Symbolist Art

Deutsches Dichterjubilaum is a book written by Arno Holz (1863 – 1929) and illustrated by Hans Steiner (1907-1962) and in 1923. Original First Edition. Published by Werkverlag, Be...

Ex Libris Naclowski is an original Contemporary Artwork realized in the early 20th Century. Original B/W woodcut print on ivory-colored paper. The work is glued on cardboard. ...

"Ex Libris - Cross" is an original woodcut on paper realized by Michel Fingesten, Early 20th Century. Hand signed and with hand notes in pencil on the lower. In good conditions, exce...

Original woodcut print on paper. Very good conditions. Includes passepartout. Image Dimensions : 10.7 x 11.3 cm Michel Fingesten (Butzkowitz, 1884 - Cerisano, 1943) was a Czech pai...

"Ex Libris RS" is an original woodcut artwork on creamy paper by Michel Fingesten, Early 20th Century. Hand-signed on the lower right and with notes in pencil. In excellent conditio...

Cavalier and Lady is an original woodcut print on paper, realized by unknown Artist of the early 20th Century. Hand-signed on lower right, illegible. Included a Passepartout: 25 x...

"Auferstehung" is an original Black and white héliogravure on cream-colored cardboard realized by Choisy Le Conin, pseudonym of Franz Von Bayros (Agram, 1866 – Vienna, 1924). From M...

"Der Gute Hirte" is an original Black and white héliogravure on cream-colored cardboard realized by Choisy Le Conin, pseudonym of Franz Von Bayros (Agram, 1866 – Vienna, 1924). Fro...

"Sankt Franziskus" is an original Black and white héliogravure on cream-colored cardboard realized by Choisy Le Conin, pseudonym of Franz Von Bayros (Agram, 1866 – Vienna, 1924). F...

"Die Tanzerin Gertrud Bodenwieser" is an original colored héliogravure on cream-colored cardboard realized by Choisy Le Conin, pseudonym of Franz Von Bayros (Agram, 1866 – Vienna, 1...

"Lugenbrucke" is an original Black and white héliogravure on cream-colored cardboard realized by Choisy Le Conin, pseudonym of Franz Von Bayros (Agram, 1866 – Vienna, 1924). From M...

"Der Abend" is a Black and white héliogravure on cream-colored cardboard realized by Choisy Le Conin, pseudonym of Franz Von Bayros (Agram, 1866 – Vienna, 1924). From Mappe, a port...

"Lovcen" is an original Black and white héliogravure on cream-colored cardboard realized by Choisy Le Conin, pseudonym of Franz Von Bayros (Agram, 1866 – Vienna, 1924). From Mappe,...

Ex Libris is an original woodcut print realized by Michel Fingesten. Hand-signed on the lower center and hand written notes. Mint conditions. Sheet Dimension: 17.3 x11 Ex Libri...

Victory is an original drawing in pencil realized by an Anonymous artist of the XX century. Sheet dimension: 42 x 30 cm. Good conditions with the traces of time, some small holes a...

"Sirah" is a still-life painting by the impressionist Alexandr Reznichenko. About the artwork: TECHNIQUE: oil painting STYLE: Impressionist, Contemporary Edition : Unique, signed ...

"Palatia" is a painting by Maestro Edele Bessy - MABILLOT GRANDJEAN GENEVIEVE The painting is unframed. Her paintings bring emotion of happiness, love, energy and beauty represented by the vast creative power of her talent.” Dear art lovers, if you like the art of maestro Bessy, please click the link to follow this artist and art gallery Snow Pearl to discover all our artists and beautiful artworks. Thank you so much! we appreciate your interest to our work. Maestro Edele Bessy was born on August 7, 1946. Self-taught painter since 1982. At first she mainly worked in miniature on ivory, which she then abandoned in favor of oil painting. New beings appear unconsciously on his canvases taking on the dimension of a wandering crowd, mostly women whose eyes arise and challenge us with ever so much acuity. Maestro Bessy paints in a very personal, constantly evolving style. Maestro MABILLOT GRANDJEAN GENEVIEVE - ADELE BESSY Awards : Prix de Peinture du Salon de Beauchamp 2023 Médaille du Conseil Départemental de Bourg la Reine 2023 Prix de peinture Salon des Amis des Arts de Chaville 2022 Prix de peinture Salon des beaux-arts de Boulogne-Billancourt 2022 2ème Prix de Peinture Salon de Chablis 2022 Prix de la ville Salon du SPAM Pontoise 2021 Grand Prix de Peinture de SEMEAC 2021 Prix du Jury indépendant Etampes 2021 Prix du conseiller Départemental Salon de Croissy sur seine 2019 Médaille de la ville de St Maurice 2019 Prix du Jury Gagny 2019 1er Prix de peinture Salon des Artistes indépendants Normands 2018 Prix du Jury Salon de Champagne sur Oise 2018 2ème Prix de Peinture Salon de Bois Colombe 2018 Diplôme d'Honneur et Médaille de la ville de Livry-Gargan2017 Prix Univers des Arts Salon de Thionville 2017 Prix de peinture Salon du Plessis Bouchard 2017 Médaille d'Or Salon de Taverny 2017 Prix de Peinture Salon de Sannois 2016 Médaille d’Or Salon de Bondy 2016 Prix de la peinture à l’Huile Ste Maure de Touraine 2016 2ème Prix de Peinture Pont des Arts Vire Normandie 2016 Médaille d’Argent Salon de Cormeilles en Parisis 2016 Prix de Peinture Salon de Guyancourt 2015 Prix du Public Coye la Forêt 2015 Grand Prix du Salon de Roissy en France 2015 L’école de la Loire Prix de Composition Fantastique 2015 L’école de la Loire Grand Prix du Conseil Général 2015 Prix du Public Salon de Plaisir 2014 Prix du Jury Salon de Coye la Forêt 2014 Prix du Bateau Atelier Salon de Bennecourt 2014 Prix du Jury Salon d’Etampes 2014 1er Prix de Peinture de la Municipalité de Taverny 2014 1er Médaille d’Or Salon de Vittel 2014 Prix de la Municipalité de Viarmes 2013 Prix du Public Salon de Gouvieux 2013 Prix de Peinture Salon de Magny en Vexin 2013 Prix de Peinture Salon de Pontoise 2013 1er Prix de Peinture Salon Formes et Couleurs Vélizy Villacoublay 2013 Médaille de la Ville Mantes la Ville 2013 Prix du Jury Salon de Bernay 2012 Prix de Peinture Salon de Montmagny 2012 Prix de Peinture Salon de Rouen 2012 Grand Prix de Peinture de St Aubin...

"Bordeaux" is a still-life painting by the impressionist Alexandr Reznichenko. About the artwork: TECHNIQUE: oil painting STYLE: Impressionist, Contemporary Edition : Unique, sign...

Image dimensions: 23.5 x 16 cm. Les Sepulcres Secrets is an original artwork realized by Jean Torthe in the XX Century. Original ink and watercolor on paper. Hand-signed on the ...

Frühling is a wonderful black and white photogravure of the original painting by Arnold Böcklin (Basel 1827 - Fiesole 1901), probably edited by Bruckman...

Image dimensions: 34 x 19 cm. Der Büsser is an original print, realized in 1898. Black and white xylograph on applied Japon paper. Good conditions except for yellowing of paper (especially along the margins), and little stains on lower margin. The print was realized by Johann Jacob Weber and it's part of the series Meisterwerke der Holzschneidekunst (original title: SECHZEHN HOLZSCHNITTE NACH GEMÄLDEN ARNOLD BÖCKLIN...

Image dimensions: 26.5 x 42.5 cm. Simplicius Among Soldiers from "Intermezzi" is an original print realized by Max Klinger in 1881. Signature and number of the print on plate. Bla...

Symbolic composition with nudes is a wonderful double-colored lithograph on paper realized by the German artist, Max Lingner (Leipzig, 1988- Berlin, 1969). Monogram and date on pla...

Nude of a man is a wonderful double-colored lithograph on paper realized by the German artist, Max Lingner (Leipzig, 1988- Berlin, 1969). Signature and date on plate on lower right...

Monogram of the artist on plate. Edition of 150 copies. One of the 50 H.C.copies in Roman Numerals. This print is one of the illustrations realized by Odilon Redon for an important e...

Rosenwalzer is a colored cliché from watercolor on cream-colored cardboard realized by Choisy Le Conin, as is remembered Franz Von Bayros (Agram, 1866 – Vienna, 1924). From Mappe, a...

Beautiful detailed artist designed transfer-printed glazed porcelain service plate. Published and manufactured by Rosenthal Limitierte Kunstre...

In the painter's eyes, painting is an anthem of elegance and of beauty, as music. This artwork is a symbolist oil painting by Andrée Bars. Andrée Bars is a French painter. Having been strictly trained for 4 years by the American hyper-realist painter Mr. Ted Seth Jacobs, who himself inherited 19th century masters’ skills from his own professor, Andrée Bars learned the profession of painting in its purest tradition. She still applies these ancient masters...

WENDINGEN Number 3/4 of the 9th series (1928), dedicated to Jan Toorop, edited by H.C.Verkruysen, Dutch text, cover designed by R.N.Roland Holst. Lithogr...

William Strang (1859-1921), Mother Earth, 1897, etching, drypoint, aquatint ); signed in pencil lower right, and signed by the printer David Strang and...

Martin, Jean Guillaume Henri. Girl with Lyre. 1905 [before lettering]. on Linen. Rare Henri Jean Guillaume Martin was a French painter known for his Neo-Impressionist paintings. L...

This black-and-white lithograph, numbered 14/45, is the work of Orovida, whose real name is Camille Orovida Pissarro. The rectangular framing tightens the composition around three fi...

Flower Moon, Original Signed Contemporary Magical Realism Symbolist Painting 24" x 24" x 1.5" (HxWxD), Oil on Canvas A square format painting, this vibrant work by artist Lee Campbell...

During street fighting in Ramadi and Fallujah, Iraq, Richardson noted the impact of stray gunfire and its decaying effect on the city. One particular memory he has is of a plywood sign featuring the figure of a man hoisting a barbell over his head, an advertisement for a local gym. As months passed, the sign splintered to near oblivion, first the figure’s legs, then his head and arms, and finally, most of his torso disappeared as the fighting smoldered on. Nearly ten years later, Richardson began to develop his own bullet-ridden and splintered war motifs. In wartime, cards are the time killer’s friend, a way to pass time between patrols, operations, and the work of war. In Iraq, U.S. troops were issued playing card decks featuring Iraqi officials wanted by the U.S. Government. In the Shotgun...

Symbolist School Man Smoking a Cigar Pencil on paper Image Size: 23 1/2 x 17 1/2 inches (59.8 x 44.4 cm) Contemporary-style hand carved frame This drawing depicts an older man lost ...

This work will be exhibited at Art on Paper NYC, September 4–7, 2025. – Marc Chagall (1887-1985) - Moreover they made garments of ministration to minister in the Sanctuarie; they m...

Abel Pann (1883–1963) was a European Jewish painter who settled in the Talpiot neighborhood of Jerusalem in the early twentieth century and taught at the Bezalel Academy of Art under...

Abel Pann (1883–1963) was a European Jewish painter who settled in the Talpiot neighborhood of Jerusalem in the early twentieth century and taught at the Bezalel Academy of Art under...

"Impact" abstract acrylic paint and marbel powder on linen panel 100x100cm 2021 Work on the impact of elements on urban structures and organisation. I endeavored to give thickness t...

"They were very great winds on the earth of men" abstract on aluminium canvas 100x100 cm I believe it is increasingly necessary to rise above the mediocity of men: barbarism, vulgari...

Abel Pann (1883–1963) was a European Jewish painter who settled in the Talpiot neighborhood of Jerusalem in the early twentieth century and taught at the Bezalel Academy of Art under...

"Fascination" abstract acrylic paint on bristol paper linen panel 54x81cm 2014 The title is enough on its own… tonic color chords.

I capture the enchanting essence of spring's golden hour, filled with blossoms, vitality, and energy. By wielding brushes and blending bronze dips into rich black fluids, I've crafted a tropical scene set against a natural ecru background. The ecru canvas adds a warm, foundational element, allowing the painting's timeless beauty to shine in any environment. This artwork, titled "Golden Hour IX" and created in 2021, features metallique acrylic paint that gives it a gentle luster, enhancing its overall visual charm. Golden Hour IX (2021) is signed on the back and comes with a Certificate of Authenticity, affirming its provenance and value. © 2019-2024 Fuen Chin...

abstract "Landfill" acrylic linen canvas 73x60cm colourfull tsunami in this painting, Emmanuelle Vroelant worked on the idea of all that we bury, deep inside ourselves or that Nature...

During street fighting in Ramadi and Fallujah, Iraq, Richardson noted the impact of stray gunfire and its decaying effect on the city. One particular m...

Eccezionale disegno dei primi anni 20 stile Simbolista ,Orientalista Anche il Passepartout attorno all'opera è stato realizzato dall'artista. Louise JANIN nasce nel 1893, a Durham...

Signed symbolist oil on panel circa 1910 by French Les Nabis painter Ker-Xavier Roussel. This beautiful painting depicts nudes and figures dressed in robes in a wooded landscape. Signature: Signed lower left Dimensions: Framed: 31"x40" Unframed: 23"x32" Provenance: JPL Fine Arts - London c. 1985 Ker-Xavier Roussel met Édouard Vuillard at the Lycée Condorcet, which they both attended. Together they visited Eugène Ulysse Napoléon Maillard's studio, where Roussel became acquainted with Charles Cottet, going on to study at the Académie Julian under Bouguereau and Jules Lefebvre. There, he became interested in the Synthetism promoted by Sérusier, following Sérusier's heeding of the line Gauguin had adopted in Pont-Aven. He joined the Nabis group. He and his friends form a link between the Impressionists - he knew Cézanne, Degas, Renoir and Monet - and the Fauves and Cubists. In his earliest paintings, Roussel adopted a dark palette for Realist still-lifes. Later, his work bore the influence of Gauguin, Sérusier, the Nabis and Cézanne, in Intimist scenes painted in flat tints not yet clearly delineated. Their dull, saturated tones are reminiscent of Cézanne. In about 1900 he started painting mythological scenes full of nymphs and fauns and set in his home region of Île-de-France. After a bicycle trip in Provence with Maurice Denis, during which he met Cézanne, he lightened his palette, much taken by the cloudless skies below which he would now set the mythological and idyllic compositions which link him to Poussin and Corot. This wondrous, unreal world found its way into large-scale works, including the stage curtain of the Champs-Élysées theatre in 1913, a large Pax Nutrix for the Palais des Nations in Geneva and Dance for the Palais de Chaillot in 1937. He is best remembered for: Silenius' Triumph, Polyphemus, Diana, The Abduction of the Daughters of Leucippus. The nymphs and fauns of a mythology quite his own appear in clearings and woods from the outskirts of Paris, but the sun they rejoice in is Mediterranean. To capture the vibration of bright colours under a permanent sun, he later turned to pastels. He was more a Symbolist than a Nabi and signed himself K.-X. Roussel. He also produced lithographs. He took part in exhibitions from 1891 with the Groupe des Vingt at le Barc de Bouteville's gallery in Brussels. Then he exhibited in Revue Blanche Painters ( Les Peintres de la revue blanche) in Paris; with the Nabis at Café Volponi in Paris; before World War I with Free Aesthetics in Brussels; from 1901 at the Salon des Indépendants and the Salon d'Automne; in the 1930s in Revue Blanche Painters ( Les Peintres de la Revue blanche) hosted in Paris by designer Bolette Natanson, the daughter of the Revue Blanche's owner. He took part in The Masters of Contemporary Art ( Les Maîtres de l'art contemporain) at the Musée du Petit Palais in Paris, and at the 1938 Venice Biennale and 1939 New York World Fair. He featured posthumously in Toulouse-Lautrec and the Nabis ( Toulouse-Lautrec et les Nabis) at Bern Kunsthalle; From the Revue Blanche ( Autour de la revue blanche) in the Galerie Maeght, Paris, and in Tokyo and Brussels. He had one-man shows in Paris before his death in 1944. Retrospectives were mounted in the 1960s in London and Bremen. Museum and Gallery Holdings: Geneva (Petit Palais): Haystacks on the Seaside Paris (BNF): Training the Dog; Landscapes (engraving); Nymph and Faun (c. 1895, etching) Paris (Louvre): Poject for a Screen (drawing) Paris (MNAM-CCI): The Road (c. 1905); The Cyclops (1908); Venus and Cupid on the Seafront (1908); The Abduction of Leucippus' Daughters (1911); Pastorale (1920); Diana at Rest (1923); Portrait of Vuillard (1934) Paris (Mus. d'Orsay): The Gate (pastel); Woman in Profile with Green Hat; In Bed; Félix Valloton...

Ten original lithographs, printed by Mourlot Paris in the 1970's. Issued 150 copies numbered and signed. 102/150. Creation was inspired by the Kabalistic conception of the Hebrew Al...

David Richardson Myth of Progress (AI) No.1 60 x 50 in Oil Paint Following a tour in Iraq, Richardson was posted to Seoul Korea for two years. There,...

This abstract oil painting underscores the difference between notions of dark and light, challenging our ideas of how we distinguish good and evil. The firefly is a nocturnal creatur...

Ten original lithographs, printed by Mourlot Paris in the 1970's. Issued 150 copies numbered and signed. 102/150. Creation was inspired by the Kabalistic conception of the Hebrew Al...

Painting, around 1910, oil on cardboard. Romantic love scene in the forest. Signed, Gaston Bussiere. With beautiful (original) Art Deco frame. Frame has minimal damage in places. Dimensions with frame 67cm x 86cm This painting is offered here for the first time exclusively on 1stdibs! From private, German estate. Gaston Bussière (April 24, 1862 in Cuisery – October 29, 1928 or 1929 in Saulieu) was a French Symbolist painter and illustrator. Bussière studied at l'Académie des Beaux-Arts in Lyon before entering the école des beaux-arts de Paris where he studied under Alexandre Cabanel and Pierre Puvis de Chavannes. In 1884, he won the Marie Bashkirtseff...

During street fighting in Ramadi and Fallujah, Iraq, Richardson noted the impact of stray gunfire and its decaying effect on the city. One particular memory he has is of a plywood sign featuring the figure of a man hoisting a barbell over his head, an advertisement for a local gym. As months passed, the sign splintered to near oblivion, first the figure’s legs, then his head and arms, and finally, most of his torso disappeared as the fighting smoldered on. Nearly ten years later, Richardson began to develop his own bullet ridden and splintered war motifs. In wartime, cards are the time killer’s friend, a way to pass time between patrols, operations, and the work of war. In Iraq, U.S. troops were issued playing card decks featuring Iraqi officials wanted by the U.S. Government. In the Shotgun...

David Richardson R3 No.4 36 x 24 in Acrylic Paint Following a tour in Iraq, Richardson was posted to Seoul Korea for two years. There, he saw how the Koreans used large...

David Richardson Myth of Progress (AI) No.2 60 x 50 in Oil Paint David Richardson’s paintings reinforce myth as the universal blueprint we all live b...

David Richardson Myth of Progress (AI) No. 3 40 x 26 in Acrylic Paint David Richardson’s paintings reinforce myth as the universal blueprint we all l...

David Richardson R3 No.3 28 x 25 in Acrylic Paint Following a tour in Iraq, Richardson was posted to Seoul Korea for two years. There, he saw how the Koreans used large, brightly c...

Ten original lithographs, printed by Mourlot Paris in the 1970's. Issued 150 copies numbered and signed. 102/150. Creation was inspired by the Kabalistic conception of the Hebrew Al...

Ten original lithographs, printed by Mourlot Paris in the 1970's. Issued 150 copies numbered and signed. 102/150. Creation was inspired by the Kabalistic conception of the Hebrew Al...

A work in which we see abused animals bleeding, which reflects a real shame that continues to exist, which is animal abuse.