Pigment Sculptures
to
2
102
20
26
7
20
Overall Width
to
Overall Height
to
3
172
175
93
4
1
1
34
31
20
10
9
8
7
6
5
4
4
3
3
3
3
3
3
3
3
2
2,224
5,280
2,762
1,734
1,327
44
19
17
13
9
133
20
Style: Contemporary
Medium: Pigment
"RAKU RED AND WHITE", wheel formed white glaze, copper red, gold leaf, sculpture
Located in Toronto, Ontario
"RAKU RED AND WHITE", 2019, in wheel-formed white glaze with copper red blush, sprig, stamp, gold leaf and raku fired with kintsuji gold by artist Andrew Cornell Robinson, is one of a series of sculptural objects that include ceramic, glass and mixed media grottoes and containers. A project exploring the vessel form and notions of gratitude, plenty, poverty in material or humanity.
Robinson has led artists to explore tableware as sculptural form – "Changing attitudes and emerging social behaviors in food preparation and the social and cultural rituals of eating have lead to changes in the way tableware is made and used."
Andrew Cornell Robinson is an interdisciplinary artist working across media (ceramics, textiles, painting, prints, etc.). His work is influenced by collaborative craft communities, traditions, and the performative qualities of cultural production. The underlying ideas exploring identity, histories, rituals, and power in his work aim to create a space for intimate experiences and open narratives.
He studied ceramic sculpture at the Glasgow School of Art and the Maryland Institute College of Art where he received a BFA. He was awarded an MFA from the School of Visual Arts, where he became interested in the intersection of memory, identity, politics, and power. He has been featured in many publications including Sculpture Magazine, Huffington Post, Hyperallergic, Art Info, et al. He has participated in curatorial and research projects and recently was a participating artist in Debtfair a project in the Whitney Biennial.
Andrew has also worked on collaborations with designers such as Donna Karan’s Urban Zen project where his work in ceramics led to workshops with artisans in Haiti and the creation of a ceramic studio in Port-au-Prince. He is currently working with The Powerhouse Arts Workshop and their design team from the Pritzker-prize winning architecture firm Herzog & de Meuron in the design and development of a contemporary industrial fabrication center established to serve the working needs of artists in New York City.
He is currently a member of the faculty at Parsons School of Design and Greenwich House Pottery in New York City. His work has been presented extensively throughout the world with the Anna Kustera Gallery, David & Schweitzer Contemporary, Christopher Stout...
Category
21st Century and Contemporary Contemporary Pigment Sculptures
Materials
Gold, Gold Leaf
John Van Alstine, Lunge 2-20, Sculpture 2020
Located in Greenwich, CT
Lunge 2-20
Slate/pigmented and sealed steel
14" (height) x 27" (width) x 6" (depth)
Stone and metal, usually granite or slate, and found object steel are central in my sculpture. Th...
Category
21st Century and Contemporary Contemporary Pigment Sculptures
Materials
Slate, Steel
Adaptation II
Located in Montreal, Quebec
Through a variety of structural and wall-hanged pieces, Karine Payette’s Adaptation examines how changes in the environment can begin to have an impact on our physical existence. Ele...
Category
2010s Contemporary Pigment Sculptures
Materials
Silicone, Wood, Mixed Media, Pigment
John Van Alstine, Pyxis (Tower), Sculpture 2012
Located in Greenwich, CT
Pyxis
Bronze and Red Pigment
13" x 14" x 9"
Stone and metal, usually granite or slate, and found object steel are central in my sculpture. The interaction of these materials is a ma...
Category
21st Century and Contemporary Contemporary Pigment Sculptures
Materials
Bronze
John Van Alstine - Schaats V, Photography 2020
Located in Greenwich, CT
Stone and metal, usually granite or slate, and found object steel are central in my sculpture. The interaction of these materials is a major focus. On the most basic level, the work ...
Category
2010s Contemporary Pigment Sculptures
Materials
Stone, Steel
Farbenlichthaut no. 140 - contemporary modern organic sculpture painting relief
Located in Doetinchem, NL
Farbenlichthaut no. 140 is a contemporary modern organic sculpture painting relief by German artist Freddie Michael Soethout. The relief is made from a few hundred of hand-cut two mi...
Category
2010s Contemporary Pigment Sculptures
Materials
Silicone, Plate Glass, Pigment
Farbenlichthaut no. 160 - contemporary modern organic sculpture painting relief
Located in Doetinchem, NL
Farbenlichthaut no. 160 is a brand new unique small size contemporary modern organic sculpture painting relief by German artist Freddie Michael Soethout. The relief is made from doze...
Category
2010s Contemporary Pigment Sculptures
Materials
Silicone, Plate Glass, Pigment
"4+4", sculpture, clay, ceramic, abstract, contemporary, tribal, disc, geometry
Located in Toronto, Ontario
4+4, a ceramic sculpture of high-fired clay pigmented with oxides, is a work by New York artist Harold Wortsman. Note the blending of geometric and organic forms in this work – it is characteristic of his practice – warm, contemporary, uniquely crafted, yet speaks to ancient, primitive traditions of art-making that cross cultures and histories. Highly attuned to the art of Africa, the Middle East, India and Asia, his forms are organic abstracts with masculine and feminine attributes that resonate together as a pleasing enigma. They make sense immediately, yet never give up all their secrets.
From Harold Wortsman – "With sculpture, my material of choice is high-fired clay. Pieces are first low-fired in an electric kiln. I do not use glazes. Instead, I use oxides applied to the bisqued (low-fired) clay. As with a tattoo, oxides permit the surface underneath to breathe. The work is then high-fired in a gas kiln with double reduction to cone 10. The final temperature is 2,300 degrees F. At a certain point, oxygen intake is reduced to the kiln. Because the fire has reached a critical mass, it needs oxygen and chemically takes it from the clay and the oxides painted on. Like a jazz improvisation, each kiln load comes out slightly different."
From Jonathan Goodman, Poet & Art Critic – "Wortsman re-examines ancient and modern traditions in light of what it means to make art." – Tussle Magazine, July 2019.
Harold Wortsman is a sculptor and printmaker based in Brooklyn, NY. He “creates forms that bring to mind archaic cult objects and exude a quiet concentrated strength.” (Argauer Zeitung, Switzerland). His work, an edgy mix of freedom and clarity, can be found in public and private collections in the US, including The Library of Congress, Yale University, The New York Public Library Print Collection, The New York Historical Society, Smith College, Indiana University’s Lilly Library, Brandeis University, The Newark Public Library Special Collections Division, and the Jane Voorhees Zimmerli Art Museum Print Archive. Also in private and public collections in Europe, including the Municipal Collection of the City of Brugg, Switzerland.
Harold studied at the New York Studio School of Drawing, Painting and Sculpture, with sculptor George Spaventa...
Category
21st Century and Contemporary Contemporary Pigment Sculptures
Materials
Ceramic, Clay, Pigment, Other Medium
"Inside Out Vases", Contemporary, Abstract, Porcelain, Sculpture, Ceramic
By Kyle Johns
Located in St. Louis, MO
Kyle began his studies at Southern Illinois University Edwardsville (SIUE). Following undergraduate, he received his Master of Fine Arts degree from Ohio University. While at Ohio Un...
Category
2010s Contemporary Pigment Sculptures
Materials
Ceramic, Porcelain, Pigment
Joel Urruty - Free form #5, Sculpture 2024
By Joel Urruty
Located in Greenwich, CT
Medium: oak
As an artist I strive to create elegant sculptures that capture the true essence of the subject matter. Form, line and surface are used as the visual language. The figur...
Category
2010s Contemporary Pigment Sculptures
Materials
Steel
"ALTAR", sculpture, clay, ceramic, abstract, contemporary, tribal, pattern, mark
Located in Toronto, Ontario
Altar, a ceramic sculpture of high-fired clay pigmented with oxides, is a work by New York artist Harold Wortsman. Altar was recently exhibited at "Harold Wortsman: Time and Space" at the Orange Art Foundation, February-March 2022, New York City.
Note the blending of geometric and organic forms in this work – it is characteristic of his practice – warm, contemporary, uniquely crafted, yet speaks to ancient, primitive traditions of art-making that cross cultures and histories. Highly attuned to the art of Africa, the Middle East, India and Asia, his forms are organic abstracts with masculine and feminine attributes that resonate together as a pleasing enigma. They make sense immediately, yet never give up all their secrets.
From Harold Wortsman – "With sculpture, my material of choice is high-fired clay. Pieces are first low-fired in an electric kiln. I do not use glazes. Instead, I use oxides applied to the bisqued (low-fired) clay. As with a tattoo, oxides permit the surface underneath to breathe. The work is then high-fired in a gas kiln with double reduction to cone 10. The final temperature is 2,300 degrees F. At a certain point, oxygen intake is reduced to the kiln. Because the fire has reached a critical mass, it needs oxygen and chemically takes it from the clay and the oxides. Like a jazz improvisation, each kiln load comes out slightly different."
From Jonathan Goodman, Poet & Art Critic – "Wortsman re-examines ancient and modern traditions in light of what it means to make art." – Tussle Magazine, July 2019.
Harold Wortsman is a sculptor and printmaker based in Brooklyn, NY. He “creates forms that bring to mind archaic cult objects and exude a quiet concentrated strength.” (Argauer Zeitung, Switzerland). His work, an edgy mix of freedom and clarity, can be found in public and private collections in the US, including The Library of Congress, Yale University, The New York Public Library Print Collection, The New York Historical Society, Smith College, Indiana University’s Lilly Library, Brandeis University, The Newark Public Library Special Collections Division, and the Jane Voorhees Zimmerli Art Museum Print Archive. Also in private and public collections in Europe, including the Municipal Collection of the City of Brugg, Switzerland.
Harold studied at the New York Studio School of Drawing, Painting and Sculpture, with sculptor George Spaventa...
Category
21st Century and Contemporary Contemporary Pigment Sculptures
Materials
Ceramic, Clay, Pigment, Other Medium
Roots #3 - Jean-Paul Réti, 21st Century, Contemporary metal sculpture
Located in Paris, FR
Wall sculpture
“It has long been known that the Earth is round, but it is only now in the space age that it is really seen to be so. The stunning pictures of the blue planet floatin...
Category
2010s Contemporary Pigment Sculptures
Materials
Steel
"RED, BLACK & BROWN", sculpture, clay, ceramic, abstract, tribal, pattern
Located in Toronto, Ontario
Red, Black & Brown, a ceramic sculpture of high-fired clay pigmented with oxides, is a work by New York artist Harold Wortsman. Red, Black & Brown was recently exhibited at "Harold Wortsman: Time and Space" at the Orange Art Foundation, February-March 2022, New York City.
Note the blending of geometric and organic forms in this work – it is characteristic of his practice – warm, contemporary, uniquely crafted, yet speaks to ancient, primitive traditions of art-making that cross cultures and histories. Highly attuned to the art of Africa, the Middle East, India and Asia, his forms are organic abstracts with masculine and feminine attributes that resonate together as a pleasing enigma. They make sense immediately, yet never give up all their secrets.
From Harold Wortsman – "With sculpture, my material of choice is high-fired clay. Pieces are first low-fired in an electric kiln. I do not use glazes. Instead, I use oxides applied to the bisqued (low-fired) clay. As with a tattoo, oxides permit the surface underneath to breathe. The work is then high-fired in a gas kiln with double reduction to cone 10. The final temperature is 2,300 degrees F. At a certain point, oxygen intake is reduced to the kiln. Because the fire has reached a critical mass, it needs oxygen and chemically takes it from the clay and the oxides. Like a jazz improvisation, each kiln load comes out slightly different."
From Jonathan Goodman – "Wortsman has increasingly moved into his own – a place in which the relations between the abstractions of volume and the intimations of very old culture are merged in a way that is new." – Essay, "Harold Wortsman: Time and Space", Orange Art Foundation, February 2022, New York City.
Harold Wortsman is a sculptor and printmaker based in Brooklyn, NY. He “creates forms that bring to mind archaic cult objects and exude a quiet concentrated strength.” (Argauer Zeitung, Switzerland). His work, an edgy mix of freedom and clarity, can be found in public and private collections in the US, including The Library of Congress, Yale University, The New York Public Library Print Collection, The New York Historical Society, Smith College, Indiana University’s Lilly Library, Brandeis University, The Newark Public Library Special Collections Division, and the Jane Voorhees Zimmerli Art Museum Print Archive. Also in private and public collections in Europe, including the Municipal Collection of the City of Brugg, Switzerland.
Harold studied at the New York Studio School of Drawing, Painting and Sculpture, with sculptor George Spaventa...
Category
21st Century and Contemporary Contemporary Pigment Sculptures
Materials
Ceramic, Clay, Pigment, Other Medium
Joel Urruty - Rouge, Photography
By Joel Urruty
Located in Greenwich, CT
"As an artist I strive to create elegant sculptures that capture the true essence of the subject matter. Form, line and surface are used as the visual language. The figure is abstrac...
Category
21st Century and Contemporary Contemporary Pigment Sculptures
Materials
Wood, Lacquer, Pigment
Joel Urruty - Free form #1, Sculpture 2024
By Joel Urruty
Located in Greenwich, CT
Medium: oak
As an artist I strive to create elegant sculptures that capture the true essence of the subject matter. Form, line and surface are used as the visual language. The figur...
Category
2010s Contemporary Pigment Sculptures
Materials
Steel
"FOR THE OLD ONES", sculpture, clay, abstract, contemporary, ceramic, tribal
Located in Toronto, Ontario
FOR THE OLD ONES, a ceramic sculpture of high-fired clay pigmented with oxides, sitting on a slab of limestone. It is a recent work by artist Harold Wortsman. Note the blending of volumetric and organic form in this work, the mark-making and perforations on the surface, the striking colors of black and copper in variable stripes – it is characteristic of his practice – warm, contemporary, uniquely crafted, yet speaks to ancient, primitive traditions of art-making that cross cultures and histories. Highly attuned to the art of Africa, the Middle East, India and Asia, his forms are organic abstracts with masculine and feminine attributes that resonate together as a pleasing enigma. They make sense immediately, yet never give up all their secrets.
From Harold Wortsman – "With sculpture, my material of choice is high-fired clay. Pieces are first low-fired in an electric kiln. I do not use glazes. Instead, I use oxides applied to the bisqued (low-fired) clay. As with a tattoo, oxides permit the surface underneath to breathe—like naked skin. The work is then high-fired in a gas kiln with double reduction to cone 10. The final temperature is 2,300 degrees F. At a certain point, oxygen intake is reduced to the kiln. Because the fire has reached a critical mass, it needs oxygen and chemically takes it from the clay and the oxides painted on. Like a jazz improvisation, each kiln load comes out slightly different."
From Jonathan Goodman, Poet & Art Critic – "Wortsman re-examines ancient and modern traditions in light of what it means to make art." – Tussle Magazine, July 2019.
Harold Wortsman is a sculptor and printmaker based in Brooklyn, NY. He “creates forms that bring to mind archaic cult objects and exude a quiet concentrated strength.” (Argauer Zeitung, Switzerland). His work, an edgy mix of freedom and clarity, can be found in public and private collections in the US, including The Library of Congress, Yale University, The New York Public Library Print Collection, The New York Historical Society, Smith College, Indiana University’s Lilly Library, Brandeis University, The Newark Public Library Special Collections Division, and the Jane Voorhees Zimmerli Art Museum Print Archive. Also in private and public collections in Europe, including the Municipal Collection of the City of Brugg, Switzerland.
Harold studied at the New York Studio School of Drawing, Painting and Sculpture, with sculptor George Spaventa...
Category
21st Century and Contemporary Contemporary Pigment Sculptures
Materials
Limestone
"Egg Canoes: Duck #5-8", reconstructed egg assemblage
Located in Philadelphia, PA
This piece titled "Egg Canoes: Duck #5-8" is an original piece by Kate VanVliet and is made from eggshell, mica, 3-D printed PETG, acrylic, and pine. This piece measures 4”h x 10”w x...
Category
21st Century and Contemporary Contemporary Pigment Sculptures
Materials
Wood, Found Objects, Acrylic, Mica, Organic Material
"Peck", reconstructed egg assembly
Located in Philadelphia, PA
This piece titled "Peck" is an original piece by Kate VanVliet and is made from eggshells (bantam), mica, and PVA. This piece measures 3”h x 9”w x 7”d.
Kate VanVliet is a sculptor a...
Category
21st Century and Contemporary Contemporary Pigment Sculptures
Materials
Glue, Found Objects, Mica, Organic Material, Acrylic
"Roly-poly", Found Object Sculpture, Egg Motif
Located in Philadelphia, PA
This piece titled "Roly-Poly" is an original piece by Kate VanVliet and is made from eggshells, mica, and PVA. This piece measures 4”h x 3.5”w x 2.5”d.
Kate VanVliet is a sculptor a...
Category
21st Century and Contemporary Contemporary Pigment Sculptures
Materials
Organic Material, Glue, Found Objects, Acrylic, Mica
"Chimaera: White #1", Found Object Sculpture, Egg Motif
Located in Philadelphia, PA
This piece titled "Chimaera: White #1" is an original piece by Kate VanVliet and is made from eggshells, mica, and PVA. This piece measures 3.5”h x 2.5”w x 2.5”d and ships with the p...
Category
21st Century and Contemporary Contemporary Pigment Sculptures
Materials
Glue, Found Objects, Mica, Organic Material, Acrylic
"Chimaera: White #2", Found Object Sculpture, Egg Motif
Located in Philadelphia, PA
This piece titled "Chimaera: White #2" is an original piece by Kate VanVliet and is made from eggshells, mica, and PVA. This piece measures 3”h x 3”w x 2.5”d and ships with the pictu...
Category
21st Century and Contemporary Contemporary Pigment Sculptures
Materials
Glue, Found Objects, Mica, Organic Material, Acrylic
"Chimaera: Green #9", Found Object Sculpture, Egg Motif
Located in Philadelphia, PA
This piece titled "Chimaera: Green #9" is an original piece by Kate VanVliet and is made from eggshells, mica, and PVA. This piece measures 2.5”h x 2”w x 2”d and ships with the pictu...
Category
21st Century and Contemporary Contemporary Pigment Sculptures
Materials
Glue, Found Objects, Mica
"Chimaera: Green #7", Found Object Sculpture, Egg Motif
Located in Philadelphia, PA
This piece titled "Chimaera: Green #12" is an original piece by Kate VanVliet and is made from eggshells, mica, and PVA. This piece measures 3.5”h x 2.5”w x 2.5”d and ships with the ...
Category
21st Century and Contemporary Contemporary Pigment Sculptures
Materials
Glue, Found Objects, Mica, Organic Material, Acrylic
"Chimaera: Green #15", reconstructed egg sculpture
Located in Philadelphia, PA
This piece titled "Chimaera: Green #15" is an original piece by Kate VanVliet and is made from eggshells, mica, and PVA. This piece measures 2.25”h x 2”w x 2”d and ships with the pic...
Category
21st Century and Contemporary Contemporary Pigment Sculptures
Materials
Glue, Found Objects, Mica, Organic Material, Acrylic
"Day in the Life: Chimaera #12", Found Object Sculpture, Egg Motif
Located in Philadelphia, PA
This piece titled "Day in the Life: Chimaera #12" is an original piece by Kate VanVliet and is made from eggshell, mica, and acrylic. This piece measures 4”h x 2.5”w x 2.5”d, and is ...
Category
21st Century and Contemporary Contemporary Pigment Sculptures
Materials
Glue, Found Objects, Mica, Acrylic
"Day in the Life: Green #22", Found Object Sculpture, Egg Motif
Located in Philadelphia, PA
This piece titled "Day in the Life: Green #22" is an original piece by Kate VanVliet and is made from eggshell, mica, and acrylic. This piece measures 4”h x 2.5”w x 2.5”d, and is shi...
Category
21st Century and Contemporary Contemporary Pigment Sculptures
Materials
Glue, Found Objects, Acrylic, Mica, Organic Material
"Day in the life: Green #25", Found Object Sculpture, Egg Motif
Located in Philadelphia, PA
This piece titled "Day in the life: Green #25" is an original piece by Kate VanVliet and is made from eggshell, mica, and acrylic. This piece measures 4”h x 2.5”w x 2.5”d, and is shi...
Category
21st Century and Contemporary Contemporary Pigment Sculptures
Materials
Glue, Found Objects, Acrylic, Mica
"Day in the Life: Green #33", Found Object Sculpture, Egg Motif
Located in Philadelphia, PA
This piece titled "Day in the Life: Green #33" is an original piece by Kate VanVliet and is made from eggshell, mica, and acrylic. This piece measures 4”h x 2.5”w x 2.5”d, and is shi...
Category
21st Century and Contemporary Contemporary Pigment Sculptures
Materials
Glue, Found Objects, Acrylic, Mica, Organic Material
"Day in the Life: Green #41", Found Object Sculpture, Egg Motif
Located in Philadelphia, PA
This piece titled "Day in the Life: Green #41" is an original piece by Kate VanVliet and is made from eggshell, mica, and acrylic. This piece measures 4”h x 2.5”w x 2.5”d, and is shi...
Category
21st Century and Contemporary Contemporary Pigment Sculptures
Materials
Glue, Found Objects, Acrylic, Mica, Organic Material
Joel Urruty - Free form #2, Sculpture 2024
By Joel Urruty
Located in Greenwich, CT
Medium: oak
As an artist I strive to create elegant sculptures that capture the true essence of the subject matter. Form, line and surface are used as the visual language. The figur...
Category
2010s Contemporary Pigment Sculptures
Materials
Steel
John Van Alstine, Auger Falls Landscape (Low Gear), Sculpture 2024
Located in Greenwich, CT
Auger Falls Landscape (Gear Bottom)
Green granite and sealed steel
15" (height) x 18" (width) x 5" (depth)
Stone and metal, usually granite or slate, and found object steel are cent...
Category
21st Century and Contemporary Contemporary Pigment Sculptures
Materials
Granite, Steel
John Van Alstine, Sacandaga River Confluence, Sculpture 2022
Located in Greenwich, CT
Sacandaga River Confluence
NY State slate/pigmented and sealed steel
12.5" (height) x 22" (width) x 5" (depth)
Stone and metal, usually granite or slate, and found object steel are ...
Category
21st Century and Contemporary Contemporary Pigment Sculptures
Materials
Slate, Steel
"VERTICAL 4", sculpture, clay, ceramic, abstract, tribal, pattern, tower, column
Located in Toronto, Ontario
Vertical 4, a ceramic sculpture of wood-fired clay pigmented with oxides, is a work by New York artist Harold Wortsman. Vertical 4 was recently exhibited at "Harold Wortsman: Time and Space" at the Orange Art Foundation, February-March 2022, New York City.
Note the blending of geometric and organic forms in this work – it is characteristic of his practice – warm, contemporary, uniquely crafted, yet speaks to ancient, primitive traditions of art-making that cross cultures and histories. Highly attuned to the art of Africa, the Middle East, India and Asia, his forms are organic abstracts with masculine and feminine attributes that resonate together as a pleasing enigma. They make sense immediately, yet never give up all their secrets.
From Harold Wortsman – "With sculpture, my material of choice is high-fired clay. Pieces are first low-fired in an electric kiln. I do not use glazes. Instead, I use oxides applied to the bisqued (low-fired) clay. As with a tattoo, oxides permit the surface underneath to breathe. The work is then high-fired in a gas kiln with double reduction to cone 10. The final temperature is 2,300 degrees F. At a certain point, oxygen intake is reduced to the kiln. Because the fire has reached a critical mass, it needs oxygen and chemically takes it from the clay and the oxides. Like a jazz improvisation, each kiln load comes out slightly different."
From Jonathan Goodman – "Wortsman has increasingly moved into his own – a place in which the relations between the abstractions of volume and the intimations of very old culture are merged in a way that is new." – Essay, "Harold Wortsman: Time and Space", Orange Art Foundation, February 2022, New York City.
Harold Wortsman is a sculptor and printmaker based in Brooklyn, NY. He “creates forms that bring to mind archaic cult objects and exude a quiet concentrated strength.” (Argauer Zeitung, Switzerland). His work, an edgy mix of freedom and clarity, can be found in public and private collections in the US, including The Library of Congress, Yale University, The New York Public Library Print Collection, The New York Historical Society, Smith College, Indiana University’s Lilly Library, Brandeis University, The Newark Public Library Special Collections Division, and the Jane Voorhees Zimmerli Art Museum Print Archive. Also in private and public collections in Europe, including the Municipal Collection of the City of Brugg, Switzerland.
Harold studied at the New York Studio School of Drawing, Painting and Sculpture, with sculptor George Spaventa...
Category
21st Century and Contemporary Contemporary Pigment Sculptures
Materials
Ceramic, Clay, Pigment, Other Medium
"MONUMENT", sculpture, clay, abstract, geometry, contemporary, ceramic, tribal
Located in Toronto, Ontario
MONUMENT, a ceramic sculpture of high-fired clay pigmented with oxides, is a recent work by artist Harold Wortsman. Note the volumetric geometry inhere...
Category
21st Century and Contemporary Contemporary Pigment Sculptures
Materials
Ceramic, Clay, Pigment, Other Medium
John Van Alstine, Lunge 9-22 (Red Tail), Sculpture 2022
Located in Greenwich, CT
Lunge 9-22 (Red Tail)
NY State slate/pigmented and sealed steel
23" (height) x 26" (width) x 6" (depth)
Stone and metal, usually granite or slate, and found object steel are central...
Category
21st Century and Contemporary Contemporary Pigment Sculptures
Materials
Slate, Steel
John Van Alstine, Sisyphean Circle (Rocker 16), Sculpture 2016
Located in Greenwich, CT
Sisyphean Circle (Rocker 16)
Slate/pigmented and sealed steel
33" (height) x 40" (width) x 9" (depth)
Stone and metal, usually granite or slate, and found object steel are central i...
Category
21st Century and Contemporary Contemporary Pigment Sculptures
Materials
Slate, Steel
John Van Alstine, Lunge 17, Sculpture 2020
Located in Greenwich, CT
Lunge 17
Slate/pigmented and sealed steel
17" (height) x 27" (width) x 5" (depth)
Stone and metal, usually granite or slate, and found object steel are central in my sculpture. The ...
Category
21st Century and Contemporary Contemporary Pigment Sculptures
Materials
Slate, Steel
John Van Alstine, Sagitta (Link), Sculpture 2021
Located in Greenwich, CT
Sagitta (Link)
granite and galvanized and powder-coated steel
42.5" (height) x 37" (width) x 12" (depth)
Stone and metal, usually granite or slate, and found object steel are centra...
Category
21st Century and Contemporary Contemporary Pigment Sculptures
Materials
Slate, Steel
Coral Ocean in Grey
Located in Mexico City, MX
"The ideal state is not one which everyone has access to the same amount of wealth, but in proportion to their contribution to the general wealth"
This piece was handmade in the hea...
Category
2010s Contemporary Pigment Sculptures
Materials
Clay, Gesso, Resin, Varnish, Pigment
Whispers of the Deep : Intertwined Desires
By Hiro Ando
Located in PARIS, FR
jan 2021, unique edition
Mix media resin with pigment polychrome under plexyglas cap with LED
15 7/10 × 19 7/10 × 19 7/10 in - 40 × 50 × 50 cm
The artwork is signed by the Artist ...
Category
2010s Contemporary Pigment Sculptures
Materials
Resin, Plexiglass, LED Light, Pigment
Trilogy Samuraicat Blu, Sumocat Orange, Urbancat Pink : Feline Odyssey
By Hiro Ando
Located in PARIS, FR
2015, Unique Artwork
resin and pigments polychrome on fiberglass under protective plexiglass cap with LED
12 1/5 × 31 1/2 × 13 in - 31 × 80 × 33 cm
The artwork is signed by the Artis...
Category
2010s Contemporary Pigment Sculptures
Materials
Resin, Plexiglass, LED Light, Pigment
Trilogy Robotcat Orange, Sumocat Blu, Urbancat Yellow : Feline Metropolis
By Hiro Ando
Located in PARIS, FR
2015, Unique Artwork
resin and pigments polychrome on fiberglass under protective plexiglass cap with LED
12 1/5 × 31 1/2 × 13 in - 31 × 80 × 33 cm
The artwork is signed by the Artis...
Category
2010s Contemporary Pigment Sculptures
Materials
Resin, Plexiglass, LED Light, Pigment
Sea Cactus: Contemporary Abstract Sculpture
Located in New York, NY
Sea Cactus (2022) is a small contemporary abstract sculpture, featuring a concrete triangular prism, with weathered details to create a rugged effect. Expertly balanced on the tip of the triangular prism is a dark ball...
Category
2010s Contemporary Pigment Sculptures
Materials
Concrete
Adaptation I
Located in Montreal, Quebec
Through a variety of structural and wall-hanged pieces, Karine Payette’s Adaptation examines how changes in the environment can begin to have an impact on our physical existence. Ele...
Category
2010s Contemporary Pigment Sculptures
Materials
Silicone, Pigment, Wood, Mixed Media
Adaptation VIII
Located in Montreal, Quebec
Through a variety of structural and wall-hanged pieces, Karine Payette’s Adaptation examines how changes in the environment can begin to have an impact on our physical existence. Ele...
Category
2010s Contemporary Pigment Sculptures
Materials
Silicone, Wood, Mixed Media, Pigment
Adaptation V
Located in Montreal, Quebec
Through a variety of structural and wall-hanged pieces, Karine Payette’s Adaptation examines how changes in the environment can begin to have an impact on our physical existence. Ele...
Category
2010s Contemporary Pigment Sculptures
Materials
Silicone, Wood, Mixed Media, Pigment
Spider vase
Located in Ciudad de México, MX
Clay work was essential in the development of Mesoamerican cultures, not only for its utilitarian value but also for its sculpture, loaded with symbolism as a mirror of the worldview...
Category
20th Century Contemporary Pigment Sculptures
Materials
Ceramic, Pigment
Spider vase
Located in Ciudad de México, MX
Clay work was essential in the development of Mesoamerican cultures, not only for its utilitarian value but also for its sculpture, loaded with symbolism as a mirror of the worldview...
Category
20th Century Contemporary Pigment Sculptures
Materials
Ceramic, Pigment
Platonic Flower: Contemporary Abstract Sculpture
Located in New York, NY
Contemporary Abstract Sculpture
Platonic Flower, 2022
Engineered concrete & pigment
7’’, 9’’, 10’’
About The Artist
Miguel A Otero Fuentes is a Puerto Rico-born USA migrant, a univ...
Category
2010s Contemporary Pigment Sculptures
Materials
Concrete
Adaptation IX
Located in Montreal, Quebec
Through a variety of structural and wall-hanged pieces, Karine Payette’s Adaptation examines how changes in the environment can begin to have an impact on our physical existence. Ele...
Category
2010s Contemporary Pigment Sculptures
Materials
Silicone, Wood, Mixed Media, Pigment
Adaptation VI
Located in Montreal, Quebec
Through a variety of structural and wall-hanged pieces, Karine Payette’s Adaptation examines how changes in the environment can begin to have an impact on our physical existence. Ele...
Category
2010s Contemporary Pigment Sculptures
Materials
Silicone, Wood, Mixed Media, Pigment
Adaptation IV
Located in Montreal, Quebec
Through a variety of structural and wall-hanged pieces, Karine Payette’s Adaptation examines how changes in the environment can begin to have an impact on our physical existence. Ele...
Category
2010s Contemporary Pigment Sculptures
Materials
Silicone, Wood, Mixed Media, Pigment
Bee bowl
Located in Ciudad de México, MX
Within the framework of a collective and cultural exchange, where the current artistic work needs conscious active voices, Claudio Jerónimo puts on the table an urgent discussion about the sustainability of the vital balance and the essential role of bees to maintain said balance. Communication, relationship, and reciprocal influences of the cycle that sustains life in the world, which in the service of "progress" has been affected by excessive and devastating human activity reaching a point of no return. It is a call to action...
Category
20th Century Contemporary Pigment Sculptures
Materials
Ceramic, Pigment
‘Ridgeback’ Middy Solid Vase Form #17
Located in New York, NY
Sidney Hutter
‘Ridgeback’ Middy Solid Vase Form #17, 2014
Krystal Klear Glass Circles with Red Yellow and Blue Pigment in the Adhesive
13h x 8.25w x 8.25...
Category
2010s Contemporary Pigment Sculptures
Materials
Glass, Pigment
Dusty Rose Sage (2022), terracotta concrete abstract face sculpture, metal wire
Located in Jersey City, NJ
Dusty Rose Sage (2022), terracotta concrete abstract face sculpture, metal wire
Biomorphic and earthy yet industrial style wall sculpture, she...
Category
2010s Contemporary Pigment Sculptures
Materials
Concrete, Wire
Whitewashed Sage (2022), gray white concrete face sculpture, metal wire, earthy
Located in Jersey City, NJ
Whitewashed Sage (2022), gray and white concrete abstract face sculpture, metal wire, earthy
Biomorphic and earthy yet industrial style wall sculpture, shelf sculpture or tabletop s...
Category
2010s Contemporary Pigment Sculptures
Materials
Concrete, Wire
Marbled Sage (2022), gray concrete abstract face sculpture, metal wire, earthy
Located in Jersey City, NJ
Marbled Sage (2022), gray concrete abstract face sculpture, metal wire, earthy
Biomorphic and earthy yet industrial style wall sculpture, shel...
Category
2010s Contemporary Pigment Sculptures
Materials
Concrete, Wire
Speckled Sage (2022), gray concrete abstract face sculpture, metal wire, earthy
Located in Jersey City, NJ
Speckled Sage (2022), gray concrete abstract face sculpture, metal wire, earthy
Biomorphic and earthy yet industrial style wall sculpture, she...
Category
2010s Contemporary Pigment Sculptures
Materials
Concrete, Wire
Pigment sculptures for sale on 1stDibs.
Find a wide variety of authentic Pigment sculptures available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add sculptures created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, orange, purple, pink and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include John Van Alstine, Casper Brindle, Harold Wortsman, and Gilbert Pauli. Frequently made by artists working in the Contemporary, Abstract, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Pigment sculptures, so small editions measuring 0.12 inches across are also available
Read More
100 Works That Remind Us Why Glass Can Be a Radical Art Form
A new show at Upstate New York’s Corning Museum of Glass shows off the best and brightest contemporary works of the last few years.
Proving It’s More Than Mansions, Palms and Beaches, a Storied Florida Playground Is Getting Serious about Art
The newly redesigned Norton Museum and other impressive exhibition spaces around Palm Beach are drawing art aficionados to the tony enclave year-round.