Art Deco

Charles Schneider La Verre Francais "Feuilles de tabac" ca. 1920 Yellow glass with red overlay and etching. Height: 16 in Signed "La Verre Francais" at the base.

Original vintage advertising poster for the Paris 1937 Exposition Internationale / International Exhibition held from May to November featuring a...

A unique original silver gelatin black and white photography. Paris, The Parc Monceau public garden, 20th June 1926. Features: Original Silver Gelatin Print Photography Unframed. Press Photography. Press Agency: Anonymous. Photographer: Anonymous. Title: Paris, The Parc Monceau public garden, June 20th, 1926. View of the Roman colonnades in the garden. Provenance: Private collection. Image Size: 4.57 in. high (11.6 cm) x 6.22 in. wide (15.8 cm) - Archivally matted in a 17 x 13 mat. The piece will be shipped in a mat (17 x 13 in.) that fits a standard-sized frame. No ink stamp, no legend. (The last picture shows you the Parc and the Roman colonnades as it is today). About: Parc Monceau is a public park located in the 8th arrondissement of Paris, France, at the junction of Boulevard de Courcelles, Rue de Prony, and Rue Georges...

René Lalique (1860-1945) Marisa Vase 1927 Smoky Glass The sizes are 9 x 9 in Literature: Robert Prescott-Walker. Collecting Lalique Glass. Illustrated on page 45. René Lalique was ...

Original Automobile Advertising United Kingdom for A. J. Wilson & Cie Ltd London The original 1948 poster by Leonetto Cappiello for Dunlop tires on sale...

Rene Lalique (1860-1945) Bowl with frieze of parakeets (Perruches) Opalescent Glass Size: 4 x 10 in Literature: Patricia Bayer & Mark Waller. The Art of Rene Lalique. Illustrated on...

An early 1940s fashion study featuring a hat advertisement for Chicago's most notable department store, Marshall Field & Company. Provenance: Cornelia Steckl-Jurin, Founder of the...

An early 1940s fashion study featuring a woman in a hat and Marshall Field coat. Provenance: Cornelia Steckl-Jurin, Founder of the Fashion Department at the School of the Art Instit...

A fine large charcoal and pencil drawing by British listed artist James Stroudley. Executed in 1931, it is a stunning example of a 1930s Art Deco portrait. Very strong and bold, it d...

This work is hand signed by the artist in pencil at the lower right margin. It was printed in 1979 in a limited edition of only 300 hand signed impressions and a few artist's proofs....

A beautiful art deco portrait by well listed American Ashcan School artist Alexander Oscar Levy. This piece was featured in the American Art Review article about the Levy retrospect...

Artist: Erte, Romain de Tirtoff (1892-1990) Title: Der RosenKavalier Year: 1980 Medium: Offset lithograph on archival paper Size: 26 x 20 inches Condition: Excellent Inscription: Sig...

Travel back in time to 1932 with Falcucci's vintage poster for PLM, an invitation to explore Auvergne Chatel Guyon. This poster is a masterpiece, transporting viewers to a time when travel was an experience. Falcucci's artistry shines as the poster captures the scenic beauty of Auvergne Chatel Guyon, with rolling hills and soothing waters. What makes this poster special is its ability to evoke the spirit of the past. It transports us to an era when travel was leisurely and full of anticipation. The aesthetics and typography reflect the elegance of the early 20th century. Today, Falcucci's 1932 poster...

A unique original silver gelatin black and white photograph by Press Agency, Paris 1925. International Decorative Arts Exhibition in Paris, 1925, French n...

Two Figures (Mother and son) 9" x 17" terracotta sculpture, signed lower left mounted to wood panel, 15 1/2" x 23 1/2" George Aarons (born Gregory Podubisky, in St. Petersburg, Russ...

Lucien-Victor Guirand de Scevola (1871-1950) A Bunch of flowers Oil on on canvas Signed upper left 38 x 46 cm In a nice modern frame : 53 x 61 cm Lucien...

Le Verre Francais Charder Collection. Signed "Charder" on one of the sides of the vase and "Le Verre Francais" on the base. Similar works are published in the book "Charles Schneider...

This is an Art Deco original illustration drawing, hand-painted with ink and gouache on paper, designed by French artist Edouard Halouze. The artwork features two stylish female mode...

Swedish quarrymen carriers rolling a stone. Men at work was a Demanet theme that permeated throughout his career, the physical struggle which was relevant in manual labour in times ...

Simon's original travel poster for "Les Vosges Sports d'Hiver" encapsulates the timeless appeal of winter adventures in the Vosges Mountains, conveniently located within a short jour...

To see our other Modern British Art, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the artist you ...

This color pochoir was done in 1925 on Arches paper No. 738/750 depicting a parade with animals and balloons. Archivally framed with 23k gold; 23k gold fillet, silk mat, and museum...

Beautiful print of Jean Cocteau 🇫🇷 (1889-1963) a French poet, painter, draughtsman, playwright and film maker. In the workshop of Madeleine Jolly and Philippe Madeline in Villefran...

Heron Bihoreau - Black Crowned Night Heron French chromolithograph, published in 1931. Printed title lower right of sheet. Plate number top right. From a French series of illustrati...

This color pochoir was created in 1925 on Arches paper No. 738/750 and depicts two women in Japanese kimonos. Archivally framed with 23k gold; 23k gold fillet, silk mat, and museum ...

A rare, small edition, color woodblock print, titled "Randolph Street- Chicago", from the series "Chicago Moods in Color", by Chicago artist Charles Turza...

The art of David Sharir draws upon many elements. He has found inspiration from such forms of art as the calligraphy of Torah scribes, medieval Hebrew manuscripts...

Kees van Dongen (b. 1877, Delfshaven – d. 1968 Monte Carlo) He is considered a Fauvist, but his style is still nevertheless closely related to the German Expressionists. He is appr...

The iconic 1930 poster, "Lys Chantilly - Chemin de fer du Nord," is a testament to the genius of its creator, Adolphe Mouron Cassandre, one of the most influential poster artists of ...

Paolo Garretto's original poster for Air France, entitled "La Flèche d'Orient", dating from 1936, is an art piece that illustrates the elegance and audacity of air travel at the time...

The Carrying of the Cross 1926 Original wood engraving 12.0 x 12.5cm (Image) Arthur Eric Rowton Gill, (22 February 1882 – 17 November 1940) was an English sculptor, letter cutter, ...

Mouflon French chromolithograph, published in 1931. Printed title lower right of sheet. Plate number top right. From a French series of illustrations of...

This color pochoir from the La Garconne Series was done in 1925 on Arches paper No. 738/750 depicting a couple sitting at a cafe. Pochoir or stencil has been used to print limited ed...

The name Lalique evokes the brilliance of jewelry, the wonder of transparency, and the brilliance of crystal. But, before it became a brand name, it was the name of a man, an artist ...

A unique original silver gelatin black and white photography. The International Autumn Fair in Lyon, France, March 19, 1927. Still a lot of people at the entrance of The Internation...

The pastel portrait of Stella Samuel, very likely a starlet from the thirties, created in the style of Charles Sheldon, emanates timeless elegance. With a delicate interplay of color...

Heron Butor - Bittern French chromolithograph, published in 1931. Printed title lower right of sheet. Plate number top right. From a French series of il...

Unique, one of a kind original gouache on paper from Harper's Bazar series. Hand signed lower front by Erte; titled top front with studio catalog number on verso. Sheet size 10.7...

This color pochoir by Kees Van Dongen was done on arches paper No. 738/750. Two nude women outlined by purple cover their faces with a white sheet. Archivally framed with 12k white...

This color pochoir was done in 1925 on Arches paper No. 738/750. It depicts a mother and her child underneath a tree with doves flying around them. Archivally framed with 23k gold; ...

This color pochoir was done in 1925 on Arches paper No. 739/750 and depicts two couples on a night out all dressed up. Archivally framed with 12k white gold; white gold fillet, silk...

Leonetto Cappiello's original poster for the Bally brand, created in 1934, is an iconic work that embodies both the artist's distinctive style and the sophistication of the Swiss sho...

A unique original silver gelatin black and white photograph. The rue du Faubourg du Temple, view of one of the busiest streets in Paris, in 1926. Features: Original Silver Gelatin Pr...

Gouache on paper Image size: 12 x 15 ¼ inches (30.5 x 39 cm) Art Deco frame This rare original artwork was used as the book cover for Hugh E. Page's 'Rambles in the Wye Valley' (1951). The Wye Valley is an area of outstanding natural beauty straddling the border between England and Wales. The internationally important protected landscape covers parts of the counties of Gloucestershire, Herefordshire and Monmouthshire and is particularly recognised for its limestone gorge scenery and dense native woodlands.

This color pochoir was done in 1925 on Arches paper No. 738/750 and depicts two nude lovers. Archivally framed with 12k white gold; white gold fillet, silk mat, and museum glass. ...

This stunning charcoal drawing lithograph print on paper depicting a fanciful lion kidnapping a young woman was designed by Adolf Uzarski (1885-1970), a German artist. This drawing i...

The original advertising poster for Veedol, with the slogan "Even faster, surely further", is an iconic work that embodies the spirit of innovation and performance in the automotive ...

Female nude by George John Illian (1894-1932), American exhibited at the Salmagundi Club Annual Exhibition. George John Illian born in 1894 and was largely inspired by the 1900s and ...

Fresson print, inscribed ‘LAG 17033’ (verso), 29cm x 23cm (on view), 37cm x 30.5cm (sheet size), (48cm x 41cm framed). The photograph is framed to the line and crop indicated by the photographer on the print, behind museum quality UV non-reflective glass. (A Fresson print is a type of photographic printing, created in 1899, that has been passed down in the family for four generations. Still to this day, the Fresson family keeps some elements of the process a secret but make sure it stays alive. Located in the outskirts of Paris, their workshop is the only one in the world to produce such prints.) Albin-Guillot studied drawing and painting before becoming interested in photography. In 1925, she went on to have the first one-person exhibition at the Paris Autumn Salon. She also served as president of the French Societe des Artistes Photographes and in June 1928, was included in the first independent Salon of Photography in Paris. Published in 1932, she took a series of male nudes taken for Henry de Motherlant’s La Deesse Cypris. The strongly cropped images in which the male nudes fill the entire frame accompany the author’s text about sensuality. In 1933, she collaborated with the poet Paul Valery...

A unique original silver gelatin black and white photograph. Paris, The Buttes Chaumont Park, circa 1930. Features: Original Silver Gelatin Print Photography Unframed. Press Photogra...

The original Chemins de Fer de l'État poster by Hermine David in 1937, entitled "Le Réseau de la Mer Bretagne", is a true masterpiece of French advertising art. Hermine David, a tale...

To see our other Modern British Art, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the artist you ...

Barbara Shermund (1899-1978). Showgirls Cartoon for Life Magazine, 1934. Ink, watercolor and gouache on heavy illustration paper, matting window measures 16.5 x 13 inches; sheet measures 19 x 15 inches; Matting panel measures 20 x 23 inches. Signed lower right. Very good condition with discoloration and toning in margins. Unframed. Provenance: Ethel Maud Mott Herman, artist (1883-1984), West Orange NJ. For two decades, she drew almost 600 cartoons for The New Yorker with female characters that commented on life with wit, intelligence and irony. In the mid-1920s, Harold Ross, the founder of a new magazine called The New Yorker, was looking for cartoonists who could create sardonic, highbrow illustrations accompanied by witty captions that would function as social critiques. He found that talent in Barbara Shermund. For about two decades, until the 1940s, Shermund helped Ross and his first art editor, Rea Irvin, realize their vision by contributing almost 600 cartoons and sassy captions with a fresh, feminist voice. Her cartoons commented on life with wit, intelligence and irony, using female characters who critiqued the patriarchy and celebrated speakeasies, cafes, spunky women and leisure. They spoke directly to flapper women of the era who defied convention with a new sense of political, social and economic independence. “Shermund’s women spoke their minds about sex, marriage and society; smoked cigarettes and drank; and poked fun at everything in an era when it was not common to see young women doing so,” Caitlin A. McGurk wrote in 2020 for the Art Students League. In one Shermund cartoon, published in The New Yorker in 1928, two forlorn women sit and chat on couches. “Yeah,” one says, “I guess the best thing to do is to just get married and forget about love.” “While for many, the idea of a New Yorker cartoon conjures a highbrow, dry non sequitur — often more alienating than familiar — Shermund’s cartoons are the antithesis,” wrote McGurk, who is an associate curator and assistant professor at Ohio State University’s Billy Ireland Cartoon Library & Museum. “They are about human nature, relationships, youth and age.” (McGurk is writing a book about Shermund. And yet by the 1940s and ’50s, as America’s postwar focus shifted to domestic life, Shermund’s feminist voice and cool critique of society fell out of vogue. Her last cartoon appeared in The New Yorker in 1944, and much of her life and career after that remains unclear. No major newspaper wrote about her death in 1978 — The New York Times was on strike then, along with The Daily News and The New York Post — and her ashes sat in a New Jersey funeral home...

A color pochoir on arches paper by Kees Van Dongen titled "Couple Conversing" from the La Garconne Series "Un Couple Parle Ensemble." Two figures are surrounded by an aura-like pink ...

"Panthers resting" by Maximilien FIOT (1886-1953) Outstanding and rare sculpture in white marble France circa 1930 height 40 cm length 66 cm Provenance : By Descent of the Boardman, Devitt and Dawkins families, New England and California. Biography : Louis-Maximilien Fiot, known as Maximilien Fiot (1886-1953) was a French sculptor. Student of the sculptor Prosper Lecourtier, he exhibited at the Paris Salon from 1910 to 1914. Member of the Salon of French Artists, Fiot obtained a third medal in 1911, then a second medal in 1913. As an animal artist, he also participated during the period between the two World Wars, like many of his confreres, in the production of war memorials. In 1930, he realized for the city of La Ferté-Alais, where his mother lived, "The Lion watching...

This color pochoir by Kees Van Dongen is titled which was done in 1925 on arches paper No. 738/750. Archivally framed with 23k gold; 23k gold fillet, silk mat, and museum glass. 9...

Faune berger " original lithography N°138/150.

'Bassets Griffons de Bretagne et de Vendee'. French chromolithograph, published in 1931. Signed by artist in the plate. Printed title lower right of sheet. Plate number top right. F...