Antelope Art

Antelopes is a color lithograph realized by an anonymous illustrator in 1860. Image dimensions: 21.5 x 16.5 cm. Titled in pencil bottom left, p. 32: Antilopen. The print is in very...

Original oil painting signed by the Artist on lower right corner.

Douglas C. Backhaus - Unicorn in Field, Year: 1978, Medium: Hand colored Etching, signed, dated and numbered in pencil, Edition: AP, Image Size: 11 x 13.75 inches, Size: 15 x 17.75 i...

Photographer Jerry Siegel was born and raised in Selma, Alabama and graduated from the Art Institute of Atlanta. His first monograph, “Facing South: Portraits of Southern Artists,” w...

Edition of 25 Signed, titled, dated and numbered in pencil on print verso. Paper size: 22 x 17 in. Image size: 20 x 16 in. Series: Ghostland Keith Carter is an American photographer...

Bailarines Jose Almanzor, Mexican (1962–2015) Date: circa 1990 Bronze Sculpture Size: 67 x 50 x 10 in. (170.18 x 127 x 25.4 cm)

Paul Jouve (after) - Antelope - Engraving 19 x 14 cm Editions Rombaldi, Paris, 1950. Copy on velin creme de Rives Copper engraving heightened with pochoir.

This was painted from my photos and memory of the top of Mt. Ranier, WA, with added house and three of my goats. :: Painting :: Romanticism :: This piece comes with an official cert...

Jeff Nachtigall is a Canadian Postwar & Contemporary artist who was born in 1970. Numerous key galleries and museums such as Mayberry Fine Art, Winnipe...

Oil on canvas Hiromi Sengoku is a Japanese artist born in 1982 who lives and works in London, UK. Since 2008, she participated regularly to solo exhibitions in Japan and participate...

One of a kind, original oil painting on canvas by Sarah Woods. Signed lower left. Framed Dimensions: 13.5 X 13.5

Figure with Serpent c. 1990s Ink and gouache on paper 29 x 22 inches

Archival pigment print Signed and titled, verso 18 x 12 inches, image (Edition of 10) This artwork is offered by ClampArt, located in New York City.

At sunrise the mist still clings to the ground while the rising sun reveals a family of deer foraging in the forest. This scene has been created using professional grade acrylics on ...

Peaceable Kingdom features more than 60 aminal portraits by famous illustrator Richard C. Hess. Impeccably rendered and designed. Signed lower center left. R. Hess. His illustrati...

The single letter "S", from the alphabet, illustrated by a seahorses. All letters from the Kelvin Mann's bestiary alphabet are available, and the full set of 27 etchings in folio box...

H-Allen Benowitz is a self-taught photographer, born and raised in Brooklyn, NY, and a graduate from the Interboro Institute of Business in Manhattan, migrated to Miami, FL in the 1960s, sharing time at his log home...

This is an unframed photographic print. Francois' Animalia series is described as “a photographic menagerie of startling, sensitive portraits.” The series started when the artist saw...

The artist is renowned for his depiction of animals, including exotic species such as polar bears, lions, leopards, and tigers. A chital is a deer native to the Indian subcontinent.

SALVADOR DALI Le Cerf Malade from Le Bestiaire de la Fontaine 1974 Hand signed by Dali Edition: /250 The dimensions of the image are 22.8 x 15.7 inches on 31 x 23.2 inch paper Refer...

This beautifully excecuted landscape with cattle in watercolor was made by Abraham Hendrik Winter (1800-1861). Winter was born in Utrecht (the Netherlands) in 1800 and was a teacher ...

Signed/inscribed by Artist on bronze base of the piece with an edition number. 39/50

Glazed ceramic, Bruno Cambone

Bronze signed/etched into base by Artist. 4/50

Original painting signed by the Artist on the lower left.

Horse and Woman Bronze Sculpture Animal Lady Theo Mackaay (1950) Mackaay works with recognizable shape:: women, men and animals, with a pointer at the primal form. Archetypal motiv...

"The Holy Cow" is a contemporary work of art by Indian artist, Binay Sinha. This work depicts a cow split with a head on either side. One side is focused whil...

Original painting signed by the Artist on lower right.

Largely self-taught, Linda Ridd Herzog’s paintings boast unbelievably detailed animals and objects in fantastical, surreal scenes. Growing up in Utah, Herzog found herself so inspire...

Equestrian Statue by Donatello- Padua near Venice, 1907, by Max Weber (1881-1961) Ink wash and blue chalk on paper 4 x 5 inches unframed (10.16 x 12.7 cm) 10 ¾ x 12 ⅞ inches framed...

Kartick Chandra Pyne - Untitled - 18 x 24 inches (unframed size) Watercolor on Thick Imported Paper, 2003 ( Framed & Delivered ) Style : After graduating from the Government College...

A crisp and symbolic Persian School scene in gouache on cotton linen. The scene shows a religious figure, seated in a mountainous landscape, surrounded by animals and trees. The comp...

One of a kind, original oil and gold leaf painting on board by Sarah Woods. Signed lower left. Framed Dimensions: 17.5 X 17.5

Reebok Roebuck Animal Nature Modern Bronze Sculpture Contemporary In Stock The statues of Erwin Meijer are subtle with a recognizable, personal handwriting. They breathe the atmosphere of a narrative poem, where the reader not only encounters the artist, but also himself. Though the statues are realistic, there is still enough room for interpretation. Do the artist and the viewer see the same story? It doesn’t really matter, because the beauty in his work has a autonome quality. How can we interprete the work in the conscious and unconscious brain? The first will be hit by the clear styled forms and the technical know-how. The second by his favourite theme, nature, the loving images of men and animals, often together in harmony. Very common in his work is the symbolic worth within the story. The viewer experiences an emotion, seeing a human or human presence, funny or vulnerable. You sympathize with the myth and feel the power of the methaphorical meaning. This is confirms we are dealing with a real artist. Erwin Meijer managed very well to give his sculptures a classic universality, timeless, surpassing the boundaries of reality. With a signature beyond countries and cultures. . East and west meet each other in many sculptures, like Europe and the bull...

Signed/etched by artist on bronze base of sculpture with an edition number. 4/25

Bronze signed/etched into base by Artist. 12/20

Original oil painting on linen by artist Krystii Melaine. Framed.

Het Verlangen Desire Bronze Sculpture Female Nude Figure Brown Patina In Stock Base: 40 x 41 x 10 cm Woman: 27 x 40 x 4 cm KOBE, pseud...

Lela #1 by Kevin Horan presents a portrait of a dark haired goat looking off to the side, from Horan's series Chattel. This photograph is a 11 x 14 inch print, with the paper size me...

Original oil and acrylic painting on board by artist Andrada Trapnell. Gallery wrapped.

“Through painting, I am interested in reflecting on how time has been—and can be—represented through images and the connections between individuals. The concept of time has been expl...

All available sizes & editions for each size of this photograph: 90 cm. x 120 cm. Edition AP 1 `Residence of Impermanence` 2017-2019 My performance series, `Residence of Impermanence`, explores our relationship to animals, fire and nature. Through the element of fire, I have found a way to express myself in totemic ritualistic performance by burning decaying trophy animals. The element of fire is very symbolic. It represents both destruction and creation. Animals and fire have, in many ways, formed our culture since the dawn of Mankind. They have also served as essential symbols in myth, spirituality, art and religion. Fire has protected us and given us hope. Given us a means to evolve in all culture. In Greek mythology, remember Prometheus. In the hand of Man, fire can be anything. It is our ethics that define it. We have always mirrored ourselves in Nature. What we see staring back at us may not be the image we were hoping for. This series is a reminder to where we have come regarding our relation to Nature and the huge effects of climatechange in the Anthropocene. My work often juxtaposes the visually aesthetic and uneasiness. An underlying feeling of that which is lost often plays an important role. I like to explore work themes that emanate a cognitive dissonance in the viewer to reveal more profound truths. I regard trophy animals as symbols of Man´s vanity and presumed victory over Nature. To me, they also serve as symbols of our general attitude towards Nature. The flames gives each animal a last breath of life as it creates a new portrait. The animal is set free again, ending a symbolic circle of life. A closure if you will, both physically and existentially. The English-inspired wallpapers represent imperialism and a colonial idea from a time when we were obsessed by conquering Nature and other lands. These too are burned with the animals symbolizing a protest toward our autocracy towards Nature itself. The repetitive performance of burning each animal serves as both an offering and a liberation. This is a violent act, but also a meaningful and beautiful act to me. The animals` personality changes dramatically throughout the burning process. This cannot be planned and therefore the animals give off a sense of further individuality. In the process of burning animals, I am also taking an object of desire off the market for further sales. An act that hopefully will spark dialog our use of Nature, as well as where we want to be heading in the near future. Dialog foments change and action. I spent seven years collecting old trophy animals and taxidermy of different sorts. Many were bought through auctions, while others were given to me by hunters` or the widows of hunters for this specific project. During the following three years, I went through a somewhat cathartic process of burning and obsessively exploring the symbolism of fire and our relation to animals with my performance. The intention with my series is to connect the public to the crucial matters at hand through something tangible, personal, and symbolic. These three years of working with this series has made me so much more conscious of how delicate nature is and how we have taken it for granted for too long. A reminder of how crucial both animals, fire and nature, for our so-called progress in survival and progress. Through this process, exploring new questions and inviting a larger audience to ask their own crucial questions in the massive global changes we all are witnessing, is what I strive for. Loss of animal diversity, poaching and massive forest fires are increasing so rapidly that Nature itself is at a major turning point. A call for action is needed. Working so close to the animals in my project has been as uplifting as it has been obsessive and heartbreaking, as the animal's eye connects with you on a personal level as a human does in non-verbal communication. In 2016, the government in Kenya burned poached ivory worth an estimated 130 million dollars, making a clear statement that these tusks should only belong to a living animal. This dramatic action created meaningful dialog around the world beyond news and statistics. Fires are destroying critical areas of much-needed land vegetation, thus creating considerable effects on climate change. The meeting between Nature`s fragility and Mans` ego has shown that forests disappear, glaciers are melting, sea levels are rising and species become extinct. Humans have too easily exploited all parts of nature with our own culture and growth. In this short process, we have lost the very essence of what we are a part, and thus forget the very nature in ourselves. What can photography do to create questions regarding climate change, and help us move towards a sustainable future? In photography, we can ask important questions about changes in our surroundings and who we are—Man’s condition. Background: `Residence of Impermanence` has been exhibited at five museums and several galleries already (including a big solo show at Fotografiska, Stockholm (2019), and Arles Fotofestival (2019). Work from `Residence of Impermanence' is currently exhibited at the UCR: California Museum of Photography in Los Angeles with the exhibition `Facing Fire,` Art, Wildfire and The End of Nature in the New West.` This exhibition explores the ever-worsening Californian forest fires due to climate change. My previous environmental work has been nominated for the Prix Pictet Award twice before with my previous series for both Earth and Power themes. In 2005, my series `Arctic Technology` was shortlisted for the BMW Prize at Paris photo (through Scout Gallery, London). My other series has been shown in museums, including a symposium at Johnson Museum, N.Y. and been part of travelling exhibitions with WHATCOM (Museum of Washington) with the exhibition `Vanishing Ice` and a China tour on environmental issues with Three Shadows Photography...

Original sculpture etched/signed by the Artist on the bronze base. 1/25

This oil painting by the artist Gregoire Michonze signed and dated "Michonze 58" in the lower right corner. There is a hand written label verso where the work is described as “Compo...

My latest series opening at the George Billis Gallery, titled “Modern Society,” continues my exploration into midcentury architecture and design found in New York City, but focuses ...

Charles Pachter is one of the most collected and cherished Canadian artists. His iconic, uplifting and patriotic images have independently earned their place in the nation's museums...

Edition of 15 Signed, titled, dated, print date, numbered and copyright by Kevin Horan Archival pigment print Paper size: 17 x 13 in., Image size: 14 x 11 in. AVAILABLE SIZES: 13 x ...

One of a kind, original oil and gold leaf painting on board by Sarah Woods. Signed lower left. Framed Dimensions: 21.5 X 17.5

My latest series opening at the George Billis Gallery, titled “Modern Society,” continues my exploration into midcentury architecture and design found in New York City, but focuses o...

Portrait of a pair of figures by contemporary Houston artist Scott Woodard. The work features two abstracted figures in unique clothing standing agains...

Swiss-born Karl Bodmer (1809–1893) was one of the first and most accomplished European artists to document the landscape of the North American interior and its Indigenous peoples. He...

Edition #4/45 - Original gampi print by Pete Zaluzec. Signed. Framed Size: 26 X 40

One of a kind, original oil painting on linen by Jie Wei Zhou. Signed lower right. Framed Dimensions: 32.5 X 32.5

Edition of 8 Signed, titled, dated and copyright. Kevin Horan is a photographer based in Langley, Washington, USA. He is working on projects which look at animals as people, people ...

Josie Morway is a self-taught artist who has been painting most of her life. She is a painter and designer working in Providence, Rhode Island. She has shown her artwork widely, from...

Bull Market IV (Ticker Tape) is a lithograph on paper, 6.75 x 9 inches image size. From the edition of 395, numbered 224/275 (there were also 100 Roman and 20 AP), framed in a conte...

Edition of 8 Signed, titled, dated, print date, numbered and copyright by Kevin Horan Archival pigment print 30 x 24 in. AVAILABLE SIZES: 13 x 17 in., Edition of 15, $1000 24 x 30 i...

Stag Beside A Misty Lake