Post-Minimalist Art

These thread-and-vellum drawings document the aftermath of the earthquake and tsunami in Japan in March 2011. They began as a reaction to photographs of the devastated landscape, p...

Keith Sonnier, American (1941-2020) lithograph From Neon series circa 1980-1981 Bears the Waterstreet Press watermarks and Arches paper blind stamp to lower right corner. Pub. Edizioni Lucio Amelio Hand signed with initials in pencil Dimensions: 30 x 21 3/4 inches Post minimalist Abstract by Keith Sonnier Keith Sonnier (1941 – 2020) was a post minimalist sculptor, performance artist, video and light artist. Sonnier was one of the first artists to use light in sculpture in the 1960s. With his use of neon in combination with ephemeral materials he achieved international recognition. Sonnier was part of the Process Art movement. James Keith Sonnier was born July 31, 1941, in Mamou, Louisiana. His family was Cajun and Roman Catholic. His father was a hardware store owner, Joseph Sonnier, and his mother was a florist and singer, Mae Ledoux. He graduated in 1963 from Southwestern Louisiana Institute (now known as the University of Louisiana at Lafayette). In 1966, he graduated with his MFA degree from Rutgers University, where he studied under Allan Kaprow, Robert Watts, and Robert Morris. After graduation from Rutgers, he moved to New York City with Jackie Winsor and some of his former classmates. Sonnier died in Southampton, NY on July 18, 2020. Sonnier began experimenting with neon in 1968. Neon lights became a signature material used in his sculptural works. The common materials Sonnier employed included neon and fluorescent lights; reflective materials; aluminum and copper; and glass and wires. Of the generation of James Turrell and Dan Flavin, He was also associated with the Light and Space movement, a loosely affiliated art movement related to op art, minimalism and geometric abstraction originating in Southern California in the 1960s and influenced by John McLaughlin. It is characterized by a focus on perceptual phenomena, such as light, volume and scale, and the use of materials such as glass, neon, fluorescent lights, resin and cast acrylic, often forming installations conditioned by the work's surroundings. Artists included Ron Cooper...

Double-sided lithograph on paper (Edition of 25) Signed in pencil, l.r., recto Numbered in pencil, l.l., recto This print is offered by ClampArt, located in New York City. Joan Br...

These paintings and drawings are based on a structure of repetitive and deliberate gesture that is intuitive but carefully considered. Emily Berger brushes, wipes, rubs, and scrapes...

Esther Podemski is an artist working across disciplines. While in post-production on one of her recent films, she discovered that the color correction software program she used could be translated into paintings and works on paper. The new shapes originated as screen grabs from color corrections of individual frames in the post-production computer software. The source for these images comes from film footage frames of a priest on a Florence street...

Esther Podemski is an artist working across disciplines. While in post-production on one of her recent films, she discovered that the color correction software program she used could be translated into paintings and works on paper. The new shapes originated as screen grabs from color corrections of individual frames in the post-production computer software. The source for these images comes from film footage frames of a priest on a Florence street...

These paintings and drawings are based on a structure of repetitive and deliberate gesture that is intuitive but carefully considered. Emily Berger brushes, wipes, rubs, and scrapes...

About London (more images of the series attached) #inthesky 22”x17” photographic prints on archival paper Each limited to an edition of 7 #inthesky A mobile photography essay that b...

Lithograph on paper (Edition of 25) Signed in pencil, l.r. Numbered in pencil, l.l. This print is offered by ClampArt, located in New York City. Joan Brossa (1919-1998) was a Cata...

About London (more images of the series attached) #inthesky 22”x17” photographic prints on archival paper Each limited to an edition of 7 #inthesky A mobile photography essay that b...

About London (more images of the series attached) #inthesky 22”x17” photographic prints on archival paper Each limited to an edition of 7 #inthesky A mobile photography essay that b...

Lithograph on paper with cut-out (Edition of 25) Signed in pencil, l.r. Numbered in pencil, l.l. This print is offered by ClampArt, located in New York City. Joan Brossa (1919-199...

Lithograph on paper (Edition of 25) Signed in pencil, l.r. Numbered in pencil, l.l. This print is offered by ClampArt, located in New York City. Joan Brossa (1919-1998) was a Cata...

Lithograph on paper (Edition of 25) Signed in pencil, l.r. Numbered in pencil, l.l. This print is offered by ClampArt, located in New York City. Joan Brossa (1919-1998) was a Cata...

Lithograph on paper (Edition of 25) Signed in pencil, l.r. Numbered in pencil, l.l. This print is offered by ClampArt, located in New York City. Joan Brossa (1919-1998) was a Cata...

Keith Sonnier, American (1941-2020) lithograph From Neon series circa 1980-1981 Bears the Waterstreet Press watermarks and Arches paper blind stamp to lower right corner. Pub. Edizioni Lucio Amelio Hand signed with initials in pencil Dimensions: 30 x 21 3/4 inches Post minimalist Abstract by Keith Sonnier Keith Sonnier (1941 – 2020) was a post minimalist sculptor, performance artist, video and light artist. Sonnier was one of the first artists to use light in sculpture in the 1960s. With his use of neon in combination with ephemeral materials he achieved international recognition. Sonnier was part of the Process Art movement. James Keith Sonnier was born July 31, 1941, in Mamou, Louisiana. His family was Cajun and Roman Catholic. His father was a hardware store owner, Joseph Sonnier, and his mother was a florist and singer, Mae Ledoux. He graduated in 1963 from Southwestern Louisiana Institute (now known as the University of Louisiana at Lafayette). In 1966, he graduated with his MFA degree from Rutgers University, where he studied under Allan Kaprow, Robert Watts, and Robert Morris. After graduation from Rutgers, he moved to New York City with Jackie Winsor and some of his former classmates. Sonnier died in Southampton, NY on July 18, 2020. Sonnier began experimenting with neon in 1968. Neon lights became a signature material used in his sculptural works. The common materials Sonnier employed included neon and fluorescent lights; reflective materials; aluminum and copper; and glass and wires. Of the generation of James Turrell and Dan Flavin, He was also associated with the Light and Space movement, a loosely affiliated art movement related to op art, minimalism and geometric abstraction originating in Southern California in the 1960s and influenced by John McLaughlin. It is characterized by a focus on perceptual phenomena, such as light, volume and scale, and the use of materials such as glass, neon, fluorescent lights, resin and cast acrylic, often forming installations conditioned by the work's surroundings. Artists included Ron Cooper...

Keith Sonnier, American (1941-2020) lithograph From Neon series circa 1980-1981 Bears the Waterstreet Press watermarks and Arches paper blind stamp to lower right corner. Pub. Edizioni Lucio Amelio Hand signed with initials in pencil Dimensions: 30 x 21 3/4 inches Post minimalist Abstract by Keith Sonnier Keith Sonnier (1941 – 2020) was a post minimalist sculptor, performance artist, video and light artist. Sonnier was one of the first artists to use light in sculpture in the 1960s. With his use of neon in combination with ephemeral materials he achieved international recognition. Sonnier was part of the Process Art movement. James Keith Sonnier was born July 31, 1941, in Mamou, Louisiana. His family was Cajun and Roman Catholic. His father was a hardware store owner, Joseph Sonnier, and his mother was a florist and singer, Mae Ledoux. He graduated in 1963 from Southwestern Louisiana Institute (now known as the University of Louisiana at Lafayette). In 1966, he graduated with his MFA degree from Rutgers University, where he studied under Allan Kaprow, Robert Watts, and Robert Morris. After graduation from Rutgers, he moved to New York City with Jackie Winsor and some of his former classmates. Sonnier died in Southampton, NY on July 18, 2020. Sonnier began experimenting with neon in 1968. Neon lights became a signature material used in his sculptural works. The common materials Sonnier employed included neon and fluorescent lights; reflective materials; aluminum and copper; and glass and wires. Of the generation of James Turrell and Dan Flavin, He was also associated with the Light and Space movement, a loosely affiliated art movement related to op art, minimalism and geometric abstraction originating in Southern California in the 1960s and influenced by John McLaughlin. It is characterized by a focus on perceptual phenomena, such as light, volume and scale, and the use of materials such as glass, neon, fluorescent lights, resin and cast acrylic, often forming installations conditioned by the work's surroundings. Artists included Ron Cooper...

Untitled, 2016, 10.25 x 16.25 x 1.25 inches (base), mixed media and metal, $900 James Charles’ minimal and monochromatic work has a boldness that intrig...

David Wightman (b. 1980, Stockport, Greater Manchester, UK) is a British painter and printmaker based in London, UK. He creates beautiful paintings and prints of fictional landscapes. The surfaces of his paintings are made from textured wallpaper collaged with a technique similar to marquetry. Colour and composition are the key aspects of his work. He studied Fine Art at Middlesex University (2001) and gained an MA in Painting from the Royal College of Art, London (2003). David Wightman’s solo exhibitions include My Atalanta, Long & Ryle, London (2020), In Arcadia, DuranMashaal Gallery, Montréal (2018), A Devotion, Someth1ng Gallery, London (2018), EMPIRE, Long & Ryle, London (2016), New paintings + Akris collaboration, Akris, 30 Old Bond Street, London (2014), Redux, 10 Gresham Street and Halcyon Gallery (2014), Hero, commission for House Arts Festival (2013), Paramour, Halcyon Gallery, London (2012), Homage to Loreleia, Berwick Gymnasium Gallery, Berwick-upon-Tweed, Northumberland (2011), Secret Name, Sumarria Lunn, London (2010), Behemoth, Cornerhouse, Manchester (2009), and Aspirations, William Angel Gallery, London (2008). In 2010, David Wightman was awarded the Berwick Gymnasium Arts Fellowship – a sixmonth residency in Berwick-upon-Tweed, Northumberland, funded by Arts Council England and English Heritage. In 2013, he was selected by the curator of House Arts Festival, Mariele Neudecker...

Four precisely configured and stacked circles form a contemplative pyramid at the foot of a square white ground. The areas between the shapes in this minimalist still life acrylic on...

This contemporary, minimalist, and naïve portrait invites us to reconnect with our inner child—an aspect of ourselves that delights in joy, wonder, and surprise, free from the constr...

Mary Judge is known for her complex and reductive painting in tempera acrylic. Judge's artistic development has been deeply effected by her formative experience and her frequent travels to Italy, to a summer home, where she built a deep relationship with contemporary Italian art and local artisans of the Umbria region. She worked for several years with the Grazia factory in Deruta, painting for the design market while maintaining her fine art studio practice, until the atmosphere of the factory infiltrated her art and lead to a break with traditional painting and to what she considers her mature work. Judge's work is process driven and could be considered “post minimal”. While the work is formally organized, the works are sensual, and suggest hidden geometries...

The drawings in this series are from photos of marine accidents, and made of thread, knots, and vellum. All were completed in 2019. At sea, stacks of containers topple from a load...

Esther Podemski is an artist working across disciplines. While in post-production on one of her recent films, she discovered that the color correction software program she used could be translated into paintings and works on paper. The new shapes originated as screen grabs from color corrections of individual frames in the post-production computer software. The source for these images comes from film footage frames of a priest on a Florence street...

These paintings and drawings are based on a structure of repetitive and deliberate gesture that is intuitive but carefully considered. Emily Berger brushes, wipes, rubs, and scrapes...

About London (more images of the series attached) #inthesky 22”x17” photographic prints on archival paper Each limited to an edition of 7 #inthesky A mobile photography essay that b...

About London (more images of the series attached) #inthesky 22”x17” photographic prints on archival paper Each limited to an edition of 7 #inthesky A mobile photography essay that b...

About London (more images of the series attached) #inthesky 22”x17” photographic prints on archival paper Each limited to an edition of 7 #inthesky A mobile photography essay that b...

David Wightman (b. 1980, Stockport, Greater Manchester, UK) is a British painter and printmaker based in London, UK. He creates beautiful paintings and prints of fictional landscapes. The surfaces of his paintings are made from textured wallpaper collaged with a technique similar to marquetry. Colour and composition are the key aspects of his work. He studied Fine Art at Middlesex University (2001) and gained an MA in Painting from the Royal College of Art, London (2003). David Wightman’s solo exhibitions include My Atalanta, Long & Ryle, London (2020), In Arcadia, DuranMashaal Gallery, Montréal (2018), A Devotion, Someth1ng Gallery, London (2018), EMPIRE, Long & Ryle, London (2016), New paintings + Akris collaboration, Akris, 30 Old Bond Street, London (2014), Redux, 10 Gresham Street and Halcyon Gallery (2014), Hero, commission for House Arts Festival (2013), Paramour, Halcyon Gallery, London (2012), Homage to Loreleia, Berwick Gymnasium Gallery, Berwick-upon-Tweed, Northumberland (2011), Secret Name, Sumarria Lunn, London (2010), Behemoth, Cornerhouse, Manchester (2009), and Aspirations, William Angel Gallery, London (2008). In 2010, David Wightman was awarded the Berwick Gymnasium Arts Fellowship – a sixmonth residency in Berwick-upon-Tweed, Northumberland, funded by Arts Council England and English Heritage. In 2013, he was selected by the curator of House Arts Festival, Mariele Neudecker...

David Wightman (b. 1980, Stockport, Greater Manchester, UK) is a British painter and printmaker based in London, UK. He creates beautiful paintings and prints of fictional landscapes. The surfaces of his paintings are made from textured wallpaper collaged with a technique similar to marquetry. Colour and composition are the key aspects of his work. He studied Fine Art at Middlesex University (2001) and gained an MA in Painting from the Royal College of Art, London (2003). David Wightman’s solo exhibitions include My Atalanta, Long & Ryle, London (2020), In Arcadia, DuranMashaal Gallery, Montréal (2018), A Devotion, Someth1ng Gallery, London (2018), EMPIRE, Long & Ryle, London (2016), New paintings + Akris collaboration, Akris, 30 Old Bond Street, London (2014), Redux, 10 Gresham Street and Halcyon Gallery (2014), Hero, commission for House Arts Festival (2013), Paramour, Halcyon Gallery, London (2012), Homage to Loreleia, Berwick Gymnasium Gallery, Berwick-upon-Tweed, Northumberland (2011), Secret Name, Sumarria Lunn, London (2010), Behemoth, Cornerhouse, Manchester (2009), and Aspirations, William Angel Gallery, London (2008). In 2010, David Wightman was awarded the Berwick Gymnasium Arts Fellowship – a sixmonth residency in Berwick-upon-Tweed, Northumberland, funded by Arts Council England and English Heritage. In 2013, he was selected by the curator of House Arts Festival, Mariele Neudecker...

David Wightman (b. 1980, Stockport, Greater Manchester, UK) is a British painter and printmaker based in London, UK. He creates beautiful paintings and prints of fictional landscapes. The surfaces of his paintings are made from textured wallpaper collaged with a technique similar to marquetry. Colour and composition are the key aspects of his work. He studied Fine Art at Middlesex University (2001) and gained an MA in Painting from the Royal College of Art, London (2003). David Wightman’s solo exhibitions include My Atalanta, Long & Ryle, London (2020), In Arcadia, DuranMashaal Gallery, Montréal (2018), A Devotion, Someth1ng Gallery, London (2018), EMPIRE, Long & Ryle, London (2016), New paintings + Akris collaboration, Akris, 30 Old Bond Street, London (2014), Redux, 10 Gresham Street and Halcyon Gallery (2014), Hero, commission for House Arts Festival (2013), Paramour, Halcyon Gallery, London (2012), Homage to Loreleia, Berwick Gymnasium Gallery, Berwick-upon-Tweed, Northumberland (2011), Secret Name, Sumarria Lunn, London (2010), Behemoth, Cornerhouse, Manchester (2009), and Aspirations, William Angel Gallery, London (2008). In 2010, David Wightman was awarded the Berwick Gymnasium Arts Fellowship – a sixmonth residency in Berwick-upon-Tweed, Northumberland, funded by Arts Council England and English Heritage. In 2013, he was selected by the curator of House Arts Festival, Mariele Neudecker...

Keith Sonnier (1940-2020, Louisiana) is best known for radically reinventing the art of sculpture in the late 1960s. He employed unusual materials that had never been used before, ca...

Lithograph on paper (Edition of 25) Signed in pencil, l.r. Numbered in pencil, l.l. This print is offered by ClampArt, located in New York City. Joan Brossa (1919-1998) was a Cata...

Lithograph on paper (Edition of 25) Signed in pencil, l.r. Numbered in pencil, l.l. This print is offered by ClampArt, located in New York City. Joan Brossa (1919-1998) was a Cata...

Lithograph on paper (Edition of 25) Signed in pencil, l.r. Numbered in pencil, l.l. This print is offered by ClampArt, located in New York City. Joan Brossa (1919-1998) was a Cata...

Lithograph on paper (Edition of 25) Signed in pencil, l.r. Numbered in pencil, l.l. This print is offered by ClampArt, located in New York City. Joan Brossa (1919-1998) was a Cata...

Lithograph on paper (Edition of 25) Signed in pencil, l.r. Numbered in pencil, l.l. This print is offered by ClampArt, located in New York City. Joan Brossa (1919-1998) was a Cata...

Lithograph on paper (Edition of 25) Signed in pencil, l.r. Numbered in pencil, l.l. This print is offered by ClampArt, located in New York City. Joan Brossa (1919-1998) was a Cata...

Lithograph on paper (Edition of 25) Signed in pencil, l.r. Numbered in pencil, l.l. This print is offered by ClampArt, located in New York City. Joan Brossa (1919-1998) was a Cata...

Elephant being illuminated by a moon on a dark night

Alain Kirili (French/American, 1946-2021), Post-Minimalist Composition, Mixed Media on Paper, with collage elements, signed to reverse, wood frame. Image: 29.5" H x 41" W; frame; 32"...

Roperoot 1: Green and Brown 48.0 x 48.0 x 3.0, 4.0 lbs Jute Hand signed by artist Artist's Commentary: "The process of making rope is simple: separate the fibers into two halves,...

Angie Jennings Title : Atmospheres 4 Materials : Dye Sub on Metal Date : 2020 Dimensions : 40x.5x40 Description : Image is a circular print 40" in diameter. Angie has been doing pho...