Antelope Art

Walking Stag No.2 by Antoine-Louis BARYE (1796-1875) A bronze sculpture with a nuanced brown patina Signed on the base " Barye " Probably cast by " Brame " France circa 1880 heig...

The Buck Stops Here (Deer at Stop Sign) is a lithograph on paper, 9 x 9 inches image size. From the edition of 395, numbered 53/275 (there were also 100 Roman and 20 AP), framed in a...

This captivating early 19th-century painting of an interior farm scene by Abraham Cooper, circa 1830, is a testament to the artist's skill in capturing ...

Antoine-Louis Barye (FRENCH, 1795-1875) Panthère saisissant un cerf (Panther seizing a stag) Signed: “BARYE” Stamped: Susse Fres bronze, dark-green/black patina Measures: Height ...

"Leery Deeries" an oil landscape of deer is painted by Hans Guerin, a descendent of the founder of the respected Schuler School of Fine Arts which trains s...

Antique Horse Study "Legs and Rumps, 1838" Wouterus Verschuur l (Dutch, 1812-1874) Pencil on paper Signed and Dated "W Verschuur 1838" 10 x 6 1/2 (17 1/2 x 14 frame) inches In his time Wouterus Verschuur was an acclaimed and celebrated painter of horses. Through careful observation he learned to capture their physique and movement to perfection. As a true-born romanticist he was also interested in their character, thereby painting powerful carthorses in their stable, thoroughbred saddled horses during an afternoon ride or harnessed horses in action. He was born to an Amsterdam jeweler and received his training from the landscape and cattle painters Pieter Gerardus van Os and Cornelis Steffelaar. As part of this education Verschuur had to copy works by the 17th century painter Philips Wouwerman. Like Wouwerman, Verschuur's subjects consist mostly of stable scenes, landscapes with horses and coastal landscape. These works reflect the enduring influence of the northern Baroque masters on nineteenth century art, revealing the artist's close study of his Dutch and Flemish predecessors harking back to Peter Paul Rubens. Showing talent from a very early age, at 15 Verschuur had a painting exhibited at the "Exhibition of Living Masters" at Amsterdam in 1828. In 1832 and 1833 he won the gold medal at the annual exhibition at Felix Meritis. In 1833 he was appointed a member of the Royal Academy in Amsterdam. In 1839 he joined the artists' society, Arti et Amicitiae. His reputation was also considerable abroad. He was often featured in the annual exhibitions which travelled the large European cities at that time. In 1855 Napoleon III purchased one of his paintings at the Exposition Universelle in Paris. The Verschuur horse revels in its physicality, like a quintessential Baroque horse...

Deep in the forest, amidst the mists of dawn, a red deer stag appears… Guy Allen’s etchings inspired by the fauna of Norfolk have a remarkable level of detail. His etchings captur...

Cat, Dog and Goat is an original drawing in pencil on creamy-colored paper realized by an unknown artist in the early 20th Century. Good conditions. The artwork is depicted through...

Le Daim is an artwork realized  by  Buvée l'Américain in 1771.   Etching B./W. print  on ivory paper. The artwork belongs to the suite "Histoire naturelle, générale et particulière...

The buck stands proud at river's edge as he surveys his domain, assessing nature's shades of blue, rust and gold staring back at him. Autumn has arrived and the running water will soon be frozen over as the reds, oranges and yellows gently blanket his turf. The stillness in the air is beginning to stir as the glistening seemingly silver river rocks bare witness. The peace of the season is lovingly presented with every visual detail by multiple award winning Hudson River realist painter Barry DeBaun...

Deer at the Purple Mountains - Landscape in Oil on Canvas Dramatic mountain landscape by California artist Ken Lucas (American, 20th Century). Deer are grazing in the grasslands at the base of a mountain range. The mountains are rich shades of tan, red-brown, and purple. In the distance, the mountains have a blue cast. The sky above is light blue with wispy clouds in white, yellow, orange, and magenta. Numbered in the lower left corner ("49") The artist signed and gave each painting a number in order of execution, we don't see the signature on the front side on this one. Dated on verso ("#49, Nov., 93") From a collection of the artist's works. Unframed. Canvas size: 30"H x 36"W Ken Lucas was a school teacher and amateur painter from Monterey, California. He was primarily self-taught but became proficient as an artist and left a legacy of excellent paintings. He was a friend of and painted with Richard Lofton, Carmel Artist.

Study Of Farm Birds, 17th Century attributed to Melchior DE HONDECOETER (1636-1695) Huge 17th century Dutch Old Master still life of various farm bir...

Zodiac Signs - Capricorn is original Black and white xilography artwork, realized by Italian artist Piero C. Antinori. Excellent condition. Written on the lower left; Original xilo...

JÓZEF WILKOŃ (born in 1930) Polish illustrator, painter and art historian. He studied at the Faculty of Painting at the Academy of Fine Arts in Cracow (diploma in 1955) and at the F...

Deer Crossing Creek David Jackson, American (1951) Oil on Canvas, signed lower right Size: 29.5 x 14.5 in. (74.93 x 36.83 cm) Frame Size: 35 x 20 inches

Printed in 1943, by the U.S. Government Printing Office for the U.S. Department of Agriculture Forest Service. The poster features the beloved Disney characters, Bambi (deer), Thumper (rabbit), and Flower (skunk) in wide-eyed shock leaning towards fear. With the slogan "Please, Mister, don't be careless" the poster is designed to tug at the heartstrings of the viewer and make them consider what actions they could take in their own lives to prevent forest fires. Poster: 20" x 14 1/4" Frame: 30" x 22 1/2" Framed to conservation standards with a 100% cotton fiber matboard border and UV clear glass that filters 99% of UV Rays. UV Rays can be especially damaging and cause fading to the inks used in poster making. All of these features are housed in a contemporary natural wood frame. Smokey Bear...

Eric Harrison (Born 1971) Texas Hill Country Artist Image Size: 30 x 24 Frame Size: 36 x 30 Medium: Oil 2021 "Rehe im Morgenlicht" Deer in Morning Light Bio & Artist Statement Eric H...

The Monarch Of The Glen, 19th Century by ROBERT CLEMINSON (1864-1903) Large 19th Century Scottish Highland Loch scene of "The Monarch Of the Glen", oil on canvas, by Robert Clemins...

With dramatic simplicity, this large oil painting on canvas of a dog or Pit Bull, certainly gathers your attention, executed in a tongue in cheek Victorian pa...

This winter scene, "January Dawn" is a 24x36 rural landscape scene featuring five deer standing in a snow dusted field with red barns amidst the tree line in the background. The purple sky peeks through the bare trees, showcasing the perfect dawn lighting...

The internal organs is an ancient original etching Table no. 36 of the popular "De Humani Corporis Fabrica" by Andrea Vesalio, in the 1642 edition by Nicolaus Fontanus (Fontayn), Am...

The Relaxed Cow is an Original Linocut Print realized by mino Maccari in 1951. Not signed, very good condition. Mino Maccari (1898-1989) was an Italian writer, painter, engraver an...

The Stag Reflected in the Water is an artwork realized in 1974. Etching and drypoint with stencil. Printed by Atelier Rigal. Edition XIV/CXX on Auvergne paper. It belongs to the...

The Circulatory System is an original etching realized as plate no. 34 of Andrea Vesalio's "De Humani Corporis Fabrica". The "De Humani Corporis Fabric...

Signed lower right, 'Jay Risling' (American, 1896-1993) and dated 1941. A psychologically penetrating study of a contented, golden-eyed ginger cat shown re...

Roman Temple and Tower from "Antiquities of Herculaneum" is an etching on paper realized by Giuseppe Aloja in the 18th Century. Signed on the plate. Good conditions. The etching b...

Frida with Granizo by Nickolas Muray is a portrait of Frida Kahlo with her pet deer, Granizo. She places her hand lovingly on the deer while looking towards the viewer, with a cigare...

Walking deer N.2 by Antoine-Louis BARYE (1796-1875) Bronze with a dark greenish brown patina signed on the base "Barye" old cast probably by Brame France circa 1880 height 16,4 cm...

Deer horns is an artwork realized  by  Buvée l'Américain in 1771.   Etching B./W. print  on ivory paper. Signed on  plate on the lower left margin. The work is glued on cardboard. ...

Jacob THOMPSON (1806 – 1879) Deer by the Banks of a Lake 1842 oil on canvas 18.9 x 27.6 inches; 22.5 x 31 inches Inc. frame Jacob Thompson (1806–1879) was an English landscape-pa...

This piece, "Sunrise Over the Marsh", is a 20x20 winter oil painting on canvas by artist Claudio D'Angelo. Featured is an early sunrise over a snow covered marshland, the sun and moo...

Ancient Roman Scene from the series "Antiquities of Herculaneum" is an etching on paper realized by Filippo Morghen in the 18th Century. Monogrammed on the plate. Good conditions w...

Nassau Blair Browne, a celebrated Dublin artist and Royal Hibernian Academy member, brings to life a serene yet striking portrayal of two hunters in a vast open landscape. This evoca...

This stunning original lithograph, titled The Passing Parade, is a signed piece by renowned American artist Ila Mae McAfee (1897-1995). Created in the 20th century, the artwork depic...

Study of Animals is a beautiful pencil original drawing on ivory-colored paper, realized in 1974 by the German artist Wilhelm Lorenz, best know as Willi Lorenz. Signed and dated " Willi Lorenz, München '74" in pencil on lower right margin. This is a preparatory study representing the profiles of a big...

Le Guib is an etching realized in 1771 by Louis Legrand (1723-1807). The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet du ...

The Physiognomy - Animals Muzzles is an original etching artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to Promote the Knowledge and...

Monogrammed lower right, 'F.G.' (1822-1904) and dated 1888; additionally accompanied verso by a Fine Art Society label. Born in London, Frederick Goodall studied painting under his ...

Animals Pompeian Fresco from "Antiquities of Herculaneum" is an etching on paper realized by Aniello Cataneo in the 18th Century. Signed on the plate. Good conditions. The etching...

Ancient Roman Scene from the series "Antiquities of Herculaneum", is an original etching on paper realized by Giovanni Elia Morghen in the 18th Century. M...

An Exceptional Life-Size Middle Eastern Gold-Inlaid Steel Deer Sculpture This extraordinary life-size Middle Eastern deer sculpture exemplifies the pinnacle of artistic craftsmanshi...

Le Chevreuil is an etching realized by Jean Charles Baquoy in 1771. The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet du ...

Piggott finds resonance and beauty in the familiar. His subjects, anchored in the stuff of the every day, are quietly captured in a moment of time. Each composition speaks to the art...

Artist's signature and edition number inscribed in the the bronze base of the piece. 38/65

Haug Christian Soleur, Norway 1862 – 1953 Munich, Germany Norwegian Painter Deer in a Winter Landscape Signature: Signed bottom right and placed Mu...

Swan with kids, painted by oilon canvas. :: Painting :: Impressionist :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: Yes :: S...

The artist paints his wife as a small doe looks on, inspired by a real experience the couple had in their home in the woods. Artist Bio Nick Weber (b.1971) has exhibited mostly in the Northeast, with recent solo and group exhibitions at Harper’s Apartment, New York, NY, Guild Hall Museum, East Hampton, NY, Tripoli Gallery Southampton, NY, and Eric Firestone...

The Chase French School, early 20th century signed 'L. Masson' signed oil painting on canvas board, framed framed: 29.5 x 51 inches board: 25.5 x 47 inches condition: very good prove...

ane Peart Summer Shadows Limited Edition Etching Edition of 50 Image Size: H 29cm x W 45cm Sold Unframed Please note that insitu images are purely an in...

White-tailed deer by Antoine-Louis BARYE (1796-1875) Electroplating bronze plaque with a brown patina Signed "Barye" Period cast from the "Barye's workshop" (made during the artist'...

Bushbuck by Charles DELHOMMEAU (1883-1970) Sculpture with a nuanced reddish-brown patina Signed on the base "Delhommeau" Sand cast France circa 1938 height 27,5 cm base 20,5 x 7,5 ...

Prashant Salvi Leap, Watercolour, Acrylic, Charcoal on Paper 22 x 30 inches, 2016 (shipped in a roll form) "I have built my career on surrealist,anatomical/botanical fantasies; beautifully rendered yet sometimes haunting and gruesome, void of irony and done with absolute sincerity. My work builds meaning primarily by exploring the unbridgeable difference between animals and people. A proactive imagery of humans and animals suggests an investigation of linguistics, the natural sciences and human sociology all in respect to the parallel universe of other species alongside us. I use a seemingly detached abstraction as a counter-point, tomy- stylised fabrications of sexual desire"- Prashant Salvi An undercurrent of eroticism, viewed with a steady detachment often can be part of Salvi's works, morphing human and animal forms and throwing psychological riddles challenging the viewer to decide where life begins or ends. Salvi's watercolours with its technical virtuosity turn images from nature to a surrealistic dance of survival. The works are challenging, complex and magically real and acknowledge life’s gentleness and aggressiveness in unison. While nature’s logic could be used to argue the very existence of an omnipotent creator, Salvi, paradoxically suggests ambiguity to life's bigger and deeper questions; answers of which he feels don't come in neat packages. " Education : Sir JJ School of Arts , Mumbai Solo Exhibition 2019 • Haptic, Jehangir Art Gallery, Mumbai 2017 • Alter-native, Karnataka Chitrakala Parishad, Bangalore 2014 • Let Every Eye Negotiate for itself. Jahangir Art Gallery, Mumbai 2011 • Lxxxll Pulse, Frankfurth, Germany. 2002 • “Skhalan” Solo Art Gallery, Mumbai. Group Show 2017/2018 • Busan International Art Fair, Busan, South Koria. 2016 • Axis of Secret Histories /All this comes back, Kochi-Muziris Biennale Collateral Exhibition, Mattancherry. 2014 • Convergence, Vam Art Gallery, Trivendram. 2013 • Small is Beautiful, Tao Art Gallery, Mumbai. 2013 • Oozing, Group Show, Tulika art Gallary, Mumbai 2013 • On Cloud 9, Kala Sanskriti Academy of Fine Arts, New Delhi-2013 2013 • JJ90s –The time of Change, J.J. School of Art,Mumbai 2012 • Indian Art Festival, MMRD Bandra, Mumbai. 2012 • ViVid World, Tao Art Gallery, Mumbai. 2012 • Online, La Sutra Gallery Mumbai. 2011 • Indian Art Festival, Nehru Centre, Mumbai 2010 • Evolve, Tao Art Gallery, Mumbai. 2009 • Indian Contemporary Art, La Sutra Gallery Mumbai. 2008 • Journey, New York Academy of Art, New York 2008. 2008 • Eight Show, Tao Art Gallery, Mumbai. 2008 • Black & White Show, Tao Art Gallery, Mumbai. 2007 • Art Works on Paper, Articulture gallery, Mumbai 2006 • Group Show, Visions Art Gallery, Mumbai 2005 • 10” Harmony Show, Mumbai. 2007 • Luise Sepra International Art Project, Lisbon, Portugal. 2003 • AIFACS Show, Mumbai 2003 • FN-FN,Figurative Narative,Curated by Neville Tuli 2002 • Majority Rules, Free Gallery Galsgow, Curated Letha Wilson. 2001 • BPM Biennial, Bose Pacia Gallery, New York. 2000 • Awareness of Environment, Mumbai. 2000 • Revolution 2000 show, Jahangir Art Gallery, Mumbai 1998 • Bombay Art Society Exhibition, Mumbai. 1993 • Close to nature, Mumbai 1992 • City Bank Art Exhibition, Mumbai. Award 2018 • Mount Shadow, National Water Colour Camp, Bhavnagar. 2001 • Winner, Bose Paica Emerging Artist Award, New York. 1995 • Solemn Abraham Best Water Colour Portrait...

Reindeer In Forest Tempera on silk, gold leaf frame under glass, by Chinese artist Ma Hai Feng born 1958.

"Worm-Wood Hare" is an original color lithograph by John James Audubon. It depicts three brown rabbits in a landscape. No. 18, Plate LXXXVIII, On Stone by W.E. Hitchcock. 6" x 8" ar...

Buck Wheat is an acrylic on canvas painting, 36 x 36" canvas size, by Robert Deyber, with the 'DEYBER' estate-signature stamp lower right, and framed in ...

Clare Halifax G is for Girafeei Limited Edition 3colour screen print Edition of 100 Sheet Size: H 38cm x W 37cm x 0.1cm Sold Unframed Hand printed by the artist onto somerset satin p...

Acrylic & watercolour on marouflaged paper with wooden panel

This early work by famed Chilean naive painter Gustavo Novoa features a group portrait of eight African animals looking at the viewer in sync. In my opinion, Novoa's early work in th...

Artist/ School: F. Brown, English 19th century, signed and dated 1880 and inscribed verso Title: 'Market Day', a farmer on horseback leading cattle through a rural lane to the market. Medium: oil on canvas, framed Framed: 19.5 x 25.5 inches Painting: 14 x 16 inches Provenance: private collection, East...

Two Deer in Utah mountain Original oil on panel paint in contemporary impressionism style :: Painting :: Impressionist :: This piece comes with an o...