocabulary straight out of childhood. Eric Valat is attempting to reimagine the traditional bear representation in the wake of the wolf and panther benches...

It is a powerful image—at once compelling and provocative—an old-fashioned rocking horse, collapsed. This is the work of Nicholas Crombach. The Kingston based artist creates sculptu...

Neo Jomon: Blue Headache By En Iwamura En Iwamura (born 1988, Kyoto, Japan) is a contemporary artist renowned for his innovative ceramic sculptures that blend traditional Japanes...

This one of a Ltd edition of 25 sculptures by the artist. Joan Artigas Planas was born in 1960 in Vilassar de Dalt, Barcelona. In 1985 he graduated in Fine Arts at the University o...

The meditation garden II is a bronze sculpture by French contemporary artist Marine de Soos, dimensions are 27 × 12 × 8 cm (10.6 × 4.7 × 3.1 in). The sculpture is signed and numbere...

John Kearney, 1924-2014, "Auto w/4 Passengers", Bronze, signed and dated "J. Kearney Roma '68." From the estate of Dr. Adrian Zorgniotti, 1925-1994, noted American urologist, medical director and house physician for the Metropolitan Opera. Kearney was represented in Chicago, New York, the Berta Walker Gallery in Provincetown and in Wellfleet, His work is fashioned from chrome car bumpers, not the current plastic variety, but chrome plated steel, and welded into great and seemingly alive creatures; a little horse about to leap, a pig, large and strong, and, noble and kingly as it looks over the gallery, a life-size gorilla. Now 78 years old, John and his wife Lynn founded the Contemporary Art Workshop 53 years ago in Chicago and have contributed through his art to the life and style of the Windy City. Chicago and environs is gifted with many pieces, noteably the city's Oz Park, wherein live the Tin Man and the bronze Cowardly Lion. his work is in the collections of Chicago's Museum of Contemporaray Art, the Detroit Children's Museum, the Chrysler Art Museum in Virginia, and the Provincetown Art Association and Museum, to name a few. His work is in the private collections of Norman Mailer, Diane Feinstein, Johnny Carson, Françoise Gilot, Studs Terkel, and Mrs. Robert Motherwell. Profiled by People magazine, a guest on the Tonight Show with Johnny Carson, and written of by Norman Mailer, Kearney studied at Cranbrook Academy of Art in Bloomfield Hills, Michigan, and Universita per Stranieri, Perugia, Italy. Awards and honors include: Fulbright Award to Italy in 1963-64; Italian Government Grant in 1963-64; Visiting Artist American Academy in Rome, 1985, 1992, and 1998; Wallace Truman Prize, National Academy of Design in 1953 and others. brass and marble Numerous One Man exhibitions since 1951 include: New York City at A.C.A. Gallery, 1964 to 1979; Berta Walker Gallery, Provincetown, MA, 1992 to 1997; and in Rome, Venice, Chicago, Detroit, Wichita, Wellfleet, and others with group exhibitions in Rome, N.Y., Santo Domingo, Niamey, Nigeria, Indianapolis, St. Paul, Omaha, Art Institute of Chicago, Art Chicago, Taipei, Sarasota and others. Art gallery; Detroit, Mich. Founded in 1963 by Lester and Kathleen Arwin. Specialized in contemporary art. Closed in 1981. Arwin Galleries records, 1948-1981 9.2 Artists' files, 1948-1981 contain correspondence, photographs, art work, printed material, writings and business records on 86 artists, including Harold Altman, Irving Berg, Harry Bertoia, William Bostick,Irma Cavat...

JUAN CLARÁ AYATS Spanish, 1878 - 1958 A GIRL CLIMBED ON A STOOL HOLDING A DOLL signed "Juan Clara" (on the stool seat) bronze figure 12-1/4 x 3-1/2 X 3-3/8 inches (31 X 9 X 8.5 cm.) PROVENANCE Private Collector, France Art Nouveau bronze sculpture depicting a young girl standing on a stool with a doll in her right hand, and a shovel on the left hand, the bucket dropped on the stool seat. José Clará...

The Fisherman’s Hammock is a bronze sculpture by French contemporary artist Marine de Soos, dimensions are 51 × 68 × 53 cm (20 × 26.7 × 20.8 in). The sculpture is signed and numbere...

This original piece by Luke O'Sullivan is made from wood that the artist has silkscreen printed onto with his original drawings and patterns, which he then cut and assembled into a three-dimensional, wall-hanging sculpture. The finished piece measures 14”h x 11.5”w x 4.25”d. About the Artwork O’Sullivan creates invented buildings, places, and objects describing unexplored worlds conjuring a sense of discovery and adventure. Rise and Shine represents a shift from the artist’s earlier work featuring structures, facades, and panoramic landscapes toward a more detailed approach. These new works depict encapsulated, floating environments devoid of humans. The sculptural objects are keepsakes or relics from these faraway places. Each piece plays with the shifting relationships between two and three dimensions, surface and underworld. O’Sullivan’s recent screen prints introduce color, imbuing these works with a certain levity and illustrative quality. The playful nature of O’Sullivan’s work draws from Nintendo games, maps, science fiction movies, and movie set design. Likening his process to a lego set...

This sculpture was inspired by my meditation memory when I felt complete peace within. This made me feel the power of the earth beneath me and the breath of the sky above me. I bel...

Geometric Composition is a sculpture realized in 1984 by Giuseppe Pulvirenti (Siracusa, Sicily, 1959).  Made in Italy. Steel. Signed and dated: G. Pulvirenti 84. The sculpture de...

Rare child's Windsor chair, ca. 1880s. American antique, crafted in Maine. Original red wash. Seat is 22" from the floor. Originally made for a child. (Does not conform to today's sa...

Tara is a bronze sculpture by French contemporary artist Marie Louise Sorbac, dimensions are 145 × 50 × 50 cm (57.1 × 19.7 × 19.7 in). The sculpture is signed and numbered, it is par...

Angelo Canevari’s “Picador” is a 37.5 x 16 inch mix media sculpture. It is made of metal, resin, automotive paint, and cardboard. It represents the lancer and a bull of the famous Sp...

Slumber, Rodger Jacobsen bronze sculpture skinny man sleeping bed with a big head Slumber, small bronze sculpture skinny man sleeping bed with a big head...

New Bauhus is a bronze sculpture with black patina, it is connected to a steel base. The edition size is 25. This sculpture stands on shelf as well as be hung on wall. Joan wants to depict the sense of freedom and free will by capturing the flying pose of the female figurine. Joan’s latest sculpture series of female figures brings an out-of-the-box approach to sculpture creation. The small vivid women figures linked or bonded to their pedestals; the figures are delicate and intriguing representation of a woman’s mind and soul yearning for liberty, freedom, a moment of tranquility from busy daily life, or a space that she could spend the time totally with herself and for escaping from the routine and monotony. The woman made of bronze is warm and sensual and dances in/on a structure of rusted iron. She observes the world from her/ours solitude, from this vertiginous watchtower (metaphor of life, universe) rusted because the inexorable time. The base rises impressively, creating a contradiction between both pieces. However, in Joan’s work the geometrical base and the figure find a surprising harmony. BIOGRAPHY OF JOAN ARTIGAS PLANAS...

Brown alabaster, Pedestal - French limestone David Natidze is a Belgium-based sculptor born in 1969 in Georgia known for his refined stone sculptures that blend modernist tradition ...

Tolla Inbar, Pegasus, bronze sculpture, swing sculpture, mutual help, androgyne, spiritual sculpture, International artist, Israeli artist, Figura...

"The three series that make up her thesis show all center around the woman as an art historical trope who becomes a contemporary archetype of tenderness and tenacity with her own narrative. The tradition of the woman as muse or object is questioned and turned upside down as she gives her women the position of subject, i.e., the position of power. The jars, which uphold pairs of women, are the ultimate overturn of male dominance as she removes and replaces all male characters from famous artworks with women...

Magdalena Peszkowska born in 1980 in Gdańsk, Poland. Studied in Department of Painting at Academy of Fine Arts in Gdańsk (1999-2004). Diploma with special recognition in painting in 2004. The character of Magdalena Peszkowska's works is like an poetic archive of memories, which call for a classification and reconstruction of the time of childhood and the intense experience of time with everything around it. Gdansk - where the artist comes from - becomes a mythical place, This city, with a very strong symbolic potential inherent in its history, needs editing from a single point of view. Magdalena Peszkowska uses her own photos or those from the family album. She transfers them to gray field blankets and camp beds with her own secret technology Then she paints on the used objects. Many of her objects show figures from the closest circle of Peszkowska, often it is herself, her family or places close to her in Gdansk. Her objects have intentional signs of use. The field blankets have a sewn-in wooden bar to hang them on the wall. The field military beds...

Magdalena Peszkowska born in 1980 in Gdańsk, Poland. Studied in Department of Painting at Academy of Fine Arts in Gdańsk (1999-2004). Diploma with special recognition in painting in 2004. The character of Magdalena Peszkowska's works Series Stand is like an poetic archive of memories, which call for a classification and reconstruction of the time of childhood and the intense experience of time with everything around it. Gdansk - where the artist comes from - becomes a mythical place, This city, with a very strong symbolic potential inherent in its history, needs editing from a single point of view. Magdalena Peszkowska uses her own photos or those from the family album. She transfers them to gray field blankets and camp beds with her own secret technology Then she paints on the used objects. Many of her objects show figures from the closest circle of Peszkowska, often it is herself, her family or places close to her in Gdansk. Her objects have intentional signs of use. The field blankets have a sewn-in wooden bar to hang them on the wall. The field military beds...

Cool stainless steel sculpture. Emoji theme. Can be inside or out. Larger sculptures in photos available as well. About the Artist: Lina Condes ...

Hayward Oubre The Trap, c. 1960 Painted wire sculpture 40 H. x 16 1/2 W. x 21 D. inches Provenance: Estate of the Artist Deeply attached to his Souther...

FRANZ BERGMAN (foundry) attrib. French, (1838 - 1894) The Prince and the Mandolin Player Austrian Bronze Marked to verso 21 in. x 10 1/2 in.

Contemporary figurative with abstract element patinated bronze sculpture pture by Italian artist Antonio Giancaterino. Sculpture is an artistic portrait that looks more or less abstr...

Ivars Miķelsons (1962)

A very impressive iron sculpture by famous Israeli Painter, Menashe Kadishman. Homeland is considered a very important theme in the artist's work.

Steven Wolfe Untitled (Bookends), 1990 Stamped: SW 1990 2/3 Painted Bronze 6 1/4 x 7 x 4 inches Edition 2/3 Steven Wolfe crafted sculptures and drawings of remarkable skill and vis...

Patrick BRUN was born in Paris in 1941. After obtaining his Engineering degree, he began his professional life as a teacher in mathematics and physics. After this period, he started ...

Hand-crafted Glassfusing Glass Artwork Glass Sculpture This unique glass artwork, model "Connected", is a hand-crafted piece of colored glass using the fusion process. The design fe...

Linda Stein, Manhattan Outreach 005 - Mixed Media Contemporary Wall Sculpture These wall constructions and dioramas were made in the 1970s when Linda Stein was also working on her B...

Buky Schwartz House in Motion, 1986 Welded steel 10 1/2 × 6 1/4 × 6 1/2 inches This is a unique work The sculpture is an upside down house with two human figures. It is ingeniously ...

Mireia Serra's little figurative bronze sculptures capture feelings and sensations of day to day lives. She transforms everyday dilemmas into something beautiful that captures the be...

My Favorite Things is a wall sculpture that is a summary collection of all the signature symbolic icons created and used by Mireia Serra in the last 5 years. All the icons are nicely...