2010s Still-life Sculptures

Esponjas 8, 11 y 16, 2022 by Paola Davila From the series Mareas Cyanotype on 300 gr cotton paper Mounted in a high-resistance borosilicate glass petri dish Overall size: 36 cm Dm x...

"Tires" is an original paper, enamel, pastel, inkjet prints, chain, wire, and tubing sculpture by Drew Leshko measuring approx. 11.5"h x 8.5"w x 0.75d. Drew Leshko is a Philadelphia...

Please allow a two month turnaround time for this piece to be made. About Cast Paper In David's words: “One thread running through my work is a connection to nature. Casting natur...

Fiberglass / Carbon Fibre Impregnated With Catalysed Polyester Resin Graphite Filled Acrylic Laquor On Filled Polyester Resin Base "Don Frost, sculptor, creator of completely unique...

The portraits, loaded with symbolic imagery, gaze out at the viewer, with a variety of intensities and emotions. This is to say, each woman has a story, which may not be directly evi...

Brush Strokes, abstract sculpture by Glenn Green, Santa Fe, black, metal, zen Limited edition of 24 fabricated aluminum with powder coat finish in black Custom sizes and colors are...

Imprints/I am Yourself is a work of collection; a collection of images augmented by Casey Waterman to create a habitat where paralleled materials, connotations, and ambiguity comment...

"Big Hug" ((H)) - Limited edition purple glass pill sculpture by Edie Nadelhaft. Edition of 9. Signed and numbered on the back by the artist. The piece i...

The portraits, loaded with symbolic imagery, gaze out at the viewer, with a variety of intensities and emotions. This is to say, each woman has a story, which may not be directly evi...

Imprints/I am Yourself is a work of collection; a collection of images augmented by Casey Waterman to create a habitat where paralleled materials, connotations, and ambiguity comment...

Cavities (2022), Glazed ceramic birthday cake sculpture with strawberry faces; two tier birthday cake with strawberries The artist describes herself as "Maker of Fruit, Mother of C...

Large ball vase using saggar low firing technique - works by Tamsin Levene ADDITIONAL INFORMATION: Ceramic on Glass Edition of 1 40 H x 40 W x 40 D cm (15.75 x 15.75 x 15.75 in) A...

Medusas 11, 12 y 13, 2022 by Paola Davila From the series Mareas Cyanotype on 300 gr cotton paper Mounted in a high-resistance borosilicate glass petri dish Overall size: 36 cm Dm x...

"Jolly" (2024) by Carolyn Barlock is an original, handmade ornament made with Persian luster and 22kt gold on porcelain. About the Artist: Carolyn L. Barlock was born in Denver, Co...

"Kryptonite Wares" is a clever and humorous collection of both superfluous and everyday objects purchased from the Dollar Store. It is a wry comment by the artist on the overabundanc...

The portraits, loaded with symbolic imagery, gaze out at the viewer, with a variety of intensities and emotions. This is to say, each woman has a story, which may not be directly evi...

Zupan combines images from old masters, alchemical prints, contemporary artists, and bits from magazines and newspapers to create overlapping, intersecting worlds of transparencies a...

Untitled by Kelly Breez Size: 15.75 in. H x 13.25 in. W x 2 in. D Acrylic on wood 2016 ______________ Kelly Breez – (b. 1985, Lake Worth, FL) Graduate ...

Michele Brody, Re-Blooms, Installation, Handcast Paper, Bamboo, 8'h x 5'w x 3'd, 2019 The essence of Michele Brody’s work thrives on the interaction with new communities and place-...

Simon Shepherd, Cheeser, 2015 Ceramic Sculpture 17.8 x 22.9 x 22.9 cm (7 x 9 x 9 in) Edition of 3 (unsigned) London-born artist Simon Shepherd works from his studio in Brighton....

Charles Birnbaum is a sculptor and a self-taught photographer. He graduated from Kansas City Art Institute where he studied ceramics and was among a select group of the esteemed Ken ...

Daniel Fiorda in this new series of sculptures, continues in many ways the themes that have infused his previous work. For the last several years, Fiorda has dealt with technology, obsolescence, with the trail of discarded tech that humanity leaves behind and what it says about us. The new work takes this thematic one step further. These new wall pieces feature barely concealed found objects, almost fully engulfed by concrete, and yet still eerily discernible: industrial gears, computer keyboards, objects that evoke industrial post-digital eras. This piece is a set of 3 artworks that showcases a video editing keyboard on a white background, embedded in resin and they can be arranged for display in a variety of layouts. They come ready to hang with hanging hardware and they are signed by the artist on verso. Art measures 7 x 7 x 1.75 in (each) The overall sense is dystopian rather than apocalyptic. In Fiorda’s previous work, found objects were displayed as if unearthed from a bed of clay by a tacit anthropologist, perhaps decades into the future. A typewriter would be partially buried by dry soil and weathered by the passing of time. The underlying narrative was that of a future civilization unearthing the objects left by ours. Destruction or extinction was implied. In the new work, the obsolete technology is not found but rather engulfed by a new technology. Concrete, as a material and as a technology, has the capabilities to fully encase and envelope. In Fiorda’s new work, uniformity and the appropriation of old/new technology into new structures suggests a historical and technological challenge right around the corner, mirroring the ones in our recent past: the digital age fully replacing the analog world. These astounding sculptures, with embedded objects, are here to examine closely, and make connections between theme, material, and shape. Daniel Fiorda was born in 1963 in Buenos Aires, Argentina. Of Italian ancestry, his lineage includes a grandfather highly respected as a wood craftsman, also his father was a craftsman in addition to being a musician and poet. Because a privileged life was not his, there was no university for Fiorda. In the Old World tradition of passing on knowledge from parent to child, he learned about machinery form his father, who recognized his son's talent and encouraged it. With some private tutoring, he began sculpting in high school using found objects. The press reviews of his first exhibit, at age 20, stated that Fiorda had a definite “poetic feeling”. With this encouragement, he continued to pursue his art. After leaving Argentina, he arrived in Miami Beach via a circuitous route and set up his studio in the South Florida Art Center. He has exhibited widely throughout the US including the OK Harris Gallery, Allan Stone Gallery in New York as well as the Heriard Cimino Gallery in New Orleans, Lélia Mordoch Gallery in Paris France and Lilac Gallery in New York City. Daniel was one of the winners in the 7th Annual Sculptures Competition (2003) held at Washburn University in Topeka , Kansas. Selected on the inaugural 2006 Palm Beach International Sculpture Biennale, and exhibited for the 3rd time in Sculpture Key West. He is an alumni Artist of ArtCenter/South Florida. Two Pieces from his “Convertible Couch projects...

Imprints/I am Yourself is a work of collection; a collection of images augmented by Casey Waterman to create a habitat where paralleled materials, connotations, and ambiguity comment...

This ruggedly beautiful wall sculpture was created by the glass artist, Cheryl Wilson Smith. Granite Craig is so detailed and natural in its design that it looks as if it had been ch...

Due to the current situation related to the Novel Coronavirus pandemic, our gallery will donate 10% of our commission from this sale to the Kansas City Artists Coalition, which has been supporting local Kansas City Artists for the past 40 years. The Kansas City Artists Coalition (KCAC), is a non-profit, artist-centered, artist-run alternative space, supporting artists at every level in their career through exhibitions, continuing education and artist studios. Title : Cup & Saucer Materials : Stoneware, Glaze, underglaze Date : 2016 Dimensions : 3.5" x 5.5" x 5.5" Rachel Hubbard Kline's work explores the wistfulness of personal connections to historical domestic objects and material culture. Kline seeks symbiosis in the relationship of surfaces to forms and addresses the hierarchy of importance between the form itself and the image or decoration. Objects both functional and decorative, factor into the banality and routineness of daily life. As the current political and social climate continues to shift, She seeks to compare past and present means of the production of goods and labor. Surface design inspired by vintage textile prints from family quilts and other historical motifs appear in Kline's work. The vessel acts as a stand in for the body and a metaphor for preservation. Kline's series of jars and jugs are intended to preserve memories of family members and places by using specific colors, patterns and objects she remembers from childhood to the present. Rachel Hubbard Kline is an art educator and artist in her hometown Kansas City, MO. With a background in fashion and art history, she explores relationships of fine art and craft in the disciplines of drawing, painting, ceramics, and fiber. Hubbard draws on her Midwestern roots and ties to rural farm life to reflect on past ways of life based on collections and artifacts. Hubbard Kline has been the recipient of educator residencies at the Kansas City Art Institute, a participant in the Connecting Collections teacher institute in New York, and Educator Conferences and AP Teacher Training at the Savannah College of Art and Design. She earned a Master of Arts in Teaching from Park University in 2010, a Bachelor of Arts from the University of Connecticut in 2007, and attended Parsons School of Design. She is currently pursuing her Master of Fine Arts in Studio Art at the Maryland Institute College of Art. Contemporary Ceramics, Functiona lCeramics, Pattern, Stoneware, Underglaze, Glaze, Decals, Luster, Craft, Fine Art, Contemporary Craft, Contemporary Fine Art, Beatrice Wood, Nampeyo, Karen Karnes, Tammy Garcia, Melanie Sherman, Mary Rose Young...

metal, polymer, pigment, wood "Label quote from M.C. Escher: ""Are you really sure that a floor can't also be a ceiling?"" Numeric code on crimped end of tube spells ESCHER."

A gold patinated head bursts from its shell of bronze in this aptly titled sculpture by Dale Dunning. Bronze sculptor Dale Dunning’s skilled craftsmanship never overshadows the stor...

This series of four sculptural wall pieces combines painting and organic materiality, exploring the intersection of nature and contemporary art. Made from reclaimed corkwood, each wo...

metal, polymer, pigment, wood Edition of 20 From NOTE Prime Cuts This sculpture will be shipped directly from the artist's studio.

Molly Schulps is an artist and educator living in both California and Oregon. She grew up in Southern California and was deeply influenced by her father who was a successful educator...

This sculptural wall piece, crafted from reclaimed cork oak wood and hand-painted with acrylic, features a vibrant composition of lush green foliage forming a smiling face. The organ...

This unique wall sculpture blends organic materials with hand-painted details, presenting a melancholic expression formed by meticulously arranged green foliage. Crafted from reclaim...

A unique artwork from the “Imaginary Gardens” collection, Autumn Garden is a sculptural textile composition that fuses organic elegance with handmade sophistication. Inspired by natu...

metal, polymer, pigment, wood "Label quote from Annie Leibovitz: ""I'm more interested in being good than being famous."" The drip is a film negative of Diane Arbus' iconic photo T...

metal, polymer, pigment, wood Edition of 8 "Label text: Becoming an artist is a polite way of saying you've chosen alcoholism as a career. From MB DAY JOB Call Jackson This sculpt...

metal, polymer, pigment, wood Edition of 8 From MB HOT Burn Baby Burn This sculpture will be shipped directly from the artist's studio.

metal, polymer, pigment, wood Edition 20 This sculpture will be shipped directly from the artist's studio.

metal, polymer, pigment, wood "Label text: Becoming an artist is a polite way of saying you've chosen alcoholism as a career. The numeric code stamped into the tube spells AGAVE." ...

digital print on aluminum, wood, 3D print, paint, stainless steel Edition of 8 From MB DAY JOB Hirst Taxidermy This sculpture will be shipped directly from the artist's studio.

metal, polymer, pigment, wood "This set includes the following conceptual brushes: dry, hare, hair, air, shaving, and feather." This sculpture will be shipped directly from the art...

metal, polymer, pigment, wood "Label text: Go back to sleep, it's just a dream. Companion piece to Pill Red." This sculpture will be shipped directly from the artist's studio.

In this series of outdoor ‘singing’ bowl sculptures, Marlene Hilton Moore continues to explore the theme of ‘listening.’ This stainless-steel bowl is laser cut with the word “Sing” i...

In this series of outdoor ‘singing’ bowl sculptures, Marlene Hilton Moore continues to explore the theme of ‘listening.’ This stainless-steel bowl is laser cut with the word “Whisper...

Tony Hochstetler's "Rough Skinned Newt" (2022) is an original handmade bronze sculpture that depicts a newt curiously looking upwards. Tony Hochstetler is a sculptor of unusual anim...

Imprints/I am Yourself is a work of collection; a collection of images augmented by Casey Waterman to create a habitat where paralleled materials, connotations, and ambiguity comment...

Imprints/I am Yourself is a work of collection; a collection of images augmented by Casey Waterman to create a habitat where paralleled materials, connotations, and ambiguity comment...

ALTERTATION ART . . . is a collaboration process between Rick Wolfryd, fine artist and art dealer with over 40 years experience, and various Mexican Huichol artists and Mexican Huich...

Imprints/I am Yourself is a work of collection; a collection of images augmented by Casey Waterman to create a habitat where paralleled materials, connotations, and ambiguity comment...

Imprints/I am Yourself is a work of collection; a collection of images augmented by Casey Waterman to create a habitat where paralleled materials, connotations, and ambiguity comment...

Drawing, glass, and light: these three ingredients are the basis of Katherine Jackson’s work. She begins with drawing, which sometimes becomes an end...

Limited edition rainbow colored glass pill sculpture. Edition of 9. Signed and numbered on the back by the artist. The piece is equipped with a D-ring on the back for easy hanging. "Love Wins" is part of Edie Nadelhaft's "Better Living Thru Chemistry: Luv is the Drug" sculpture series consisting of candy-colored glass and mixed media capsule-shaped objects. Each pill is festooned with text messages, social media iconography and the language of pop psychology. Inspired in equal parts by the ubiquitous presence of social media in contemporary culture and the simultaneous rise of direct - to - consumer pharmaceutical marketing. The work pokes fun at the alternately amusing and depressing correlations between the two phenomena as both are enlisted to oversimplify the human condition and expedite contentment through a familiar cocktail of instant gratification and seductive packaging. Edie Nadelhaft is a New York-based painter and mixed media artist whose work has been widely exhibited at museums, art fairs and galleries. She studied painting and art history at the School of the Museum of Fine Arts in Boston and S.U.N.Y. Purchase. She received her BFA with Honors from The Massachusetts College of Art & Design. Glass sculpture, glass pill, pop art, bright colors, multicolor, still life, sculpture, wall installation, contemporary art, chill pill...

I was inspired to create this series by the film “The secret garden “ from the director Marc Munden. Оf course, the garden is only a metaphor . In a world overloaded with informatio...

Duck Egg Blue Horse Hair Raku Fired Ball Vase - Small by Tamsin Levene. ADDITIONAL INFORMATION: Duck Egg Blue Horse Hair Raku Fired Ball Vases by Tamsin Levene Ceramic on Stone 1...

Painter and sculpture Artist Natalie Krainin creates artworks using the innovative method of Fabric Texture Art. This technique, which resonates deeply with her professional roots, a...

This handcrafted wall sculpture, made from reclaimed cork oak wood, features a radiant smile composed of meticulously arranged clovers and foliage. The interplay of deep greens with ...

Daniel Fiorda in this new series of sculptures, continues in many ways the themes that have infused his previous work. For the last several years, Fiorda has dealt with technology, obsolescence, with the trail of discarded tech that humanity leaves behind and what it says about us. The new work takes this thematic one step further. These new wall pieces feature barely concealed found objects, almost fully engulfed by concrete, and yet still eerily discernible: industrial gears, computer keyboards, objects that evoke industrial post-digital eras. This piece is a set of 3 artworks that showcases a black computer keyboard on a white background and they can be arranged for display in a variety of layouts. They come ready to hang with hanging hardware and they are signed by the artist on verso. Art measures 8.75 x 8.75 x 1.25 in (each) The overall sense is dystopian rather than apocalyptic. In Fiorda’s previous work, found objects were displayed as if unearthed from a bed of clay by a tacit anthropologist, perhaps decades into the future. A typewriter would be partially buried by dry soil and weathered by the passing of time. The underlying narrative was that of a future civilization unearthing the objects left by ours. Destruction or extinction was implied. In the new work, the obsolete technology is not found but rather engulfed by a new technology. Concrete, as a material and as a technology, has the capabilities to fully encase and envelope. In Fiorda’s new work, uniformity and the appropriation of old/new technology into new structures suggests a historical and technological challenge right around the corner, mirroring the ones in our recent past: the digital age fully replacing the analog world. These astounding sculptures, with embedded objects, are here to examine closely, and make connections between theme, material, and shape. Daniel Fiorda was born in 1963 in Buenos Aires, Argentina. Of Italian ancestry, his lineage includes a grandfather highly respected as a wood craftsman, also his father was a craftsman in addition to being a musician and poet. Because a privileged life was not his, there was no university for Fiorda. In the Old World tradition of passing on knowledge from parent to child, he learned about machinery form his father, who recognized his son's talent and encouraged it. With some private tutoring, he began sculpting in high school using found objects. The press reviews of his first exhibit, at age 20, stated that Fiorda had a definite “poetic feeling”. With this encouragement, he continued to pursue his art. After leaving Argentina, he arrived in Miami Beach via a circuitous route and set up his studio in the South Florida Art Center. He has exhibited widely throughout the US including the OK Harris Gallery, Allan Stone Gallery in New York as well as the Heriard Cimino Gallery in New Orleans, Lélia Mordoch Gallery in Paris France and Lilac Gallery in New York City. Daniel was one of the winners in the 7th Annual Sculptures Competition (2003) held at Washburn University in Topeka , Kansas. Selected on the inaugural 2006 Palm Beach International Sculpture Biennale, and exhibited for the 3rd time in Sculpture Key West. He is an alumni Artist of ArtCenter/South Florida. Two Pieces from his “Convertible Couch projects...

Carved from reclaimed cork oak, this organic wall sculpture portrays a sorrowful expression emerging from a lush tapestry of rounded leaves and subtle blue floral accents. The deep g...

In the mid 1990s Richard Klein started working with found glass objects, including bottles, drinking glasses, ashtrays, and eyeglasses. Initially, Klein rejected any object with commercial or advertising content, but in 2015 he became fascinated with the promotional content that was screen printed on ashtrays from the 1950s, 1960s and early 1970s. This period was before smoking was looked at as being primarily a negative habit, and iconic American businesses, including Howard Johnson’s, International House of Pancakes (iHop) and Holiday Inn, all produced promotional ashtrays printed with their graphic identity. By the time Klein became interested in these objects, the businesses had either ceased to exist, or had changed their logos, and many of their signature buildings, which where examples of classic, “Pop” roadside architecture, has been torn down or repurposed. The artist wanted to connect the glass objects with the business’s sites that were still recognizable and spoke of their history, so he began researching where original buildings still stood. Klein then embarked on a series of road trips to photograph these sites with the intention of combining the photographs with the promotional glass objects. This led him to as far south as Maryland and as far north as upstate New York from his home in Connecticut. In the case of Holiday Inn, it wasn’t their buildings, but their iconic illuminated sign that appeared on ashtrays, so he sought out a standing example of the sign he could photograph. As it turned out all had been removed years before from the hotels' properties and the only working example was indoors at the Henry Ford Museum in Dearborn, Michigan. He did, however, find out that there was one still standing, surprisingly, in Beruit, Lebanon. He found an image of it on the web and used it to make Holiday Inn (Beruit). In 1973 Holiday Inn changed their tagline from “The Nations Innkeeper” to “The World’s Innkeeper” as they expanded overseas, including the Mideast. For the hotel chain it was bad timing: the disastrous Lebanese civil war began in 1975. In the war, the different Lebanese militias involved in the conflict, including the Nasserites, Christian Phalangists, and the Lebanese National Movement engaged in what came to be called “The Battle of the Hotels” where they each occupied a major high-rise hotel in central Beruit. The Phalangists commanded the Holiday Inn, which they used to fire with both light arms and heavier weapons at the militias in neighboring hotels. Klein used the photo of the heavily damaged Holiday Inn sign as I thought it spoke in a curious, offhanded way about American cultural imperialism in juxtaposition with an ashtray that proclaimed Holiday Inn to be “The World’s Innkeeper.” In the work Holiday Inn (Nocturne) the artist utilized a found, 35mm slide of a Holiday Inn sign at night at an unknown location as the basis of the photograph in the work. Richard Klein is a Connecticut-based artist, independent curator and writer. As an artist, he has exhibited widely, including the Neuberger Museum of Art at SUNY Purchase; Caren Golden Fine Art, New York; the John Michael Kohler Arts Center, Sheboygan, WI; Hales Gallery, London; Gavlak Gallery, Palm Beach, FL; deCordova Sculpture Park and Museum, Lincoln, MA; James Barron Art, Kent, CT; The Portland Institute of Contemporary Art (PICA), Portland, OR; Schoolhouse Gallery, Provincetown, MA; Stephan Stoyanov Gallery, NY; Katonah Museum of Art, Katonah, NY; Brattleboro Museum and Art Center, Brattleboro, VT; Ortega y Gasset Projects, Brooklyn, NY; Exhibit by Alberson Tulsa, OK; Incident Report/Flow Chart Foundation, Hudson, NY; ICEHOUSE Project Space, Sharon, CT; Kenise Barnes Fine Art in Kent, CT and with ODETTA Gallery at the Equity Gallery in New York City.. Reviews of his work have appeared in Two Coats of Paint, Whitehot Magazine, The New York Times, Sculpture Magazine, Art in America, and The New Yorker. In the summer of 2024 he will be the first Artist-In-Residence at Peck Ledge Light...

Title : Holding Tank Materials : stoneware Date : 2015 Dimensions : 6 x 5 x 4 Description : sculpture The formal languages and frequencies that we find in the natural existence of t...

This beautiful one of a kind ceramic hand made NY Mets cap is from Yael Yanay’s latest body of works. These hand-crafted ceramic hats are meticulously designed to resemble iconic b...