Pigment Sculptures
to
6
105
18
24
8
20
Overall Width
to
Overall Height
to
175
175
91
4
1
1
22
19
17
7
7
7
6
6
5
4
4
4
3
3
3
3
3
3
2
2
1,952
4,862
2,618
1,682
1,259
44
18
17
13
9
131
26
Style: Contemporary
Medium: Pigment
Hand Crocheted Ceramic Sculpture, Colored Porcelain, Tea Cup, Multicolored
Located in St. Louis, MO
Hand Crocheted Ceramic Sculpture, Colored Porcelain, Tea Cup, Multicolored
Jeremy R. Brooks was born in Detroit, MI in 1979. He received his BFA from Grand Valley State University &...
Category
2010s Contemporary Pigment Sculptures
Materials
Ceramic, Porcelain, Pigment
Joel Urruty - Blick, Sculpture 2024
By Joel Urruty
Located in Stamford, CT
Medium: Mahogany, pigment
As an artist I strive to create elegant sculptures that capture the true essence of the subject matter. Form, line and surface are used as the visual langu...
Category
2010s Contemporary Pigment Sculptures
Materials
Mahogany, Pigment
Farbenlichthaut no. 140 - contemporary modern organic sculpture painting relief
Located in Doetinchem, NL
Farbenlichthaut no. 140 is a contemporary modern organic sculpture painting relief by German artist Freddie Michael Soethout. The relief is made from a few hundred of hand-cut two mi...
Category
2010s Contemporary Pigment Sculptures
Materials
Silicone, Plate Glass, Pigment
"VERTICAL 1", sculpture, clay, ceramic, abstract, tribal, pattern, tower, column
Located in Toronto, Ontario
Vertical 1, a ceramic sculpture of wood-fired clay pigmented with oxides, is a work by New York artist Harold Wortsman. Vertical 1 was recently exhibited at "Harold Wortsman: Time and Space" at the Orange Art Foundation, February-March 2022, New York City.
Note the blending of geometric and organic forms in this work – it is characteristic of his practice – warm, contemporary, uniquely crafted, yet speaks to ancient, primitive traditions of art-making that cross cultures and histories. Highly attuned to the art of Africa, the Middle East, India and Asia, his forms are organic abstracts with masculine and feminine attributes that resonate together as a pleasing enigma. They make sense immediately, yet never give up all their secrets.
From Harold Wortsman – "With sculpture, my material of choice is high-fired clay. Pieces are first low-fired in an electric kiln. I do not use glazes. Instead, I use oxides applied to the bisqued (low-fired) clay. As with a tattoo, oxides permit the surface underneath to breathe. The work is then high-fired in a gas kiln with double reduction to cone 10. The final temperature is 2,300 degrees F. At a certain point, oxygen intake is reduced to the kiln. Because the fire has reached a critical mass, it needs oxygen and chemically takes it from the clay and the oxides. Like a jazz improvisation, each kiln load comes out slightly different."
From Jonathan Goodman – "Wortsman has increasingly moved into his own – a place in which the relations between the abstractions of volume and the intimations of very old culture are merged in a way that is new." – Essay, "Harold Wortsman: Time and Space", Orange Art Foundation, February 2022, New York City.
Harold Wortsman is a sculptor and printmaker based in Brooklyn, NY. He “creates forms that bring to mind archaic cult objects and exude a quiet concentrated strength.” (Argauer Zeitung, Switzerland). His work, an edgy mix of freedom and clarity, can be found in public and private collections in the US, including The Library of Congress, Yale University, The New York Public Library Print Collection, The New York Historical Society, Smith College, Indiana University’s Lilly Library, Brandeis University, The Newark Public Library Special Collections Division, and the Jane Voorhees Zimmerli Art Museum Print Archive. Also in private and public collections in Europe, including the Municipal Collection of the City of Brugg, Switzerland.
Harold studied at the New York Studio School of Drawing, Painting and Sculpture, with sculptor George Spaventa...
Category
21st Century and Contemporary Contemporary Pigment Sculptures
Materials
Ceramic, Clay, Pigment, Other Medium
Trilogy Samuraicat Blu, Sumocat Orange, Urbancat Pink : Feline Odyssey
By Hiro Ando
Located in PARIS, FR
2015, Unique Artwork
resin and pigments polychrome on fiberglass under protective plexiglass cap with LED
12 1/5 × 31 1/2 × 13 in - 31 × 80 × 33 cm
The artwork is signed by the Artis...
Category
2010s Contemporary Pigment Sculptures
Materials
Resin, Plexiglass, LED Light, Pigment
"Orange Pitcher #3", Contemporary, Ceramic, Mixed Media, Sculpture, Stoneware
Located in St. Louis, MO
Maxwell Mustardo is a ceramic artist whose highly textured forms are the result of meticulous research into the chemistry of kiln firing. He includes materials such as glass, metals,...
Category
2010s Contemporary Pigment Sculptures
Materials
Ceramic, Stoneware, PVC, Pigment
"RED, BLACK & BROWN", sculpture, clay, ceramic, abstract, tribal, pattern
Located in Toronto, Ontario
Red, Black & Brown, a ceramic sculpture of high-fired clay pigmented with oxides, is a work by New York artist Harold Wortsman. Red, Black & Brown was recently exhibited at "Harold Wortsman: Time and Space" at the Orange Art Foundation, February-March 2022, New York City.
Note the blending of geometric and organic forms in this work – it is characteristic of his practice – warm, contemporary, uniquely crafted, yet speaks to ancient, primitive traditions of art-making that cross cultures and histories. Highly attuned to the art of Africa, the Middle East, India and Asia, his forms are organic abstracts with masculine and feminine attributes that resonate together as a pleasing enigma. They make sense immediately, yet never give up all their secrets.
From Harold Wortsman – "With sculpture, my material of choice is high-fired clay. Pieces are first low-fired in an electric kiln. I do not use glazes. Instead, I use oxides applied to the bisqued (low-fired) clay. As with a tattoo, oxides permit the surface underneath to breathe. The work is then high-fired in a gas kiln with double reduction to cone 10. The final temperature is 2,300 degrees F. At a certain point, oxygen intake is reduced to the kiln. Because the fire has reached a critical mass, it needs oxygen and chemically takes it from the clay and the oxides. Like a jazz improvisation, each kiln load comes out slightly different."
From Jonathan Goodman – "Wortsman has increasingly moved into his own – a place in which the relations between the abstractions of volume and the intimations of very old culture are merged in a way that is new." – Essay, "Harold Wortsman: Time and Space", Orange Art Foundation, February 2022, New York City.
Harold Wortsman is a sculptor and printmaker based in Brooklyn, NY. He “creates forms that bring to mind archaic cult objects and exude a quiet concentrated strength.” (Argauer Zeitung, Switzerland). His work, an edgy mix of freedom and clarity, can be found in public and private collections in the US, including The Library of Congress, Yale University, The New York Public Library Print Collection, The New York Historical Society, Smith College, Indiana University’s Lilly Library, Brandeis University, The Newark Public Library Special Collections Division, and the Jane Voorhees Zimmerli Art Museum Print Archive. Also in private and public collections in Europe, including the Municipal Collection of the City of Brugg, Switzerland.
Harold studied at the New York Studio School of Drawing, Painting and Sculpture, with sculptor George Spaventa...
Category
21st Century and Contemporary Contemporary Pigment Sculptures
Materials
Ceramic, Clay, Pigment, Other Medium
Farbenlichthaut no. 160 - contemporary modern organic sculpture painting relief
Located in Doetinchem, NL
Farbenlichthaut no. 160 is a brand new unique small size contemporary modern organic sculpture painting relief by German artist Freddie Michael Soethout. The relief is made from doze...
Category
2010s Contemporary Pigment Sculptures
Materials
Silicone, Plate Glass, Pigment
"VERTICAL 7", sculpture, clay, ceramic, abstract, tribal, pattern, tower, column
Located in Toronto, Ontario
Vertical 7, a ceramic sculpture of wood-fired clay pigmented with oxides, is a work by New York artist Harold Wortsman. Vertical 7 was recently exhibited at "Harold Wortsman: Time and Space" at the Orange Art Foundation, February-March 2022, New York City.
Note the blending of geometric and organic forms in this work – it is characteristic of his practice – warm, contemporary, uniquely crafted, yet speaks to ancient, primitive traditions of art-making that cross cultures and histories. Highly attuned to the art of Africa, the Middle East, India and Asia, his forms are organic abstracts with masculine and feminine attributes that resonate together as a pleasing enigma. They make sense immediately, yet never give up all their secrets.
From Harold Wortsman – "With sculpture, my material of choice is high-fired clay. Pieces are first low-fired in an electric kiln. I do not use glazes. Instead, I use oxides applied to the bisqued (low-fired) clay. As with a tattoo, oxides permit the surface underneath to breathe. The work is then high-fired in a gas kiln with double reduction to cone 10. The final temperature is 2,300 degrees F. At a certain point, oxygen intake is reduced to the kiln. Because the fire has reached a critical mass, it needs oxygen and chemically takes it from the clay and the oxides. Like a jazz improvisation, each kiln load comes out slightly different."
From Jonathan Goodman – "Wortsman has increasingly moved into his own – a place in which the relations between the abstractions of volume and the intimations of very old culture are merged in a way that is new." – Essay, "Harold Wortsman: Time and Space", Orange Art Foundation, February 2022, New York City.
Harold Wortsman is a sculptor and printmaker based in Brooklyn, NY. He “creates forms that bring to mind archaic cult objects and exude a quiet concentrated strength.” (Argauer Zeitung, Switzerland). His work, an edgy mix of freedom and clarity, can be found in public and private collections in the US, including The Library of Congress, Yale University, The New York Public Library Print Collection, The New York Historical Society, Smith College, Indiana University’s Lilly Library, Brandeis University, The Newark Public Library Special Collections Division, and the Jane Voorhees Zimmerli Art Museum Print Archive. Also in private and public collections in Europe, including the Municipal Collection of the City of Brugg, Switzerland.
Harold studied at the New York Studio School of Drawing, Painting and Sculpture, with sculptor George Spaventa...
Category
21st Century and Contemporary Contemporary Pigment Sculptures
Materials
Ceramic, Clay, Pigment, Other Medium
Center - black red contemporary modern abstract sculpture painting relief
Located in Doetinchem, NL
Center is a unique contemporary modern sculpture painting by Dutch artist Michiel Jansen. This wall relief is made from dozens of indivually cut strips ...
Category
2010s Contemporary Pigment Sculptures
Materials
Slate
"VERTICAL 4", sculpture, clay, ceramic, abstract, tribal, pattern, tower, column
Located in Toronto, Ontario
Vertical 4, a ceramic sculpture of wood-fired clay pigmented with oxides, is a work by New York artist Harold Wortsman. Vertical 4 was recently exhibited at "Harold Wortsman: Time and Space" at the Orange Art Foundation, February-March 2022, New York City.
Note the blending of geometric and organic forms in this work – it is characteristic of his practice – warm, contemporary, uniquely crafted, yet speaks to ancient, primitive traditions of art-making that cross cultures and histories. Highly attuned to the art of Africa, the Middle East, India and Asia, his forms are organic abstracts with masculine and feminine attributes that resonate together as a pleasing enigma. They make sense immediately, yet never give up all their secrets.
From Harold Wortsman – "With sculpture, my material of choice is high-fired clay. Pieces are first low-fired in an electric kiln. I do not use glazes. Instead, I use oxides applied to the bisqued (low-fired) clay. As with a tattoo, oxides permit the surface underneath to breathe. The work is then high-fired in a gas kiln with double reduction to cone 10. The final temperature is 2,300 degrees F. At a certain point, oxygen intake is reduced to the kiln. Because the fire has reached a critical mass, it needs oxygen and chemically takes it from the clay and the oxides. Like a jazz improvisation, each kiln load comes out slightly different."
From Jonathan Goodman – "Wortsman has increasingly moved into his own – a place in which the relations between the abstractions of volume and the intimations of very old culture are merged in a way that is new." – Essay, "Harold Wortsman: Time and Space", Orange Art Foundation, February 2022, New York City.
Harold Wortsman is a sculptor and printmaker based in Brooklyn, NY. He “creates forms that bring to mind archaic cult objects and exude a quiet concentrated strength.” (Argauer Zeitung, Switzerland). His work, an edgy mix of freedom and clarity, can be found in public and private collections in the US, including The Library of Congress, Yale University, The New York Public Library Print Collection, The New York Historical Society, Smith College, Indiana University’s Lilly Library, Brandeis University, The Newark Public Library Special Collections Division, and the Jane Voorhees Zimmerli Art Museum Print Archive. Also in private and public collections in Europe, including the Municipal Collection of the City of Brugg, Switzerland.
Harold studied at the New York Studio School of Drawing, Painting and Sculpture, with sculptor George Spaventa...
Category
21st Century and Contemporary Contemporary Pigment Sculptures
Materials
Ceramic, Clay, Pigment, Other Medium
Contemporary, Colored, Porcelain, Sculpture, YOR Spectrum Loop Dispersion
By Kyle Johns
Located in St. Louis, MO
Contemporary, Colored, Porcelain, Sculpture, YOR Spectrum Loop Dispersion
Kyle began his studies at Southern Illinois University Edwardsville (SIUE). Following undergraduate, he rec...
Category
2010s Contemporary Pigment Sculptures
Materials
Ceramic, Porcelain, Glaze, Pigment
$1,200 Sale Price
20% Off
"Yoni", reconstructed egg assemblage, Hanging Sculpture
Located in Philadelphia, PA
This piece titled "Yoni" is an original piece by Kate VanVliet and is made from eggshells, mica, PVA. This piece measures 14.5”h x 9.5”w x 2.5”d and comes with 3-D printed screw cove...
Category
21st Century and Contemporary Contemporary Pigment Sculptures
Materials
Mica, Acrylic, Organic Material, Found Objects, Glue
"Walking Stick", Found Object Sculpture, Egg Motif, Wall Hanging Sculpture
Located in Philadelphia, PA
This piece titled "Walking Stick" is an original piece by Kate VanVliet and is made from eggshells, mica, PVA. This piece measures 4”h x 32”w x 3”d and comes with 3-D printed screw ...
Category
21st Century and Contemporary Contemporary Pigment Sculptures
Materials
Mica, Acrylic, Organic Material, Found Objects, Glue
"Donut (Chocolate)", Found Object Sculpture, Egg Motif
Located in Philadelphia, PA
This piece titled "Donut (Chocolate)" is an original piece by Kate VanVliet and is made from eggshells, mica, and PVA. This piece measures 3.5”h x 3.5”w x 1.5”d and ships with the pi...
Category
21st Century and Contemporary Contemporary Pigment Sculptures
Materials
Glue, Found Objects, Mica, Organic Material, Acrylic
"Peck", reconstructed egg assembly
Located in Philadelphia, PA
This piece titled "Peck" is an original piece by Kate VanVliet and is made from eggshells (bantam), mica, and PVA. This piece measures 3”h x 9”w x 7”d.
Kate VanVliet is a sculptor a...
Category
21st Century and Contemporary Contemporary Pigment Sculptures
Materials
Mica, Acrylic, Organic Material, Found Objects, Glue
"Donut (Mint)", reconstructed egg assemblage
Located in Philadelphia, PA
This piece titled "Donut (Mint)" is an original piece by Kate VanVliet and is made from eggshells, mica, and PVA. This piece measures 3.5”h x 3.5”w x 1.5”d and ships with the picture...
Category
21st Century and Contemporary Contemporary Pigment Sculptures
Materials
Found Objects, Mica, ABS
"Roly-poly", Found Object Sculpture, Egg Motif
Located in Philadelphia, PA
This piece titled "Roly-Poly" is an original piece by Kate VanVliet and is made from eggshells, mica, and PVA. This piece measures 4”h x 3.5”w x 2.5”d.
Kate VanVliet is a sculptor a...
Category
21st Century and Contemporary Contemporary Pigment Sculptures
Materials
Mica, Acrylic, Found Objects, Organic Material, Glue
"Chimaera: Green #9", Found Object Sculpture, Egg Motif
Located in Philadelphia, PA
This piece titled "Chimaera: Green #9" is an original piece by Kate VanVliet and is made from eggshells, mica, and PVA. This piece measures 2.5”h x 2”w x 2”d and ships with the pictu...
Category
21st Century and Contemporary Contemporary Pigment Sculptures
Materials
Glue, Found Objects, Mica
"Chimaera: Green #15", reconstructed egg sculpture
Located in Philadelphia, PA
This piece titled "Chimaera: Green #15" is an original piece by Kate VanVliet and is made from eggshells, mica, and PVA. This piece measures 2.25”h x 2”w x 2”d and ships with the pic...
Category
21st Century and Contemporary Contemporary Pigment Sculptures
Materials
Glue, Found Objects, Mica, Organic Material, Acrylic
"Day in the Life: Chimaera #12", Found Object Sculpture, Egg Motif
Located in Philadelphia, PA
This piece titled "Day in the Life: Chimaera #12" is an original piece by Kate VanVliet and is made from eggshell, mica, and acrylic. This piece measures 4”h x 2.5”w x 2.5”d, and is ...
Category
21st Century and Contemporary Contemporary Pigment Sculptures
Materials
Glue, Found Objects, Mica, Acrylic
"Day in the life: Green #25", Found Object Sculpture, Egg Motif
Located in Philadelphia, PA
This piece titled "Day in the life: Green #25" is an original piece by Kate VanVliet and is made from eggshell, mica, and acrylic. This piece measures 4”h x 2.5”w x 2.5”d, and is shi...
Category
21st Century and Contemporary Contemporary Pigment Sculptures
Materials
Glue, Found Objects, Acrylic, Mica
"Day in the Life: Green #33", Found Object Sculpture, Egg Motif
Located in Philadelphia, PA
This piece titled "Day in the Life: Green #33" is an original piece by Kate VanVliet and is made from eggshell, mica, and acrylic. This piece measures 4”h x 2.5”w x 2.5”d, and is shi...
Category
21st Century and Contemporary Contemporary Pigment Sculptures
Materials
Glue, Found Objects, Acrylic, Mica, Organic Material
"4+4", sculpture, clay, ceramic, abstract, contemporary, tribal, disc, geometry
Located in Toronto, Ontario
4+4, a ceramic sculpture of high-fired clay pigmented with oxides, is a work by New York artist Harold Wortsman. Note the blending of geometric and organic forms in this work – it is characteristic of his practice – warm, contemporary, uniquely crafted, yet speaks to ancient, primitive traditions of art-making that cross cultures and histories. Highly attuned to the art of Africa, the Middle East, India and Asia, his forms are organic abstracts with masculine and feminine attributes that resonate together as a pleasing enigma. They make sense immediately, yet never give up all their secrets.
From Harold Wortsman – "With sculpture, my material of choice is high-fired clay. Pieces are first low-fired in an electric kiln. I do not use glazes. Instead, I use oxides applied to the bisqued (low-fired) clay. As with a tattoo, oxides permit the surface underneath to breathe. The work is then high-fired in a gas kiln with double reduction to cone 10. The final temperature is 2,300 degrees F. At a certain point, oxygen intake is reduced to the kiln. Because the fire has reached a critical mass, it needs oxygen and chemically takes it from the clay and the oxides painted on. Like a jazz improvisation, each kiln load comes out slightly different."
From Jonathan Goodman, Poet & Art Critic – "Wortsman re-examines ancient and modern traditions in light of what it means to make art." – Tussle Magazine, July 2019.
Harold Wortsman is a sculptor and printmaker based in Brooklyn, NY. He “creates forms that bring to mind archaic cult objects and exude a quiet concentrated strength.” (Argauer Zeitung, Switzerland). His work, an edgy mix of freedom and clarity, can be found in public and private collections in the US, including The Library of Congress, Yale University, The New York Public Library Print Collection, The New York Historical Society, Smith College, Indiana University’s Lilly Library, Brandeis University, The Newark Public Library Special Collections Division, and the Jane Voorhees Zimmerli Art Museum Print Archive. Also in private and public collections in Europe, including the Municipal Collection of the City of Brugg, Switzerland.
Harold studied at the New York Studio School of Drawing, Painting and Sculpture, with sculptor George Spaventa...
Category
21st Century and Contemporary Contemporary Pigment Sculptures
Materials
Ceramic, Clay, Pigment, Other Medium
"MONUMENT", sculpture, clay, abstract, geometry, contemporary, ceramic, tribal
Located in Toronto, Ontario
MONUMENT, a ceramic sculpture of high-fired clay pigmented with oxides, is a recent work by artist Harold Wortsman. Note the volumetric geometry inhere...
Category
21st Century and Contemporary Contemporary Pigment Sculptures
Materials
Ceramic, Clay, Pigment, Other Medium
"FOR THE OLD ONES", sculpture, clay, abstract, contemporary, ceramic, tribal
Located in Toronto, Ontario
FOR THE OLD ONES, a ceramic sculpture of high-fired clay pigmented with oxides, sitting on a slab of limestone. It is a recent work by artist Harold Wortsman. Note the blending of volumetric and organic form in this work, the mark-making and perforations on the surface, the striking colors of black and copper in variable stripes – it is characteristic of his practice – warm, contemporary, uniquely crafted, yet speaks to ancient, primitive traditions of art-making that cross cultures and histories. Highly attuned to the art of Africa, the Middle East, India and Asia, his forms are organic abstracts with masculine and feminine attributes that resonate together as a pleasing enigma. They make sense immediately, yet never give up all their secrets.
From Harold Wortsman – "With sculpture, my material of choice is high-fired clay. Pieces are first low-fired in an electric kiln. I do not use glazes. Instead, I use oxides applied to the bisqued (low-fired) clay. As with a tattoo, oxides permit the surface underneath to breathe—like naked skin. The work is then high-fired in a gas kiln with double reduction to cone 10. The final temperature is 2,300 degrees F. At a certain point, oxygen intake is reduced to the kiln. Because the fire has reached a critical mass, it needs oxygen and chemically takes it from the clay and the oxides painted on. Like a jazz improvisation, each kiln load comes out slightly different."
From Jonathan Goodman, Poet & Art Critic – "Wortsman re-examines ancient and modern traditions in light of what it means to make art." – Tussle Magazine, July 2019.
Harold Wortsman is a sculptor and printmaker based in Brooklyn, NY. He “creates forms that bring to mind archaic cult objects and exude a quiet concentrated strength.” (Argauer Zeitung, Switzerland). His work, an edgy mix of freedom and clarity, can be found in public and private collections in the US, including The Library of Congress, Yale University, The New York Public Library Print Collection, The New York Historical Society, Smith College, Indiana University’s Lilly Library, Brandeis University, The Newark Public Library Special Collections Division, and the Jane Voorhees Zimmerli Art Museum Print Archive. Also in private and public collections in Europe, including the Municipal Collection of the City of Brugg, Switzerland.
Harold studied at the New York Studio School of Drawing, Painting and Sculpture, with sculptor George Spaventa...
Category
21st Century and Contemporary Contemporary Pigment Sculptures
Materials
Limestone
"ALTAR", sculpture, clay, ceramic, abstract, contemporary, tribal, pattern, mark
Located in Toronto, Ontario
Altar, a ceramic sculpture of high-fired clay pigmented with oxides, is a work by New York artist Harold Wortsman. Altar was recently exhibited at "Harold Wortsman: Time and Space" at the Orange Art Foundation, February-March 2022, New York City.
Note the blending of geometric and organic forms in this work – it is characteristic of his practice – warm, contemporary, uniquely crafted, yet speaks to ancient, primitive traditions of art-making that cross cultures and histories. Highly attuned to the art of Africa, the Middle East, India and Asia, his forms are organic abstracts with masculine and feminine attributes that resonate together as a pleasing enigma. They make sense immediately, yet never give up all their secrets.
From Harold Wortsman – "With sculpture, my material of choice is high-fired clay. Pieces are first low-fired in an electric kiln. I do not use glazes. Instead, I use oxides applied to the bisqued (low-fired) clay. As with a tattoo, oxides permit the surface underneath to breathe. The work is then high-fired in a gas kiln with double reduction to cone 10. The final temperature is 2,300 degrees F. At a certain point, oxygen intake is reduced to the kiln. Because the fire has reached a critical mass, it needs oxygen and chemically takes it from the clay and the oxides. Like a jazz improvisation, each kiln load comes out slightly different."
From Jonathan Goodman, Poet & Art Critic – "Wortsman re-examines ancient and modern traditions in light of what it means to make art." – Tussle Magazine, July 2019.
Harold Wortsman is a sculptor and printmaker based in Brooklyn, NY. He “creates forms that bring to mind archaic cult objects and exude a quiet concentrated strength.” (Argauer Zeitung, Switzerland). His work, an edgy mix of freedom and clarity, can be found in public and private collections in the US, including The Library of Congress, Yale University, The New York Public Library Print Collection, The New York Historical Society, Smith College, Indiana University’s Lilly Library, Brandeis University, The Newark Public Library Special Collections Division, and the Jane Voorhees Zimmerli Art Museum Print Archive. Also in private and public collections in Europe, including the Municipal Collection of the City of Brugg, Switzerland.
Harold studied at the New York Studio School of Drawing, Painting and Sculpture, with sculptor George Spaventa...
Category
21st Century and Contemporary Contemporary Pigment Sculptures
Materials
Ceramic, Clay, Pigment, Other Medium
"HER DREAM", sculpture, clay, abstract, organic, contemporary, ceramic, tribal
Located in Toronto, Ontario
HER DREAM, a ceramic sculpture of high-fired clay pigmented with oxides, is a work by artist Harold Wortsman. Note the blending of geometric and organic forms in this work – it is ch...
Category
21st Century and Contemporary Contemporary Pigment Sculptures
Materials
Ceramic, Clay, Pigment, Other Medium
Contemporary, Abstract, Mixed Media, Ceramic, Sculpture, PVC, Pigmented
Located in St. Louis, MO
Contemporary, Abstract, Mixed Media, Ceramic, Sculpture, PVC, Pigmented
Maxwell Mustardo is a ceramic artist whose highly textured forms are the result of meticulous research into t...
Category
2010s Contemporary Pigment Sculptures
Materials
Ceramic, Stoneware, PVC, Pigment
John Van Alstine, Auger Falls Landscape (Low Gear), Sculpture 2024
Located in Stamford, CT
Auger Falls Landscape (Gear Bottom)
Green granite and sealed steel
15" (height) x 18" (width) x 5" (depth)
Stone and metal, usually granite or slate, and found object steel are cent...
Category
21st Century and Contemporary Contemporary Pigment Sculptures
Materials
Granite, Steel
Whispers of the Deep : Intertwined Desires
By Hiro Ando
Located in PARIS, FR
jan 2021, unique edition
Mix media resin with pigment polychrome under plexyglas cap with LED
15 7/10 × 19 7/10 × 19 7/10 in - 40 × 50 × 50 cm
The artwork is signed by the Artist ...
Category
2010s Contemporary Pigment Sculptures
Materials
Resin, Plexiglass, LED Light, Pigment
Contemporary, Porcelain, Sculpture, Pigment, B2Y Spectrum Loop Dispersion
By Kyle Johns
Located in St. Louis, MO
Contemporary, Porcelain, Sculpture, Pigment, B2Y Spectrum Loop Dispersion
Kyle began his studies at Southern Illinois University Edwardsville (SIUE). Following undergraduate, he rec...
Category
2010s Contemporary Pigment Sculptures
Materials
Ceramic, Porcelain, Glaze, Pigment
$1,200 Sale Price
20% Off
Queen of the Night (Dialect: series)
Located in Ciudad de México, MX
“Over the last twenty years, I have put together an extensive amount of research towards the intersections and thresholds between
painting, sculpture, and drawing. My aim is to produ...
Category
21st Century and Contemporary Contemporary Pigment Sculptures
Materials
Copper
John Van Alstine, Lunge 9-22 (Red Tail), Sculpture 2022
Located in Stamford, CT
Lunge 9-22 (Red Tail)
NY State slate/pigmented and sealed steel
23" (height) x 26" (width) x 6" (depth)
Stone and metal, usually granite or slate, and found object steel are central...
Category
21st Century and Contemporary Contemporary Pigment Sculptures
Materials
Slate, Steel
John Van Alstine, Sisyphean Circle (Rocker 16), Sculpture 2016
Located in Stamford, CT
Sisyphean Circle (Rocker 16)
Slate/pigmented and sealed steel
33" (height) x 40" (width) x 9" (depth)
Stone and metal, usually granite or slate, and found object steel are central i...
Category
21st Century and Contemporary Contemporary Pigment Sculptures
Materials
Slate, Steel
Adaptation I
Located in Montreal, Quebec
Through a variety of structural and wall-hanged pieces, Karine Payette’s Adaptation examines how changes in the environment can begin to have an impact on our physical existence. Ele...
Category
2010s Contemporary Pigment Sculptures
Materials
Silicone, Pigment, Wood, Mixed Media
Adaptation IX
Located in Montreal, Quebec
Through a variety of structural and wall-hanged pieces, Karine Payette’s Adaptation examines how changes in the environment can begin to have an impact on our physical existence. Ele...
Category
2010s Contemporary Pigment Sculptures
Materials
Silicone, Wood, Mixed Media, Pigment
Platonic Flower: Contemporary Abstract Sculpture
Located in New York, NY
Contemporary Abstract Sculpture
Platonic Flower, 2022
Engineered concrete & pigment
7’’, 9’’, 10’’
About The Artist
Miguel A Otero Fuentes is a Puerto Rico-born USA migrant, a univ...
Category
2010s Contemporary Pigment Sculptures
Materials
Concrete
$2,592 Sale Price
25% Off
Sea Cactus: Contemporary Abstract Sculpture
Located in New York, NY
Sea Cactus (2022) is a small contemporary abstract sculpture, featuring a concrete triangular prism, with weathered details to create a rugged effect. Expertly balanced on the tip of the triangular prism is a dark ball...
Category
2010s Contemporary Pigment Sculptures
Materials
Concrete
$1,373 Sale Price
20% Off
Adaptation VI
Located in Montreal, Quebec
Through a variety of structural and wall-hanged pieces, Karine Payette’s Adaptation examines how changes in the environment can begin to have an impact on our physical existence. Ele...
Category
2010s Contemporary Pigment Sculptures
Materials
Silicone, Wood, Mixed Media, Pigment
Adaptation VII
Located in Montreal, Quebec
Through a variety of structural and wall-hanged pieces, Karine Payette’s Adaptation examines how changes in the environment can begin to have an impact on our physical existence. Ele...
Category
2010s Contemporary Pigment Sculptures
Materials
Silicone, Wood, Mixed Media, Pigment
Chobani Yogurt
By Joanne Ungar
Located in New York, NY
This four panel composition has a rich blue and violet tones in the pigmented wax, which compliments the warmth of the tones of the embedded packaging material beneath the surface.
...
Category
2010s Contemporary Pigment Sculptures
Materials
Wax, Cardboard, Pigment
Adaptation VIII
Located in Montreal, Quebec
Through a variety of structural and wall-hanged pieces, Karine Payette’s Adaptation examines how changes in the environment can begin to have an impact on our physical existence. Ele...
Category
2010s Contemporary Pigment Sculptures
Materials
Silicone, Wood, Mixed Media, Pigment
Adaptation II
Located in Montreal, Quebec
Through a variety of structural and wall-hanged pieces, Karine Payette’s Adaptation examines how changes in the environment can begin to have an impact on our physical existence. Ele...
Category
2010s Contemporary Pigment Sculptures
Materials
Silicone, Wood, Mixed Media, Pigment
Roots #3 - Jean-Paul Réti, 21st Century, Contemporary metal sculpture
Located in Paris, FR
Wall sculpture
“It has long been known that the Earth is round, but it is only now in the space age that it is really seen to be so. The stunning pictures of the blue planet floatin...
Category
2010s Contemporary Pigment Sculptures
Materials
Steel
Dreamweaver (Dialect series)
Located in Ciudad de México, MX
“Over the last twenty years, I have put together an extensive amount of research towards the intersections and thresholds between
painting, sculpture, and drawing. My aim is to produ...
Category
21st Century and Contemporary Contemporary Pigment Sculptures
Materials
Clay, Acrylic, Handmade Paper, Newsprint, Pigment
Trilogy Urbancat, Sumocat, Robotcat Blu : Azure Chronicles
By Hiro Ando
Located in PARIS, FR
2015, Unique Artwork
resin and pigments polychrome on fiberglass under protective plexiglass cap with LED
12 1/5 × 31 1/2 × 13 in - 31 × 80 × 33 cm
The artwork is signed by the Artis...
Category
2010s Contemporary Pigment Sculptures
Materials
Resin, Plexiglass, LED Light, Pigment
Adaptation V
Located in Montreal, Quebec
Through a variety of structural and wall-hanged pieces, Karine Payette’s Adaptation examines how changes in the environment can begin to have an impact on our physical existence. Ele...
Category
2010s Contemporary Pigment Sculptures
Materials
Silicone, Wood, Mixed Media, Pigment
Adaptation IV
Located in Montreal, Quebec
Through a variety of structural and wall-hanged pieces, Karine Payette’s Adaptation examines how changes in the environment can begin to have an impact on our physical existence. Ele...
Category
2010s Contemporary Pigment Sculptures
Materials
Silicone, Wood, Mixed Media, Pigment
Adaptation III
Located in Montreal, Quebec
Through a variety of structural and wall-hanged pieces, Karine Payette’s Adaptation examines how changes in the environment can begin to have an impact on our physical existence. Ele...
Category
2010s Contemporary Pigment Sculptures
Materials
Silicone, Wood, Mixed Media, Pigment
Dusty Rose Sage (2022), terracotta concrete abstract face sculpture, metal wire
Located in Jersey City, NJ
Dusty Rose Sage (2022), terracotta concrete abstract face sculpture, metal wire
Biomorphic and earthy yet industrial style wall sculpture, she...
Category
2010s Contemporary Pigment Sculptures
Materials
Concrete, Wire
Whitewashed Sage (2022), gray white concrete face sculpture, metal wire, earthy
Located in Jersey City, NJ
Whitewashed Sage (2022), gray and white concrete abstract face sculpture, metal wire, earthy
Biomorphic and earthy yet industrial style wall sculpture, shelf sculpture or tabletop s...
Category
2010s Contemporary Pigment Sculptures
Materials
Concrete, Wire
Marbled Sage (2022), gray concrete abstract face sculpture, metal wire, earthy
Located in Jersey City, NJ
Marbled Sage (2022), gray concrete abstract face sculpture, metal wire, earthy
Biomorphic and earthy yet industrial style wall sculpture, shel...
Category
2010s Contemporary Pigment Sculptures
Materials
Concrete, Wire
Speckled Sage (2022), gray concrete abstract face sculpture, metal wire, earthy
Located in Jersey City, NJ
Speckled Sage (2022), gray concrete abstract face sculpture, metal wire, earthy
Biomorphic and earthy yet industrial style wall sculpture, she...
Category
2010s Contemporary Pigment Sculptures
Materials
Concrete, Wire
Red Clay Sage (2022), terracotta concrete abstract face sculpture, metal wire
Located in Jersey City, NJ
Biomorphic and earthy yet industrial style wall sculpture, shelf sculpture or tabletop sculpture. Abstracted face sculpture made with concrete, pigment and wire. The piece is smoot...
Category
2010s Contemporary Pigment Sculptures
Materials
Concrete, Wire
Pigment sculptures for sale on 1stDibs.
Find a wide variety of authentic Pigment sculptures available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add sculptures created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, orange, purple, pink and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include John Van Alstine, Casper Brindle, Harold Wortsman, and Gilbert Pauli. Frequently made by artists working in the Contemporary, Abstract, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Pigment sculptures, so small editions measuring 0.12 inches across are also available
Read More
100 Works That Remind Us Why Glass Can Be a Radical Art Form
A new show at Upstate New York’s Corning Museum of Glass shows off the best and brightest contemporary works of the last few years.
Proving It’s More Than Mansions, Palms and Beaches, a Storied Florida Playground Is Getting Serious about Art
The newly redesigned Norton Museum and other impressive exhibition spaces around Palm Beach are drawing art aficionados to the tony enclave year-round.