Antler Art

This captivating Modernist watercolor painting of a serene forest scene by Richard Sorby (1911-2001) beautifully captures the essence of nature through a minimalist and expressive lens. Painted in the 1940s, the piece features stylized trees in bold, dark hues of green, blue, and black, complemented by earthy tones of brown, orange, and white. The watercolor on paper is signed by the artist in the lower right corner and beautifully framed with archival materials. The outer dimensions of the piece measure 26 ½ x 18 ½ x 1 inches, with the image size itself being 22 ¾ x 14 ¾ inches. About the Artist: Richard Sorby, a Colorado-based artist, was renowned for his distinctive modernist style, blending abstraction with representational themes. Sorby earned his Bachelor of Fine Arts degree from Colorado State College of Education (now the University of Northern Colorado) in 1937 and went on to study under influential mentors, including Vance Kirkland and William Joseph Eastman...

In this series, Zilberberg creates animal montages as an expression of self-therapy. As an urbanite, functioning day-to-day in a fast-paced, built environment can be emotionally unse...

Signed and numbered on front of mount. Titled with portfolio plate number on back of mount. 3 of 15, #6 artist reference number. Original silver gelatin print.

'Altarpiece: Good Omen' - oil on canvas is 30 x 60 in, meticulously painted by American Realist Brooks Anderson. Canvas edges are painted dark in artist's signature style. Lovely to ...

Abstract Surrealist ink and gouache drawing of a human and deer hybrid head sitting within a jar. The work is signed by the artist in the bottom corner. The work is framed in a silve...

Le Soir: Cerf et Herons (The Evening: Stag and Herons) Lithograph printed with brown tint stone, 1858 From: Animaux et Paysages d’apres Nature Published by Goupil, 1858 Signed in the stone lower left, Karl Bodmer Pinx. et lith. (see photo) Published by Goupil et Cie, Paris, with their blindstamp center, below image Printed by Bertauts, Paris (see photo) Condition: Excellent One stain verso, not visible on recto Full sheet Image size: 11 1/4 x 18 inches Sheet size: 17 3/4 x 24 3/4 inches Reference: Delteil 70 IFF 22, No. 1 Karl Bodmer (1809—1893) Painter, draftsman, and printmaker. Although he spent only two years in the United States and its territories, Bodmer's depictions of Western Indians...

Cornamentas is an artwork realized  by  Buvée l'Américain in 1771.   Etching B./W. print  on ivory paper. Signed on  plate on the lower left margin. The work is glued on cardboard....

Deer horns is an artwork realized  by  Buvée l'Américain in 1771.   Etching B./W. print  on ivory paper. Signed on  plate on the lower left margin. The work is glued on cardboard. ...

Cornamentas is an artwork realized  by  Buvée l'Américain in 1771.   Etching B./W. print  on ivory paper. Signed on  plate on the lower left margin. The work is glued on cardboard....

Cornamentas is an artwork realized  by  Buvée l'Américain in 1771.   Etching B./W. print  on ivory paper. Signed on  plate on the lower left margin. The work is glued on cardboard....

Deer horns is an artwork realized  by  Buvée l'Américain in 1771.   Etching B./W. print  on ivory paper. Signed on  plate on the lower left margin. The work is glued on cardboard. ...

Deer horns is an artwork realized by Buvée l'Américain in 1771.   Etching B./W. print  on ivory paper. Signed on  plate on the lower left margin. The work is glued on cardboard. To...

This new series of painting is an exciting transition for Kinney as he is best known for assemblage and sculpture. “Anim”, the Latin root word of animal, means life, soul or breath. This exhibition features select large-format monochromatic oil paintings on stretched canvas and wood panels. On view as well are works on paper with Japanese Sumi Ink, which inspired the oil paintings. Kinney has been looking at pre-historic cave paintings as well as animals depicted therein, such as the Chauvet caves in Nice, Southern France. Emerging from the inextricable interplay of light and dark, Kinney’s black and white ink paintings capture the ever-shifting subjectivity shaped by shadow. Cast in Japanese Sumi ink, each unique painting explores the trajectories of human and animal, natural and architectural form- what is revealed or hidden? A variety of hand-torn, heavy weight papers add textural dimension to each mark and brush stroke, as well as through the immediacy of brushstrokes to depict the action within the artwork In his latest collection of works, Kinney explores animal form and meaning as seen in both contemporary and ancient times. In “Savanna (Zebras) ”, a stampede of zebras is depicted through oil paint on wood panel. Animal populations in regions like the horn of Africa today face the loss of their natural habitats due to extreme draught. He explores the deep imprint they leave behind and the interconnectedness of humans and animals in the world. With the balance of nature at stake, Kinney’s paintings underscore the importance of the relationship between the natural environment and civilization. Matt Kinney...

Bull Moose by Kent Ullberg is a commanding bronze sculpture that powerfully captures the raw strength and majestic presence of one of North America's most iconic wildlife species. Th...

Limited Edition: 5 of 25 Signed, dated and numbered in ink on label affixed verso COA provided In Sherman's photographs she is experimenting with groupings of different objects wit...

Oil on canvas painting based on a stag from Phoenix Park in Dublin. The painting uses bold brush strokes in combination with palette knives. A multitude of tones are used to capture the stags elegant coat. These beautiful creatures...

David Morrison challenges the idea of what is cherished in nature by celebrating the beauty of the over-looked and the imperfect. Found broken branches, a peeling sycamore tree, bug-...

Reed borrows visual fragments from predominantly seventeenth- and eighteenth-century Northern European art, citing the artists of these works like a dutiful scholar. She copies and r...

Cervus elaphus scoticus (Red Deer), by Joseph Rossano, 2022 Additional information: Medium: Repurposed materials - tar, whitewash, ink, wood Dimensions: 50 × 50 × 2.75 in (127 × 127...

Elk is a Vintage Photograph was realized in the 1960s. Good conditions. Stamped on the rear.

Bronze Sculpture 46 of 100 Born in Colorado and raised in Nebraska, Sandy Graves first forayed into the art world by presenting work as a child and 4-H member at local county fairs....

Bronze sculpture Weight 2220g Aziz Anzabi is a British artist with Iranian origins born in 1970 who lives & works in London, UK. He exhibits many artworks in the U.S, the Netherlan...

Bailarines Jose Almanzor, Mexican (1962–2015) Date: circa 1990 Bronze Sculpture Size: 67 x 50 x 10 in. (170.18 x 127 x 25.4 cm)

Photographer Jerry Siegel was born and raised in Selma, Alabama and graduated from the Art Institute of Atlanta. His first monograph, “Facing South: Portraits of Southern Artists,” w...

Artist Commentary: I came across these massive tangles of roots, trunks, and branches--between 12-16 feet high and nearly double that in width--lining a beach at fairly regular inter...

Bernar Venet, Random Combination of Indeterminate Lines Contemporary, 21st Century, Etching Etching (Portfolio of 6) Edition of 50 68.5 x 91 cm (27 x 35.7 in) Each is signed and numb...

This is an unframed photographic print. Francois' Animalia series is described as “a photographic menagerie of startling, sensitive portraits.” The series started when the artist saw...

Original painting signed by the Artist on the lower left.

Original print from feathers and stencil on five layers of Japanese paper, limited edition. Framed size: 75 x 74 cm

Largely self-taught, Linda Ridd Herzog’s paintings boast unbelievably detailed animals and objects in fantastical, surreal scenes. Growing up in Utah, Herzog found herself so inspire...

12" x 9" Unframed Original - Watercolour & Inks with Gold Leaf on Board Hand Signed by Johnathan Ball

Hand printed by the artist. Museum quality frame with 8ply over mat. Framed in black wood.

Artist Statement by Rachelle Krieger: These new ceramic sculptural works are a reflection of biodiversity and vitality, capturing natural elements in various stages of life. During ...

Artist: Bill Wiman, American (1940 - ) Title: Texas Exotic Year: 1977 Medium: Oil on Canvas, signed Size: 56 x 59.5 in. (142.24 x 151.13 cm) Frame: 57 x 61 inches

Edition #1/1 - Original bronze sculpture, and acrylic painting on deer skin by Dan Chen. Signed on bronze sculpture.

One of a kind, original oil painting on linen by Jie Wei Zhou. Signed lower right. Framed Dimensions: 32.5 X 32.5

This sculpture by Wang Dapeng is signed and numbered. Edition 1/50 Wang Dapeng is a contemporary Realist sculptor. He makes images of spiritual animals – ...

Unique terracotta sculpture Signed on the base

He refers to the history of art, particularly to pop culture and the social circumstances of its local environment as well as its universal confrontation. Humor and irony with a crit...

The draw of clay for Anastassia is in its innate ability to connect us to our unconscious and past experiences of touch. Her work, led by intuition and a sense of play, explores the ...

90 x 120 cm Edition 7 `Residence of Impermanence` 2017-2019 My performance series, `Residence of Impermanence`, explores our relationship to animals, fire and Nature. Through the...

"Nature is my muse. Animals are losing their habitat and they are, at the very least, confronted by or threatened by all of our discards. Though the birds in my paintings are not vic...

"Nature is my muse. Animals are losing their habitat and they are, at the very least, confronted by or threatened by all of our discards. Though the birds in my paintings are not vic...

A leaf rests on the sheet in Georges Braque Le Feuille Morte from Lettera Amorosa, 1963 as a testament to the beauty found in the cycle of nature. As gorgeous pink and brown tones wi...

Classical mythology is fraught with stories of sexual misdeeds by Zeus, King of the Gods. Often Zeus would fall in love with a mortal woman and then transform himself into an animal ...

medium: graphite on primed linen Monica Zeringue received her MFA from the University of New Orleans in 2006, and her BA in 1993. In 1999 she was awarded the Prix de l'Acadamie de...

Cast Bronze, Cast Glass, Granite and Copper Wall Sculpture

90 x 120 cm Edition 7 `Residence of Impermanence` 2017-2019 My performance series, `Residence of Impermanence`, explores our relationship to animals, fire and Nature. Through the...

Jessica Houston has traveled from pole to pole—using photography, painting, oral histories and objects—to evoke natureculture entanglements. Her multimedia projects often include sit...

Nicholas Crombach is currently an artist in residence at The Florence Trust in London, UK. Crombach graduated from OCAD University’s Sculpture and Installation program in 2012. He h...

Closeup Portrait of a male Deer with Antlers, photographed by David Yarrow. All prints are limited edition. Available in multiple sizes. High-end framing on request. All prints are...

Untitled (Tree with Pinwheel) Untitled (Tree with Pinwheel), Magical Realist Painting by Russell Lynes. 1947 Signed, l.l. Oil on canvas 23 x 17 inches

Jura 2016 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Edition Size: 12 Available sizes: Standard Image Size: 43" x 37" Framed Size: 58" x 52" Large Ima...

Homeland (Color) Lochcarron, Scotland 2020 Available sizes: 52 x 66 inches 71 x 93 inches "More often than not, a sense of place is an integral ingredient of a strong contextual p...

Melike Kılıç (b. 1982) is a Turkish artist who tells stories through drawings and delicate paper cutouts. She grew up in a small village in Sebinkarahisar, and currently works in Ist...

Handmade wall sculpture created in ceramic

This artwork titled "Intrepid Caribou" 2002 is an original color stone cut on Japan paper by noted Canadian/Inuit artist Kananginak Pootoogook, 1935-2010. It is hand signed, dated, titled, located, described and numbered 22/50 in pencil by the artist. The image size is 18.5 x 12.5 inches, sheet size is 23 x 16 inches, framed size is 24.85 x 29.65 inches. Custom framed in a black metal frame, with black matting. It is in excellent condition. About the artist: Kananginak Pootoogook was an Inuit sculptor and printmaker who lived in Cape Dorset, Nunavut, in Canada. He died as a result of complications related to surgery for lung cancer. Pootoogook was born at a traditional Inuit camp called Ikerasak, near Cape Dorset, Nunavut (then in the Northwest Territories) to Josephie Pootoogook, leader of the camp, and Sarah Ningeokuluk. The family lived a traditional lifestyle hunting and trapping while living in an iglu in the winter and a sod house in the summer and did not move into their first southern style house until 1942. In 1957 Pootoogook married Shooyoo, moved to Cape Dorset and began work for James Houston. Originally, Pootoogook did some carving, made prints and lithographs for other artists. At the same time he was a leader in setting up the West Baffin Eskimo Co-operative, the first Inuit owned co-op, now part of the Arctic Co-operatives Limited and served from 1959 until 1964 as the president. Although Kananginak had worked with his father, Josephie, in 1959, it was not until the 1970s that Kananginak began work as a full-time artist producing drawings, carvings and prints. According to Terry Ryan, former Co-op manager, Pootoogook was both influenced by and an admirer of the works of his uncle, photographer and historian Peter Pitseolak. The World Wildlife Commission released a limited edition set in 1977 that included four of Pootoogook's images and in 1980 he was elected to the Royal Canadian Academy of Arts. In 1997 Pootoogook built a 6 ft (1.8 m) inukshuk in Cape Dorset for former Governor General of Canada, Roméo LeBlanc. The inukshuk was dismantled and shipped to Ottawa and with the assistance of his son, Johnny, it was rebuilt at Rideau Hall and unveiled on 21 June, National Aboriginal Day. Pootoogook had several exhibitions and showings of his work. In 2010, he went to Vancouver for the 2010 Winter Olympics and to open a showing of his work at the Marion Scott Gallery. He also had a showing of his work, his first solo exhibition at a public institution, at the Museum of Inuit Art in Toronto from February to May 2010. He also received a 2010 National Aboriginal Achievement Award in the arts category from the National Aboriginal Achievement Foundation. While working on his final, and unfinished, drawing of a Peterhead owned by his father, he was struck by coughing spells, which he declared was cancer. Along with his wife, Shooyoo, he flew to Ottawa, staying at the Larga Baffin home, and was diagnosed with lung cancer. In October 2010, he underwent surgery and did not recover. He died 23 November 2010 in Ottawa. The work of Kananginak Pootoogook is held in numerous collections and museums, includingThe McCord Museum, the Dallas Museum of Art, Musee National des Baux Arts...

Toronto artist Sophie DeFrancesca has always been fascinated by vintage fashion. Pictures of her mother wearing gorgeous frocks from the 40’s, 50’s and 60’s served as a connection to...