Cubist Art

Comprised of rounded shapes without significant sharp angles, this curving portrayal of a woman in a green dress is indicative of the Cubist sty...

Medium: Collotype and lithograph on vélin gloss finish paper (to resemble the finish of ceramic), archivally hinged on vélin paper Year: 1948 Paper Size: 11.25 x 15 inches Catalogue ...

This high-quality reproduction of Pablo Picasso’s Jacqueline Assis avec son Chat Noir is printed on Arches paper using a five-color offset lit...

Raising his hands behind his head, the nude figure in this Pablo Picasso print looks downward. Rendered in a neutral orange hue, the figure is shown fragmented in a series of simple ...

This fragmented portrait of a painter by Pablo Picasso features bright, bold colors and relies on visible brushstrokes to show the figure of the man instead of the geometric shapes and rigid angles commonly found in his Cubist work. A lithograph from the Marina Picasso...

Artist: Pablo Picasso (1881-1973) Title: Femme a la Toilette Year: 1981 Medium: Lithograph on Arches paper Size: 21.75 x 28.5 inches Edition: 1000, plus proofs Condition: Good Inscri...

In this vibrant print, Pablo Picasso creates a likeness of his daughter Paloma as a young child. Fusing together, the sharp angles and varied perspectives in this piece merge with th...

Medium: Lithograph on vélin d’Arches paper Year: 1959 Paper Size: 10.25 X 16.5 inches Catalogue raisonné reference: Cramer, illustration 101 Inscription: Inscription: Unsigned and u...

The painting Still Life with Bottle and Glass by Pablo Picasso was originally created in 1914. The high-quality reproduction on 250g paper with deckled edges, published by Achenbach ...

Paper Size: 10.75 x 9.5 inches ( 27.305 x 24.13 cm ) Image Size: 8.25 x 8.5 inches ( 20.955 x 21.59 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Addit...

Arranged along a table, the still life displayed in this Pablo Picasso print is bright and luminous. Placed around the lamp at the center, the angular forms of the skull, leeks, and ...

Comprised solely of mostly rigid, straight lines, this print by Pablo Picasso is a fine example of his mastery of perspective through the use of line. Set in a living room, the woman...

Medium: Lithograph on vélin paper Year: 1954 Paper Size: 14.25 x 20.25 inches, with centerfold, as issued Inscription: Inscription: Unsigned and unnumbered, as issued Catalogue Raiso...

Pablo Picasso's manipulation of perspective creates a complex portrayal of a woman in the nude. His depiction of the female figure includes multiple points of view that combine to fo...

Very impressive mid 20th century cubist abstract still life. Oil on canvas. Framed. Signed. Great color.

Unknown Artist - Homage to Woman with Book by Picasso, Medium: Giclee and Acrylic on Canvas, Size: 24.5 x 20.25 in. (62.23 x 51.44 cm)

Staring slightly off to the side, Olga Picasso (Khokhlova) is clothed in a loose-fitting brown dress that drapes off of her body and wears her hair pulled...

In this ninth decade of life, and as a working artist for nearly70 years, Suzanne Benton has become interested in the concept of Late Style as described by the literary theorist Edwa...

Jan Van Raay (1942 - ) - Mother and Child, Year: circa 1979, Medium: Lithograph, signed and numbered in pencil, Edition: AP 50, Size: 29 x 23 in. (73.66 x 58.42 cm), Frame Size...

In this ninth decade of life, and as a working artist for nearly70 years, Suzanne Benton has become interested in the concept of Late Style as described by the literary theorist Edwa...

Medium: Lithograph on vélin papier Vergé fin blanc des papeteries de Bellerive paper Year: 1970 Paper Size: 11.024 x 8.66 inches Inscription: Inscription: Unsigned and unnumbered, as...

In this ninth decade of life, and as a working artist for nearly70 years, Suzanne Benton has become interested in the concept of Late Style as described by the literary theorist Edward Said. “Each of us can supply evidence of late works, which crown a lifetime of aesthetic endeavor,” Matisse had it with his renowned paper cuts. While nearly blind, Monet created the water lily paintings as his final legacy to the history of art.  Benton's Late Style arrived as a surprise during the Covid pandemic. The resultant aloneness from sheltering in place brought her to an uncanny level of solitude that only painting could voice. She reached for the purest of colors, and entered a celebratory world to create the Neo-Transcendental paintings titled All About Color. The disappeared narrative came as a surprise. It had been the mainstay of the masks and mask tale performances, monoprints and paintings. This time though, the artist needed to bring a vibrancy to canvas, and to make tangible this sense of sheer essence that had pressed into her inner self in that time of stillness. Well educated in color by John Ferren, the abstract expressionist painter who’d taught the year’s color study at Queen College. The sensitivity developed further through four lengthy art-working journeys to India, starting in 1976-77, continuing with a 1992-1993 Fulbright, and additional South Asia residencies in 1995, and 2011. Those and others in Africa brought an ever more attuned palette to decades of monoprints with Chine collé that featured imagery from world culture, as well as her Americana of 19th and 20th century women writers, educators, suffragists, and feminists. These Late Style artworks explore the cosmic realm. Its deceptive simplicity reminds Benton of Buffie Johnson’s late work. She, an early celebrator of Great Goddess imagery turned to circles in her latter years. similarly, Benton had drawn on rich Goddess imagery since the 1970’s...

Cubist Forest (34) John F. Leonard American (1921–1987) Date: 1960 Oil on Board, signed Size: 19.5 in. x 25 in. (49.53 cm x 63.5 cm) Frame Size: 24 x 29 inches

Facing the viewer, the woman wearing a delicately decorated floral blouse with a rainbow-beaded necklace smiles slightly as she looks back at the viewer with large, bright eyes. Her ...

In this ninth decade of life, and as a working artist for nearly70 years, Suzanne Benton has become interested in the concept of Late Style as described by the literary theorist Edward Said. “Each of us can supply evidence of late works, which crown a lifetime of aesthetic endeavor,” Matisse had it with his renowned paper cuts. While nearly blind, Monet created the water lily paintings as his final legacy to the history of art.  Benton's Late Style arrived as a surprise during the Covid pandemic. The resultant aloneness from sheltering in place brought her to an uncanny level of solitude that only painting could voice. She reached for the purest of colors, and entered a celebratory world to create the Neo-Transcendental paintings titled All About Color. The disappeared narrative came as a surprise. It had been the mainstay of the masks and mask tale performances, monoprints and paintings. This time though, the artist needed to bring a vibrancy to canvas, and to make tangible this sense of sheer essence that had pressed into her inner self in that time of stillness. Well educated in color by John Ferren, the abstract expressionist painter who’d taught the year’s color study at Queen College. The sensitivity developed further through four lengthy art-working journeys to India, starting in 1976-77, continuing with a 1992-1993 Fulbright, and additional South Asia residencies in 1995, and 2011. Those and others in Africa brought an ever more attuned palette to decades of monoprints with Chine collé that featured imagery from world culture, as well as her Americana of 19th and 20th century women writers, educators, suffragists, and feminists. These Late Style artworks explore the cosmic realm. Its deceptive simplicity reminds Benton of Buffie Johnson’s late work. She, an early celebrator of Great Goddess imagery turned to circles in her latter years. similarly, Benton had drawn on rich Goddess imagery since the 1970’s...

Circus Backstage (At Play) (70) John F. Leonard American (1921–1987) Date: circa 1965 Oil on Board Size: 18.5 in. x 30 in. (46.99 cm x 76.2 cm)

Medium: Lithograph on vélin du Marais paper Year: 1957 Paper Size: 14.5 x 11 inches Catalogue raisonné reference: Cramer, illustration 84 Inscription: Inscription: Unsigned and unnum...

Rendered in lines of varying strength, this scene from the Greek comedy Lysistrata written by Aristophanes is full of movement and drama. Staring at one a...

Pablo Picasso's print features a painter in his studio capturing the likeness of a nude woman posing on a setee or chaise lounge. Sitting at his easel, the painter uses blue paint on...

Mother and Child (3) by John F. Leonard, American (1921–1987) Date: circa 1965 Oil on Board Size: 44 in. x 29 in. (111.76 cm x 73.66 cm)

Pablo Picasso Service Poisson (Ramié, 26), 1947 White earthenware ceramic plate, with coloured 9 2/5 in diameter 24 cm diameter Edition of 300

In this ninth decade of life, and as a working artist for nearly70 years, Suzanne Benton has become interested in the concept of Late Style as described by the literary theorist Edwa...

In this ninth decade of life, and as a working artist for nearly70 years, Suzanne Benton has become interested in the concept of Late Style as described by the literary theorist Edwa...

Medium: Lithograph on vélin paper Year: 1954 Paper Size: 14.25 x 20.25 inches, with centerfold, as issued Inscription: Inscription: Unsigned and unnumbered, as issued Catalogue Raiso...

A bright cubist screenprint of a woman seated with a cello. She wears a long red skirt and blue blouse and is posed in front of a background composed of intersecting geometric shapes. This piece is signed and numbered in pencil by the artist and is floating in an ornate burnished gold frame. Woman with Cello...

Music Hall Pathos by Benjamin Benno, American (1901–1980) Date: 1938 Gouache and Colored ink on paper, signed and dated lower left Size: 14 x 10 in. (35.56 x 25.4 cm) Frame Size: 23....

This refined oil painting was realized by Samuel Joel "Zero" Mostel- the three time Tony Award winning American actor, comedian, and singer- who was equally talented as a painter in ...

Medium: Lithograph on vélin d’Arches paper Year: 1959 Paper Size: 10.25 X 16.5 inches Catalogue raisonné reference: Cramer, illustration 101 Inscription: Inscription: Unsigned and u...

Shaking hands, the two primary figures in the composition wear togas and carry weaponry in this composition by Pablo Picasso. Wearing ornate curved helmets and carrying shields with ...

Set on a reddish-brown table, this display of a platter with lemons and a floral-decorated vase is emblematic of Pablo Picasso's Cubist work. With dramatic shading and bold lines, th...

Medium: Lithograph on vélin du Marais paper Year: 1957 Paper Size: 14.5 x 11 inches Catalogue raisonné reference: Cramer, illustration 84 Inscription: Inscription: Unsigned and unnum...

Medium: Lithograph and stencil on vélin paper Year: 1946 Paper Size: 18.75 x 12.625 inches Inscription: Signed in the plate and unnumbered, as issued Catalogue raisonné reference: Or...

This original color lithograph, designed by Pablo Picasso, was created for the opening of the Los Angeles County Museum of Art (LACMA) in 1966. Printed by the renowned Mourlot printi...

Title: Pour Roby (L’Age de Soleil) Year: 1969 Medium: Restrike Etching on Arches paper Size: 12.875 x 10 inches Condition: Good Inscription: Signed in the plate in reverse. Notes: ...

A lithograph from the Marina Picasso Estate Collection after the Pablo Picasso painting "Personnage et Colombe". The original painting was completed in 1913. In the 1970's after Pic...

Four Sailboats Miriam Bromberg Date: circa 1965 Oil on Canvas, signed lower right Size: 18 x 36 in. (45.72 x 91.44 cm) Frame Size: 24 x 41.5 inches

Pablo Picasso's use of line and shading in this print of a rider in armor on horseback brings the scene to life. The quick strokes of the artist's hand, coupled with the intense cont...

Pablo Picasso's depiction of a child standing with a flower her hand is a classic example of the artist's use of angles and perspective in his work. A lithograph from the Marina Pica...

Title: Geometric Series - Green Medium: Oil on canvas Size: 31 x 23 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This ...

Medium: Lithograph and stencil on vélin paper Year: 1946 Paper Size: 18.75 x 12.625 inches Inscription: Signed in the plate and unnumbered, as issued Catalogue raisonné reference: Or...

Arnaldo Miccoli (Italian, b. 1938), "The Ventriloquist", Oil on Canvas, signed to lower right, titled and signed to verso, wood frame. Image: 34" H x 26" W; frame: 35.5" H x 27.5" W....

Cubist Purple Nude Miriam Bromberg Oil on Canvas Size: 40 x 28 in. (101.6 x 71.12 cm)

Arnold Hoffmann, Jr., American (1915 - 1991) - First, Year: circa 1970, Medium: Screenprint, signed, titled and numbered in pencil, Edition: 16/50, Image Size: 27.25 x 20.75 inches...

This lithograph features an unpublished work presented at the Musée Réattu in Arles, renowned for its collection of Picasso drawings. The artwork, created in 1971, depicts two faces—...

Paper Size: 12.5 x 9.5 inches ( 31.75 x 24.13 cm ) Image Size: 8 x 6.75 inches ( 20.32 x 17.145 cm ) Framed: No Condition: B-: Good Condition, Signs of Handling and Age Additio...

The Flutiste is an original lithographic poster created by Pablo Picasso in 1968. It was produced to promote a short exhibition of Picasso's works, held at Galerie Louise Leiris from...

Wearing a crown of white flowers, the woman in the white dress has clear blue eyes and pink lips. A classic example of Pablo Picasso's work, the woman's face is disjointed and fragme...

Set within an angular composition, Pablo Picasso's portrayal of a still life featuring a guitar is emblematic of his more avant-garde Cubist work. A lithograph from the Marina Picass...

Medium: Lithograph on vélin du Marais paper Year: 1957 Paper Size: 14.5 x 11 inches Catalogue raisonné reference: Cramer, illustration 84 Inscription: Inscription: Unsigned and unnum...

Still Life by Window (14) John F. Leonard American (1921–1987) Date: circa 1965 Oil on Canvas Size: 16 in. x 20 in. (40.64 cm x 50.8 cm)