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Old Masters Art

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OLD MASTERS

Encompassing centuries of change in Europe between 1300 and 1800, from booms of prosperity to bloody revolutions, Old Masters describes a wide range of artists. The informal term was derived from the title of an artist who trained in a guild long enough to become a master, such as Leonardo da Vinci, who studied in a Florence painters’ guild. However, Old Masters paintings, prints and other art is now used to refer to work made by any artist with a high level of skill in painting, drawing, sculpture or printmaking who worked during this era.

The 15th century’s expansive trade and commerce spread culture across borders. A vibrant period of art emerged, bolstered by studies of anatomy and nature that influenced a new visual realism. From Raphael and Michelangelo in the Renaissance to Rembrandt van Rijn and Johannes Vermeer in the Dutch Golden Age, artists expressed emotion, naturalism, color and light in new ways. El Greco and Paolo Veronese were leaders in the dramatic style of Mannerism, while Caravaggio and Peter Paul Rubens demonstrated the movement and meticulous detail of Baroque art.

Historically, most attention was concentrated on male artists, but recent research and exhibitions have elevated the impactful work of women such as Rachel Ruysch and Artemisia Gentileschi. In late-18th-century France, female artists like Adélaïde Labille-Guiard and Élisabeth Vigée Le Brun were prominent names. Nevertheless, access to the academies and guilds was highly restricted for women, and even those able to establish practices were expected to adhere to portraits and still lifes rather than the grand history paintings being created by men.

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Style: Old Masters
Profile of an Oriental Man - Etching - 17th Century
Profile of an Oriental Man - Etching - 17th Century

Profile of an Oriental Man - Etching - 17th Century

Located in Roma, IT

Profile of an oriental man is an artwork realized in 17th Century, after HARMENSZ VAN RIJN REMBRANDT, (1606 Leiden - 1669 Amsterdam) Etching on paper. 13 x 12 cm. Slightly stained, heavily trimmed. The motif shows reminiscences of similar motifs of Rembrandt, as well as of Salomon Koninck...

Category

17th Century Old Masters Art

Materials

Etching

San Pietro in Vincoli - Etching by G. Vasi - Late 18th century

San Pietro in Vincoli - Etching by G. Vasi - Late 18th century

By Giuseppe Vasi

Located in Roma, IT

San Pietro in Vincoli is an artwork realized by Giuseppe Vasi in the late 18th century. Etching, 33 x 45 cm. Signed and titled in the lower part. Good conditions! Giuseppe Vasi (Corleone,1710 - Rome, 1782) was an engraver, architect, and landscape artist. Between 1746 and 1761, Vasi published 10 volumes with 240 engravings of the monuments of Rome...

Category

Late 18th Century Old Masters Art

Materials

Etching

Sketch of a Man in Profile
Sketch of a Man in Profile

Sketch of a Man in Profile

Located in London, GB

Sketch of a Man in Profile 17th Century French School Ink on paper Image Size: 10 1/2 x 7 inches (26.5 x 17.5 cm) Framed Provenance The estate of Joseph McCrindle Christies Old Masters and British Pictures and Old Master Drawings Sale 12th December 2008 This highly worked picture shows us a man depicted in profile is seen interacting with a scene that extends beyond the boundaries of the paper's composition, the pen strokes intricately portraying the man's face, rendering a detailed, textured complexion. He points his left hand out to something in the distance, with a look of almost alarm. The artist Giovanni Benedetto Castiglione (1609-64) did a series of oriental head studies. The exotic headgear that he wears and this type of oriental head studies, had its principal source was of course Rembrandt, who etched many similar heads during the 1630s. In the seventeenth-century Western European imagination, the turbaned figure represented the epitome of alterity: the Ottoman Turk. Ottoman costume...

Category

17th Century Old Masters Art

Materials

Paper, Ink

A L'Image Notre Dame - Woodcut by Charles-Antoine Jombert - 1755

A L'Image Notre Dame - Woodcut by Charles-Antoine Jombert - 1755

Located in Roma, IT

A L'Image Notre Dame is a woodcut print realized by Charles-Antoine Jombert in 1755. Good conditions. The print was realized for the anatomy study “JOMBERT, Charles-Antoine (1712-1784) - Méthode pour apprendre le dessein, ou l'on donne les regles générales de ce grand Art.. enrichie de cent planches representant differentes parties du Corps Humain.. et quelques etudes d`Animaux & de Paysage. Paris: C.A. Jombert, 1755” The plates of this important study were mainly dedicated to anatomical studies, physiognomy and proportions, many taken from works by famous artists such as Raphael, Guido Reni and Titian, as well as classical works including the Farnese Hercules and the Medici Venus.

Category

1750s Old Masters Art

Materials

Woodcut

Joshua 26 - Old Testament Story - Etching by Giovanni Lanfranco - 1607
Joshua 26 - Old Testament Story - Etching by Giovanni Lanfranco - 1607

Joshua 26 - Old Testament Story - Etching by Giovanni Lanfranco - 1607

Located in Roma, IT

Joshua 26 - Old Testament Story is an Etching print realized by the artist Giovanni Lanfranco. About The Old Testament Story, 1607 ca. Passpartout included 29 x 39 cm The artwork is in good condition with some foxing. Together Giovanni Lanfranco with Sisto Badalocchio (q.v.), he was a pupil in Parma of Agostino Carracci (1557-1602). Again with Badalocchio, he traveled to Rome in 1602, following Agostino's death, to work under Annibale Carracci (1560-1609), where the two assisted him with, among other projects, the completion of the decoration of the Galleria Farnese. Lanfranco's return to Rome in 1612, he was for long the close rival of Domenichino (q.v.) for some of the most prestigious commissions of the day. Lanfranco's reputation was secured by his 'proto-Baroque', illusionistic fresco in the style of Correggio in the dome of S.Andrea della Valle, painted in 1625-7. In 1634 Lanfranco transferred to Naples, where he painted fresco decorations in the Gesu Nuovo (1634-5); the Certosa di S. Martino (1637-8/9; see 1967,0211.2); SS Apostles (1638-46; see 1895,0915.728); and the Cappella del Tesoro in the cathedral of S. Gennaro. He returned to Rome in 1646, where his last major commission from him was his fresco decoration of the 'Glory of St Carlo Borromeo...

Category

Early 1600s Old Masters Art

Materials

Etching

Old Masters art for sale on 1stDibs.

Find a wide variety of authentic Old Masters art available for sale on 1stDibs. Works in this style were very popular during the 21st Century and Contemporary, but contemporary artists have continued to produce works inspired by this movement. If you’re looking to add art created in this style to introduce contrast in an otherwise neutral space in your home, the works available on 1stDibs include elements of orange, yellow, blue and other colors. Many Pop art paintings were created by popular artists on 1stDibs, including Charles Amand Durand, Giuseppe Vasi, Thomas Holloway, and Vincenzo Campana. Frequently made by artists working with Etching, and Paint and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large Old Masters art, so small editions measuring 0.4 inches across are also available. Prices for art made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $11 and tops out at $1,495,000, while the average work sells for $546.