Academic Art

J. J. GRANDVILLE (1803-47). aka Jean Ignace Isidore Gerard Les Etoiles. Text by Joseph Mery (1798-1865). Engraved by Geoffroy. Paris, 1849. Steel engravings with original hand...

KNIP August (1819 - 1859) Starting Fox Hunting day in Baden-Baden Oil on canvas signed low right dated 1837 Old original frame gilded with leaves Dim canvas : 81 X 118 cm Dim frame :...

J. J. GRANDVILLE (1803-47). aka Jean Ignace Isidore Gerard Les Etoiles. Text by Joseph Mery (1798-1865). Engraved by Geoffroy. Paris, 1849. Steel engravings with original hand...

BACHMANN Alfred Félix August (1863-1956) Bording near the Antique Temple Oil on canvas signed Low Left Frame gilded with leaves ...

MAUCHERAT de LONGPRÉ Raoul (1843-1922) Two Bunch of Flowers in Pair Oils on canvas each signed low right Frames gilded with gold leaves Dim canvas (each) : 65 X 54 cm Dim frame (each) : 92 X 81 cm For sale only by Pair Certificate of authenticity MAUCHERAT de LONGPRÉ Raoul (1843-1922) French Painter 19th century Born in Lyon in 1843. Died in Plessis-Robinson in 1922 Painter, Painter in watercolours, painter with the gouache. Flowers Raoul Victor Maurice Maucherat de Longpré was taught by his father the silk painter Jean Antoine Marie Victor Maucherat de Longpré (1815). According to the family tradition related to the industry of the silk trade of Lyon, he starts very young to paint fans before making true paintings. Consequently, he specialized in floral painting. At the 30 years age he leaves his hometown and started his career at the "Salon de Paris" in 1876. His brother Paul de Longpré...

WILLIAM WOOD General Conchology; or, a Description of Shells, arranged according to the Linnean System John Booth. London, 1815. Engravings with Original Hand-Color Tall Oc...

Jules Gouffe (1807-1877) Le Livre de Cusine Librairie Hachette et Cie Paris, 1867 Chromolithographs At the age of 16, Jules Gouffe found his calling as a student of the famous...

English School, Early 19th century Figures before a cottage in a hilly woodland landscape Watercolour on paper 12.1/4 x 16.1/4 in. (31 x 41.1/2 cm.) A serene rural scene depicting d...

An Alphabet of Capital Letters: Selected from the Illuminations of Italian Chorale Books of the Fifteenth and Sixteenth Centuries. Arundel Society. London, 1862. Engraving. Printed...

BACHMANN Alfred Félix August (1863-1956) Venice Lagoon and Doge Palace Oil on canvas signed Low Right Frame gilded with leaves Dim canvas : 73 X 54 cm Dim frame : 78 X 95 cm ...

FLORA’S FEAST A Masque of Flowers Walter Crane, Illustrator Cassell & Co., Publisher Color Lithograph London, 1889 Born in Liverpool, 15 August 1845, Walter Crane first studied art in his father Thomas’ studio. After both moving to London and losing his father, Crane obtained an apprenticeship as William Linton’s engraving shop. This position exposed the young Crane to political reform which would become a major influence on his future work. As in illustrator, Crane became part of an influential group of political and religious radical movements. A supporter of the Liberal Party, Crane was outspoken in his support of the Communard’s attempt to overthrow the French government in 1871. It is seemingly ironic that at this time that Crane’s reputation as an illustrator of children’s books began to blossom. Within a decade Crane would join his life-long friend William Morris’s Arts and Crafts...

The Book of Poultry J. W. Ludlow, artist Lewis Wright (1838-1905), editor Cassell Petter & Galpin London, Paris, New York, 1880 Vincent Brooks Day & Son Chromolithography 10.7...

RUDOLF GOETHE HERMAN DENGENKOLB, REINHARD MERTENS Aepfel und Birnen Walter Muller, Illustrator Berlin, 1849 Chromolithograph Fascination with fruits, vegetables and spices ...

English School, 19th Century Droving cattle before a woodland manor Watercolour on paper with body colour 9.1/4 x 13.3/8 in. (23.5 x 34cm.) This is a very well executed watercolour landscape using body colour to create depth and contrast, in certain cases building up impasto depicting an idyllic rural scene of old England.

An Alphabet of Capital Letters: Selected from the Illuminations of Italian Chorale Books of the Fifteenth and Sixteenth Centuries. Arundel Society. London, 1862. Engraving. Printed in Colours. Hand-Painted Gold Highlights. To produce a study for an historic illumination of antiphonals, the Arundel Society selected each of the alphabet letters from chorale books created in the fifteenth and sixteenth centuries. Devotional pieces, the chorale music was greatly appreciated by Christians throughout the world. Often it was sung as responsive music where the choir would be divided into two parts thus creating a harmony which reinforced the Christian religious doctrine. As illustrious as the music, the key letters that headed each piece would take their own place in the art world. Many initials would be specifically devoted to prominent men and woman of both religious and cultural importance. For example, the “F” was devoted to Fra Angelico, an Italian painter of the Early Renaissance, described by Vasari in his Lives of the Artists...

ARTIST: after Auguste RODIN TITLE : Icarus and Phaeton MEDIUM : Etching/photogravure after the original drawing SIGNATURE : Unsigned YEAR : 1897 PAPER : Vellum SIZE : 13 x 10" ...

MARIS Emmanuel (19th century) Still Life with grapes and bees Oil on wood panel signed low right Framed by Gault (Paris) Dim wood : 39 X 54 cm Dim frame...

Etching done after Francois Boucher's "The Toilette of Venus." He is a 18th century artist who worked with a lot of naturalistic mythology themes. The engraving is from a book page w...

"The Presidents of the U.S." is an original hand-colored lithograph by Nathaniel Currier. It features the first eleven presidents of the United States. 14" x 10" art 23" x 19 1/8" frame Nathaniel Currier was born March 27, 1813 to Nathaniel and Hannah Currier in Roxbury, Massachusetts. At the age of fifteen he was apprenticed to William S. and John Pendleton of Boston who had set up the first lithographic establishment in America. His apprenticeship served him well as he went on to be the largest publisher of lithographs. Mr. Maurer described Nat Currier as being very gentlemanly and liberal. As is evident to the success of the firm of Currier & Ives he was very devoted to his business. Nat Currier had many friends including Horace Greely and P.T. Barnum. He was well known for his sense of humor and Harry T. Peters tells one story about P. T. Barnum. "Currier had heard that one day his friend, the great showman, had rushed into the barber shop of the old Park Hotel, at Beekman and Nassau Streets, to get a shave. Barnum had hurried up to Tom Higginson, the barber, and said, 'Tom, I'm in a hurry.' 'Sorry for it,' said Tom, 'but it's that gentleman's turn next.' 'That gentleman' was an unshaven irshman waiting for a ten-cent shave. Barnum turned to him and said, 'My friend, if you will let me have your turn, I'll pay for what you have done.' The gentleman consented, and, as Barnum found out later, had a full job done - absolutely everything the house had. The check was for a dollar and sixty cents. When Currier heard this story he found the very Irishman and had him pose. The result was the famous cartoon, "The Man that Gave Barnum 'His Turn.'" Nathaniel was married twice; his first wife was Miss Eliza West of Boston. He had one son with Eliza, Edward West Currier. In 1847 he married Miss Laura Ormsbee of Vermont. Laura and Nathaniel are memorialized in the famous N. Currier lithograph The Road Winter...

An Alphabet of Capital Letters: Selected from the Illuminations of Italian Chorale Books of the Fifteenth and Sixteenth Centuries. Arundel Society. London, 1862. Engraving. Printed...

An Alphabet of Capital Letters: Selected from the Illuminations of Italian Chorale Books of the Fifteenth and Sixteenth Centuries. Arundel Society. London, 1862. Engraving. Printed...

An Alphabet of Capital Letters: Selected from the Illuminations of Italian Chorale Books of the Fifteenth and Sixteenth Centuries. Arundel Society. London, 1862. Engraving. Printed...

An Alphabet of Capital Letters: Selected from the Illuminations of Italian Chorale Books of the Fifteenth and Sixteenth Centuries. Arundel Society. London, 1862. Engraving. Printed...

"Townsend's Rocky Mountain Hare" is an original color lithograph by John James Audubon. This artwork features two gray hares in a muted, cool-colored landscape. 5 1/2" x 8 1/4" art...

signed "Emile Noirot 1893" at lower right overall dimensions, including frame, are 19 3/4 x 23 5/8 inches

J. J. GRANDVILLE (1803-47). aka Jean Ignace Isidore Gerard Les Etoiles. Text by Joseph Mery (1798-1865). Engraved by Geoffroy. Paris, 1849. Steel engravings with original hand...

JOHN JAMES AUDUBON Birds of America Octavo Edition Philadelphia, 1839 New York 1856-71 Lithographs. Original Hand-Color. 6.5” x 10.25” Unframed Born in Haiti, John James LaForest A...

A stunning portrait of a Parisian beauty from the romantic period by Adele Grasset (active ca 1830-1850). With her intelligent eyes and determined look, doesn't this lady bear great resemblance to Chopin's paramour George Sand? The sitter is Jeanne Marie Vidal, wife of Claude Auguste Seguin, from a prominent family in Avignon, as the family tree attached to the back for the frame indicates. Research in old annals has also revealed that Madame Seguin was a modern and independent lady: she worked in lady's fashion in Paris, and patented wrapping mechanism that protected lady's hats during their transport! As often with woman artists of the 18th and 19th century, there is little biographical information available on the artist, Adèle Grasset. We do know however, that she had studied with the highly prominent artist François Gérard (1770-1837) , known also as the Baron Gérard...

A fine Pair papiers peints 'En Grisaille' from the psyche´ series manufactured by Dufour, Paris, after designs by Merry-Joseph Blondel and Louis Lafitte. -'Psyche´ about to stab the ...

ARCHIV FUR ORNAMENTALE KUNST. M. Gropius, L. Lohde, P. Lehfeldt. Lithographs with Later Hand-Color. Berlin, 1870. 13” x 19” Unframed. A fine German work, the illustrations a...

ARCHIV FUR ORNAMENTALE KUNST. M. Gropius, L. Lohde, P. Lehfeldt. Lithographs with Later Hand-Color. Berlin, 1870. 13” x 19” Unframed. A fine German work, the illustrations a...

The Book of Poultry J. W. Ludlow, artist Lewis Wright (1838-1905), editor Cassell Petter & Galpin London, Paris, New York, 1880 Vincent Brooks Day & Son Chromolithography...

Plan de la Ville de Rome, Principali Monumento de Roma. After Giambattista Nolli (1701-56) Pietro Fuga (1799-1830) Engraver Venanzio Monaldini (1765-1819) Publisher Rome, 1843 Hand-Colored Engraving. An ever popular tourist destination, the city of Rome has been illustrated in great detail for centuries. Perhaps the best known and most often copied work is by Giambattista Nolli. His view of Rome was called “Pianta Grande de Roma”. Published in 1748, the Eternal City was show in its entire splendor with an accurate accounting of its revered monuments. This iconic view will forever be known as the Nolli Map...

ALEXANDER POPE (1849-1924) Upland Game Birds and Water Fowl of the United States 20 Chromolithographs, 14” x 20” Unframed Scribner’s Sons, New York 1877-78 Alexander Pope was born in Dorchester, Massachusetts in 1849. As he he grew up his interests and talents both matured in painting, wood carving and sculpture. The lure of nature led him to combine his abilities to better create a realistic image. He is said to be the first man to paint game birds carved from wood. Two of his painted carvings were purchased by the Czar of Russia...

RUDOLF GOETHE HERMAN DENGENKOLB, REINHARD MERTENS Aepfel und Birnen Walter Muller, Illustrator Berlin, 1849 Chromolithograph Fascination with fruits, vegetables and spices ...

"Portrait of Baron Mayer de Rothschild, Rothschild Collection" by Oscar Gustave Rejlander is done in ink wash on paper. It is framed and matted. The portrait is a bust of Baron Mayer de Rothschild of the Rothschild banking dynasty, who lived 1813-1874. Art size: 11 3/4" x 8 3/4" Frame size: 20" x 17" "Rejlander, Oscar Gustav (1813-75), Swedish-born photographer, active in England and often known as ‘the father of art photography’, having pioneered practices such as combination printing and promoted photography's capacity to tackle subjects conventionally associated with painting. After studying lithography and painting in Rome, Rejlander arrived in England in the early 1840s and settled in Wolverhampton. A day's instruction with Nicolaas Henneman was apparently his only training before he turned to photography in 1853. Throughout his professional career, Rejlander combined studio portrait work and other commissions with particular artistic projects, importing ideas and inspiration from such sources as Flemish and late Renaissance art, 18th-century English narrative works, or contemporary cartoons from papers like Punch. His famous moral allegory The Two Ways of Life (1857) combines sophisticated combination printing with elaborately staged photographs. Although widely condemned as indecent—in Scotland only the ‘virtuous’ side of the picture could be shown—it was bought by Queen Victoria for Prince Albert. Rejlander vigorously defended photography's narrative capability, emphasizing artifice as a way to truth and creative expression, and works like Hard Times and The Dream (both 1860) convey unconscious states hauntingly and in a precociously modern way. In 1862 he left Wolverhampton for a London studio, where judiciously placed windows enabled him to create subtle lighting effects for portraiture. Charles Dodgson (Lewis Carroll) and Alfred...

Iconographie des Orchidees Jean Linden (1817-1898) Brussels, 1885-1894 Chromolithographs “Orchid Fever” was not just a 19th century phenomenon. To this day the orchid has rem...

The Book of the Horse Samuel Sidney London, 1873 Cassell Petter & Galpin Chromolithography 10.75” x 8.25” Man’s fascination with the horse has spanned many centuries. Admir...

The Book of the Horse Samuel Sidney (1813 – 1883) London, 1873 Cassell Petter & Galpin Chromolithography 10.75” x 8.25” Man’s fascination with the horse has spanned many ce...

WILLIAM WOOD General Conchology; or, a Description of Shells, arranged according to the Linnean System John Booth. London, 1815. Engravings with Original Hand-Color Tall Oc...

The Book of the Horse Samuel Sidney (1813 – 1883) London, 1873 Cassell Petter & Galpin Chromolithography 10.75” x 8.25” Man’s fascination with the horse has spanned many ce...

JOHNSON’S HOUSEHOLD BOOK OF NATURE Craig Hugh, Editor Henry J. Johnson, Publisher New York, 1880 64 Chromolithographs “…full & interesting descr...

The Book of Poultry J. W. Ludlow, artist Lewis Wright (1838-1905), editor Cassell, Petter & Galpin London, Paris, New York, 1880 Vincent Brooks Day & Son Chromolithography 10....

JOHN WILKES (1750-1810) Encyclopedia Londinensis after Reinhold and Edwards London, 1801-1828 Copper Plate Engraving Original Hand-Color 9” x11” Unframed At its best, the z...

JOHN WILKES (1750-1810) Encyclopedia Londoninensis London, 1801-1828 Copper Plate Engraving Original Hand-Color 9” x11” Unframed At its best, the zoological art of the early...

The Book of Poultry J. W. Ludlow, artist Lewis Wright (1838-1905), editor Cassell, Petter & Galpin London, Paris, New York, 1880 Vincent Brooks Day & Son Chromolithography 10....

Artist: Theophile Alexandre Steinlen (Swiss, 1859-1923) Title: Les Voila Year: 1915 Medium: Original lithograph Edition: Numbered 73/100 in pencil Paper: Wove Size image: 16 ...

Brown ink and wash drawing with touches of watercolor and gouache by the French artist, Francois-Marius Granet. Signed lower left. Condition: Good. Provenance: Christie’s London sale 1993. Matted but unframed. The Pyramid of Cestius (in Italian, Piramide di Caio Cestio or Piramide Cestia...

ARCHIV FUR ORNAMENTALE KUNST. M. Gropius, L. Lohde, P. Lehfeldt. Lithographs with Later Hand-Color. Berlin, 1870. 13” x 19” Unframed. A fine German work by, the illustration...

GODCHAUX Emile (1860) Big Compositions of Flowers in Pair Oil on canvas signed low right Frames gilded with gold leaves Dim canvas (each) : 90 X 129 cm Dim frame (each) : 118 x 159 cm Certificate of authenticity GODCHAUX Emile (1860 - nc) French School - XIXth century Born in 1860 Painter of genre scenes, landscapes, waterscapes, marines, flowers, still lives. He sold his paintings on the public place, and sometimes in Lotteries. He is related to Alfred Godchaux...

JOHN WILKES (1750-1810) Encyclopedia Londinensis London, 1801-1828 Copper Plate Engraving Original Hand-Color 9” x11” Unframed At its best, the zoological art of the early n...

Oil on canvas with its original frame.

Oil on canvas still life painting of a wine bottle along with a lobster. Signed lower left. Circa 1880. The painting is housed in its original monumental wood gesso and gilt Victoria...

Brown ink and wash drawing with touches of watercolor and gouache by the French artist, Francois-Marius Granet. Signed lower left. Condition: Good. Pr...

Dish Garden in Blue and White China Japanese Woodblock Original Hand-color. Meji Period. Circa 1895. The enthusiasm for nature prints has spanned the centuries. By the mid-nineteenth century these works, illustrating varieties of flowers in naturalistic styles, had reached a peak of perfection. Each artistic form in traditional printing sought to enhance the beauty of botany. In the woodblock style, as it true for engravings and lithographs, it is imperative that the carving of each block be exacting as they must create an image true to that seen in nature. For many, the dish garden is a re-creation of a favorite landscape design. It provides an opportunity to build a perfect pairing of ornament...

JULIUS BIEN (1826-1909) Bien Atlas of New Jersey. Geological Survey of New Jersey. Chromolithography. New York, 1883 - 1889 34” x 25” Paper Size. A lithographer and map engraver, Bien arrived in the United States in 1849. Born in Naumburg, Germany, he was schooled at the Academy of Fine Arts in Kassel and at the Stadel Art Institute in Frankfurt am Main. He participated in the political upheavals of 1848 and was forced to leave his country after the movement was crushed becoming one of the many talented German "forty-eighters" to begin life anew in America. From a tiny print shop in New York City, Bien built a hugely successful business. He received numerous awards for the maps he engraved for the Pacific Railroad surveys, for several decennial census reports and for many US Geological Survey atlases and military field maps. He was also the first president of the National Lithographers' Association. Geological atlases were elemental in the development of states in both population and commerce. Here is where Bien shines with comprehensive understanding of science and his unparelled technique in printing. Among the most collectible of historic maps, these surveys provided landmark research in building a nation. Bien's second magnum opus was his chromolithographic edition of John James Audubon's The Birds of America. Through the new medium of chromolithography Bien was commissioned both to reproduce the quality of Havell's aquatints and to capture the subtlety of Audubon's colors. The ambitious project was never completed. Some historians blame the Civil War while other suggest financial cheating, but probably it was the death of Audubon that terminated Bien's work. For more than forty years following the Audubon folio...

"VALMY! (L'Estampe Moderne)" is a print watermarked PL BAS after a drawing by Adolphe Willette. It depicts a general with his army and a young girl. 15 3/4" x 12" art 23" x 19 1/4" frame Adolphe Léon Willette (30 July 1857 – 4 February 1926) was a French painter, illustrator, caricaturist, and lithographer, as well as an architect of the famous Moulin Rouge cabaret. Willette ran as an "anti-semitic" candidate in the 9th arrondisement of Paris for the September 1889 legislative elections. Biography Willette was born in Châlons-sur-Marne. He studied for four years at the École des Beaux-Arts under Cabanel, training which gave him a unique position among the graphic humorists of France. Whether comedy or tragedy, dainty triviality or political satire, his work is instinct with the profound sincerity of the artist. He set Pierrot upon a lofty pedestal among the imaginary heroes of France, and established Mimi Pinson, frail, lovable, and essentially good-hearted, in the affections of the nation. Willette is at once the modern Watteau of the pencil, and the exponent of sentiments that move the more emotional section of the public. Always a poet, and usually gay, fresh, and delicate, in his presentation of idylls exquisitely dainty and characteristically Gallic, illustrating the more "charming" side of love, often pure and sometimes extremely materialistic. Willette frequently reveals himself bitter and fierce, even ferocious, in his hatreds, being a violent though at the same time a generous partisan of political ideas, furiously compassionate with love and pity for the people whether they be ground down under the heel of political oppression, or are merely the victims ot unrequited love, suffering all the pangs of graceful anguish that are born of scornful treatment. There is charm even in his thrilling apotheosis of the guillotine, and in the introduction into his caricatures of the figure of Death itself. The artist was a prolific contributor to the French illustrated press under the pseudonyms "Cemoi", "Pierrot", "Louison", "Bebe", and "Nox", but more often under his own name. He illustrated Melandri's Les Pierrots and Les Giboulles d'avril, Le Courrier français, and published his own Pauvre Pierrot and other works, in which he tells his stories in scenes in the manner of Busch. He decorated several "brasseries artistiques" with wall-paintings, stained glass, &c., notably Le Chat noir and La Palette d'or, and he painted the highly imaginative ceiling for La Cigale...

As stated on NOAA.GOV: The Office of Coast Survey is the oldest U.S. scientific organization, dating from 1807 when President Thomas Jefferson signed “AN ACT TO provide for surveyin...