Rococo Art

(MADE TO ORDER) (Hand-painted, hand-made, porcelain) *Lead Time may vary between 1-3 weeks Melanie Sherman Vintage Moth III (Wall Piece/Dish (handpainted) Porcelain, Glaze, Overglaze, Chinapaints, 24k German Gold Luster, Brass Wire (for hanging, can be removed) Year: 2022 Size: 4.5x6x0.5in Signed by hand COA provided Ref.: 924802-1328 ------------------------ My ceramics are handmade and painted with the finest overglazes from Europe. The gold luster used is 24k liquid Gold from Germany. Every piece is unique. My imagery is inspired by vintage Meissen dinnerware...

Lucius Rossi (Italian, 1846 – 1913) La balancoire, 1907 Signed and dated ‘Lucius Rossi, 1907’ (lower right) Oil on canvas 22.1/2 x 32.3/4 in. (57.5 x 83....

Certified by Rosario Coppel in Spain. The Resurrection of Christ Polychrome wood 43 cm high (38 cm from head to feet) Base: 10 x 10 cm "The diagonal composition, the posture, the s...

Graphic symbol of the manufacture with “Winterling Markleuthem Bavaria” in green; “Made in France” in gold; “Hermès - Paris”. Have a band bordered by two ribbons with geometric motif...

Amazing works of the genre scene, dates to the late 18th century. After the famous French artist Francois Boucher, who was the court painter to King Louis XV. It is in its origina...

Carved wooden sculpture - San Martino - Italy, early 19th century. 22 x 13 x h 40cm. Entirely in finely carved pear wood. Condition report: In good condition, with signs of ancient woodworm. This small wooden statuette with elongated shapes depicts San Martin on horseback. The saint is depicted according to an iconography that became popular starting from the 18th century, especially in France. Martin of Tours...

Trying on the Latest Dress French School, circa 1800 oil painting on canvas, unframed canvas: 19 x 24 inches the painting is in overall very good and sound condition provenance: priv...

Master active in Piedmont (dated 1782) - Tavern "Al Gambero Bon Vino". 133 x 133 cm without frame, 139 x 139 cm with frame. Oil on canvas, in a giltwood frame. - Indistinctly sig...

Not only in the 17th century, but also in the 18th century, genre painting, where people are portrayed in their daily life, was successful. The theme of the milkmaid, which we all kn...

Portrait of Johann Theodor of Bavaria (1703-1763) by Joseph Vivien Johann Theodor of Bavaria (* September 3, 1703 in Munich; † January 27, 1763 in Lièg...

Elegant 19th Century French Clock with gilt turquoise porcelain figures of a young man and woman with a caged bird. The porcelain figurine is in good condition with all fingers intac...

Francesco Zuccarelli (Pitigliano 1702 - Florence 1788) - River landscape with shepherds and herds. 31 x 46 cm without frame, 47.5 x 57 cm with frame. Tempera on paper, in giltwood ...

This fine, antique portrait miniature was made after Boucher's famous painting of Madame de Pompadour, the highly celebrated official mistress of King Lo...

Large Italian genre painting of 'The Little Model' by Francesco Beda Italian, 1840-1900 Frame: height 111cm, width 168cm, depth 7cm Canvas: height 96cm, ...

Set of four large 18th century Italian Rococo paintings of the Four Seasons Italian, 18th Century Frames: height 98cm, width 201.5cm, depth 5cm...

Still Life with Silver, Porcelain and Fruit Desportes Alexandre François Champigneulles 1661 – 1743 Paris French School Signature: Not signed Medium: Oil on canvas Dimensions: Image size 53 x 42 cm, frame size 69,50 x 58,50 cm Biography: Desportes Alexandre François was born in 1661 in Champigneulle, France. At the age of twelve, Desportes was sent by his father to Paris to learn to paint. Desportes trained in Paris in the Flemish tradition of animal painting and learned to observe the nature thoroughly for his work. In 1695 he accepted an invitation from the French ambassador to paint in Poland Royal portraits at the Polish court. The painter decided that there was a more lucrative market for artists specialized in hunting scenes, studies of dogs, and still life pictures of fruit...

Agent X Beauté du XVIIIe Siècle 4 Archival Pigment Inks on Canvas Year: 2022 Size: 58x50in Unique Signed, dated by hand COA provided Ref.: 924802-1166 -----------------------------...

French Art Rococo Portrait of a Woman, Young Lady, perhaps an actress

Agent X Beauté du XVIIIe Siècle 7 Archival Pigment Inks on Canvas Year: 2022 Size: 55x58in Unique Signed, dated by hand COA provided Ref.: 924802-1172 -...

Agent X Beauté du XVIIIe Siècle 5 Archival Pigment Inks on Canvas Year: 2022 Size: 69x45in Unique Signed, dated by hand COA provided Ref.: 924802-1168 ------------------------------...

Agent X Beauté du XVIIIe Siècle 6 Archival Pigment Inks on Canvas Year: 2022 Size: 65x58in Unique Signed, dated by hand COA provided Ref.: 924802-1170 -...

Belgian made, Jacquard woven with relief stitch. Fully lined with rod pocket for hanging. Cotton and rayon. Also available with black background. Message for more details. Measurem...

This set of four antique 19th century Italian mixed media painting on paper hand made with gouache, tempera and watercolor, features several characters silhouettes acting in a theater play. These fine artworks are very unusual, they probably were sketches for theatrical costumes and sets. A rare example of Venetian 19th century theatrical figures in the scenery of Italian opera or characters of the Italian Commedia dell'arte. These four paintings featuring costume design figurines, with the characters acting in a theatrical set, are rendered through the decoupage technique mixing watercolor painting or gouache with tempera on paper. Each tiny figurine is made of paper hand-colored in watercolor, then cut and applied to an antique sheet...

Those pair of Rococo wall mirrors maintained their original glasses. They are made of gilded wood carved with a grotesque decoration characterized by coil of flowers. At the top there is a female head with a feather crown...

Emile-Andre Boisseau (French, 1842-1923) Le Crépuscule signed 'E. Boisseau' (on the base) Bronze height: 29 in. (74 cm.) Emile-André Boisseau was a...

Follower of Jacob de Wit 1695-1754 Venus and Cupid Oil on panel Image size: 7 ¾ inches x 11 ¾ inches Gilt frame A charming example of trompe-l'œil, this painting is abrim with...

(MADE TO ORDER) (Hand-painted, hand-made, porcelain) *Lead Time may vary between 1-3 weeks Melanie Sherman "Small Vase with Koi" Year: 2021 Porcelain, Gla...

Two Medici Society Fine Art prints of preparatory drawing for paintings , Italian/ Venetian school of Giovanni Battista Tiepolo (1696-1770). Handmade pr...

Black chalk, partly washed, on paper, sheet 27.5 x 19.7 cm Plain gold moulding, 44.8 x 36 cm The Rhenish still life painter Johann Martin Metz was ...

After a copper engraving (46 x 34 cm) by Gilles Rousselet after Van Dyck, ca. 1640 Paris. Oil on cardboard, 44 x 35 cm Trompe-l'oeils are pictures whose depicted objects are painte...

The portrait shows Mme Silvestre. Born in Paris, Silvestre was the daughter of Charles-Antoine Hérault and his wife Marie-Geneviève, who were her first teachers. In 1706 she married the painter Louis de Silvestre, moving with him in 1716 to Dresden. The couple's daughter Marie-Maximilienne became a pastellist. Silvestre died in Dresden, the year before her husband retired and returned to Paris. Her surviving pastels show the influence of Rosalba Carriera...

A Landscape Scene, perhaps in a Parc, with a great tree and an Obelisk. in The foreground two figures are shown. English School inscribed "Pieter Rysbraeck?" on paper, with passepart...

Portrait of a Young Aristocrat French School, circa 1800's circle of Louis Leopold Boilly (1761-1845) oil painting on canvas, framed canvas: 16 x 13.5 inches frame: 21 x 18 inches p...

Rococo design for a gate, etching, by Joseph Baumann (active 1740-1760), circa 1750. Published by Martin Engelbrecht (1684–1756). Similar works ar...

Venti takes us to higher places, as a ceiling where you can enjoy and navigate through .. In the most recent series: Rococo 2022, artist Margriet Smulders takes us into the maelstro...

Belgian made, jacquard woven with relief stitch. Fully lined with rod pocket for hanging. Cotton and rayon. Gold background shown and also available with grey and brown borders. Avai...

French School, Portrait of a Young Lady, perhaps an actress Oval Louis XIV sculpted and gilded frame French Art, Roccoco Art The oval portrait of a young woman measures 61 by 50,5 cm canvas sight size and its 18th century oak carved and gilded frame...

A powerful presentation piece, this stunning bust of Jean Bécu - Comtesse du Barry is both beautiful and tragic. Executed in terracotta that has been left natural and shows a complex...

This romantic French 19th century allegoric oil painting on square canvas has a sky blue background, a fluffy cloud fills the central part of the painting where a woman is lying down playing the lyre, while a graceful cherub seems to twirl over her. This oil on canvas painting represents the allegory of music - with a woman dressed in classical clothes and a putto- a very popular theme during all the neoclassical age, with its lively scene inspired by the Rococo period. The composition creates a awesome trompe-l'œil effect thanks to the color palette scheme. Well painted white and gray shadings (chiaro scuro) that stands out from the light blue background in typical grisaille style. This painting originally was an over door frieze...

Portrait of the daughter of Francois Boucher, Marie-Emilie Baudouin, holding a basket of flowers. Pastel on Parchment. The work is related to an oval portrait painting...

(MADE TO ORDER) (Sabbath, Kiddush, Unique, Gold Luster) *Lead Time may vary between 1-3 weeks Melanie Sherman "Just A Little Tipsy" Year: 2021 Porcelai...

(MADE TO ORDER) (Sabbath, Kiddush, Unique, Gold Luster) *Lead Time may vary between 1-3 weeks Melanie Sherman "Just A Little Tipsy" Year: 2021 Porcelai...

French School, Portrait of Queen Marie Antoinette of France, Pastel /oil Pastel on Paper, Rococo, 18th Century. The Pastel is made in the style...

Artist: Elizabeth Blackwell (Scottish, 1707-1758) Title: "Cardiaca (Motherwart)" (Plate 171) Portfolio: Herbarium Blackwellianum Emendatum et Auctum Circa: 1750 Medium: Original Hand-Colored Engraving on wove paper Limited edition: Unknown Printer: Unknown Publisher: Johann Joseph Fleischmann and Christian de Launoy, Nuremberg, Germany Reference: Arnold Aboretum page 86; BLNH I, page 169; Cleveland 444; Great Flower Books...

The scene is dominated by the cross-on which the shiny white and very well defined body of Jesus is nailed to-depicted with a peculiar lateral perspective. The left side is occupied ...

Rococo interior design and furniture, etching, by Franz Xaver Habermann (1721-1796), circa 1750. Lettered 'F. X. Haberman, inv. et del. loh. Georg Hertel, excud : Aug. Vind., number...

A voluptuous woman lies prone on a divan, bearing her backside and turning her head flirtatiously to the viewer, though averting her eyes slightly, as if to maintain a coy demeanor. Surrounded by lush fabrics of deep blues, the creamy tones of her skin and dressing gown are thrown in sharp contrast, making the figure glow luminously. The whole painting is ordered by folds - of flesh, of fabric, of cushions, of the rug - inviting the viewer's eye to look closely across the topography of the canvas. One of Boucher's cabinet paintings (that is, paintings made for private collectors rather than official exhibition at the Salon), the open eroticism of this work invites a voyeuristic gaze. Although it was created for a private audience, it was later displayed at the Salon of 1767, where the critic Denis Diderot found it shocking and lascivious. Nonetheless, Boucher would later paint another iteration of this reclining pose, this time using Marie-Louise O'Murphy, a favorite mistress of King Louis XV, as his model, suggesting that the provocative composition was a stock figure for Boucher's private commissions. "The Brunette Odalisque" (French: L'Odalisque or l'Odalisque brune) is a painting of c. 1745 by François Boucher, now in the Louvre in Paris. He later produced two other works in the odalisque genre, both known as "The Blonde Odalisque". The present painting is another version of Bouchers painting which differs in minor details. The quality of the paint is very fine and the whole technique and style allows a dating to c. 1750. As Boucher's Painting was very famous there were several copies and versions which were made by his studio. The present painting can be attributed to the close circle of Boucher. The Painting is framed in a golden frame which was built in the Rococo style in c. 1990. Both the title of Boucher's painting and the objects found in the interior fix the subject as an odalisque, a concubine within the harem of the Ottoman sultan. The sumptuous textiles and exotic, decorative objects suggest early traces of Orientalism, although the figure appears European. Odalisque paintings...

In 2001 the German art historian Art historian and Raphael Expert, Prof. Jürg Meyer zur Capellen, published the painting "Die Heilige Familie" in a monographic article, ascribing the present work to the Venetian painter Giovanni Battista Pittoni (1687 -Venice - 1767). (Newspaper "Weltkunst", October 2001, No 12, p. 1850 f. ill.) He describes it as a typical work by this artist. Pittoni was one of the most influential and successful artists of the Venetian Settecento. He was a pupil of the Veronese Master Giovanni Balestra (1666-1740). His style is influenced by Sebastiano Ricci (1659-1734) and Giambattista Tiepolo (1696-1770). Giovanni Battista Pittoni was already successful at a young age and soon lead his own workshop. He created large-scale hitoria paintings, as well as large, religious altarpieces. In addition to Venetian and Upper Italian patrons, Pittoni also had many interested parties from Europe. His work is accordingly scattered in many different museums and private collections today. Pittoni - like other painter colleagues of his time - repeated his own compositions both by hand and with the help of his workshop. He repeatedly incorporated details into other pictures and contexts. Prof. Meyer zur Capellen noted the very good condition of the present work and the high quality of the paint with fine graduations and the vivid brushstrokes. Provenance: The panting has not been on the art market for at least 300 years. In the year 2000 the work was donated by the Münster-based, Noble Family Ketteler zu Harkotten to a private collection in Westphalia. Most probably the canon Nikolaus Hermann von Ketteler zu Harkotten bought the piece in Venice in 1750 together with the altarpiece of the Clemens Church in Münster. On the reverse of the work is a fideicommissum number by Ketteler zu Harkotten. As it belonged to the family commission, the painting was inalienable until 1919, when the corresponding law was repealed, and after that time it remained in the family's possession without interruption. Pittoni's only direct relationship to Münster is the commission for the high altar painting of the Baroque St. Clemens Church. It can be assumed that then canon von Ketteler saw this painting in the artist's workshop during his stay in Venice and acquired it for himself. This would also explain the discrepancy in dating. (ca. 1735/1750). However, it is also possible that the painting originated in the possession of Ferdinand von Plettenberg...

Clemens August Ferdinand Maria Hyazinth, Duke of Bavaria (* August 16, 1700 in Brussels; † February 6, 1761 in Koblenz) was as Clemens August I from 1723 to 1761 Archbishop of Cologne and thus at the same time Elector of the Holy Roman Empire, sovereign of the associated archdiocese as well as the tributary lands of Recklinghausen and Westphalia. In addition, he was Legatus natus of the Holy Apostolic See in Rome and Archchancellor of Imperial Italy. Furthermore, he combined the offices of Grand Master of the Teutonic Order...

French School, circa 1720's circle of Nicolas Lancret (1690-1743) oil painting on canvas 15 x 23 inches provenance: private collection, UK Fine depic...

French School 18th Century Portrait of a Young Man Charcoal and pastel on paper Image size: 11 x 7 inches Contemporary gilt frame

'L'Hostel de Chevreuse' Copper-line engraving by Matthaeus Merian. From 'Topographia Galliae', a fine series of engravings of 17th-century French landscapes, gardens, buildings an...

Nicolas de Largillierre painted Elisabeth Marguerite in oil on canvas. A larger version of this work was offered by Sotheby's for $500,000 and is now in a French Museum - Palais ...

Amazing works of the genre scene, dates to the late 18th century. After the famous French artist Francois Boucher, who was the court painter to King Louis XV. It is in its origina...

'Viliers Costret' Copper-line engraving by Matthaeus Merian. From 'Topographia Galliae', a fine series of engravings of 17th-century French landscapes, gardens, buildings and citi...

Playing Cherubim French School, circa 1900 oil painting on canvas laid down on panel within oyster shell scrolled gilt frame overall measurements: 23 x 40 inches provenance: private collection, the South of France A very beautiful and original antique painting, depicting these playful cherubim. The work is typical of the French Rococo...

French School, Portrait of a Lady, Rococo, 18th Century, Fine drawing in Pastel/ Oil Pastel on Paper in the style of Vivien. The Lady might be a woman from Marie Antoinette's Court. It is part of a Pendant (see the other listing with the portrait of Queen Marie Antoinette...

'Prosp. horti Auraicorum Pomorum a Ruel' Copper-line engraving by Matthaeus Merian. From 'Topographia Galliae', a fine series of engravings of 17th-century French landscapes, gard...