Victorian Art

Artist/ School: British School, indistinctly signed lower right, circa 1950's Title: Portrait of an Aristocratic Lady. The previous owner believed the sitter to be a member of the Q...

The Cornish Fisherman Signed by David W. Haddon (British, flourished end of the 19th century) Oil on board, framed framed: 13 x 11 inches board: 10 x 8 inches Provenance: Private col...

The Irish Sunset Irish School, mid 19th century, circa 1850 oil on canvas, framed framed: 34 x 32.5 inches canvas: 28 x 26 inches provenance: private collection, UK condition: very g...

Artist/ School: English School, late 19th/ early 20th century. The painting came from a large collection of works by one artist. A very few of them are signed what looks to be 'F. Wa...

Octavius Thomas CLARK Oil on canvas Picture Size: 24 x 42" (60 x 105cm) Outside Frame Size: 32 x 50" (80 x 125cm) Signed bottom left An impressive example of O. T. Clark's work. Su...

The Highland Path Scottish School, circa 1830's Oil painting on canvas, framed framed size: 34 x 28 inches canvas: 26 x 20 inches condition: very good and ready to hang provenance: f...

Portrait of a Nun by Joseph Albert, signed and dated to the back, 1898 oil painting on canvas, unframed canvas: 24 x 18 inches provenance: private collection, England condition: ove...

"The Old Salt" (Cornish fisherman) by David W. Haddon (British, late 19th/ early 20th century) signed and dated oil on board, framed framed: 18 x 14 inches board: 16 x 12 inches ...

Portrait of a Lady by Theodor Recknagl (1865-1945) German signed oil on board, unframed board : 7.5 x 6 inches Attached provenance documents Provenance: private collection, England C...

Richard Waller 1811 - 1882 Canvas Size: 24 x 20" (60 x 50cm) Frame Size: 31" x 27" (77.5 x 67.5cm) Oil on canvas Signed and dated 1872 London painter of portraits and suggestive sub...

Highland Cattle at Sunset by Alfred Fontville de Breanski (British 1877-1945) signed lower front corner oil on canvas, framed framed: 23 x 31.5 inches canvas: 16 x 24 inches Provenan...

Superb oil painting by the very popular English sporting artist, Philip Rideout (circa 1850-1920). signed oil on paper mounted in a frame dated 1890's framed: 14 x 17 inches paper:...

The Scottish Landscape By J.Green (19th Century) oil on canvas, framed framed: 14 x 24 inches canvas : 12 x 18 inches provenance: private collection, England ...

Artist/ School: English School, 19th century, dated 1863 Title: botannical study 'Ne Plus Meuris' Medium: watercolour drawing on paper, with ink inscription below Size: image: 9.5...

The Winding River Valley by George Mulready Freezor (British, 1865-1962) signed oil on canvas, framed framed: 32 x 38 inches canvas: 29 x 33 in...

This superb British Victorian exhibited portrait oil painting is by noted artist John Scott. It was painted in 1884 and exhibited at the Royal Academy London the same year, entitled An Incident from The Marsh King's Daughter with a quote from the Hans Christian Andersen book, The Marsh King's Daughter. (see details regarding the story below). In the large and vibrant composition, Helga, wearing a long lime green dress...

Portrait of a Seated Lady English School, mid 19th century oil on canvas, unframed canvas: 16 x 13 inches provenance: private collection, England condition: good and sound condition

The Spaniel & Her Puppy English School, 19th century signed 'Burham' lower corner oil painting on board, framed in a maple veneered frame framed: 9.5 x 12.5 inches board : 7 x 10 inc...

Canvas Size: 28 x 36" (71 x 91cm) Outside Frame Size 36 x 44" (91 x 111cm) It is signed on the middle right on the wooden window. This is a stunning painting of a racehorse signed and dated J F Herring Sen 1842. The horse is named above the water trough as Attilla. As Herring was a renowned painter of racehorses it is likely that this was done for a wealthy patron who owned several. Although he painted many of the winners of the St. Ledger Cup Attilla was not one of these. Free carriage worldwide John Frederick HERRING Snr 1795 – 1865 A sporting painter, born in Surrey of American/Dutch extraction. At first he was a sign and coach painter. He then worked as a stable boy and coachman in Yorkshire until with the help of patrons he was able to study with Abraham Cooper RA, the only art education he appears to have had. He specialised in racing subjects and his few hunting scenes are rare. Herring painted the start of the 1844 Derby, which became known as ‘the dirtiest Derby in history’. He sometimes collaborated with his three sons, J.F.Jnr, Benjamin Jnr and Charles. He also collaborated with James Pollard on a number of racing scenes inc. ‘The Doncaster Gold Cup’, 1838, ‘The Emperor of Russia’s Cup at Ascot’ 1845 and ‘The Dead Heat for the Doncaster Great St. Ledger’ 1849 Herring painted 33 successive winners of the St. Ledger and not surprisingly lived a large part of his life in the Doncaster area before settling in Newmarket in 1830 and then in London in 1835. He suffered serious financial difficulties after his move to London which, thanks to a great friend and patron William Taylor Copeland (1797 – 1868) head of the Spode Porcelain factory at Stoke on Trent, was resolved. He painted many pictures of the Copeland family, some of which were adapted and used as designs on the Spode china...

‘News from the Front’ by Frederick Goodall R.A. H.R.I. (1822-1904). The painting – which depicts a diverse cross-section of Victorian figures gathered outside a post office as they...

Artist/ School: Norwich School, circa 1876 Title: 'Norfolk Clay Lump and Thatched Cottages'. Medium: oil on canvas, framed Framed: 24 x 31 inches Painting: 19 x 26 inches Provenance: private collection, East Anglia...

Artist/ School: British School, second half 20th century, signed lower left 'Champion' Title: a copy after de Loutherbourg's 1795 painting of Lord Howe's action of 1 June 1794 in th...

‘A Day in the Country’ by William Frederick Witherington R.A. (1785-1865). The painting – which depicts a group of Victorian figures on a summer’s day before an extensive landscape ...

"The River Cottage" British School, 19th century follower of John Constable oil painting on board, framed painting: 12.5 x 12.5 inches fram...

This idyllic late 19th-century oil painting by English artist Edward William Cooke RA (1811-1880) depicts a west-country cove with two cottages, donkeys, figures, and fishing boats. Cooke was a highly renowned painter of marine scenes and landscapes who exhibited extensively at London’s Royal Academy. From our elevated vantage point, the view extends between two quaint cottages and across the beach before sweeping around the sandy coastline. Crystalline waters lap the shore, where moored craft rest. It’s an accomplished rendering of a challenging composition. It’s enhanced by trees, which essentially ‘frame’ the right side, while a wooded track provides interest on the left. Cooke was a keen admirer of the Dutch old masters, and the spirit of the Golden Age underpins this splendid work. In diaries, he recorded how he travelled by donkey to access elevated spots in the southwest, so it’s conceivable that he did so here. In his catalogue raisonné, it lists a work from the same year titled ‘Bay with Donkeys’. Born in Pentonville, London, Cooke was raised in the company of accomplished artists as both his father, George Cooke (1781-1834), and his uncle, William Bernard Cooke (1778-1855), were engravers. As such, they were associated with a circle of Victorian painters who aided Cooke’s early development. These included the highly regarded marine painter Clarkson Frederick Stanfield RA RBA (1793-1867), who provided frequent advice and inspiration. Indeed, as a teenager, Cooke produced numerous drawings after Stanfield’s works. A precocious talent, by the age of nine, he was already displaying an advanced understanding of engraving, particularly for ships, coupled with a natural, seemingly in-built skill as a draughtsman. Many of his early drawings depict pastoral landscapes after the masters, such as Nicolaes Berchem (1620-1683), Paulus Potter (1625-1654), and Karel Dujardin (1626-1678). In an extraordinary turn of events, in 1820, his advanced abilities led to his first commission when he provided botanical illustrations for John Loudon's 'Encyclopaedia of Plants’. These were followed by drawings published in the 'Botanical Cabinet...

War Ship at Sea signed oil on canvas, framed framed: 23 x 33 inches canvas: 20 x 30 inches provenance: private collection, England The painting is in very go...

Two Terriers by E. S. England (British, active c. 1890-1910) signed & dated 1890 oil on board, framed Framed: 11 x 14 inches Board: 9 x 12 inches Provenance: private collection, Suff...

Artist/ School: Spencer Coleman, British late 20th century Title: Tranuil Pastures Medium: oil on canvas, framed Framed: 18 x 22 inches Painting: 1...

Artist/ School: English School, signed and dated 1903 lower corner. Title: The Winding River Medium: oil painting on canvas, unframed. Size: painting: 18 x 24 inches Provenance...

"Northwood Lane, Devon" by W. Cartwright (British exhibited between 1875-1899) titled to frame plaque oil on canvas, framed framed: 18 x 14.5 inches canvas: 15.5 x 12 inches provenan...

Artist/ School: British School, late 19th century Title: Sunset over a Highland Loch. Most likely Scottish but possibly Irish. Medium: oil painting ...

19th century English school Portrait of a young gentleman (a scholar?) in dress suit oil on canvas, framed framed: 21 x 19.5 inches canvas: 14 x 1...

You have the opportunity to buy this painting showing a wonderful and idyllic example of English countryside and life on a large scale impressing all who view it. Painted around 1850 it has a beautiful free flowing style to it and encompasses everything typical to Victorian England. Signed John Constable bottom right. We offer free shipping worldwide. Canvas Size: 40 x 50" (100 x 125cm) Outside Frame Size: 51 x 61 (127.5 x 152.5cm) John Constable Constable was born in East Bergholt, Suffolk on 11 June 1776 and attended a school in Lavenham and his father hoped he would enter the church. His father was adamant that he would not be a painter as a profession. He met a local man named John Dunthorne who painted local scenes, mainly in nearby fields. His love of all things natural stemmed from this. Later he copied works by Girtin from a book that was lent to him by Sir George Beaumont...

Sunrise in the Catskills after the earlier painting by Thomas Cole (American 1801-1848) Oil painting on canvas, framed Framed size: 40 x 52 inches In 1826, Thomas Cole met Robert Gi...

Artist/ School: Norman A.Olley dated 1994 and inscribed verso Title: By The Thames At Hampton Middlesex Medium: gouache/watercolour/ pencil on artist paper, unframed Painting : ...

"Allan Water, Stirling" by F. E. Jamieson (British 1895-1950) signed, lower corner oil painting on canvas, framed canvas: 16 x 24 inches framed: 21.5 x 29 inches Fine quality antiqu...

Highland Landscape E.C Hamblin, British late 19th/early 20th century signed oil on canvas, framed dated 1914 verso framed: 25 x 35 inches canvas: 20 x 30 inches provenance: private c...

The Loch Keepers Cottage by Joel B. Owen (British, signed and dated 1918) oil painting on canvas: 20 x 30 inches original antique gilt frame: 23 x 33 inches condition: overall very g...

Fisherman in Highland Landscape by James Mudd (English, 1821 - 1906) signed oil on canvas, framed framed: 28.5 x 41 inches painting: 24 x 36 inches provenance: private collection, En...

Artist/ School: British School, 20th century, signed by the artist, Charles Rodger 89. Title: The Hunt. Medium: oil on canvas, framed Framed: 31 x 43 inches Painting: 14 x 36 inc...

Artist/ School: Norman A.Olley (British, 20th century) dated 1995 and inscribed verso Title - The Afternoon By The Old Mill Medium: gouache/watercolour/ ink/ pencil on thin board, ...

Shipping in Rough Seas English School, late 19th century oil on board, framed framed: 17.5 x 25 inches board: 12 x 20.5 inches provenance: private collection, England condition: very...

Portrait of a Horse British School, 20th century oil painting on panel, unframed paintings size: 8 x 10 inches condition: excellent provenance: from a private collection here in England A very fine equestrian portrait of this horse. Painted with tremendous detail and finesse, the horse is accentuated against its clear background - a technique enjoyed many George Stubbs in the 18th century and Francis...

This mid-19th-century oil painting, attributed to English artist Edward Charles Williams (1807-1881), depicts a wooded river landscape with a boathouse, cottage, fishermen and figure...

John Murray Thompson R.S.A (1885-1974) A mother and pups signed 'J Murray Thompson -' (lower left) Oil on canvas Painting Size - 18 x 24 in Framed Size - 22 1...

Michael Constable (20th Century British School) oil on canvas, framed framed: 28.5 x 34 inches canvas: 24 x 30 inches provenance: private collection,...

Waiting for their Master by Robert Cleminson (British 1864-1903) signed oil painting on canvas, unframed painting: 30 x 50 inches Lovely British sporting art oil painting on canvas...

Artist/ School: French School, 19th century Title: Portrait of a smartly dressed gentlema from the 19th century, sporting a moustache. Medium: oil on canvas, unframed and inscribe...

The Highland Cottage Irish School, 19th century signed and dated 1888 oil painting on canvas, unframed canvas: 30 x 50.5inches provenance: private collec...

Henry Garland (fl.1854-1900) Watching over baby signed 'H. GARLAND.' (lower left) Oil on canvas Painting Size - 14 x 18 in Framed Size - 20 x 24 in Provenance The Collection of Char...

A very fine original antique English botanical watercolour painting depicting this beautiful depiction of a flower/ plant. The work came to us from a private collection in Surrey, En...

‘The River Thames at Leigh by Moonlight’ by Henry Pether (1800-1880). The painting is signed by the artist and dated 1851 and is presented in a bespoke gold metal leaf frame. • Vi...

George William Mote (1832-1909) British oil painting on canvas, framed framed: 25 x 28 inches canvas: 22 x 27 inches provenance: private collection condition: very good and sound co...

An idyllic scene of chickens feeding in a famryard with old outbuildings and a patch of blue sky beyond. William f Burchell (exhibiting 1909-1937) A farmyard scene Signed Oil on can...

Still Life of Fruit by Oliver Clare (British 1853-1927) oil on canvas, framed framed: 11 x 14 inches canvas : 6 x 9 inches Provenance: private collection, England Condition: very go...

Artist/ School: British School, early 1800's, circle of George Morland (1763-1804). Title: The Stable Interior Medium: oil painting on canvas, unframed. Canvas: 25.25 x 30 inch...

The Amphitheatre of Loch Lomond from the Water Mill at Ross-Ben Lomond by John Wilson Ewbank, RSA (1799-1847) signed and inscribed with title verso oil on millboard, 24.5 x 35cms, plus frame provenance: private collection, Scottish borders Very fine and beautiful antique oil painting of this important view in Scotland, depicting the ever beautiful Loch Lomond. The painting is by the very well listed John Wilson Ewbank (1799-1847). John Wilson Ewbank (English, 4 May 1799–28 November 1847), was an English-born landscape and marine painter who was renowned for his naturalistic landscapes and seascapes of the Scottish borders and the North East coast of England. Ewbank was born at Darlington on 4 May 1799, the son of Michael Ewbank, an innkeeper. He was adopted as a child by a wealthy uncle who lived at Wycliffe, on the banks of the River Tees, in the North Riding of Yorkshire. Intended for the Roman Catholic priesthood, he was sent to Ushaw College, from which he absconded. In 1813 Ewbank was apprenticed to Thomas Coulson, an ornamental painter in Newcastle. In around 1816 he moved with Coulson to Edinburgh, where he was also taught by Alexander Nasmyth (1758-1840), a popular painter amongst the Scottish and English nobility. Ewbank found work both as a painter and a teacher. He was nominated in 1830 one of the foundation members of the Royal Scottish Academy. In 1833 he is listed as living at 7 Union Street on the eastern fringe of the New Town in Edinburgh. Sadly after the death of his wife he descended into depression and was stripped of his status as an academician in 1838 and died in poverty of typhus in Sunderland in 1847. Ewbank’s calm seascapes were strongly influenced by 17th Century Dutch artists, particularly Willem and Adriaen Van de Velde. Although his best work dates from his early years, Ewbank became a popular and wealthy art teacher in the capital where made a reputation with cabinet pictures of banks of rivers, coast scenes, and marine subjects. Ewbank’s sketches from nature were especially admired, and a series of 51 drawings of Edinburgh by him were engraved by W. H. Lizars for James Browne's Picturesque Views of Edinburgh (1825). He was also noted as a painter of landscapes and seascapes as exemplified in this painting. The busy port of South Shields is located on the south side of the mouth of the River Tyne, Northumberland. The settlement was founded by the Romans in AD80 when Agricola built a fort on the Lawe Top. The Romans used it as a supply base for Hadrian’s Wall and by the 5th Century, South Shields was a major Roman military stronghold and commercial centre. By 1500, South Shields had become an important seaport, trading primarily in timber, lead, coal and salt. The first shipbuilding yard was established by Robert Wallis in about 1720, he was soon followed by others, including Thomas Marshall...

Artist/ School: signed by Douglas Falconer (British, 1913-2004) Title: North Scotland Medium: oil on board, framed and inscribed verso Framed: 14 x 20 inches Board: 12 x 18 inches...