Stone Sculptures

Brian Russell Jobe (American, b. 1981) is an artist and non-profit director based in Knoxville, Tennessee. Jobe's studio practice is focused on sculptur...

'Greetings' is an original black serpentine sculpture by the celebrated second generation Shona artist Colleen Madamombe. The sculpture presents a character common to Madamombe's wor...

CUBE, PYRAMID & SPHERE is a major work created over a five-year period. It is a variable installation, composed of 4 geometric sculptures of high-fired clay pigmented with oxides, a block of wood found in the ocean, river gravel, limestone, and slate shattered to fragments. Note the surface textures, the ground of natural stone, the colors black, umber, copper and tan throughout, the pattern of slate fragments. CUBE, PYRAMID & SPHERE is characteristic of Wortman's practice – warm, contemporary, uniquely crafted, yet speaks to ancient, primitive traditions of art-making that cross cultures and histories. Highly attuned to the art of Africa, the Middle East, India and Asia, his forms are organic abstracts with masculine and feminine attributes that resonate together as a pleasing enigma. They make sense immediately, yet never give up all their secrets. CUBE, PYRAMID & SPHERE was exhibited at BASE: Immersive Art Experiences, Industry City, Brooklyn, NY, 2017. It was also reproduced in Tussle Magazine, alongside "An Interview with Harold Wortsman...

At once elegant and contemporary—this sublime sculpture of a reclining figure is by Jeremy Guy. Chiselled from black granite and honed to a smooth, velvet-like finish, the subject ma...

“It took two years of tireless experimentation for me to develop the process of casting paper into bronze, another seven years to perfect, and it continues to evolve today.” - Kevin...

Walnut stain makes this beautiful turning globe a real stunning sculpture. Made from a whole piece of wood the way the sculpture is shaped is defined by how the tree grew. Sitting on...

Blue Solo (with Jean Pierre) is a smoke sandstone sculpture by French contemporary artist Cécile Raynal, dimensions are 50 × 27 × 31 cm (19.7 × 10.6 × 12.2 in). The sculpture is a un...

Alabaster on granite

Sisyphean Circle (OX) Fallen Obelisk Granite and galvanized and powder-coated steel 123" (height) x 102" (width) x 43" (depth) Stone and metal, usually granite or slate, and found o...

RYSZARD PIOTROWSKI (born in 1952) Sculptor. He graduated from the Academy of Fine Arts in Warsaw. His works include intimate, small forms in marble, bronze and silver. He specializes...

Lunge 2-20 Slate/pigmented and sealed steel 14" (height) x 27" (width) x 6" (depth) Stone and metal, usually granite or slate, and found object steel are central in my sculpture. Th...

The figure has always been Deborah Ballard’s muse in her sculptures. Ballard works in bronze, cast stone, and plaster; her figures ranging from life-size to hand-size. Ballard says, ...

This beautiful large corroded steel sculpture can be used for indoor or outdoors. It makes for an elegant statement in any garden, lobby or private home. Artist: Kuno Vollet Size: 100 x 30...

Coeur Heart Bronze Sculpture Portrait Classical Contemporary The sculptures of Margot Homan (1956, Oss, the Netherlands) show a perfect command of the old...

Tiller VI 15"h x23"w x5"d Small bronze and slate Stone and metal, usually granite or slate and found object steel are central in my sculpture. The interaction of these materials is ...

Sisyphean Circle 3-23 (Sagitta) Granite and galvanized and powder-coated steel 36" (height) x 40" (width) x 9" (depth) Stone and metal, usually granite or slate, and found object st...

Untitled "Marble Fragment 3" 2019, acrylic, landscape, wall sculpture, clouds, purple, blue

First Bite,female figure holding apple,garden of eden,bronze sculpture Williams First Bite, female figure holding apple, garden of eden, bronze sculpture Expressing Situations and Beings in Human Form Sculptor Troy Williams unites the timeless and the contemporary in sculptures of rare beauty and meaning Beyond all the narrative potential of the three obvious physical dimensions of Troy Williams’ sculpture there are many other considerations that contribute greatly to the enjoyment, appreciation, and understanding of his entrancing 360-degree works of figurative art. Among these are the emotional responses and intellectual interpretations that first go into the artist’s creative process and then into every subsequent spectator’s viewings at least somewhat differently each time. Some artists insist on leaving these entirely up to each viewer, but Williams is glad to enrich the experience by inviting the viewer in for a little insight into the artist’s intention. Certain ambiguities and unintended provocations might otherwise arise, as Williams uses original combinations of materials or ideas in highly original ways. For the sophisticated clientele of Glenn Green Galleries Williams specializes in figurative and facial sculptures hewn from fallen woods he finds while running near his home in the mountains of north central New Mexico. Williams has in the past worked with exotic woods, but now avoids them in a desire to protect the people, plants, and animals that depend on a vibrant, healthy, and unexploited local ecosystems. Finding dead and downed wood also introduces an element of serendipitous chance into the sculptor’s process of selection and inspiration. Nature provides an exquisite mass of workable solids, surfaces, patterns, and curves in cottonwood and the many varieties of juniper this sculptor favors. Troy Williams simply rescues these from the elements and then elevates them to timeless treasures by relating them to themes that express our deepest nature. Awake to the most beautiful twists, turns, and striations already present in these found mediums, Williams is naturally and passionately drawn to every stage of freeing the underlying sculpture. Following the wood’s ingrained tendencies is always a creative guide for Williams. Growing up in an Indiana farming community, his dad a family practice doctor and his mother an artist, Troy has always felt an affinity for the earth and especially its mountains. He initially came west to study agriculture at Fort Lewis College in Durango, Colorado, attracted there by a setting where his athletic nature could find full expression. His interest in an agriculture career gave way to his love of the mountains. In order to continue living in them and enjoy the hiking, climbing, and running he also loved, Troy worked for several years in a solar business, progressing from manufacturing to installations to design. On a fortuitous errand for a cousin back home, Troy happened into silversmithing and began producing simple, hammered ear cuffs. At this point the artistic nature that he had earlier suppressed in favor of athletics began to emerge strongly, and he expanded into more complex designs as he learned and mastered goldsmithing and lapidary. Another quantum leap occurred when he made his first copper face for a pendant. He couldn’t wait to see the face on a larger scale and was eager for the challenge of learning another art. He began sculpting metal, then stone, then came upon wood as his medium of choice. Wood had immediate allure: scented, expanding, contracting, and seeming to breathe. Williams was seduced by its warmth, the play of light on the complexion of its grain, and the inherent life force so evident in wood. He also learned to coax creative advantage from some of wood’s pitfalls, like soft spots, tricky grains composed of woody xylem and softer phloem; and to avoid the conditions that make it splinter. A quality of segmentation or fragmentation characterizes Williams’s sculptures and provides great visual satisfaction along with intriguing thematic provocation. One is struck by the beautiful outlines that might never be apparent had Williams not removed segments or created interior voids expressly to reveal them. When sculpting a face, Williams focuses on aspects that are mask-like, floating, and alive with contours that might not be visible were the artist to sculpt the full head. The segmentation in his exquisitely refined female figurative works incorporates solids, hollows, and curvilinear elements for reasons that are at once artistic, philosophical, and experiential. Besides attending basic college art classes, to understand more fully the human figure, Troy spent a summer in Europe...

Solid steel rods coated in brilliant brass rise out of a soapstone base and reach upward in this stunning table-top sculpture by Canadian artist, Tonya Hart. Hart creates work that...

Stone and metal, usually granite or slate, and found object steel are central in my sculpture. The interaction of these materials is a major focus. On the most basic level, the work ...

Untitled "Marble Fragment 2" 2019, oil on Italian marble, landscape, wall sculpture, clouds, green, yellow, blue

Untitled "Marble Fragment 5" 2019, oil on Italian marble, landscape, wall sculpture, clouds, purple, blue

The figure has always been Deborah Ballard’s muse in her sculptures. Ballard works in bronze, cast stone, and plaster; her figures ranging from life-size to hand-size. Ballard says, ...

Daniel Fiorda in this new series of sculptures, continues in many ways the themes that have infused his previous work. For the last several years, Fiorda has dealt with technology, obsolescence, with the trail of discarded tech that humanity leaves behind and what it says about us. The new work takes this thematic one step further. These new wall pieces feature barely concealed found objects, almost fully engulfed by concrete, and yet still eerily discernible: industrial gears, computer keyboards, objects that evoke industrial post-digital eras. This piece is a set of 3 artworks...

o.T. (BLN15LHV) is a unique small size contemporary modern wall sculpture painting relief by German artist Dieter Kränzlein. This sculpture relief is carved from a single block of li...

"Giving a Sign (C-33)" is an original black serpentine stone sculpture by Colleen Madamombe. The artist signed the piece at the base. This artwork features a woman in a large, textured dress gesturing to her side. 11" x 11" x 6" art Colleen Madamombe was born in 1964 in Harare, Zimbabwe. Considered to be among the finest new talents from Zimbabwe, she has won the award of Best Female Artist of Zimbabwe for the past three consecutive years, and is quickly becoming an established figure of the Second Generation of Zimbabwean stone...

This carved basalt pedestal sculpture, "Memory of Rain," was the impetus for sculptor Rebecca Johnson's 'Rain Collection' series. Three smooth, voluptu...

Pradeep Jogdand - Untitled Black Marble H 41 x W 18 x D 13 inches ( Delivered ) Pradeep Jogdand (born 1987) is a young sculptor based in Mumbai. He did his BFA in sculpture from J.J...

In Rebecca Johnson's surreal sculpture “Water Table,” a single raindrop supports the entire sculpture, much as water underpins all life in our fragile ...

This playful, interactive pedestal sculpture is a delicate balance of lava stone, carved wood, and bronze on a polished concrete base. Please watch the short video here to see the artist, Jeff Wise, assemble the sculpture and set it in motion. Jeff Glode...

Pradeep Jogdand - Untitled Black Marble H 28 x W 24 x D 14 inches ( Delivered ) Pradeep Jogdand (born 1987) is a young sculptor based in Mumbai. He did his BFA in sculpture from J.J...

In Rebecca Johnson's stone sculpture “Seep,” two lusciously polished basalt raindrops seem caught in transition, either still emerging from or melting back into the textured basalt base below, unable to fully materialize. An optional old growth redwood...

Artist: Kuno Vollet Title: Grey Bronze Gingko with 8 leaves sculpture four or three of them in gold leaf - arrangement of gold leaves can be chosen by client. Base can be chosen be...

Original sculpture in Polyurethane glue, twine, acrylic, stone.  Certificate by the Artist. Excellent condition.

Deborah Ballard is best known for conceiving of figures and groupings of figures who relate to one another (and the viewer) through their body language, relationships and dialogue. S...

Daniel Fiorda in this new series of sculptures, continues in many ways the themes that have infused his previous work. For the last several years, Fiorda has dealt with technology, obsolescence, with the trail of discarded tech that humanity leaves behind and what it says about us. The new work takes this thematic one step further. These new wall pieces feature barely concealed found objects, almost fully engulfed by concrete, and yet still eerily discernible: industrial gears, computer keyboards, objects that evoke industrial post-digital eras. This piece is a set of 3 artworks that showcases a black computer keyboard on a white background and they can be arranged for display in a variety of layouts. They come ready to hang with hanging hardware and they are signed by the artist on verso. Art measures 8.75 x 8.75 x 1.25 in (each) The overall sense is dystopian rather than apocalyptic. In Fiorda’s previous work, found objects were displayed as if unearthed from a bed of clay by a tacit anthropologist, perhaps decades into the future. A typewriter would be partially buried by dry soil and weathered by the passing of time. The underlying narrative was that of a future civilization unearthing the objects left by ours. Destruction or extinction was implied. In the new work, the obsolete technology is not found but rather engulfed by a new technology. Concrete, as a material and as a technology, has the capabilities to fully encase and envelope. In Fiorda’s new work, uniformity and the appropriation of old/new technology into new structures suggests a historical and technological challenge right around the corner, mirroring the ones in our recent past: the digital age fully replacing the analog world. These astounding sculptures, with embedded objects, are here to examine closely, and make connections between theme, material, and shape. Daniel Fiorda was born in 1963 in Buenos Aires, Argentina. Of Italian ancestry, his lineage includes a grandfather highly respected as a wood craftsman, also his father was a craftsman in addition to being a musician and poet. Because a privileged life was not his, there was no university for Fiorda. In the Old World tradition of passing on knowledge from parent to child, he learned about machinery form his father, who recognized his son's talent and encouraged it. With some private tutoring, he began sculpting in high school using found objects. The press reviews of his first exhibit, at age 20, stated that Fiorda had a definite “poetic feeling”. With this encouragement, he continued to pursue his art. After leaving Argentina, he arrived in Miami Beach via a circuitous route and set up his studio in the South Florida Art Center. He has exhibited widely throughout the US including the OK Harris Gallery, Allan Stone Gallery in New York as well as the Heriard Cimino Gallery in New Orleans, Lélia Mordoch Gallery in Paris France and Lilac Gallery in New York City. Daniel was one of the winners in the 7th Annual Sculptures Competition (2003) held at Washburn University in Topeka , Kansas. Selected on the inaugural 2006 Palm Beach International Sculpture Biennale, and exhibited for the 3rd time in Sculpture Key West. He is an alumni Artist of ArtCenter/South Florida. Two Pieces from his “Convertible Couch projects...

'African Queen' is an original opal serpentine stone sculpture signed by the contemporary Zimbabwean artist Chenjerai Chiripanyanga. The sculpture itself stands tall and proud like a...

Teakwood and white lava sand make this beautiful turning globe a real stunning sculpture. Made from a whole piece of wood the way the sculpture is shaped is defined by how the tree grew. Sitting on a turning base the sculpture can spin silently around, so that all angles can be admired at any time. His work is favored by private collectors and commercial organizations, such as Louis Vuitton, around the world. Bruno Helgen...

Daniel Fiorda in this new series of sculptures, continues in many ways the themes that have infused his previous work. For the last several years, Fiorda has dealt with technology, obsolescence, with the trail of discarded tech that humanity leaves behind and what it says about us. The new work takes this thematic one step further. These new wall pieces feature barely concealed found objects, almost fully engulfed by concrete, and yet still eerily discernible: industrial gears, computer keyboards, objects that evoke industrial post-digital eras. This piece is a set of 3 artworks...

Walnut stain makes this beautiful turning globe a real stunning sculpture. Made from a whole piece of wood the way the sculpture is shaped is defined by how the tree grew. Sitting on...

The concrete works of David Umemoto stand as studies about volume. At the juncture of sculpture and architecture, these miniature pieces evoke temporary buildings or monuments standi...

Artist: Kuno Vollet Title: Grey Bronze Gingko with 8 leaves sculpture four or three of them in gold leaf - arrangement of gold leaves can be chosen by client. Base can be chosen be...

Marcie Stone Mobe Pearl Sculpture Beadwork Year: 1995 Size: 12 x 8 x 1 inches Comes with display case Comes with original papers COA provided Ref.: 924...

Naked Raku Pottery, Duck Egg Blue Vase- Extra Small is a ceramic work by Tamsin Levene ADDITIONAL INFORMATION: Clay 16.3 cm H x 5.5 cm D Sold unframed ARTIST BIOGRAPHY: Tamsin Lev...

Artist: Kuno Vollet Title: Balance 2 Materials: Bronze, black granite base Size: 42 x 22 cm _______________________________________________________________________ This elegant...

Rebecca Johnson's "Rainfall" sculpture is comprised of three cast bronze raindrops stacked on a gray granite base. The smooth bronze varies from rich s...

Blue Source Keeper is a unique pigmented artificial stone and wood sculpture by contemporary artist Pavlína Kvita, dimensions are 180 × 20 × 16 cm (70.9 × 7.9 × 6.3 in), including th...

In Rebecca Johnson's stone sculpture “Aquifer,” two lusciously polished basalt raindrops stand perched at the edge of the tall base as if ready to fall...

Naman Mahipal - Vintage Identity MDF & Paint, L 10 x W 11 x H 16 inches Naman expresses his subjects and thoughts through a variety of art forms like po...

Untitled "Marble Fragment 1" 2019, acrylic, landscape, wall sculpture, clouds, purple, blue

Title: Meditating St.Tropez Date: 2022 Technique: Recycled Resin (PETG), Chromatic and Candy Paint Dimensions: 47 x 47,5 x 25 cm Signature: Hand Signed (Ri...

Nasaghi is a unique Statuario Carrara marble sculpture by contemporary artist Francesca Bernardini. The dimensions are 20 × 36 × 24 cm (7.9 × 14.2 × 9.4 in). The sculpture is signed...

Divyendu Anand - Within The Shell - H 27.5 x W 19 x D 14 inches Edition 7/9 Oxidised Bronze over Stone Composite, Granite Base, 2020 Growing up with th...

Bronze sculpture of a horse carrying a woman - The sculpture portrays the love and intimate harmony between horse and girl. About the Gallery: Folly and Muse was established in 2015...

Naked Raku Pottery, Tall Grey Vase is a ceramic work by Tamsin Levene featuring an elegant tall shape and a unique grey and white colour scheme. ADDITIONAL INFORMATION: Clay 43.1 H...

Teakwood and white lava sand make this beautiful turning globe a real stunning sculpture. Made from a whole piece of wood the way the sculpture is shaped is defined by how the tree g...

'Scratching Bird' is an original opal serpentine stone sculpture signed by the contemporary Zimbabwean artist Chenjerai Chiripanyanga. The artist presents in this sculpture a highly abstracted figure of a bird, the long beak and eye of which emerges shining and polished from within the rough-hewn surface of the stone. Though Chiripanyanga is trained in the Shona stone carving tradition, the way that the bird seems to be revealed out of the stone reminds of the "unfinished" sculptures of Michelangelo...

Abstract pedestal sculpture in carved, burned and stained oak wood and stainless steel rods on a concrete base. Jeff Glode Wise makes wildly exuberant scul...