Fauvist Art

(after) Raoul Dufy Lithograph after a watercolor, published in the book "Lettre à mon peintre Raoul Dufy." Paris, Librairie Académique Perrin, 1965. Printed signature Dimensions: ...

At cafe 1950, cardboard, oil, 51x71 cm The main focus of the artwork is a stylized representation of a cafe scene. The artist's intention is to capture the vibrant and lively atmosphere of a bustling cafe setting. The painting features numerous figures dancing in the background, creating a sense of movement and excitement. The artist's stylized approach involves using bold and expressive brushstrokes, vibrant colors, and abstracted forms to depict the figures and the overall energy of the scene. In the foreground, there is a man sitting behind a table with wine bottles, adding a focal point to the composition. The red interior of the cafe provides a warm and inviting ambiance, adding to the overall atmosphere of the painting. Biruta Baumane...

CARLOS NADAL Spanish, 1917 - 1988 PUEBLO DE NORMANDIA signed & dated "Nadal / 5-2-79" (lower right) with the atelier stamp (on the reverse) acrylic on paper 9-1/2 x 11-1/2 inches (2...

Raoul Dufy was an important multifaceted French artist who worked in a variety of media including painting, print making, mural design, theatre and costume design, upholstery, wall paper, ceramics, and fabric. In his paintings he often depicted the circus, equestrian scenes, Parisian cafe life, yachting scenes, colorful views of the French Riviera, and musical events in a distinctive style that combined the various artistic trends of the day, most notably Fauvism. Born in 1877 in Le Havre France, and after a year of military service in 1900, Dufy won a scholarship to the Ecole Nationale superieure des Beaux-Arts, in Paris, studying under Othon Friesz. He exhibited extensively throughout Paris and France at the various salons, including the Salon des Tuileries. For the 1937 Exposition Internationale in Paris, Dufy completed one of the largest paintings ever conceived, a 250...

Illegible signature lower right. Oil measures 38x46 cm. Frameless. Dated 1976.

Signed fauvist figurative oil on panel by French painter Louis Valtat. This stunning piece depicts a nude orchestra with the conductor in the foreground. The musicians are playing ce...

Medium: multi-stone color lithograph (after the original Bonnard lithograph). Printed in 1952 on Renage paper at the Mourlot atelier in faithful recreation of the original. According...

Artist: Charles Cobelle, French (1902 - 1994) Title: Paris Street Scene Year: circa 1968 Medium: Acrylic on Canvas, signed l.r. Image Size: 15 x 30 inches Frame Size: 23 x 37 i...

Medium: multi-stone color lithograph (after the original Bonnard lithograph). Printed in 1952 on Renage paper at the Mourlot atelier in faithful recreation of the original. According...

Raya Sorkine "La Roue Qui Tourne" wedding in Venice - 1999 Print - Lithograph on Arches Archival Paper   39'' x 29.5'' Edition: signed in pencil and numbered 105/190 IMAGE SIZE; 33"...

Medium: lithograph (after the original Bonnard lithograph). Printed in 1952 on Renage paper at the Mourlot atelier in faithful recreation of the original. According to the publisher,...

Bougival Woodcut, 1914 Signed and numbered in pencil Edition 30, this numberd 22 Printed on laid Van Gelder Zonen paper Published by Henri Kanweiler, Paris Printed by Paul Birault, Paris Bougival is located west of Paris, on the left bank of the River Seine. This woodcut was inspired by Vlaminck's 1905 Fauvist masterpiece of the same title in the collection of the Detroit Institute of Art. An impression of this image is in the Yale Univeristy Art Gallery, Condition: Very slight sun staining, otherrwise very good Image/block size: 13 1/4 x 16 1/4 inches Sheet size: 19 1/8 x 22 1/8 inches Reference: Walterskirchen 11b Maurice de Vlaminck (4 April 1876 – 11 October 1958) was a French painter. Along with André Derain and Henri Matisse, he is considered one of the principal figures in the Fauve movement, a group of modern artists who from 1904 to 1908 were united in their use of intense colour.] Vlaminck was one of the Fauves at the controversial Salon d'Automne exhibition of 1905. Life Maurice de Vlaminck was born on Rue Pierre Lescot in Paris. His father Edmond Julien was Flemish and taught violin and his mother Joséphine Caroline Grillet came from Lorraine and taught piano His father taught him to play the violin.[3] He began painting in his late teens. In 1893, he studied with a painter named Henri Rigalon on the Île de Chatou In 1894 he married Suzanne Berly. The turning point in his life was a chance meeting on the train to Paris towards the end of his stint in the army. Vlaminck, then 23 and already active in anarchist circles in Paris, met an aspiring artist, André Derain, with whom he struck up a lifelong friendship.] When Vlaminck completed his army service in 1900, the two rented a studio together, the Maison Levanneur, which now houses the Cneai,[6] for a year before Derain left to do his own military service. In 1902 and 1903 he wrote several mildly pornographic novels illustrated by Derain. He painted during the day and earned his livelihood by giving violin lessons and performing with musical bands at night. Vlaminck participated in the controversial 1905 Salon d'Automne exhibition. After viewing the boldly colored canvases of Vlaminck, Henri Matisse, André Derain, Albert Marquet, Kees van Dongen, Charles Camoin, and Jean Puy, the art critic Louis Vauxcelles disparaged the painters as "fauves" (wild beasts), thus giving their movement the name by which it became known, Fauvism. In 1911, Vlaminck traveled to London and painted by the Thames. In 1913, he painted again with Derain in Marseille and Martigues. In World War I he was stationed in Paris, and began writing poetry. Eventually he settled in Rueil-la-Gadelière, a small village south-west of Paris. He married his second wife, Berthe Combes, with whom he had two daughters. From 1925 he traveled throughout France, but continued to paint primarily along the Seine, near Paris. Resentful that Fauvism had been overtaken by Cubism as an art movement Vlaminck blamed Picasso "for dragging French painting into a wretched dead end and state of confusion". During the Second World War, Vlaminck visited Germany and on his return published a tirade against Picasso and Cubism in the periodical Comoedia in June 1942. Vlaminck wrote many autobiographies. Vlaminck died in Rueil-la-Gadelière on 11 October 1958. Artistic career Two of Vlaminck's groundbreaking paintings, Sur le zinc (At the Bar) and L'homme a la pipe (Man Smoking a Pipe) were painted in 1900. For the next few years Vlaminck lived in or near Chatou (the inspiration for his painting houses at Chatou), painting and exhibiting alongside Derain, Matisse, and other Fauvist painters. At this time his exuberant paint application and vibrant use of colour displayed the influence of Vincent van Gogh. Sur le zinc called to mind the work of Toulouse-Lautrec and his portrayals of prostitutes and solitary drinkers, but does not attempt to probe the sitter's psychology—a break with the century-old European tradition of individualized portraiture. According to art critic Souren Melikian, it is "the impersonal cartoon of a type. In his landscape paintings, his approach was similar. He ignored the details, with the landscape becoming a vehicle through which he could express mood through violent colour and brushwork. An example is Sous bois, painted in 1904. The following year, he began to experiment with "deconstruction," turning the physical world into dabs and streaks of colour that convey a sense of motion. His paintings Le Pont de Chatou (The Chatou Bridge), Les Ramasseurs de pommes de terre (The Potato Pickers...

Linda Clerget's abstract cosmic plant paintings are a journey through the universe and nature. With vibrant colors and clean shapes, these paintings tran...

Heimrad Prem (1934 – 1978) was a German painter born in Roding, Oberpfalz. From 1949–1952 he studied decorative painting at Schwandorf and then studied painting with Josef Oberberger...

Genre: Modern Subject: Figures Medium: Oil Surface: Board Country: United States Dimensions w/Frame: 31 x 37 Donald Roy Purdy is an American painter whose work evolved through a ran...

Artist/ School: French School, indistinctly signed, dated 1943. Title: Sailing Boat off a rocky coastline. Medium: oil painting on board. Size: painting: 20 x 23 inches, framed: ...

This painting is inspired by the park of the castle of Fontainebleau in France. The artist likes to mix reality and imagination, intoxicated colors felt and suggested, often includin...

MARC CHAGALL 1887-1985 [Shagal, Mark, Zakharovich, Moses] Vitebsk, Belarus 1887-1985 Saint-Paul-de-Vence, Alpes-Maritimes Title: Siren with the Poet, from: Nice and the Côte d'Azur Sirène au Poète, from: Nice Côte d'Azur, 1967 Technique: Hand Signed and Numbered Lithograph in Colours on Arches Wove Paper Paper size: 73.3 x 52.7 cm. / 28.9 x 20.7 in. Image size: 61.5 x 45.5 cm. / 24.2 x 17.9 in. Additional Information: This lithograph is hand signed in pencil by the artist "Marc Chagall" at the lower right margin. It is also hand numbered in pencil with Arabic numerals from the edition of 150, at the lower left margin. A further 75 impressions were numbered in Roman numerals and there were ten artist's proofs. It was printed by Charles Sorlier and published by Editions Mourlot in 1967. The paper bears the Arches watermark in the right margin and is stamped with the ink stamp of the publisher, verso. Note: ‘Siren with the Poet’ is one of 12 compositions created to celebrate Nice and the Côte d’Azur. The large-scale lithographs...

This is most likely a self-portrait. We see the artist in a reflection holding a small 1950s camera while his wife in the foreground holds a large bran...

Medium: multi-stone color lithograph (after the original Bonnard lithograph). Printed in Paris on Renage paper in 1952 by the Mourlot atelier, in faithful recreation of the original....

Medium: multi-stone color lithograph (after the original Bonnard lithograph). Printed in 1952 on Renage paper at the Mourlot atelier in faithful recreation of the original. According...

Medium: multi-stone color lithograph (after the original Bonnard lithograph). Printed in 1952 on Renage paper at the Mourlot atelier in faithful recreation of the original. According...

Medium: multi-stone color lithograph (after the original Bonnard lithograph). Printed in 1952 on Renage paper at the Mourlot atelier in faithful recreation of the original. According...

A bright and bustling Paris cityscape by French artist Charles Cobelle, signed lower right Size: 20 x 24 in. (50.8 x 60.96 cm) Frame Size: 24.5 x 28.5 in

A very good impression of this color lithograph. Edition of 3000. Printed by Mourlot, Paris. Published by Editions of the Metropolitan Opera, New York.

"Salinas Valley Farm" - Fauvist Landscape in Oil on Artist's Board Bright and saturated landscape by Will H. Light (American, 1926-2004). The viewer stands at the edge of a farm, lo...

Jordi Curós Ventura (1930-2007) - Delft Netherlands - Oil on canvas Oil measures 60x73 cm. Frameless. Jordi Curós Ventura (Olot, Girona, March 4, 1930) is a Catalan painter. He tra...

Medium: multi-stone color lithograph (after the original Bonnard lithograph). Printed in 1952 on Renage paper at the Mourlot atelier in faithful re...

Ramón Moscardó (1953) - Violinist under the snow - Oil and collage on paper Oil measures 64x50 cm. Frame measures 80x65 cm. Ramón Moscardó studied at the Sant Jordi School of Fine A...

French Mid 20th Century oil on board, fauvist view of olive trees in a landscape, probably near Nice in the South of France and the surrounding countryside, by Hyppolite Roger...

Medium: lithograph (after the watercolor). Printed in 1939 at the Mourlot Frères atelier for the art revue Verve and published in Paris by Teriade. Size: 14 x 10 1/4 inches (355 x 26...

Medium: multi-stone color lithograph (after the original Bonnard lithograph). Printed in 1952 on Renage paper at the Mourlot atelier in faithful recreation of the original. Accordin...

Matisse Exhibition poster is a contemporary artwork realized in 1978. Mixed colored offset poster realized in the occasion of the exhibition of Henry Matisse...

Yellow-toned abstract figurative portrait by artist T. Moore. The painting depicts a mustached man in a suit seated against a brown-toned background. Signed by the artist at the bott...

Medium: multi-stone color lithograph (after the original Bonnard lithograph). Printed in 1952 on Renage paper at the Mourlot atelier in faithful re...

Josep Moscardó (1953) - Girona Cathedral Lithograph - Hand signed Lithograph measures 54x76 cm. Frameless. Numbered 12/150 Barcelona, 1953 Painter, sculptor and draftsman of deep-r...

Jordi Curós Ventura (1930-2007) - Saint Mark's Square Venice - Oil on canvas Oil measures 60x73 cm. Frame measures 81x94 cm. Jordi Curós Ventura (Olot, Girona, March 4, 1930) is a C...

Medium: multi-stone color lithograph (after the original Bonnard lithograph). Printed in 1952 on Renage paper at the Mourlot atelier in faithful re...

Nan Hass Feldman's “Friends in the Floating World" is a 28 x 22 x 1.5 inch oil painting on panel in an energetic composition of birds, fans, kimonos, flowers and dolls in deep blue, ...

Medium: lithograph (after the 1947 Andre Derain painting). Printed in Paris on Arches paper at the Mourlot studio in 1970 in an edition of 1000 for the Collection Pierre Lévy deluxe ...

Medium: lithograph. Medium: lithograph. Printed in 1939 by Mourlot Freres and published by Teriade for Verve (Volume 1, Number 5-6). Size: 13 3/4 x 10 1/8 inches (347 x 257 mm). Ther...

This painting features vibrant hues of yellow, purple, green and pink. Chattanooga-based artist Christina Renfer Vogel holds an MFA from the Massachusetts College of Art and a BFA f...

Medium: pochoir (after the gouache). This pochoir illustrates a scene from Oscar Wilde's "Salomé". It was printed in 1938 at the atelier Saudé of Paris and published by The Limited E...

SOLD UNFRAMED City View by Ludovic-Rodo Pissarro (1878-1952) Watercolour and ink on paper 17.8 x 22.9 cm (7 x 9 inches) Signed with Estate stamp Executed circa 1904 Provenance Priv...

Linda Clerget's abstract floral paintings are a journey through the plants and nature. With vibrant colors and energy, this painting transport you to a d...

Still-life with teapot. Figurative and colorful Oil on canvas Painting in Fauvist style. Author: Elena Negueroles (Spain) Measurements in centimeters:...

HENRI MATISSE 1869-1954 (Emile Benoît) Le Cateau-Cambrésis 1869-1954 Nice (French) Title: Figure Reading Figure lisant, 1929 Technique: Original Hand Signed and Numbered Etching o...

"Bottle Collection I" is a modern still-life that portrays a collection of bottles and china items that are arranged in a harmonious composition ag...

Medium: pochoir (after the gouache). This pochoir illustrates a scene from Oscar Wilde's "Salomé". It was printed in 1938 at the atelier Saudé of Paris and published by The Limited E...

Medium: multi-stone color lithograph (after the original Bonnard lithograph). Printed in 1952 on Renage paper at the Mourlot atelier in faithful re...

Rare Set of Four Original Color WDCT Skira 1943 after RABELAIS (François). The Horrible and Terrible Deeds and Prowess of the Renowned Pantagruel, King of the Dipsodes, Son of the ...

This intimate and sentimental fauvist painting by Gustav Likan depicts a scene of students conversing in an art class. It features a warm color palette of orange yellow red and magen...

Artist: Marc Chagall Medium: Lithograph Title: Brown Still Life Portfolio: Chagall by Jacques Lassaigne Year: 1957 Edition: 6,000 Framed Size: 13 3/4" x 15 1/2" Sheet Size: 9" x 7 3/...

Medium: pochoir (after the gouache). This pochoir illustrates a scene from Oscar Wilde's "Salomé". It was printed in 1938 at the atelier Saudé of Paris and published by The Limited E...

In Haleh Mashian's piece, "Awaken 3," a portrayal unfolds as the artist captures the countenance of a man who appears to have transcended the pervasive cloud of forgetfulness and dis...

In "Awaken 1," the observer encounters the penetrating gaze of a male figure bathed in inviting warm tones, while the shadows contrast with cool blues and purples. The artist, Haleh ...

Wonderful vibrant fauvist mid century modern still-life of a plate with grapes and bananas by California artist Virginia Sevier Rogers (American, 1917-2015) c.1960. This mid-century ...

RALPH DELLA-VOLPE (1923-2017) Fine Art Painter, American Contemporary Sunset Sail Oil on canvas Hand signed lower right and verso 22 x 20 inches Provenance: The Estate of the artist Ralph Della Volpe TRAINING: National Academy of Design The Art Students League, NYC Ralph Eugene Della-Volpe's semi-abstract paintings of often simplified, minimalist, beach scenes and anonymous portraits "convey profound awareness of mood and character", and his paintings are hardly as literal as they may first appear (Arts Magazine. "New York Exhibitions". 1965). His brightly-colored, light-infused, ornamental compositions bring together aspects of many modernist art movements including Fauvism, Impressionism, Symbolism, and abstraction. Della-Volpe first studied painting at the prestigious National Academy of Design before joining the Army during World War II. As a soldier, the artist saw action on Utah Beach, winning a Purple Heart, and his experiences undoubtedly affected his later artistic style. The Fauvist "coloristic exuberance" found in the works beginning in the mid 1960's, with their vibrant fuschias and yellows, seem to offset what could be an otherwise solemn tone to many of his works at the time. Upon his return from military service, Della-Volpe’s style evolved significantly. In the years following the second world war, his work was solemn, imbued with a quiet darkness. Over time, this darkness faded: by the 1950s, influenced by his time at the Art Students League, his oeuvre was overtaken by the tenants of Abstract Expressionism. Paintings from this period boast bold brushwork, energetic compositions, and strong color. Although the next decade saw Della-Volpe trade expressionist abstraction for figuration, his love of color continued to shine through his work.Della-Volpe took a teaching position as the first artist-in-residence at Bennett College in Millbrook, New York where he remained for 28 years, serving as chairman of the Art Department for most of that time. Obviously influenced by impressionism 's preoccupation with the treatment of light, Della-Volpe's own works have a "faultless tonal quality, with its sense of failing light—the areas of silvery gray deepening into rosy tans" (Arts Magazine. "In the Galleries". 1960). Della-Volpe has exhibited widely throughout his career and has lectured on art at colleges, universities, and galleries across the country. SOLO SHOWS: Hotchkiss Library, Sharon, Conn Millbrook Library, Millbrook,NY Gregory James Gallery...