Wood Still-life Sculptures

Koji Takei works reference synthetic cubism in the most literal of senses. In cubist artworks, the objects are broken up, analyzed and re-assembled in abstracted form. These pieces...

Menashe Kadishman (Israeli, 1932-2015) Birth Iron 17-1/2 inches (44.5 cm) high on a 6-1/4 inches (15.9 cm) high wood base Hand signed and Inscribed on base Sculpture with base measur...

Minimal Abstract Ceramic 36 x 36 inch wall sculpture in glossy and matte white ceramic tiles that create a zig-zag motif. Tiles are mounted to a white wood panel. A neutral work of a...

Daniel Fiorda in this new series of sculptures, continues in many ways the themes that have infused his previous work. For the last several years, Fiorda has dealt with technology, obsolescence, with the trail of discarded tech that humanity leaves behind and what it says about us. The new work takes this thematic one step further. These new wall pieces feature barely concealed found objects, almost fully engulfed by concrete, and yet still eerily discernible: industrial gears, computer keyboards, objects that evoke industrial post-digital eras. This piece is a set of 3 artworks that showcases a black computer keyboard on a white background and they can be arranged for display in a variety of layouts. They come ready to hang with hanging hardware and they are signed by the artist on verso. Art measures 8.75 x 8.75 x 1.25 in (each) The overall sense is dystopian rather than apocalyptic. In Fiorda’s previous work, found objects were displayed as if unearthed from a bed of clay by a tacit anthropologist, perhaps decades into the future. A typewriter would be partially buried by dry soil and weathered by the passing of time. The underlying narrative was that of a future civilization unearthing the objects left by ours. Destruction or extinction was implied. In the new work, the obsolete technology is not found but rather engulfed by a new technology. Concrete, as a material and as a technology, has the capabilities to fully encase and envelope. In Fiorda’s new work, uniformity and the appropriation of old/new technology into new structures suggests a historical and technological challenge right around the corner, mirroring the ones in our recent past: the digital age fully replacing the analog world. These astounding sculptures, with embedded objects, are here to examine closely, and make connections between theme, material, and shape. Daniel Fiorda was born in 1963 in Buenos Aires, Argentina. Of Italian ancestry, his lineage includes a grandfather highly respected as a wood craftsman, also his father was a craftsman in addition to being a musician and poet. Because a privileged life was not his, there was no university for Fiorda. In the Old World tradition of passing on knowledge from parent to child, he learned about machinery form his father, who recognized his son's talent and encouraged it. With some private tutoring, he began sculpting in high school using found objects. The press reviews of his first exhibit, at age 20, stated that Fiorda had a definite “poetic feeling”. With this encouragement, he continued to pursue his art. After leaving Argentina, he arrived in Miami Beach via a circuitous route and set up his studio in the South Florida Art Center. He has exhibited widely throughout the US including the OK Harris Gallery, Allan Stone Gallery in New York as well as the Heriard Cimino Gallery in New Orleans, Lélia Mordoch Gallery in Paris France and Lilac Gallery in New York City. Daniel was one of the winners in the 7th Annual Sculptures Competition (2003) held at Washburn University in Topeka , Kansas. Selected on the inaugural 2006 Palm Beach International Sculpture Biennale, and exhibited for the 3rd time in Sculpture Key West. He is an alumni Artist of ArtCenter/South Florida. Two Pieces from his “Convertible Couch projects...

Acrylic on hand-carved African mahogany Signed, titled, and dated, verso This artwork is offered by ClampArt, located in New York City. Philip Campbell writes: “August 2016 we trav...

Joshua Smith Cecile Walker Cycles Based on Cecile Walker Cycles, Melbourne Cardboard, MDF, plastic card, LED lighting, balsa wood, aluminum tubing, wire, recycled card, adhesive pape...

This orginal piece by Luke O'Sullivan is made from wood and salvaged materials that the artist has silkscreen printed onto with his original drawings and patterns, which he then cut and assembled into a three-dimensional, wall-hanging sculpture. The finished piece measures 56”h x 26”w x 10”d. Artist Statement // My work is about the intersection of built environments and subterranean systems. I create drawings and sculptures of fantastical urban environments. Often inspired by dystopian and science fiction films, I combine recognizable architectural forms and impossible buildings to make diorama-esque works. Early Nintendo games...

Minimal Abstract Ceramic 36 x 36 inch wall sculpture in glossy and matte white ceramic tiles that are mounted to a white wood panel. A neutral work showcasing an "X" in matte white s...

This original piece by Luke O'Sullivan is made from wood that the artist has silkscreen printed onto with his original drawings and patterns, which he then cut and assembled into a t...

Original NYPD interceptor sculpture made of archival paper, dry pigments, enamel, wood, clay, wire, plastic, and inkjet print by Drew Leshko measuring 16"h x 16"w x 3"d framed, as sh...

Artist : Rimas VisGerda Title : Red Flowers Materials : Porcelain with granite, Coilbuilt, Wax inlay, underglaze pencil, glaze, lustres, platinum luster D...

This original piece by Luke O'Sullivan is made from wood that the artist has silkscreen printed onto with his original drawings and patterns, which he then cut and assembled into a t...

"Lath Study II" is an original wood, joint compound, and white paint sculpture by Seth Clark measuring 24”h x 24”w x 2.75”d. This piece ships ready-to-hang framed as pictured. "My ...

Basswood and sugar-pine sculpture with milk and Japan paint.

Pradip Mondal - Nature (II) - 15 x 15 inches Medium - Wood & Bronze Single edition. About the Artist and his work : Born : 1977 in West Bengal. Education : 2001-02 : BVA (Modellin...

Unidentified/Unknown Artist, "19th/20th Century Wood Carved Bust & Head", Folk Art Wooden Sculpture, 10.50 x 6.50 x 2.50, 19/20th Century

Wall sculpture “It has long been known that the Earth is round, but it is only now in the space age that it is really seen to be so. The stunning pictures of the blue planet floatin...

"Sometimes you are drowning in your own words" - Steve Maraboli Inspired by Maraboli´s famous phrase, this piece was hand made in the heart of Mexico City. It transmits the weight o...

John Garrett was raised in southern New Mexico by parents who were both educators. They instilled in him an appreciation for the handmade with their collections of Native American arts and crafts. He moved to Claremont, California, to attend college at Claremont Men’s College (now Claremont McKenna College.) Following his desire to make things by hand, he enrolled in a weaving class taught by Marion Stewart at Scripps College in 1970. His intrigue with the tools, systems and materials involved in weaving and other textile constructions led him to take other courses with Neda Al-Hilali a year later, also at Scripps. He did graduate work at the University of California, Los Angeles, where he studied with Bernard Kester and Vasa. Garrett has exhibited throughout the United States for over thirty years in hundreds of exhibitions, as well as in Europe, Africa and Asia. Garrett has worked simultaneously with two and three-dimensional formats to create his textile forms with a variety of materials. Visually unpredictable, his work may be woven, wrapped, plaited, riveted, painted, rusted, twined, nailed, stitched or tied. With an expansive repertoire of materials, each work of art is meticulously crafted, while achieving an energetic complexity; he moves gracefully from constructing wall pieces to baskets, breathing new life into discarded objects. Currently a full time studio artist, he teaches workshops on creativity and experimental basketry at schools nationwide. He was awarded a National Endowment for the Arts fellowships in 1983 and 1995 as well as elected a Fellow of the American Craft Council in 2010. Selected Museum Collections Albuquerque Museum, Albuquerque, NM Museum of Art and Design, New York, NY Arkansas Museum of Art, Little Rock, AR Carnegie Museum of Art, Pittsburgh, PA Detroit Institute of Art, Detroit, MI Erie Museum, Erie, PA High Museum, Atlanta, GA Minneapolis Institute of Arts, Minneapolis, MN Mint Museum of Craft and Design, Charlotte, NC Museum of New Mexico, Santa Fe, NM Museum of California, Oakland, CA Museum of International Folk Art, Santa Fe, NM Philbrook Museum, Tulsa, OK Renwick Gallery of the Smithsonian American Art Museum, Washington, DC Racine Art Museum, Racine, WI Contemporary Installation Sculpture...

Artist: Lucio del Pezzo, Italian (1933 - ) Title: Chair Year: circa 1970 Medium: Sculpture Assemblage with wood, upholstery and paint, signed and numbered in ink Edition: 26/70 ...

Elizabeth Jordan is an artist working primarily in sculpture and whose work uses multiple materials to produce unique, organic forms. In addition to a solo and group shows at Ivy Bro...

The artistic collaboration of Kelly Bugden + Van Wifvat has produced a thought-provoking body of sculptures, paintings, and constructions. Nature, childhood memories, and everyday ar...

The works in the series “From the Street” are carefully crafted, carved and painted, trompe l’oeil depictions of everyday common objects. On the back of each piece is a description o...

The works in the series “From the Street” are carefully crafted, carved and painted, trompe l’oeil depictions of everyday common objects. On the back of each piece is a description o...

This sculpture, in the form of a silver electroplated egg with a white porcelain holder, represents esteemed Swiss artist Herbert Distel's most iconic form. He created a 22-ton egg d...

Artist: Willam Stone, American XXth - XXIst Title: Correct Time Year: 1987 Medium: Marker on Clock on Base, signed, titled and numbered on bottom Edition: 4/10 Size: 26 in. x 25...

Daniel Fiorda takes objects such as old typewriters and 35mm cameras: “Discarded remnants of the industrial world,” transforming these objects into high-e...

Daniel Fiorda takes objects such as old typewriters and 35mm cameras: “Discarded remnants of the industrial world,” transforming these objects into high-e...

Daniel Fiorda takes objects such as old typewriters and 35mm cameras: “Discarded remnants of the industrial world,” transforming these objects into high-e...

metal, polymer, paper, pigment, 3D print "Label text: Becoming an artist is a polite way of saying you've chosen alcoholism as a career. This sculpture will be shipped directly fro...

Tim Berg & Rebekah Myers, 40 ceramic birds atop maple perch

A sculpture made with glass layers and painted with nail polish and acrylic, set on a wood pedestal. The glass leaves are separated by slits on the pedest...

Neill Wright is a multidisciplinary artist based in Johannesburg, South Africa. His satirical work braves the world of social commentary in a bold, colorful and humorous manner. Wrig...

Neill Wright is a multidisciplinary artist based in Johannesburg, South Africa. His satirical work braves the world of social commentary in a bold, colorful and humorous manner. Wrig...

Neill Wright is a multidisciplinary artist based in Johannesburg, South Africa. His satirical work braves the world of social commentary in a bold, colorful and humorous manner. Wrig...

Ardan Özmenoğlu draws from her own experiences as a Turkish woman to explore ideas about history, popular culture, and the formation of a national and ...

Constructed of wood, paint and some metal mixed media. Paul Jacobsen used everyday objects, such as chairs, cars, airplanes, trains, motorcycles and puzzles, all built from scratch, and turns them into haunting and very desirable works of art. Among his most famous works are the Adirondack Chair series, which has won him acceptance and recognition. The Adirondack chair fascinated Jacobsen, bringing recollections of summer beaches, color, and warmth. Paul sadly passed away in 2018 and left a legacy of colorful...

black glass sculpture on a wood table depicting a scale and a gazing ball. Price includes travel and installation by the artist. work is currently in an ex...

'Pieds Beau' Chair by Julien Righi French Sculptor Mythological themes run through Juliens work in his series of sculptures of cities that are timeless, both ancient and futuristic. They are safe havens taking you to new worlds with cities built on the ruins of the old world, wonderful cities with fairy tale castles, mystic monasteries and temples reaching up and up towards the light. Julien portrays in all his pieces the evolution of mankind with a powerful chaotic beauty bringing great hope for our future If waste can transcend to greater aesthetic heights, then mankind can too. We can rise up like the cities he creates up and up towards the light, filling us with light, until we are the light by transformation, transmutation and alchemy. Julien Righi b 1977- contemporary sculptor...

Contemplating the Angel by Eduardo Oropeza, bronze sculpture, angel, church limited edition of 25 bronze and straw/twigs Sculptor, painter, printmaker, & photographer, Eduardo Orope...

"SUPINE" Wall Sculpture 50" x 30" x 10" inch by Melanie Newcombe Aluminum window screen, aluminum and steel wire, wood, paint 2017 ABOUT Melanie Newcomb...

"Untitled Sculpture (1)" Sculpture 18" x 4" x 4" inch by Chad Muska Unique Stone, wood, steel For Chad Muska, an American multi-talented individual, art isn’t just a part of life....

SUPINE FLAMES sculpture by Melanie Newcombe Aluminum window screen, aluminum and steel wire, wood, paint 50" x 30" x 17" inch 2017 ABOUT Melanie Newcombe Melanie Newcombe is an Am...

Drawing, glass, and light: these three ingredients are the basis of Katherine Jackson’s work. She begins with drawing, which sometimes becomes an end in itself. But often the images ...

Drawing, glass, and light: these three ingredients are the basis of Katherine Jackson’s work. She begins with drawing, which sometimes becomes an end in itself. But often the images ...

MAXWELL CHAYAT United States, b. 1909, d. 1982 Maxwell M.Chayat maintained a studio in Clinton, New Jersey. He was a graduate of Columbia University. He began using stones in jew...

This piece will be on display at SCOPE Miami Beach until December 7, 2015, and shipped out the following week. Silkscreen printed wood cut and assembled into a three-dimensional s...