Bronze Nude Sculptures

Frieda – Emilia is an elegant figurative bronze sculpture by Nando Kallweit. Inspired by the the legend of the phoenix, this female figure has graceful wings instead of arms. The p...

Ian Edwards - Born within Fire - Original Signed Bronze Sculpure Dimensions: 160 x 60 x 60 cm Edition of 12 Edwards’ practice expresses the power and determination of human endeav...

The striking figure of a nude female, arms stretched above her head is the subject of this bronze sculpture by Canadian artist Richard Tosczak. Known for his beautiful figurative wor...

Ian Edwards - Born within Fire - Original Signed Bronze Sculpure Dimensions: 155 x 80 x 50 cm Edition of 12 Edwards’ practice expresses the power and determination of human endeav...

Lost wax bronze 3/8. founder Paumelle. French artist, born in 1954 in Versailles. Lives and works in Paris but also in Lozère (in the south of France) where, as soon as she can, she ...

Alberto Saucedo (Born 1960) Texas Artist (Sculptor/Painter) 21.5 inches tall Medium: Bronze 2016 "The Enigma of The Egg" Alberto was born in 1960. He was raised in Mexico City. Alberto Saucedo began his career as self-taught artist who demonstrated at a young age a remarkable talent and passion for art that eventually at seventeen years of age led him to formal studies at Universidad Nacional Autónoma de México and later on enrolled at San Diego City College. There he focused on Commercial Art and Interior Design. It was there, where he evolved his unique personal style. It was also at this time that he discovered the work of Master sculptor Francisco Zuñiga and studied sculpture with him. Sculpture subsequently became a major part of Saucedo’s work, and achieved his first real recognition in his field. Saucedo’s training has included a generous study of art history, where he incorporates his sensuous, spiritual and classical techniques, transforming it into a style that becomes evident in his work. A few Notable Clients: Bodybuilder/Actor/Governor Arnold Schwarzenegger. Actress Rita Moreno. Businessman (Founder of SeaWorld) George Millay. Mr Gary Lillian Former Vice President Marketing of PepsiCo, Inc. and now President of Javo Beverages in California. Italian Ambassador to Mexico. Exhibits 1985 – Arts and Crafts Fair, México City. 1985 – Solo show Casa Pedro Domeq, México City 1988 – 1989 – Una noche de Arte, México City 1995 – Solo show Galeria Dagen Bela, San Antonio, TX 1996 – Introspecciones (KVDA Channel 60) San Antonio, TX 1996 – Two Artist from Mexico City, Galería Sol y Luna, San Antonio, TX 1996 – Expo-Formalidades, Universidad Nacional Autónoma de México (UNAM), México City. 1998 Jamboree, San Antonio Art League Museum, San Antonio, TX 1999 – Group Show, Galería 10/10, México City. Publications: 1985 – Prepara muestra Alberto Saucedo, Excelsior, México 1989 – Revista Impacto. Alberto Saucedo escultor de raigambre prehispánica. 1994 – Southwest Art Magazine, April 1996 – Architectural Digest, Rita Moreno, April pg 204 also view letters August issue, 1996. 1996 – Mural’s wedding. San Antonio Express News 1999 – Oblate Virgin winning admirers. San Antonio Express News. 2004 – The Hill Country Edge. Art on the Edge, Alberto Saucedo. October and December magazines. 2007 – Explore Magazine. Alberto Saucedo a master in many mediums. October. 2008 – The Sun News Paper. Wild Flower Wonderlands Butterfly granite sculpture. April. 2002 – “Contemporary Chicana and Chicano Art Vol.2, Bilingual Press. Arizona State University. 2005 – Triumph of Our Communities. Four Decades of Mexican American Art. Bilingual Press. Arizona State University. Commissions: 1989 – Life size sculpture of “Sitting woman” for a private collection. Bronze . 1996 – Commission to paint outside mural “Humanity in its Cosmos”. Wildwood Management Group Building. San Antonio, TX 1999 – Commission of the “Virgin of Guadalupe” for the Oblate School of Theology. San Antonio. TX 2002 – Commission for a life size sculpture in black granite. Private collection. Kerrville, TX. 2005 – 21 Plaques of the U.S. Mexican American War (1847). Port Isabel, TX. 2006 – Commission for a granite Baptismal Fountain, St Joseph Catholic Church, Spring Branch, TX 2007 – 2012, Six Plaques for the U.S. Air Force Academy, USAFA, Co. 2007 – 8’ Granite Butterfly Sculpture for Our Lady of the Rosary Cemetery, Georgetown, TX. 2008 – Murals for “El Chaparral” Restaurant, San Antonio, TX. 2007 – 2012 Over 80 portrait plaques, including Littlefield plaque at The Littlefield Stadium, UT, Austin, TX. Admiral Benjamin Hacker and George Millay (Founder of Sea World). Main plaques for the: Central Security Service of the United States National Security Agency (NSA). Air force ISR Agency Joint Information Operation. Warfare Command. United States Cyber Command. 2014 – “The Olive Tree”. First Presbyterian Church. San Antonio, TX. Sitting Woman Please view my 1stdibs store front for other Great Vintage Texas...

The Odalisque is an original decorative object realized by Giuseppe Salvi in 1886. Silver-plated Bronze representing a young odalisque, Sign, place and...

Lucifer Bronze Sculpture Contemporary Classic Mythology Male Figure Wings Angel The sculptures of Margot Homan (1956, Oss, the Netherlands) show a perfect command of the old craft o...

Emmanuel FREMIET (1824-1910) Gorilla kidnapping a woman A rare bronze group with a greenish dark brown patina signed "E. Fremiet" on the base cast by " F. Barbedienne Fondeur " (fo...

Three years after surprisingly winning the commission for the Paris Opera House—today known as the Palais Garnier—Charles Garnier entrusted one of the four major sculptural groups fo...

Bronze

Nude woman figure knelling on the pillow. Signed illegibly with initials, dated '64 edition 1/3. Bronze on marble base.

Cigale (Cicada) by Albert-Ernest CARRIER-BELLEUSE (1824-1887) Bronze sculpture with nuanced dark brown patina signed "A. Carrier-Belleuse" old edition cast France circa 1870 heigh...

This exceptional bronze group (unpublished), executed in Rome in the second half of the 18th century, bears witness to the fascination with the Laocoön since its discovery on January...

A gorgeous solid bronze on marble pedestal depicting a demure young woman observing something that appears to be just in front of her. Is she a bit timid, perhaps? A lovely patina ha...

Ian Edwards - Born within Fire - Original Signed Bronze Sculpure Dimensions: 160 x 60 x 60 cm Edition of 12 Edwards’ practice expresses the power and determination of human endeav...

Cubist Nude Patinated Bronze Sculpture. Dominique Polles' bronze sculptures of female nude edition 2/4 patinated bronze signed and dated 1999. Born in Paris in 1945, young Pollès of...

"The Song" by Félix Charpentier (1858-1924) A very fine bronze sculpture with nuanced dark brown patina Signed "Fx. Charpentier" Cast by "E. Colin & Cie Paris" France around 1900 he...

Patrick BRUN was born in Paris in 1941. After obtaining his Engineering degree, he began his professional life as a teacher in mathematics and physics. After this period, he started ...

Edition of 12. Signed and inscribed on front right of base: "De LUE sc '86 © 1987 4/12 Tx". Cast at the Tallix Foundry in Beacon, NY. "Job, as much as any work of De Lue, shows t...

"Reclining Man" Ashcan Early 20th Century American Scene Social Realism Gay Nude Isadore Konti (1862 - 1938) "Reclining Man" 7 1/2 w x 4 1/2 d x 7 high inch...

Art Deco patinated bronze titled "The Discus Thrower" by Claire Jean Roberte Colinet (1880-1950) Raised on a circular green marble base and the attached to a square lacquered metal b...

Bronze fountain sculpture of Cupid hold a fish. This beautiful bronze sculpture features intricate details and has a nice natural patina.

Numbered and limited to 1 copy ( 1/1 ) Artwork signed Authenticity: Sold with certificate of Authenticity Invoice from the gallery Sculpture: bronze, metal, bronze patina Display...

Le Berceau (The Cradle) by Baltasar LOBO (1910-1993) A bronze group with a brownish green patina Signed at the lower backside " Lobo " Cast by " Susse Fondeur Paris " (with the foun...

Grand tour circa 1860s bronze of the Wrestlers. Rich fine dark brown patina. Marked "F. Barbedienne Fondeur." The Wrestlers also known as The Two Wrestlers, The Uffizi Wrestlers...

Dean Kugler Atlas Shrugged, 2024 bronze, ed. 9/12 22h x 14.50w x 16d in 55.88h x 36.83w x 40.64d cm ed. 9/12 DK0046 Dean Kugler is a seasoned interdisciplinary artist, painter, and ...

Burman Fisherman III is a bronze sculpture by French contemporary artist Marine de Soos, dimensions are 27 × 77 × 21 cm (10.7 × 30.3 × 8.3 in). The sculpture is signed and numbered,...

This Bronze by Isabelle Jeandot is one edition of a limited series of twelve original sculptures, and it will be delivered with the certificate of aut...

The bronze sculpture of a woman by Charles Rumsey is undated, but was created at a point in his career where he began to transition from realism to more modern, looser depictions of ...

Artemis is a figurative bronze sculpture in a relaxed pose by Nando Kallweit. Modelled on modern youthful postures but with a nod to the importance of heritage through the stylised ...

Antique bronze sculpture of male nude reading a letter or proclamation. Marble base, 19th century. Unsigned.

" Danzatrice " (Dancer) by Marcello MASCHERINI (1906-1983) A rare and tall bronze sculpture with a nuanced brownish green patina Signed on the base " M. Mascherini " Presented on a green marble base Trieste – Italy...

Patrick BRUN was born in Paris in 1941. After obtaining his Engineering degree, he began his professional life as a teacher in mathematics and physics. After this period, he started ...

Franco Mauro Franchi was born in Castiglioncello (Livorno) on 9 October 1951. He completed his artistic studies at the Lucca State Institute of Art and the Academy of Fine Arts in Fl...

Patricia III is a tall, elegant bronze sculpture of a human figure. Nando Kallweit is a German sculptor working in bronze and oak. Kallweit carves the original piece from a piece...

Vos Fox Bronze Sculpture Girl with Fox Figure People Animal The statues of Erwin Meijer are subtle with a recognizable, personal handwriting. T...

Dionysisch Tors Bronze Sculpture Classical Mythology Contemporary Art The sculptures of Margot Homan (1956, Oss, NL) show a perfect command of the...

Bronze 1/3 black patina or gold leaf Korten steel base leaving sculpture on wheels, water jet engraving QR coded cartridge. Born in 1960 in a family of artists collecting the br...

Rewind Bronze Sculpture Mythology Classic Contemporary The sculptures of Margot Homan (1956, Oss) show a perfect command of the old craft of mod...

Initialed and dated: "DVT 61". From the estate of the artist. In fine condition.

Numbered and limited to 8 copies Artwork signed Authenticity: Sold with certificate of Authenticity Invoice from the gallery Sculpture: bronze, metal, bronze patina Display: The sc...

"Benji - Dance of Sorrow" is a bronze sculpture of a dancing man. The bronze is covered with green patina. It is created by the artist Maestro Willem Botha. About the artwork Edition : 7 of 14 in total Certificate of authenticity: issued by Snow Pearl art gallery NEW MOVEMENT & STYLE: Contemporary Maestro Willem Botha The masterpiece is suitable for representative offices, gardens, parks, homes etc. “The impressions of this artwork on the viewer is so mighty, mesmerizing, grand, that it paralyzes the imagination. All his sculptures bring positive energy, emotion, represented by the vast creative power of the author's talent.” Maestro Willem Botha was born in South Africa in 1962. Today he lives in Bulgaria and works in a creative workshop in Sofia. Willem started his career as Sculptor at Shows and Exhibitions in the South African Defense Force in 1981. He was mentored by Artists like Andre Prinsloo and Jan van Der Merwe. In 1986, he moved to Namibia where he was a Sculptor for the Windhoek State Museum. During the time in Windhoek, he had several one man and group expeditions in various galleries in Windhoek and Swakopmund. In 1988 he was commissioned to remake the Atlas Sculpture on the House Hohenzollern Building in Swakopmund. In 1990, he moved to Town where he sculpted full time. Willem did some freelance work for Jean Doyle, helping with the bronze casting of her work. During his time in Cape Town, he exhibited in several galleries in and around Cape Town. In 1991, he moved to Graskop, where he continued full time sculpting and he opened his own foundry. He moved back to Pretoria in 1992, to continue sculpting and established Art Cast Foundry. In the same year he was commissioned to do several decorative works for the Palace of Sun City, that includes, all the doors bronze handles. Sculptors that he did castings for are to name but a few, the late Bobby Lawrence, Niko van Rensberg, Maureen Quinn, Anton Smit, Andre Prinsloo, Barry Jackson...

RYSZARD PIOTROWSKI (born in 1952) Sculptor. He graduated from the Academy of Fine Arts in Warsaw. His works include intimate, small forms in marble, bronze and silver. He specializes...

Danse Mystique Dance Mystic Bronze Sculpture Classical Contemporary The sculptures of Margot Homan (1956, Oss, the Netherlands) show a perfect command of the old craft of modelling ...

The Kiss by Alfred PINA (1887-1966) Bronze group with a brownish dark green patina signed on the base "A. Pina" cast by "A. Valsuani" (foundry stamp) France circa 1927 height 51,5...

De Gave The Gift Bronze Sculpture Classical Contemporary Mythology The sculptures of Margot Homan (1956, Oss, the Netherlands) show a perfect command of t...

Fine Group of Sculptures in Bronze after Jean de Boulogne (Giambologna) The torturously twisting Rape of the Sabine Women is one of the finest and most technically difficult sculpt...

Sophia: “the Birth of Culture” is a sculpture by Guatemalan artist Walter Peter Brenner, dimensions are 100 × 41 × 21 cm (39.3 × 16.1 × 8.3 in). This sculpture is part of a limited...

Even though Helle Rask Crawford often refers to classic myths in her sculptures, sh is not a classical sculptor in the neoclassical sense. Rather, Helle Crawford could be defined as ...

My Jupiter Series is part of a new series of pieces started while quarantining in this pandemic time. They are hand cast solid bronze relief sculptures mounted on black granite bases...

Ian Edwards - Born within Fire - Original Signed Bronze Sculpure Dimensions: 160 x 60 x 60 cm Edition of 12 Edwards’ practice expresses the power and determination of human endeav...

Venus Bronze Sculpture Woman Contemporary Female Nude Sitting Lady The statues of Erwin Meijer are subtle with a recognizable, personal handwriting. They ...

Edward III is a tall, elegant bronze sculpture of a human figure. Nando Kallweit is a German sculptor working in bronze and oak. Kallweit carves the original piece from a piece o...

The male figure lies atop a cresting wavelike column, seemingly elevated by the experience. One hand is nearly touching his heart while the other hand is held open in a gesture of re...

After Jean-Antoine Houdon (French, 1741-1828) Diana the Huntress Bronze with fine brown green patina 24 x 19 x 10 inches 15 lb. The first, life-size version of this representation ...

Le cantique des pilotis is a bronze sculpture by French contemporary artist Marine de Soos, dimensions are 65.5 × 29 × 26 cm (25.8 × 11.4 × 10.3 in). The sculpture is signed and num...

Sydney Kumalo. Features a bronze stylized female figural form sculpture fixed to a marble plinth and wood base. Bears signature on base. Measures 9 1/2" x 4 1/4". There is no edition number on the piece. Sydney Kumalo (1935 - 1988) was born in Sophiatown, Johannesburg, on 13 April 1935. His was one of the families who had to move out of the "white" city to the South Western Townships, or Soweto. Raised in Diepkloof and educated at Madibane High School, he took with him from old Sophiatown the curious and diverse heritage of its heyday. Art classes in the Catholic school, "Sof' town" blues and jazz, the vibrant street culture and growing defiance of its population of various races who were gradually forced out into separate race-group areas. So it was that these various aspects of his early life created for Kumalo a cultural mix of a Zulu family related to the traditional royal house; city schooling, nascent township music and lingo; growing urbanised political defiance and the deep-rooted Zulu pride and respect for the legends and ancient stories of a tribal people. This mix of old and new cultures was reinforced when he began his studies at the Polly Street Art Centre in 1953 where he became a member of Cecil Skotnes group of serious artists who were encouraged to acquire professional skills. Skotnes introduced a basic training programme with modelling as a component, which marked the introduction of sculpting (in brick-clay) at Polly Street. Kumalo was Skotnes’ assistant at Polly Street from 1957 to 1964, and having recognised his great talent as a sculptor, Skotnes encouraged him to become a professional artist. After Kumalo’s very successful assistance with a commission to decorate the St Peter Claver church at Seeisoville near Kroonstad, with painting designs, sculpture and relief panels in 1957, Skotnes arranged for Kumalo to continue his art training by working in Edoardo Villa ’s studio from 1958 to 1960. Working with Villa, he received professional guidance and began to familiarize himself with the technical aspects of sculpting and bronze casting. In 1960 he became an instructor at the Polly Street Art Centre. Kumalo started exhibiting his work with some of the leading commercial Johannesburg galleries in 1958, and had his first solo exhibition with the Egon Guenther Gallery in 1962. He was a leader of the generation who managed to leave behind the forms of African curios, reject the European-held paternalism which encouraged notions of "naive" and "tribal" African art, and yet still hold fast to the core of the old legends and spiritual values of his people. He introduced these subjects into his bronze sculptures and pastel drawings, evolving his own expressive, contemporary African "style". Together with Skotnes, Villa, Cecily Sash and Giuseppe Cattaneo, Kumalo became part of the Amadlozi group in 1963. This was a group of artists promoted by the African art collector and gallery director Egon Guenther, and characterised by their exploration of an African idiom in their art. Elza Miles writes that Cecil Skotnes’ friendship with Egon Guenther had a seminal influence on the aspirant artists of Polly Street: “Guenther broadened their experience by introducing them to German Expressionism as well as the sculptural traditions of West and Central Africa. He familiarised them with the work of Ernst Barlach, Käthe Kollwitz, Gustav Seitz, Willi Baumeister and Rudolf Sharf.” It is therefore not surprising that some of Kumalo’s sculptures show an affinity with Barlach’s powerful expressionist works. Guenther organised for the Amadlozi group to hold exhibitions around Italy, in Rome, Venice, Milan and Florence, in both 1963 and 1964. Kumalo’s career took off in the mid 1960s, with his regular participation in exhibitions in Johannesburg, London, New York and Europe. He also represented South Africa at the Venice Biennale in 1966, and in 1967 participated in the São Paulo Biennale. EJ De Jager (1992) describes Kumalo’s sculpture as retaining much of the “canon and formal aesthetic qualities of classical African sculpture. His work contains the same monumentality and simplicity of form.” His main medium for modelling was terra cotta, which was then cast in bronze, always paying careful attention to the finish of both the model as well as the final cast. He began casting the pieces he modelled in clay or plaster into bronze at the Renzo Vignali Artistic Foundry in Pretoria North. He worked throughout his life with its owners, the Gamberini family, and enjoyed learning the technical aspects of the casting process, refining his surfaces according to what he learned would produce the best results in metal. De Jager further writes that Kumalo’s distinctive texturing of the bronze or terra cotta is reminiscent of traditional carving techniques of various African cultures. “In many respects Kumalo thus innovated a genuine contemporary or modern indigenous South African sculpture”. Kumalo came to admire the works of the Cubists, and of British sculptors Henry Moore and Lynn Chadwick. He became noted for adapting shapes from them into his own figures. The success of his use of the then current monumental simplicity and purely aesthetic abstractions of natural forms has been emulated by many South African sculptors since the 1970s. He was in many ways the doyen of South African Black art. As such he was an important influence especially on younger African sculptors, by whom he is greatly revered. Through his teaching at Polly Street and at the Jubilee Centre, as well as through his personal example of integrity, dedication and ability, he inspired and guided students who in their own right became outstanding artists, for example, Ezrom Legae, Leonard Matsoso and Louis Maqhubela From 1969 onward, he allied himself with Linda Givon, founder of The Goodman Gallery in Johannesburg, where he exhibited regularly until his death in December 1988. Working with Givon also perpetuated his associations with his many friends of strong principles. Skotnes, Villa, Legae and later such peers from the Polly Street era as Leonard Matsoso, Durant Sihlali and David Koloane have all exhibited at The Goodman Gallery. Kumalo, Legae, and later Fikile (Magadlela) and Dumile (Feni) were among the leading exponents of a new Afrocentric art...