Ryan Thomas Monahan

handmade mini contemporary sculpture hangs on wall medieval art

2019

The pi fire of Jesus appears when looking straight in the middle in the light. Acrylic, STRAWS, Plexiglas. Sang Sik Hongs' work is all made by hand; each straw is hand placed, a co...

Chris Dean is a Detroit based artist specializing in the medium of lenticular printmaking. Dean's brightly colored work uses lenticular's unique capacity for illusion to create interactive compositions of depth and motion. The visually dense work prioritizes direct experience and focuses on the intersection of the recognizable and the unfamiliar. Dean began exploring lenticular and related processes as a student at San Jose State in the mid 90's during the rise in interest in virtual reality technologies. Working first with stereoscopic processes and later lenticular, Dean has spent the years exploring approaches to these interactive mediums. Dean has exhibited widely in the United States and beyond and is the owner of the lenticular production company Midwest Lenticular. CV SELECTED SOLO*, GROUP EXHIBITIONS AND INSTALLATIONS ​ 2019 Krause Gallery - Custom Culture New York, NY Harold Golen Gallery The Lenticular Show Miami, Florida 2016 Krause Gallery - Surface New York, NY Krause Gallery - Emerging to Established New York, NY Art Basel Scope Miami, Florida ScopeNYC New York, NY LACMA Stereoscopic and lenticulars 2014/15 Krause Gallery Speaking in Tongues New York, NY Krause Gallery Emerging to Established New York, NY Art Basel Scope Miami, Florida 2013 Doyle Auctions New York, NY Krause Gallery Emerging to Established New York, NY Strychnin Gallery Attention Earth Berlin, Germany Strychnin Gallery 10th Aniversary Show Berlin, Germany Harold Golen Gallery Geode Miami, Florida 2012 Ace Museum All In For The 99% Los Angeles, California 232 East Lyric II Royal Oak, Michigan 2011 Linus...

Chris Dean is a Detroit based artist specializing in the medium of lenticular printmaking. Dean's brightly colored work uses lenticular's unique capacity for illusion to create interactive compositions of depth and motion. The visually dense work prioritizes direct experience and focuses on the intersection of the recognizable and the unfamiliar. Dean began exploring lenticular and related processes as a student at San Jose State in the mid 90's during the rise in interest in virtual reality technologies. Working first with stereoscopic processes and later lenticular, Dean has spent the years exploring approaches to these interactive mediums. Dean has exhibited widely in the United States and beyond and is the owner of the lenticular production company Midwest Lenticular. CV SELECTED SOLO*, GROUP EXHIBITIONS AND INSTALLATIONS ​ 2019 Krause Gallery - Custom Culture New York, NY Harold Golen Gallery The Lenticular Show Miami, Florida 2016 Krause Gallery - Surface New York, NY Krause Gallery - Emerging to Established New York, NY Art Basel Scope Miami, Florida ScopeNYC New York, NY LACMA Stereoscopic and lenticulars 2014/15 Krause Gallery Speaking in Tongues New York, NY Krause Gallery Emerging to Established New York, NY Art Basel Scope Miami, Florida 2013 Doyle Auctions New York, NY Krause Gallery Emerging to Established New York, NY Strychnin Gallery Attention Earth Berlin, Germany Strychnin Gallery 10th Aniversary Show Berlin, Germany Harold Golen Gallery Geode Miami, Florida 2012 Ace Museum All In For The 99% Los Angeles, California 232 East Lyric II Royal Oak, Michigan 2011 Linus...

Mixed media (household paint swatches) 32 x 16” x 2 inches 2025 Framed in white with Optium museum quality non-reflective Plexiglass The artist uses (Home depot household paint ...

Rooted in observation, Glovinski’s practice is inspired by an astute curiosity about the patterns, icons and organizing mechanisms of the everyday world. Employing trompe l’oeil and ...

Calvin Marcus Monument 8, 2018 Wood, glass, hot glue, cardboard, plastic, paper pulp, sulfur, ash, gesso, Cel-Vinyl, flashe, watercolor and other media sculpture 22" high x 13 1/4" w...

Bridge To Total Freedom No.3 (Diminishing Returns) (2017) by Gary Sczerbaniewicz. Wood, laser-cut MDF, cast plastic, plaster, ink, acrylic, paper.

Liam Gillick, Recessed Discussion Stream Plexiglas and MDF Edition of 30 12 x 50.1 x 20 cm (4.7 x 19.7 x 7.9 in) Signed and numbered on Certificate of Authenticity In mint condition, as acquired from the publisher PLEASE NOTE: Edition numbers could vary from the one shown in the pictures. The pictures shown are only for illustrative reasons, the piece is offered unframed. Gillick’s work exposes the dysfunctional aspects of a modernist legacy in terms of abstraction and architecture when framed within a globalized, neo-liberal consensus. His work extends into structural rethinking of the exhibition as a form. He deploys multiple forms to expose the new ideological control systems that emerged at the beginning of the 1990s. "By making the abstract concrete, art no longer retains any abstract quality, it merely announces a constant striving for a state of abstraction and in turn produces more abstraction to pursue." -Liam Gillick Gillick’s work has had a profound impact on a contemporary understanding of how art and architecture influence, and are themselves influenced by, interpersonal communication and interactions in the public sphere. This colorful Plexiglas...