Stone Sculptures

Brown alabaster, Pedestal - French limestone David Natidze is a Belgium-based sculptor born in 1969 in Georgia known for his refined stone sculptures that blend modernist tradition ...

Mask I is a glass fiber reinforced concrete wall sculpture by contemporary artist Pavlína Kvita, dimensions are 69 × 41 cm (27.2 × 16.1 in). The sculpture is signed and comes with a...

Brown alabaster, Pedestal - white limestone David Natidze is a Belgium-based sculptor born in 1969 in Georgia known for his refined stone sculptures that blend modernist tradition w...

Belgian Blue Marble David Natidze is a Belgium-based sculptor born in 1969 in Georgia known for his refined stone sculptures that blend modernist tradition with minimalist abstract...

Red travertine David Natidze is a Belgium-based sculptor born in 1969 in Georgia known for his refined stone sculptures that blend modernist tradition with minimalist abstraction. ...

White alabaster, Pedestal - Belgian Blue Marble David Natidze is a Belgium-based sculptor born in 1969 in Georgia known for his refined stone sculptures that blend modernist tradit...

Belgian Blue Marble David Natidze is a Belgium-based sculptor born in 1969 in Georgia known for his refined stone sculptures that blend modernist tradition with minimalist abstract...

Nasaghi is a unique Statuario Carrara marble sculpture by contemporary artist Francesca Bernardini. The dimensions are 20 × 36 × 24 cm (7.9 × 14.2 × 9.4 in). The sculpture is signed...

Solo (with Chloé) is a unique smoke-fired stoneware sculpture by French contemporary artist Cécile Raynal, dimensions are 48 × 60 × 32 cm (18.9 × 23.6 × 12.6 in). Dimensions include ...

Edition number 12/12. A quirky sculpture with a shiny bronze finish, standing on a 17 x 17 cm white granite base. Davies creates playful sculptures that celebrate the courage it tak...

Pagan Christian, 2006-2007 Concrete, glass 26 H × 15 7/10 W × 19 7/10 D in. 66 H × 40 W × 50 D cm Unique The idea of fragment emerged in the concrete sculpture format offers a clear view of the post-modern condition. The employment of mixed materials, apparently difficult to associate, such as concrete and colored glass beads, recall the images from the ancient Roman fragments...

Cat/bird is a unique smoke-fired sandstone sculpture by French contemporary artist Cécile Raynal, dimensions are 30 cm × 11 cm × 24 cm (11.8 × 4.3 × 9.4 in). This artwork ironicall...

Moon is a unique glass fiber reinforced concrete sculpture by contemporary artist Pavlína Kvita, dimensions are 130 × 100 × 58 cm (51.2 × 39.4 × 22.8 in). The sculpture is signed an...

red oak, concrete 68" x 27" x 17" As an artist I strive to create elegant sculptures that capture the true essence of the subject matter. Form, line and surface are used as the vis...

My sculpture is inspired by the connection of the human form to nature. I use natural materials, stone, wood and metal to bring to life organic forms moving through space. The delica...

Amazone Ruiter Amazon Horseman Contemporary Animal Men Sculpture Bronze In Stock Jits Bakker was a versatile Dutch artist: sculptor, painter, watercolorist, drawer, glass artist, si...

Title: Meditating St.Tropez Date: 2022 Technique: Recycled Resin (PETG), Chromatic and Candy Paint Dimensions: 47 x 47,5 x 25 cm Signature: Hand Signed (Ri...

Safe place is a unique White Carrara marble sculpture by contemporary artist Francesca Bernardini. The dimensions are 47 × 18 × 18 cm (18.5 × 7.1 × 7.1 in). The sculpture is signed ...

Crab is a unique Irish blue limestone (Kilkenny) sculpture by contemporary artist Richard Perry, dimensions are 26 × 34 × 26 cm (10.2 × 13.4 × 10.2 in)....

"Dissolve" is a contemporary modern abstract wall sculpture by UK artist Mari-Ruth Oda. Made from Bath Stone Jesmonite, a fine art composite material based on acrylic resin, fibergla...

Freedom is a unique Alabaster and rope sculpture by contemporary artist Peter Brooke-Ball, dimensions are 23 × 21.5 × 17.5 cm (9.1 × 8.5 × 6.9 in). The sculpture comes with a certi...

Michael O’Keefe’s sculptures, drawings, and paintings depict figurative narratives born from unpredictable processes. He couples innovative methods with unconventional tools to creat...

Mask III is a polished and coloured artificial stone wall sculpture by contemporary artist Pavlína Kvita, dimensions are 70 × 48 cm (27.6 × 18.9 in). The sculpture is signed and com...

Without Bonds is a unique Portland limestone, stainless steel on beech wood base sculpture by contemporary artist Peter Brooke-Ball, dimensions are 51 × 26 × 20.5 cm (20.1 × 10.2 × 8...

Star 1 is a unique Portland stone sculpture by contemporary artist Richard Perry, dimensions are 17 × 17 × 60 cm (6.7 × 6.7 × 23.6 in). The s...

Movement is a unique contemporary modern sculpture painting by Dutch artist Michiel Jansen. This wall relief is made from dozens of indivually cut strip...

keywords; #sinuous, focus on material, sculptural folds, Aldo Chaparro, use of common materials, creased crinkled and wrinkled, angular, abstract sculpture, angular, process-oriented, mixed-media, sparse, biomorphic, abstract sculpture, contemporary design, sculpture, line form color, curvilinear forms, balance, smooth surfaces, contemporary minimalism, pop art, metallic surfaces, textile art, yellow, shiny, luxurious, curvy, pop art, kitsch, lavender art...

o.T. (BK15LH) is a unique small size contemporary modern wall sculpture painting relief by German artist Dieter Kränzlein. This sculpture relief is carved from a single block of lime...

Pyxis Awry 2021 (Plunge X) Bronze 14.5" (height) x 9.5" (width) x 9" (depth) Stone and metal, usually granite or slate, and found object steel are central in my sculpture. The inter...

Divyendu Anand - Piscine - Red, 2023 Oxidised Bronze over Stone Composite Granite Base Edition 2 of 5 H 33 x W 24 x D 14 inches Growing up with the thoughts of altruism, idealism an...

Hare and wolf is a unique smoke-fired sandstone sculpture by French contemporary artist Cécile Raynal, dimensions are 33 × 42 × 16 cm (13 × 16.5 × 6.3 in). The sculpture depicts an...

"Katherine Bust, Atelier" by Richard MacDonald is a timeless portrait capturing elegance, strength, and introspection. Sculpted with classical grace and modern sensitivity, the figur...

Three Duck Egg Blue Horse Hair Raku Fired Ball Vases by Tamsin Levene. Three Duck Egg blue horse hair raku fired ball vases. Set contains small vase, medium vase, and large vase.  ...

Unique pedestal sculpture in welded and stained bronze, lava stone, seashells, and black stained wood. Jeff Glode Wise makes wildly exuberant sculptures. H...

Eros is a unique smoke-fired sandstone sculpture by French contemporary artist Cécile Raynal, dimensions are 24 × 53 × 23 cm (9.4 × 20.9 × 9.1 in). Greek mythology's Eros, the God ...

Paard in Gallop Horse in Gallop Bronze Animal Sculpture Figurative New In Stock Jits Bakker was a versatile Dutch artist: sculptor, painter, watercolor...

Oh, by John Reeves, rotating, bronze, sculpture, shape shift, granite, edition Oh, John Reeves rotating, bronze, sculpture, shape shift, granite, edition Oh, rotating bronze sculpt...

Resin cast geodes in cracked marble in a wooden frame by Paige Smith. This piece measures 18in x 18in, with a depth of 1-5/8in. Paige Smith AKA A Common Name, is a multi-disciplinary artist and designer who lives and works in Los Angeles, CA. Smith is most notable for creating “Urban Geode,” a street art series of sculptures that resemble geodes, made entirely of paper and resin casts. Always interested in geology, Smith started to notice the nooks and crannies in the sides of buildings, walls, and abandoned phone booths within her community of the Historical Arts District (in Los Angeles). Seeing this as an opportunity to create, Smith took street-art to a whole new level. Since beginning the project, she has created large-scale installations for well-known brands such as The Standard, Hollywood; The Viper Room...

Heron II is a unique acrystal, concrete and nylon rope sculpture by contemporary artist Pavlína Kvita, dimensions are 70 × 33 × 16 cm (27.6 × 13 × 6.3 in). The sculpture is signed a...

Daniel Fiorda in this new series of sculptures, continues in many ways the themes that have infused his previous work. For the last several years, Fiorda has dealt with technology, obsolescence, with the trail of discarded tech that humanity leaves behind and what it says about us. The new work takes this thematic one step further. These new wall pieces feature barely concealed found objects, almost fully engulfed by concrete, and yet still eerily discernible: industrial gears, computer keyboards, objects that evoke industrial post-digital eras. This piece is a set of 3 artworks that showcases a video editing keyboard on a white background, embedded in resin and they can be arranged for display in a variety of layouts. They come ready to hang with hanging hardware and they are signed by the artist on verso. Art measures 7 x 7 x 1.75 in (each) The overall sense is dystopian rather than apocalyptic. In Fiorda’s previous work, found objects were displayed as if unearthed from a bed of clay by a tacit anthropologist, perhaps decades into the future. A typewriter would be partially buried by dry soil and weathered by the passing of time. The underlying narrative was that of a future civilization unearthing the objects left by ours. Destruction or extinction was implied. In the new work, the obsolete technology is not found but rather engulfed by a new technology. Concrete, as a material and as a technology, has the capabilities to fully encase and envelope. In Fiorda’s new work, uniformity and the appropriation of old/new technology into new structures suggests a historical and technological challenge right around the corner, mirroring the ones in our recent past: the digital age fully replacing the analog world. These astounding sculptures, with embedded objects, are here to examine closely, and make connections between theme, material, and shape. Daniel Fiorda was born in 1963 in Buenos Aires, Argentina. Of Italian ancestry, his lineage includes a grandfather highly respected as a wood craftsman, also his father was a craftsman in addition to being a musician and poet. Because a privileged life was not his, there was no university for Fiorda. In the Old World tradition of passing on knowledge from parent to child, he learned about machinery form his father, who recognized his son's talent and encouraged it. With some private tutoring, he began sculpting in high school using found objects. The press reviews of his first exhibit, at age 20, stated that Fiorda had a definite “poetic feeling”. With this encouragement, he continued to pursue his art. After leaving Argentina, he arrived in Miami Beach via a circuitous route and set up his studio in the South Florida Art Center. He has exhibited widely throughout the US including the OK Harris Gallery, Allan Stone Gallery in New York as well as the Heriard Cimino Gallery in New Orleans, Lélia Mordoch Gallery in Paris France and Lilac Gallery in New York City. Daniel was one of the winners in the 7th Annual Sculptures Competition (2003) held at Washburn University in Topeka , Kansas. Selected on the inaugural 2006 Palm Beach International Sculpture Biennale, and exhibited for the 3rd time in Sculpture Key West. He is an alumni Artist of ArtCenter/South Florida. Two Pieces from his “Convertible Couch projects...

Marble

Alabaster, cotton rope, copper, 24 cm × 58 cm × 28 cm. Unique work delivered with a certificate of authenticity. Peter Brooke-Ball's works surprise with their humour, simplicity and...

Untitled "Marble Fragment 5" 2019, oil on Italian marble, landscape, wall sculpture, clouds, purple, blue

EMBRIONE by Lorenzo Vignoli striking hand carved Carrara marble sculpture by contemporary Italian sculptor Lorenzo Vignoli, incorporating classical references and contemporary Medit...

'Scratching Bird' is an original serpentine stone sculpture signed by the Zimbabwean artist Rangarirai Makunde. In the sculpture, a long-beaked bird, that might be a shoebill, sits l...

Statuario Carrara marble sculpture, iron base. 14 × 30 × 18 cm The indicated dimensions include the iron base of the sculpture. The sculpture is maintained on the base with a rod but...

'Fish Totem' is an original springstone sculpture by the Zimbabwean artist Obert Mukumbi. The sculpture presents an interactive and playful combination of subjects, both of which are beloved themes in the Shona tradition. As one faces the sculpture, they are presented at first with a pair of figures: an adult and child, one towering above the other. Surrounding them like a shawl is a mandorla-form, which emphasizes their tall upward posture and movement. This pair of figures emphasizes close relationships and family ties. As one walks around the sculpture, however, the almond shape transforms into the body of a boldly striped fish. This duality of human and animal brings mysticism and transformation to the sculpture and suggests the power and vitality of nature in sustenance and spirit. springstone signed "Obert Mukumbi" along bottom edge 34.5 x 7 x 12 inches concrete base included at buyer request hole drilled into bottom to accommodate steel support rod Overall excellent condition with no signs of wear or damage. Obert Mukumbi was born on February 11, 1974 in the village of Dengu in Bindura, some 86 kilometers north east of Harare, Zimbabwe, where he likewise completed his O-levels in school. During his education, he was interested in wood craft. By age twelve, however, he began working in stone under the guidance and encouragement of his brother Kennedy Musekiwa...

The Skipper (Le Pacha) is a smoke sandstone, steel and cotton sculpture by French contemporary artist Cécile Raynal, dimensions are 50 × 31 × 25 cm (19.7 × 12.2 × 9.8 in). The sculpt...

White Amphora is a unique polished artificial stone sculpture by contemporary artist Pavlína Kvita, dimensions including brass base are 160 cm × 50 cm × 50 cm (63 × 19.7 × 19.7 in). ...

First Bite,female figure holding apple,garden of eden,bronze sculpture Williams First Bite, female figure holding apple, garden of eden, bronze sculpture Expressing Situations and Beings in Human Form Sculptor Troy Williams unites the timeless and the contemporary in sculptures of rare beauty and meaning Beyond all the narrative potential of the three obvious physical dimensions of Troy Williams’ sculpture there are many other considerations that contribute greatly to the enjoyment, appreciation, and understanding of his entrancing 360-degree works of figurative art. Among these are the emotional responses and intellectual interpretations that first go into the artist’s creative process and then into every subsequent spectator’s viewings at least somewhat differently each time. Some artists insist on leaving these entirely up to each viewer, but Williams is glad to enrich the experience by inviting the viewer in for a little insight into the artist’s intention. Certain ambiguities and unintended provocations might otherwise arise, as Williams uses original combinations of materials or ideas in highly original ways. For the sophisticated clientele of Glenn Green Galleries Williams specializes in figurative and facial sculptures hewn from fallen woods he finds while running near his home in the mountains of north central New Mexico. Williams has in the past worked with exotic woods, but now avoids them in a desire to protect the people, plants, and animals that depend on a vibrant, healthy, and unexploited local ecosystems. Finding dead and downed wood also introduces an element of serendipitous chance into the sculptor’s process of selection and inspiration. Nature provides an exquisite mass of workable solids, surfaces, patterns, and curves in cottonwood and the many varieties of juniper this sculptor favors. Troy Williams simply rescues these from the elements and then elevates them to timeless treasures by relating them to themes that express our deepest nature. Awake to the most beautiful twists, turns, and striations already present in these found mediums, Williams is naturally and passionately drawn to every stage of freeing the underlying sculpture. Following the wood’s ingrained tendencies is always a creative guide for Williams. Growing up in an Indiana farming community, his dad a family practice doctor and his mother an artist, Troy has always felt an affinity for the earth and especially its mountains. He initially came west to study agriculture at Fort Lewis College in Durango, Colorado, attracted there by a setting where his athletic nature could find full expression. His interest in an agriculture career gave way to his love of the mountains. In order to continue living in them and enjoy the hiking, climbing, and running he also loved, Troy worked for several years in a solar business, progressing from manufacturing to installations to design. On a fortuitous errand for a cousin back home, Troy happened into silversmithing and began producing simple, hammered ear cuffs. At this point the artistic nature that he had earlier suppressed in favor of athletics began to emerge strongly, and he expanded into more complex designs as he learned and mastered goldsmithing and lapidary. Another quantum leap occurred when he made his first copper face for a pendant. He couldn’t wait to see the face on a larger scale and was eager for the challenge of learning another art. He began sculpting metal, then stone, then came upon wood as his medium of choice. Wood had immediate allure: scented, expanding, contracting, and seeming to breathe. Williams was seduced by its warmth, the play of light on the complexion of its grain, and the inherent life force so evident in wood. He also learned to coax creative advantage from some of wood’s pitfalls, like soft spots, tricky grains composed of woody xylem and softer phloem; and to avoid the conditions that make it splinter. A quality of segmentation or fragmentation characterizes Williams’s sculptures and provides great visual satisfaction along with intriguing thematic provocation. One is struck by the beautiful outlines that might never be apparent had Williams not removed segments or created interior voids expressly to reveal them. When sculpting a face, Williams focuses on aspects that are mask-like, floating, and alive with contours that might not be visible were the artist to sculpt the full head. The segmentation in his exquisitely refined female figurative works incorporates solids, hollows, and curvilinear elements for reasons that are at once artistic, philosophical, and experiential. Besides attending basic college art classes, to understand more fully the human figure, Troy spent a summer in Europe...

Daniel Fiorda in this new series of sculptures, continues in many ways the themes that have infused his previous work. For the last several years, Fiorda has dealt with technology, obsolescence, with the trail of discarded tech that humanity leaves behind and what it says about us. The new work takes this thematic one step further. These new wall pieces feature barely concealed found objects, almost fully engulfed by concrete, and yet still eerily discernible: industrial gears, computer keyboards, objects that evoke industrial post-digital eras. This piece is a set of 3 artworks that showcases a black computer keyboard on a white background and they can be arranged for display in a variety of layouts. They come ready to hang with hanging hardware and they are signed by the artist on verso. Art measures 8.75 x 8.75 x 1.25 in (each) The overall sense is dystopian rather than apocalyptic. In Fiorda’s previous work, found objects were displayed as if unearthed from a bed of clay by a tacit anthropologist, perhaps decades into the future. A typewriter would be partially buried by dry soil and weathered by the passing of time. The underlying narrative was that of a future civilization unearthing the objects left by ours. Destruction or extinction was implied. In the new work, the obsolete technology is not found but rather engulfed by a new technology. Concrete, as a material and as a technology, has the capabilities to fully encase and envelope. In Fiorda’s new work, uniformity and the appropriation of old/new technology into new structures suggests a historical and technological challenge right around the corner, mirroring the ones in our recent past: the digital age fully replacing the analog world. These astounding sculptures, with embedded objects, are here to examine closely, and make connections between theme, material, and shape. Daniel Fiorda was born in 1963 in Buenos Aires, Argentina. Of Italian ancestry, his lineage includes a grandfather highly respected as a wood craftsman, also his father was a craftsman in addition to being a musician and poet. Because a privileged life was not his, there was no university for Fiorda. In the Old World tradition of passing on knowledge from parent to child, he learned about machinery form his father, who recognized his son's talent and encouraged it. With some private tutoring, he began sculpting in high school using found objects. The press reviews of his first exhibit, at age 20, stated that Fiorda had a definite “poetic feeling”. With this encouragement, he continued to pursue his art. After leaving Argentina, he arrived in Miami Beach via a circuitous route and set up his studio in the South Florida Art Center. He has exhibited widely throughout the US including the OK Harris Gallery, Allan Stone Gallery in New York as well as the Heriard Cimino Gallery in New Orleans, Lélia Mordoch Gallery in Paris France and Lilac Gallery in New York City. Daniel was one of the winners in the 7th Annual Sculptures Competition (2003) held at Washburn University in Topeka , Kansas. Selected on the inaugural 2006 Palm Beach International Sculpture Biennale, and exhibited for the 3rd time in Sculpture Key West. He is an alumni Artist of ArtCenter/South Florida. Two Pieces from his “Convertible Couch projects...

Divyendu Anand - Morning Healing Edition of 9, Hand Paint & Patinated Copper Skin over Stone Composite Granite H 29.5 x W 12 x D 10 inches, 2025 Growing up with the thoughts of altr...

The title means to ‘shine a light’ or illuminate. Alice Vander Vennen’s beautiful contemporary compositions are designed to tell a story. Fashioned by hand, the canoe-like shape of t...

Resin cast geodes in cracked stone in a wooden frame by Paige Smith. This piece measures 18in x 18in, with a depth of 1-5/8in. Paige Smith AKA A Common Name, is a multi-disciplin...

Original work of FILI PLAZA. Made in resin on marble. Exemplary 12/20 copies. The art of Fili Plaza comes from her sensitivity as a woman, her continuous observation of the human be...

ON THE EDGE I (ARTIST'S PASSAGE) Polychromed granite and steel 98" (height) x 41" (width) x 30" (depth) Stone and metal, usually granite or slate, and found object steel are central...

COLUMN 7-16 Granite/galvanized and powder-coated steel 98" (height) x 27" (width) x 15" (depth) Stone and metal, usually granite or slate, and found object steel are central in my s...

Sisyphean Circle (Twirl IV) Granite and galvanized and powder-coated steel 42" (height) x 46" (width) x 11" (depth) Stone and metal, usually granite or slate, and found object steel...

BLADE III Enamel on granite and steel 13" (height) x 19" (width) x 6" (depth) Stone and metal, usually granite or slate, and found object steel are central in my sculpture. The inte...

Twister '23 Slate/pigmented and sealed steel 32" (height) x 12" (width) x 6" (depth) Stone and metal, usually granite or slate, and found object steel are central in my sculpture. T...