Romee Kanis

Living Daylight Gold- 21st Century Sculpture of a nude woman

2020

Marion Visione luna 2/7 bronze In cm's: H 55 W 50 D 20 cm An extremely refined realistic sculptor who translates classic stories into modern forms in his own way. Marion Visione ...

Aquila Bronze Sculpture on pedestal of marble Hight bronze 57 cm with pedestal of marble (included) 68 cm Wim van der Kant's sculptures are in bronze...

You can rightly call Romee Kanis an old acquaintance of the gallery, her work was regularly seen at the gallery until a few years ago. We restore this tradition in honor. We met Rome...

Andries Velting is a new artist at Gallerie Bonnard. His moving sculptures of dancers are a special addition tot our existing collection. Velting says: "Ever since childhood I've be...

This sculpture is made out of bronze, by Dutch artist Martijn Soontiens. He made a series of sculptures for the latest exposition at Galerie Bonnard. You can check out the rest of th...

Movement in bronze You can rightly call Romee Kanis an old acquaintance of the gallery, her work was regularly seen at the gallery until a few years ago. We restore this tradition in...

The Spirit Phantom. Defined as “an individual's true inner self” referring to “the unconscious mind” or “the undiscovered self” in the analytic psychology of Carl Jung. It can also “...

Dana Bloom's Measurement features a gilded human figure that challenges the viewers' perception of presence and absence, while exuding a dreamlike, timeless...

Arsinoe IV Alabaster Sculpture Gold Copper Contemporary In Stock Gerti Bierenbroodspot is a leading Dutch painter, sculptor, writer and poet. Sh...

Plaster, Gold Leaf. Signed and titled in pencil on base. Stamped with a wax seal.

These are figurative works, of classical or archaic inspiration, reinterpreted using strictly contemporary signs and communicative languages, decontextualized and transformed into decorative elements: bar codes, qr codes, wi-fi icons, @, symbols of well-known advertising campaigns, numbers / formulas, which combine to form the vision of a dystopian archeology of the future which bring the individual closer to goods or objects, traces of mechanical or computer elements, which testify to a reality, ours, which has already happened, already lived. It is like an eye on the archeology of a distant future, or on a contemporary discovery that indicates an end already seen, towards which we can move. The metal structures are supports that enter the composition and the aesthetic vision and communication of the topics covered. The "cages" at the same time constrain but support, they root to the ground but soar upwards, in a liberating tension. ATLETA 2 - LA FORMA...

ATLETA 1 - CORSA IN TEMPO TERNARIO 2021 Red fireclay, oxides, enamels, iron, copper and gold leaf Measurement: CM 60x80x198 Weight: 18 kg These are figurative works, of classical ...