Old Masters Art

Interesante óleo pintado sobre cristal que representa a San Francisco de Asís, pintado con un estilo Naif. No esta firmado, solo va titulado. Se presenta con su marco original de m...

Artwork on canvas Empire style frame in plaster and gilded wood 49.7 x 58 x 5.5 cm

CHILD - Pastel on paper cm.51x41 signed lower right by Alfonso Grassi, Italy. Wooden frame with passeportout cm.94x73

Albrecht Durer, After by Amand Durand, German (1471 - 1528) - Les Trois Paysans, Year: 1873, Medium: Heliogravure, Size: 4.5 x 3.25 in. (11.43 x 8.26 cm), Printer: Amand Durand, ...

This lovely French Old Master portrait oil painting is attributed to the circle of Jean Auguste Dominique Ingres. Painted circa 1810 it is a head and shoulders profile of a beautiful woman, resting her head on one hand. There is superb attention to detail and vibrant colouring. An excellent example of a French Old Master portrait of the period. Provenance. London estate. Condition. Oil on canvas, 15 inches by 12 inches unframed and in good condition. Frame. Housed in a gilt frame, 20 inches by 17 inches framed and in good condition. Jean-Auguste-Dominique Ingres (1780-1867) was a French Neoclassical painter. Ingres was profoundly influenced by past artistic traditions and aspired to become the guardian of academic orthodoxy against the ascendant Romantic style. Although he considered himself a painter of history in the tradition of Nicolas Poussin and Jacques-Louis David, it is his portraits, both painted and drawn, that are recognized as his greatest legacy. His expressive distortions of form and space made him an important precursor of modern art, influencing Picasso, Matisse and other modernists. Born into a modest family in Montauban, he travelled to Paris to study in the studio of David. In 1802 he made his Salon debut, and won the Prix de Rome for his painting The Ambassadors of Agamemnon in the tent of Achilles. By the time he departed in 1806 for his residency in Rome, his style—revealing his close study of Italian and Flemish Renaissance masters—was fully developed, and would change little for the rest of his life. While working in Rome and subsequently Florence from 1806 to 1824, he regularly sent paintings to the Paris Salon, where they were faulted by critics who found his style bizarre and archaic. He received few commissions during this period for the history paintings he aspired to paint, but was able to support himself and his wife as a portrait painter and draughtsman. He was finally recognized at the Salon in 1824, when his Raphaelesque painting of the Vow of Louis XIII was met with acclaim, and Ingres was acknowledged as the leader of the Neoclassical school in France. Although the income from commissions for history paintings allowed him to paint fewer portraits, his Portrait of Monsieur...

Fresco Cupid With Animals from "Antiquities of Herculaneum" is an etching on paper realized by Francesco Martano in the 18th Century. Signed on the plate. Good conditions with some...

This colorful and detailed early 18th century copperplate map by John Cary entitled "A New Map of Persia from the Latest Authorities" was published in London in 1801. It depicts Persia, the region of modern day Afghanistan, the Caspian Sea, the Sea of Aral, the Persian Gulf...

Work on canvas Golden wooden frame 64 x 82.5 x 7 cm

Antique carving of a saint or martyr. 17th century Flemish hardwood carving. Wonderful wear and rich color.

Roman Wall Motif With Nehebkau and Pegasus from "Antiquities of Herculaneum" is an etching on paper realized by Carlo Nolli in the 18th Century. Signed on the plate. Good condition...

Antiquities of Herculaneum is an etching on paper realized by Francesco Lavega in the 18th Century. Signed on the plate. Good conditions and aged. The etching belongs to the print...

Study of faces is an original old master artwork realized by Stefano Della bella in 17th Century. Black and white etching. The etching is divided in 2 panes, the measures of them fr...

Ancient Roman statue of a horse, from the series "Antiquities of Herculaneum", is an original etching on paper realized by Carlo Nolli in the 18th ce...

Louis-Félix de La Rue (1730-1777)  A Banquet scene Pen and black ink, brown ink wash on paper Diameter 21 cm In good condition In a modern frame under glass 30 x 30 cm Louis Feli...

This is an early 17th century map entitled "Nova Famigerabilis Insulae Ac Ducatus Rugiae Desciptio" (Map of Rugen Island, Germany) by Gerard Mercator and Henricus and Joducus Hondiu...

Gouache Nealopitane Marine, Italy, 2011, cm.22x33. Lacquered wooden frame. Delicious gouache made in 2011 by an unknown artist, using the method of the ancient masters of the landscape. Gouache paint is a non-permanent, water-based, opaque and opaque paint made opaque with the addition of a chalky white pigment. Invented in Europe in 500, it was initially used to carry out preliminary sketches of large oil works. It is characterized by a great ease of drafting and a lively color rendering, but it requires great skill, certainty in drawing and an extreme speed of execution, as it dries quickly and cannot be retouched. Precisely these characteristics give a particular liveliness and freshness to the works, characterized by light and opaque tones, very different from the glossy compactness of egg tempera and the transparency of the oil. Widely used in canvas paintings and miniatures. The technique was often used by landscape painters, such as Xavier Della Gatta, Pietro Fabris, Alessandro d'Anna...

Portrait of Rembrandt's Mother is an engraving on ivory-colored paper realized by Charles Amand Durand after an etching by Rembrandt. This wonderful piece of art belongs to an editio...

Majestic Painting Of Beetle Painter is an original lithograph on ivory-colored paper realized by J.J. Grandville from Scènes de la vie privée et publique des animaux, 1852. Published...

Stampa su carta pregiata di un stampa antica "Veduta di Chiaia dalla parte di Levante" di Antonio Cardon . Edizioni Pontevecchio. Logo del Giglio e un pennello con la scritta "Color...

Artist: Albrecht Dürer, After by Amand Durand, German (1471 - 1528) Title: Saint Jerome Year: 1873 Medium: Heliogravure Size: 9 x 7.25 in. (22.86 x 18.42 ...

Austrian School 18th Century Tri-Directional Portrait Commemorating the Russo-Turkish War Oil on wooden strips This extraordinary tri-directional portrait exemplifies the rare innovation known as a triscenorama, capturing a pivotal diplomatic moment through ingenious artistic technique. Employing triangularly cut wooden strips, this remarkable work simultaneously depicts three imperial figures central to the Russo-Turkish War of 1735-1739: Empress Anna Ivanovna Romanova of Russia when viewed directly, Holy Roman Emperor Charles VI from the left and Ottoman Sultan Mahmud I from the right, commemorating the Treaty of Nissa that concluded this significant European conflict. The portrait utilizes an exceptionally rare optical technique that predates modern movable imaging technology. When observed from different angles, the painted triangular wooden strips create a transformative effect, revealing entirely different imperial portraits as the viewer shifts position. The precision required to execute such a work demonstrates remarkable technical mastery, as the artist had to conceptualize three distinct portraits as well as the meticulous arrangement of the panels. This sophisticated manipulation of perspective creates an interactive viewing experience considered revolutionary for its time. Almost certainly created by an Austrian artist, this diplomatic artwork likely served as a commemorative piece marking the Treaty of Nissa, signed in September 1739. The treaty concluded Russia's ambitious campaign to secure access to the Black Sea while countering Ottoman raids in Ukraine and the Caucasus regions. Given its exceptional quality and historical significance, this portrait was possibly commissioned by Emperor Charles VI himself, potentially serving as a diplomatic gift to either Empress Anna or Sultan Mahmud I during the treaty negotiations. Under Empress Anna's leadership, Russia sought to counter devastating raids from Ottoman allies, particularly the Crimean Tatars...

Rembrandt's Mother is an engraving on ivory-colored paper realized by Charles Amand Durand (1831-1905) after an etching by Rembrandt. This wonderful piece of art belongs to a late ed...

"Le Bouvier (The Cowherd)" is an original etching by Claude Lorrain. It depicts a shepherd with a herd of cows. This etching is also in the collections of the Met and the Louvre. It ...

Albrecht Durer, After by Amand Durand, German (1471 - 1528) - La Vierge a la Poire, Year: 1873, Medium: Heliogravure, Size: 6 x 4 in. (15.24 x 10.16 cm), Printer: Amand Durand, D...

The Tribute Money is an engraving on ivory-colored paper realized after Rembrandt by Charles Amand Durand (1831-1905) after an etching by Rembrandt. This wonderful piece of art belo...

Ancient Roman Fresco from "Antiquities of Herculaneum"is an etching on paper realized by Nicola Vanni and Nicola Billy in the 18th Century. Signed on the plate. Good conditions and...

Oil Lamp With Decoration is an Etching realized by Carlo Pignatari (18th century). The etching belongs to the print suite “Antiquities of Herculaneum Exposed” (original title: “Le...

The Sleeping Herdsman is an engraving on ivory-colored paper realized by Charles Amand Durand (1831-1905) after an etching by Rembrandt. This piece of art belongs to a late edition o...

Two soldiers is an etching realized by Giambattista Tiepolo, in 1785.  Sheet 23 x 30 cm. Good impressions on paper, with wide margins. Referenc...

"La Danse Sous Les Arbes (The Country Dance)" is an etching by Claude Gellee (Le Lorrain). This etching is in the collections of the Metropolitan Museum and the Louvre. Publisher: Ma...

EIGHTEENTH CENTURY BRITISH CARICATURE THE HAPPY CONSULTATION, or MODERN MATCH, 1769 (DG 4335) ...

Land Battle - Antonio Savisio Italia 2006 - Oil on canvas diam. cm. 30 Gold leaf gilded and laquered wooden frame cm. 47x47 Maestro Antonio Savisio drew inspiration from the master...

Hand-colored print of the engraving by Antoine Alexandre Joseph Cardon of the original painting by Gabriele Ricciardelli. Edizioni Pontevecchio. Lily logo and a brush with the inscr...

Self-Portrait in a Cap, Laughing is an etching on ivory-colored paper realized by Charles Amand Durand (1831-1905) after an etching by Rembrandt. This wonderful piece of art belongs ...

Hand-colored print of the engraving by Antoine Alexandre Joseph Cardon of the original painting by Gabriele Ricciardelli. Edizioni Pontevecchio. Lily logo and a brush with the inscr...

Landschap Met Vierkante Toren is an engraving on ivory-colored paper realized by Charles Amand Durand after an etching by Rembrandt dated 1650. This wonderful piece of art belongs to...

Cherubim playing - Giulio Di Sotto Italia 2004 - Oil on canvas cm. 50 x 100 Gold dilded wooden frame available on request. The proposed painting represents two putti playing .. Cle...

Esta no lo es menos is an original artwork realized by the great Spanish artist Francisco Goya in 1810. Original Etching on paper. The artwork belongs to the famous series "Los D...

Estan Calientes is an original artwork realized by the Spanish artist Francisco Goya and published for the first time in 1799. Original etching on paper. The plate is part of the Third Edition of "Los Caprichos" that was published in 1868 by the Calcografia Nacional for the Real Academia. Full edition includes 80 original plates. Plate N. 13. Numbered on the upper corner. Titled on the lower central margin "Estan Calientes" (They feel warm). Excellent conditions. It seems that Goya first...

Belgian made, Jacquard woven with relief stitch. Fully lined with rod pocket for hanging. Cotton and rayon. Measurements are approximate.

Grazing is an artwork realized in the 18th century. It is an etching after a painting by Giuseppe Zais. Number of plate, author, and titled printed on ...

Artist: Benjamin Cole (English, c. 1697-1783) Title: "The South West Prospect of St. Mary's Church in the Strand" Portfolio: The History and Survey of London from its Foundation to t...

Albrecht Durer, After by Amand Durand, German (1471 - 1528) - L'Enlevement d'Amymone, Year: 1873, Medium: Heliogravure, Size: 10.5 x 7.5 in. (26.67 x 19.05 cm), Printer: Amand Du...

China ink and watercolor on paper. Conditions: Two cuts on the centre of the paper. Three holes on centre-right, botton-left and top-left of the paper. Worn on the top left of the ...

Antiquities of Herculaneum  - Letter of the Alphabet P,  from the series "Antiquities of Herculaneum", is an original etching on paper realized by Giovanni Mignani in the 18th centur...

Print on paper prized antique print "View of Naples" by Friedrich Bernhard Werner.

Colored silkscreen print on paper with mahogany wood frame

Chiesa dei SS. Vincenzo ed Anastasio a Trevi is an original black and white etching of the Late 18th century realized by Giuseppe Vasi. Signed and titled on plate lower margin. Go...

Image dimensions: 21 x 27 cm. Liber Veritatis - Plate 177 is a beautiful black and white etching and aquatint on paper realized by the Italian artist ...

Antiquities of Herculaneum  - Letter of the Alphabet V,  from the series "Antiquities of Herculaneum", is an etching on paper realized by Giovanni Mignani in the 18th century. Good ...

Camel is an artwork realized  in the 18th Century by an artisti follower of Stefano della Bella. Pencil Drawing.  The artwork is in good conditions . The artwork is depicted skill...

Significant and rare historical figurative landscape Folkstone Bandstand painting, with British Battle Cruiser in the background, by Adolph M. Br...

Veduta Generale del Tempio della Sibilla, e Ponte della Cascata di Tivoli Image dimensions: 61x45 cm. From the series “Le antichità de’ contorni di Roma (...)” an artist's proof with...

Ancient Roman Fresco, from the series "Antiquities of Herculaneum", is an original etching on paper realized by G.Furlanetti in the 18th century. Signed on the plate on the lower ri...

The Leper is an engraving on ivory-colored paper realized by Charles Amand Durand (1831-1905) after an etching by Rembrandt. This wonderful piece of art belongs to a late edition of ...

Ancient Roman Scene from the series "Antiquities of Herculaneum", is an etching on paper realized by Giovanni Morghen in the 18th Century. Signed on the plate. Good conditions with...

Ancient Roman Fresco from "Antiquities of Herculaneum" is an etching on paper realized by Francesco Cepparoli in the 18th Century. Signed on the plate. Good conditions. The etchin...

Judith & Holophernel is an original engraving, realized by Jean-Pierre-Marie Jazet after a painting of Horace Vernet. In very good conditions. The artwork represents the key scene of the story of Judith and Holophernes. Horace Vernet (1789 -1863): The French painter of military and historical scenes Horace Vernet was born on 30 June 1789 in Paris at the Louvre, where his parents found refuge during the war. The artist mainly painted sports subjects and extensive battle scenes. Son and grandson of two well-known painters, Carle Vernet and Joseph Vernet, Horace developed a remarkable facility for working on a large scale making him one of the most important painters of military France. In favor of Napoleon Bonaparte, the painter specialized in glorifying the Napoleonic era with his art. During the restoration of the monarchy after 1815, his studio became a center of political intrigue, as well as a meeting place for sportsmen, artists and writers. One of his most famous paintings dates back to 1826, Battle of the Bridge of Arcole, and shows the young Napoleon grabbing a torn flag and leading his men across the bridge on November 17, 1796. After spending a period with the French army in Algiers (1833), Horace Vernet's works present elements of the Arab world. Later he also obtained commissions from Louis Philippe and Napoleon III to produce battle scene paintings...