Altar Art

14" x 18" Unframed Limited Edition Archival Photograph of 15 Hand Signed by Simeon Posen

With a career spanning more than three decades, Robbie Cornelissen has established himself among the leading contemporary draughtsmen in Europe. His vast and irresolute creative univ...

This Avalokeshwor statue is handcrafted by lost wax process which is one of the ancient process of making metal sculpture. Standing Avalokeshwor figure has se...

Medium: Watercolor and Gouache on Board Signature: Unsigned Due to Shinn's fascination with the theater, the booming motion picture industry of the early 20th Century certainly capt...

Story illustration for “Abbé Doret’s Secret” by Manuel Komroff for Cosmopolitan, published February 1942. The full caption reads: “As the gardener passed he lifted his cap twice ‘Do...

Churches of Rome Chiesa Nuova II, Rome, Italy, 2019 48x60 inches Edition of 5 Archival Pigment Print Framed

Chromogenic Print – Unframed Free Shipping – Ask us for custom framing options. 40 x 48 inches - edition of 5 48 x 60 inches - edition of 5 71 x 88.5 inches - edition of 5 "My ph...

Corinne Griffith, 1930 - Cecil Beaton (Fashion Portrait Photography) Red inkwash signature on mount Inscribed 'Corinne Griffith' in unknown hand and stamped with Sotheby's Cecil Bea...

Born on April 24, 1966. 1984 graduated from Nikoladze Art College. During 1984 – 1990 he had been studying in Tbilisi State Academy of Arts. Exhibitions of his works have been held regularly in Germany (Berlin, Cologne, and Bonn), Switzerland (Bern, Basel, and Zurich), and Italy (Merano) since 1992. Exhibitions: 2011 - Chardin Art...

Sz: 8 7/8"H x 14 1/2"W Alexander Warren Montel (1921-2002) Fashion illustrator for House of Lanvin Paris in the 1950s featured in Harper's Bazaar Carleton Display

Sz: 9 3/4"H x 16 7/8"W Alexander Warren Montel (1921-2002) Fashion illustrator for House of Lanvin Paris in the 1950s featured in Harper's Bazaar Theatrical Stage Set

Sz: 14 1/2"H x 22 7/8"W Alexander Warren Montel (1921-2002) Fashion illustrator for House of Lanvin Paris in the 1950s featured in Harper's Bazaar Dining Room Interior

William Nelson’s latest body of work, titled Pretty, Desirable, Delightful, Dangerous, invites us into a dynamic world of glamour and mystery, rich with symbolism, history, and intri...

Beautiful portrait of the famous Bibliotheca Di Admont with a beautiful blue and golden interior photographed by the Master of Interior Photography Massimo Listri. All prints are l...

A Monumental Gilt-Lacquered Bronze Ornamental Buddha Sculpture of Vajravidarana: A Masterpiece of Sino-Tibetan Craftsmanship, Late 19th Century, Qing Dynasty This monumental gilt-lacquered bronze ornamental sculpture of Vajravidarana is an extraordinary and commanding piece of art, showcasing the pinnacle of Sino-Tibetan craftsmanship from the late 19th century. The figure of Vajravidarana, a powerful purification deity in Tibetan Buddhism, is meticulously sculpted to embody both spiritual authority and artistic excellence. Vajravidarana is primarily known for his role in removing spiritual impurities and negativities. Unlike other deities associated with wisdom or compassion, Vajravidarana’s function is centered on purification and healing. He is typically depicted holding a vajra and a bell, symbolizing the cutting away of delusions and the resonance of divine truth. In this striking sculpture, Vajravidarana is shown holding a vishva vajra (the double vajra), a unique and powerful variation of the traditional iconography, which signifies ultimate protection and the dispelling of negative karma. Vajravidarana: The Supreme Purifier and Protector Vajravidarana is revered in Tibetan Buddhism as the deity of spiritual purification, called upon to cleanse practitioners of defilements and negative influences. His vajra represents the indestructibility of truth, while his bell signifies the wisdom that resonates through purification rituals. In this sculpture, the presence of the vishva vajra, or double vajra, enhances his association with supreme protection, ensuring the destruction of all spiritual obstacles and afflictions. The figure’s powerful yet composed expression conveys a sense of unwavering resolve and divine authority. His posture, along with the carefully sculpted details of his robes and ornaments, highlights his function as a guardian against impurity. The inclusion of the vishva vajra rather than the usual single vajra reinforces his role as a supreme protector, capable of dispelling all forms of negativity and restoring balance. Symbolism of the Mantras and Aureole: Unlike deities that embody wisdom through duality, Vajravidarana’s iconography is centered on purification and exorcism. The aureole surrounding him is inscribed with sacred purification mantras rather than depictions of a consort. These mantras emphasize his function as a remover of obstacles and impurities, reinforcing his role in Buddhist healing rituals. The presence of the sacred inscriptions elevates the sculpture’s spiritual significance, making it a focal point for meditation and ritual purification. Practitioners often visualize Vajravidarana radiating purifying light, dissolving afflictions and negative karma. This theme is mirrored in the sculptural repetition of the purification symbols on the aureole, reinforcing the deity’s role as a divine cleanser. Gilt-Lacquered Bronze: The Artistry of Sino-Tibetan Metalwork: The craftsmanship of this monumental figure reflects the expertise of late 19th-century Sino-Tibetan metalwork, where traditional Tibetan themes were infused with Chinese artistic sensibilities. Cast in bronze and finished with a rich gilt lacquer, the statue has an otherworldly glow, giving it an ethereal, almost divine presence. The gilding process—applied with exceptional skill—gives the sculpture a striking luminosity that enhances the fine details of the facial features, flowing robes, jewelry, and other elements of the deity’s attire. The technique employed to create this figure speaks to the high level of craftsmanship that flourished during the late Qing Dynasty and early modern Tibetan art. The ornate details of the robes and the fine texture of the sculpture highlight the exceptional skill of the artisans who brought this work to life. The use of gold and lacquer not only reflects the preciousness of the sculpture but also its spiritual significance as an object meant to inspire reverence and meditation. An Ornamental Sculpture of Monumental Scale: Unlike smaller devotional objects, this sculpture is designed as an ornamental masterpiece, intended to make a grand visual and spiritual statement. Its monumental size allows it to dominate any space, offering a commanding presence that is both physically and symbolically impressive. In Buddhist practice, large sculptures of this nature are often placed in temples or meditation halls, where their imposing size and serene presence would encourage contemplation and devotion. The grand scale of the statue further amplifies the spiritual power it is meant to convey. As a representation of Vajravidarana, it is not only a physical object of beauty but also a conduit for meditation, purification, and enlightenment. The scale of the sculpture also emphasizes the divine stature of the deity, highlighting his importance in the Buddhist tradition as the ultimate force for spiritual cleansing and protection. Provenance: Acquired in China in circa 1900 1905 Private Buddhist Temple, Northeast, USA Private Sale Solomon Treasure...

This is a black-and-white time exposure in a museum with a dinosaur skeleton and blurry people moving around it created by Matthew Pillsbury in 2007....

A contemporary landscape photograph of Wyoming Diplodocus, Natural History Museum, London by Matthew Pillsbury. 2007 Signed and numbered, verso Archival pigment print (Edition of ...

Pierre Bergian expresses his fascination for architecture through his paintings by exploring space and structure, making use of the presence of architectural components. His current ...

Robert Polidori's ongoing Russia series

This work is offered by CLAMP in New York City.

Catedral del Tango Buenos Aires, Argentina, 2013 126 x 250 cm Edition size: 12 Light jet, exposure on high glossy paper and aluminum dibond Framed with tulipwood, distance fra...

Austrian National Library Vienna, Austria, 2022 166 x 136 cm Edition size: 12 Light jet, exposure on high glossy paper and aluminum dibond Framed with tulipwood, distance framing, and a UV 99 museum glass. Located in the Wiener Hofburg the Austrian National Library is considered one of the most beautiful historic library halls in the world. Commissioned in 1722 by Charles VI, Emperor of the Holy Roman Empire, the historic building was constructed by the famous baroque architect Johann Bernhard Fischer von...

Mitchell Gaudet is a glass artist who uses the hot cast process to create multiples often assembled in conjunction with vintage found objects and relics. In his new series entitled I...

Mitchell Gaudet is a glass artist who uses the hot cast process to create multiples often assembled in conjunction with vintage found objects and relic...

Palazzo Topkapi (chiosco di Erevan) Istanbul I, Turchia 2018, blue palast turkey Other sizes an framing on request. PREISS FINE ARTS is one of the world’s leading galleries for fine...

The artwork is made and signed by the artist. Other sizes and framing on request. Liu Bolin was born in 1973 in the Chinese province of Shandong. He finishe...

Benarés, India, 1997 - Graciela Iturbide (Black and White Photography) Signed Silver gelatin print 20 x 16 inches Graciela Iturbide’s photography turns on themes of spirituality, ri...

Last supper in texas - is a scenery with a model, a native american, a cowboy and a buffalo seated around a table, in a western looking room Other sizes and high-end frame on reques...

In front of this temple wall, the boundary stones (bai sema in Thai) indicate the sacredness of the space. This is a classic Preecha plays with texture and light. Artwork Details: Preecha Thaothong "Temple" 1998 Signed Limited Edition Lithograph...

Signed and numbered by the artist. Pricing and availability is subject the change without notice. Michael Kenna’s work has often been described as enigmatic, graceful, or hauntingly ...

Palazzo Doria Pamphilij, Roma C-print Signed, titled, dated and numbered edition of 5 on artist's label on verso. 39.5 x 47.5 inches, edition of 5 47.5 x 59 inches, edition of 5 7...

Confessional, Study 9, Chiesa di San Matteo Apostolo, Rossena, Reggio Emilia Signed, dated and numbered on mount Signed, dated, inscribed with title and ...

Blurry Upright Camera Obscura: Santa Maria Della Salute with Scaffolding Signed, inscribed with title and date, and numbered 1/6 on photographer's label...

Castello di Sammezzano, Florence C-print Signed, titled, dated and numbered edition of 5 on artist's label on verso. The photographer is based in Florence, and is fascinated how...

Castello di Stupimigi, Torino, 2012 C-print Signed, titled, dated and numbered edition of 5 on artist's label on verso. The photographer is based in Florence, and is fascinated ...

Schwerzingen Palace Theater, Germany, 2012 The photographer is based in Florence, and is fascinated how his architectural subject matter allows him ...

landscape painting

Oil on panel by Richard Whitten

Oil on panel by Richard Whitten

Signed on front of the mount. Edition number and date on back of the mount. Edition of 50. May be available in various sizes. Please contact the gallery as prices and availability ar...

Signed on front of the mount. Edition number and date on back of the mount. Edition of 50 (this print is sold out and available through the gallery in the 22 1/4 x 18 1/4 inch size)....