Post-Minimalist Art

Thousands of New Mexicans have passed Jill O’Bryan’s yellow-and-black billboards on I-25 South between Santa Fe and Las Vegas, New Mexico. The latest sign is on view through March 20...

Thousands of New Mexicans have passed Jill O’Bryan’s yellow-and-black billboards on I-25 South between Santa Fe and Las Vegas, New Mexico. The latest sign is on view through March 20...

Thousands of New Mexicans have passed Jill O’Bryan’s yellow-and-black billboards on I-25 South between Santa Fe and Las Vegas, New Mexico. The latest sign is on view through March 20...

Thousands of New Mexicans have passed Jill O’Bryan’s yellow-and-black billboards on I-25 South between Santa Fe and Las Vegas, New Mexico. The latest sign is on view through March 20...

Thousands of New Mexicans have passed Jill O’Bryan’s yellow-and-black billboards on I-25 South between Santa Fe and Las Vegas, New Mexico. The latest sign is on view through March 20...

Thousands of New Mexicans have passed Jill O’Bryan’s yellow-and-black billboards on I-25 South between Santa Fe and Las Vegas, New Mexico. The latest sign is on view through March 20...

Thousands of New Mexicans have passed Jill O’Bryan’s yellow-and-black billboards on I-25 South between Santa Fe and Las Vegas, New Mexico. The latest sign is on view through March 20...

In Melisa’s optical and pulsating compositions, the natural world acts as blue-print while she explores the notion of the sublime through blur and precision. The artist develops an a...

Kate Petley's unique photogravure monoprints, made at Manneken Press in 2022, are a conversation between printmaking, sculpture and photography. Petley began by making a 3-D assembl...

Kate Petley's unique photogravure monoprints, made at Manneken Press in 2022, are a conversation between printmaking, sculpture and photography. Petley began by making a 3-D assembl...

Kate Petley's unique photogravure monoprints, made at Manneken Press in 2022, are a conversation between printmaking, sculpture and photography. Petley began by making a 3-D assembl...

Kate Petley's unique photogravure monoprints, made at Manneken Press in 2022, are a conversation between printmaking, sculpture and photography. Petley began by making a 3-D assembl...

Kate Petley's unique photogravure monoprints, made at Manneken Press in 2022, are a conversation between printmaking, sculpture and photography. Petley began by making a 3-D assembl...

Kate Petley's unique photogravure monoprints, made at Manneken Press in 2022, are a conversation between printmaking, sculpture and photography. Petley began by making a 3-D assembl...

Kate Petley's unique photogravure monoprints, made at Manneken Press in 2022, are a conversation between printmaking, sculpture and photography. Petley began by making a 3-D assembl...

Kate Petley's unique photogravure monoprints, made at Manneken Press in 2022, are a conversation between printmaking, sculpture and photography. Petley began by making a 3-D assembl...

Kate Petley's unique photogravure monoprints, made at Manneken Press in 2022, are a conversation between printmaking, sculpture and photography. Petley began by making a 3-D assembl...

Kate Petley's unique photogravure monoprints, made at Manneken Press in 2022, are a conversation between printmaking, sculpture and photography. Petley began by making a 3-D assembl...

Kate Petley's unique photogravure monoprints, made at Manneken Press in 2022, are a conversation between printmaking, sculpture and photography. Petley began by making a 3-D assembl...

David Wightman (b. 1980, Stockport, Greater Manchester, UK) is a British painter and printmaker based in London, UK. He creates beautiful paintings and prints of fictional landscapes. The surfaces of his paintings are made from textured wallpaper collaged with a technique similar to marquetry. Colour and composition are the key aspects of his work. He studied Fine Art at Middlesex University (2001) and gained an MA in Painting from the Royal College of Art, London (2003). David Wightman’s solo exhibitions include My Atalanta, Long & Ryle, London (2020), In Arcadia, DuranMashaal Gallery, Montréal (2018), A Devotion, Someth1ng Gallery, London (2018), EMPIRE, Long & Ryle, London (2016), New paintings + Akris collaboration, Akris, 30 Old Bond Street, London (2014), Redux, 10 Gresham Street and Halcyon Gallery (2014), Hero, commission for House Arts Festival (2013), Paramour, Halcyon Gallery, London (2012), Homage to Loreleia, Berwick Gymnasium Gallery, Berwick-upon-Tweed, Northumberland (2011), Secret Name, Sumarria Lunn, London (2010), Behemoth, Cornerhouse, Manchester (2009), and Aspirations, William Angel Gallery, London (2008). In 2010, David Wightman was awarded the Berwick Gymnasium Arts Fellowship – a sixmonth residency in Berwick-upon-Tweed, Northumberland, funded by Arts Council England and English Heritage. In 2013, he was selected by the curator of House Arts Festival, Mariele Neudecker...

The drawings in this series are from photos of marine accidents, and made of thread, knots, and vellum. All were completed in 2019. At sea, stacks of containers topple from a load...

Paracentese de L'homme C Post-Minimalist Original Art Monumental Museum Piece His work was featured at MOMA as part of their permanent collection and was exhibited as part of Nelson Aldrich Rockefeller Collection exhibit in 1969. Stunning post-minimalist earth toned abstract with organic forms titled "Paracentese de L'homme C" (Paracenthesis of the man C) by Peruvian artist Emilio Rodriquez-Larrain (Peruvian, 1928-2015), 1964. This was entered into the XXXII 1964 Venice Biennale, arguably one of the most prestigious art events. Signed on verso and entry label for XXXII 1964 Venice Biennale, and Staempfli Gallery label attached to verso. Condition: Very good: professionally cleaned, structurally sound with no issues beyond normal wear with age. Image size: 56.50"H x 55.50"W. Presented in rustic wood slat shadow box frame. Emilio Rodríguez Larraín was a Peruvian postwar and contemporary painter and sculptor who was born in 1928. He was trained at the Lima School of Engineers (currently the National University of Engineering) from 1945 to 1949. This is how he entered art and was able to learn tools and techniques that would help him in his future works. In the 1950s he ventured into painting under the influence of the French architect and abstract art painter Jean Dewasne, thus developing a painting style based on the abstract and the geometric until his trip to Europe where he migrated to the style of modernist informalism. and made paintings that alluded to the cultures of ancient Peru. His work demonstrates versatile artwork of horizontal geometric constructions, expressive paintings and architectural interventions categorized as post minimalism. Received a John Simon Guggenheim Foundation award for his art. Fellow: Awarded 1976 Field of Study: Fine Arts Competition: Latin America & Caribbean His work was featured at MOMA as part of their permanent collection and was exhibited as part of Nelson Aldrich Rockefeller Collection exhibit in 1969. key galleries and museums, including the Revolver Galeria, Lima and the Galeria Lucia de la Puente. His work has also been exhibited in Lima, Madrid, Florence, Venice, Milan, Bergamo, Frankfurt, Berlin, Copenhagen, Mexico City, and Paris. In 2016, the Lima Art Museum presented a retrospective exhibit of his paintings and sculptures, calling Rodriquez Larraine "An important avant-garde sculptor, architect and painter who knew how to adapt to the artistic changes of the time and play a very important role in the visual arts of Peru." The piece we offered the front over of Staempfli Gallery's exhibit of Rodriquez-Larrain work. The write-up of Rodriquez-Larrain's work by The New Yorker, November 3, 1962 states: "Talk story about Emilio Rodriguez-Larrain, a Peruvian painter, who currently has 46 paintings on display at the Staempfli Gallery. A photograph of Emilio, distributed by the gallery, showed a great resemblance to Zero Mostel. He doesn't look like Mostel at all. The picture was taken in Paris last May, when he had the mumps. He was born in Lima in 1928, the son of an industrialist. His father's family came to Peru in the 17th century. Mr. Staempfli met Emilio in Llansa, Spain, last summer. Gordon Washburn, the director of fine arts at the Carnegie Institute in Pittsburgh, who had shown him last year, told Staempfli to look up Emilio, because he knew a tailor in Llansa who would make you a corduroy suit...

David Wightman (b. 1980, Stockport, Greater Manchester, UK) is a British painter and printmaker based in London, UK. He creates beautiful paintings and prints of fictional landscapes. The surfaces of his paintings are made from textured wallpaper collaged with a technique similar to marquetry. Colour and composition are the key aspects of his work. He studied Fine Art at Middlesex University (2001) and gained an MA in Painting from the Royal College of Art, London (2003). David Wightman’s solo exhibitions include My Atalanta, Long & Ryle, London (2020), In Arcadia, DuranMashaal Gallery, Montréal (2018), A Devotion, Someth1ng Gallery, London (2018), EMPIRE, Long & Ryle, London (2016), New paintings + Akris collaboration, Akris, 30 Old Bond Street, London (2014), Redux, 10 Gresham Street and Halcyon Gallery (2014), Hero, commission for House Arts Festival (2013), Paramour, Halcyon Gallery, London (2012), Homage to Loreleia, Berwick Gymnasium Gallery, Berwick-upon-Tweed, Northumberland (2011), Secret Name, Sumarria Lunn, London (2010), Behemoth, Cornerhouse, Manchester (2009), and Aspirations, William Angel Gallery, London (2008). In 2010, David Wightman was awarded the Berwick Gymnasium Arts Fellowship – a sixmonth residency in Berwick-upon-Tweed, Northumberland, funded by Arts Council England and English Heritage. In 2013, he was selected by the curator of House Arts Festival, Mariele Neudecker...

David Wightman (b. 1980, Stockport, Greater Manchester, UK) is a British painter and printmaker based in London, UK. He creates beautiful paintings and prints of fictional landscapes. The surfaces of his paintings are made from textured wallpaper collaged with a technique similar to marquetry. Colour and composition are the key aspects of his work. He studied Fine Art at Middlesex University (2001) and gained an MA in Painting from the Royal College of Art, London (2003). David Wightman’s solo exhibitions include My Atalanta, Long & Ryle, London (2020), In Arcadia, DuranMashaal Gallery, Montréal (2018), A Devotion, Someth1ng Gallery, London (2018), EMPIRE, Long & Ryle, London (2016), New paintings + Akris collaboration, Akris, 30 Old Bond Street, London (2014), Redux, 10 Gresham Street and Halcyon Gallery (2014), Hero, commission for House Arts Festival (2013), Paramour, Halcyon Gallery, London (2012), Homage to Loreleia, Berwick Gymnasium Gallery, Berwick-upon-Tweed, Northumberland (2011), Secret Name, Sumarria Lunn, London (2010), Behemoth, Cornerhouse, Manchester (2009), and Aspirations, William Angel Gallery, London (2008). In 2010, David Wightman was awarded the Berwick Gymnasium Arts Fellowship – a sixmonth residency in Berwick-upon-Tweed, Northumberland, funded by Arts Council England and English Heritage. In 2013, he was selected by the curator of House Arts Festival, Mariele Neudecker...

The drawings in this series are from photos of marine accidents, and made of thread, knots, and vellum. All were completed in 2019. At sea, stacks of containers topple from a load...

David Wightman (b. 1980, Stockport, Greater Manchester, UK) is a British painter and printmaker based in London, UK. He creates beautiful paintings and prints of fictional landscapes. The surfaces of his paintings are made from textured wallpaper collaged with a technique similar to marquetry. Colour and composition are the key aspects of his work. He studied Fine Art at Middlesex University (2001) and gained an MA in Painting from the Royal College of Art, London (2003). David Wightman’s solo exhibitions include My Atalanta, Long & Ryle, London (2020), In Arcadia, DuranMashaal Gallery, Montréal (2018), A Devotion, Someth1ng Gallery, London (2018), EMPIRE, Long & Ryle, London (2016), New paintings + Akris collaboration, Akris, 30 Old Bond Street, London (2014), Redux, 10 Gresham Street and Halcyon Gallery (2014), Hero, commission for House Arts Festival (2013), Paramour, Halcyon Gallery, London (2012), Homage to Loreleia, Berwick Gymnasium Gallery, Berwick-upon-Tweed, Northumberland (2011), Secret Name, Sumarria Lunn, London (2010), Behemoth, Cornerhouse, Manchester (2009), and Aspirations, William Angel Gallery, London (2008). In 2010, David Wightman was awarded the Berwick Gymnasium Arts Fellowship – a sixmonth residency in Berwick-upon-Tweed, Northumberland, funded by Arts Council England and English Heritage. In 2013, he was selected by the curator of House Arts Festival, Mariele Neudecker...

David Wightman (b. 1980, Stockport, Greater Manchester, UK) is a British painter and printmaker based in London, UK. He creates beautiful paintings and prints of fictional landscapes. The surfaces of his paintings are made from textured wallpaper collaged with a technique similar to marquetry. Colour and composition are the key aspects of his work. He studied Fine Art at Middlesex University (2001) and gained an MA in Painting from the Royal College of Art, London (2003). David Wightman’s solo exhibitions include My Atalanta, Long & Ryle, London (2020), In Arcadia, DuranMashaal Gallery, Montréal (2018), A Devotion, Someth1ng Gallery, London (2018), EMPIRE, Long & Ryle, London (2016), New paintings + Akris collaboration, Akris, 30 Old Bond Street, London (2014), Redux, 10 Gresham Street and Halcyon Gallery (2014), Hero, commission for House Arts Festival (2013), Paramour, Halcyon Gallery, London (2012), Homage to Loreleia, Berwick Gymnasium Gallery, Berwick-upon-Tweed, Northumberland (2011), Secret Name, Sumarria Lunn, London (2010), Behemoth, Cornerhouse, Manchester (2009), and Aspirations, William Angel Gallery, London (2008). In 2010, David Wightman was awarded the Berwick Gymnasium Arts Fellowship – a sixmonth residency in Berwick-upon-Tweed, Northumberland, funded by Arts Council England and English Heritage. In 2013, he was selected by the curator of House Arts Festival, Mariele Neudecker...

Lauded by critics and collectors alike, the art of Gary Ernest Smith resonates in the mind and memory of contemporary America. Over the past years the artist’s one-man shows have att...

Lauded by critics and collectors alike, the art of Gary Ernest Smith resonates in the mind and memory of contemporary America. Over the past years the artist’s one-man shows have att...

The drawings in this series are from photos of marine accidents, and made of thread, knots, and vellum. All were completed in 2019. At sea, stacks of containers topple from a load...

The drawings in this series are from photos of marine accidents, and made of thread, knots, and vellum. All were completed in 2019. At sea, stacks of containers topple from a load...

The drawings in this series are from photos of marine accidents, and made of thread, knots, and vellum. All were completed in 2019. At sea, stacks of containers topple from a load...

The drawings in this series are from photos of marine accidents, and made of thread, knots, and vellum. All were completed in 2019. At sea, stacks of containers topple from a load...

David Einstein's gestural abstraction has a semiotic quality to it. It is a study of how meaning is created, not what is. Indeed, the artist calls himself "a mark maker," as much as ...

#1 of an edition of 12 across all sizes. Brad Walls's is a prize-winning aerial photographer. Brad’s niche style removes itself from traditional Aerial Pho...

#2 of 12 of edition of 12 across all sizes Brad Walls's is a prize-winning aerial photographer. Brad’s niche style removes itself from traditional Aerial P...

#1 of an edition of 12 across all sizes. Brad Walls's is a prize-winning aerial photographer. Brad’s niche style removes itself from traditional Aerial Pho...

Artist Len Klikunas paints to modify experienced reality through visual perception. His art is a mix of art and architecture, hovering between painting and sculpture. It employs shiz...

These thread-and-vellum drawings document the aftermath of the earthquake and tsunami in Japan in March 2011. They began as a reaction to photographs of the devastated landscape, p...

These thread-and-vellum drawings document the aftermath of the earthquake and tsunami in Japan in March 2011. They began as a reaction to photographs of the devastated landscape, p...

This beautiful landscape painting by Jeroen Allart is part of his minimalist landscape painting he did in his home country the Netherlands. A farm stands...

Lithograph on paper (Edition of 25) Signed in pencil, l.r. Numbered in pencil, l.l. This print is offered by ClampArt, located in New York City. Joan Brossa (1919-1998) was a Cata...

Levan Mindiashvili is a Georgian born visual artist currently living and working in Brooklyn, NY. After graduating from Tbilisi State Academy of Arts and numerous exhibitions in Euro...

Lithograph on paper (Edition of 25) Signed in pencil, l.r. Numbered in pencil, l.l. This print is offered by ClampArt, located in New York City. Joan Brossa (1919-1998) was a Cata...

Lithograph on paper (Edition of 25) Signed in pencil, l.r. Numbered in pencil, l.l. This print is offered by ClampArt, located in New York City. Joan Brossa (1919-1998) was a Cata...

Bronze artwork made with lost wax casting technique. This is the prototype, unique signed artist proof. Sergio Monari is an Italian sculpture, that lives and works in Bologna, Italy. He exhibited his artworks in the best Galleries...

Bronze artwork made with lost wax casting technique. This is the prototype, unique signed artist proof. Sergio Monari is an Italian sculpture, that liv...

Bronze artwork made with lost wax casting technique. This is the prototype, unique signed artist proof. Title "Sleeping body" Sergio Monari is an Italia...

Lithograph on paper (Edition of 25) Signed in pencil, l.r. Numbered in pencil, l.l. This print is offered by ClampArt, located in New York City. Joan Brossa (1919-1998) was a Cata...

Lithograph on paper (Edition of 25) Signed in pencil, l.r. Numbered in pencil, l.l. This print is offered by ClampArt, located in New York City. Joan Brossa (1919-1998) was a Cata...

Lithograph on paper (Edition of 25) Signed in pencil, l.r. Numbered in pencil, l.l. This print is offered by ClampArt, located in New York City. Joan Brossa (1919-1998) was a Cata...

Double-sided lithograph on paper (Edition of 25) Signed in pencil, l.r., recto Numbered in pencil, l.l., recto This print is offered by ClampArt, located in New York City. Joan Br...

Lithograph on paper (Edition of 25) Signed in pencil, l.r. Numbered in pencil, l.l. This print is offered by ClampArt, located in New York City. Joan Brossa (1919-1998) was a Cata...

Lithograph on paper (Edition of 25) Signed in pencil, l.r. Numbered in pencil, l.l. This print is offered by ClampArt, located in New York City. Joan Brossa (1919-1998) was a Cata...

Lithograph on paper (Edition of 25) Signed in pencil, l.r. Numbered in pencil, l.l. This print is offered by ClampArt, located in New York City. Joan Brossa (1919-1998) was a Cata...

Lithograph on paper (Edition of 25) Signed in pencil, l.r. Numbered in pencil, l.l. This print is offered by ClampArt, located in New York City. Joan Brossa (1919-1998) was a Cata...

Lithograph on paper (Edition of 25) Signed in pencil, l.r. Numbered in pencil, l.l. This print is offered by ClampArt, located in New York City. Joan Brossa (1919-1998) was a Cata...

Lithograph on paper (Edition of 25) Signed in pencil, l.r. Numbered in pencil, l.l. This print is offered by ClampArt, located in New York City. Joan Brossa (1919-1998) was a Cata...