Baby Art

Portrait of a Child European School, early 20th century oil on canvas, framed frame: 21 x 18 inches canvas: 15 x 12 inches provenance: private collection, England condition: extensiv...

Nude is an original lithograph on greenish paper realized in 1946 by the italian artist Oscar Gallo (1909 - 1994). Signed on the lower left and dated. The state of preservation is ...

Rembrandt van Rijn 1606-1669 Dutch Woman Bathing Her Feet in a Brook Etching on paper New Hollstein's 309, second state of II Signed and dated "Rembrandt f. 1658" (upper left) Created from observations of a live model, this work started as a figure study before evolving into a more imaginative setting. It remains ambiguous whether the scene is set indoors, as suggested by the cushion the figure is seated on, or outdoors, indicated by the foliage in the background. The omission of her feet, suggesting they may be dangling in a brook, adds a charming touch to Rembrandt’s imaginative scene. The figure seems unaware of the viewer, presenting a dignified yet sensual demeanor. The son of a miller, Rembrandt van Rijn is believed to have been born in Leiden on July 15, 1606. He studied first at the Latin School and then was enrolled at the University of Leiden at the age of 14. He soon left to study art—first with a local master, Jacob van Swanenburch, and then, in Amsterdam, with Pieter Lastman...

Julijs Vilumainis (1909–1981) Asters. 1979, oil on board, 54,5x42 cm

Rare deluxe issue printed on extremely fine Japanese paper (hand colored in stencil). Limited edition, numbered 235/250 in lower left corner. Signed in pencil by artist in lower rig...

Calvin Lai's (US based) "Approaching Equilibrium" is an original, handmade oil painting that depicts a nude female figure, standing, with her face in profile and dappled in light. ...

A hand crafted five layer screen print of a painted illustration by the artist of a crab on heritage white paper. With a final layer hand glittered. ADDITIONAL INFORMATION: Handmade...

Full title : The first meeting of the Prince and his lover in the forest Acrylic paint on paper Hand-signed lower right by the artist THE THOUSAND AND ONE NIGHTS OF MOHAMMAD ARIYAEI...

Circa 1890 Signed verso on stretcher bar Original period gold leaf frame Overall size framed 21 x 18 in

Patrick Nevins’ "Einsteinium" is a striking 3D trompe-l'œil oil painting that masterfully blends realism with sculptural illusion. Painted in 2025, this unique piece presents a playf...

Anne Siems has created this artwork by painting and drawing over an archival print on thick 100% cotton fiber paper. All archival materials. Unframed size: 8.5x11 inches Frame size: 15x12x1 inch ANNE SIEMS (b. 1965, Germany) Artist Statement I was born in Berlin, Germany. From 1969 to 1971 I lived near Buenos Aires, Argentina. My first extended stay in the US was as an exchange student in 1986. Then in 1991, after finishing my MFA in Berlin, I moved to Seattle, WA. My work has moved from semi-abstract, room-filling plant and insect drawings...

Limited edition Photographic Mosaic. Edition of 30 The same incredible artwork on a slightly smaller scale. Joel creates these contemporary pieces by adding lots of tiny images of ...

Nude Man is an original pencil Drawing realized by Félix Barrias (1822-1907). The little artwork is in good condition on a brown paper. No Signature, i...

Lithograph on vélin des Papeteries du Marais paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Marc Chagall, Dessins Pour La Bible, Verv...

Portrait of John Hervey, 1st Earl of Bristol (1665-1751). Early 18th-century near-life-size portrait of a noble man richly dressed in a long wig. Circle of...

Portrait of woman on a light blue pattern dotted with white daisies "Angela" by Ransome 2023 graphite, acrylic and collage on panel 8 x 8 x 2 inches, unframed Piece can be hung attra...

BIRD IN HAND is a hand drawn, pencil signed limited edition lithograph by the well known and loved British artist and humorist, Beryl Cook. BIRD IN HAND is a lighthearted, comical la...

Original poster: HEAD OUT TO OZ, artist: James McMullan. Size 24" x 37". Rolled, Not folded; very good to excellent lithograph condition. Year: ...

Splendid religious painting from the second half of the 17th century. Oil on canvas artwork depicting a subject dear to pilgrims, Tobias and the angel. Having set out to collect a de...

This is the Original 1969 drawing of the two nude figures that appear on the Jimi Hendrix Spring 1969 concert poster. It is as much of a collectors item as it is a fine work of art. This was given to Hendrix to approve the art for the final poster. You can see images of the full 1969 poster in this listing. David Byrd referred to these women as "Moon Maidens" The art is Pencil on iridescent tracing paper, Matted with it's original "Electric Purple" matt, as done by David Byrd. The original drawing of this full image was used for the 1969 Spring U.S concert tour and it was also used as the image for Hendrix's press kit in 1969 which was given to concert promotors to advertise the concert. David met with Jimi to approve his original drawing. The art measures 7 x 8", and the matted and framed art measures approx. 15x16". David created ALL of the Art for Bill Graham’s Fillmore East, including their Program covers and Rock posters...

Illuminated Manuscript featuring a group scene of a crowd of men. A few of them dance in the middle of the crowd surrounded by spectators. Two men sitting in a stage structure watch ...

A FEAST OF THE GODS WITH VENUS AND BACCHUS Collections: With Appleby Brothers, London, June 1957; Hazlitt, Gooden & Fox, London, 1961; John and Eileen Harris, acquired from the above, to 2015. Literature: Jacob Simon and Ellis Hillman, English Baroque Sketches: The Painted Interior in the Age of Thornhill, 1974, cat. no.12 (as by Louis Laguerre); Elizabeth Einberg (ed.), Manners and Morals: Hogarth and British Painting, 1700-1760, exh. cat., London (Tate Gallery), 1987, cat. no.10 (as by Louis Laguerre); Tabitha Barber and Tim Bachelor, British Baroque: Power and Illusion, exh. cat., London (Tate Britain), 2020. Exhibited: Twickenham, Marble Hill House, English Baroque Sketches: The Painted Interior in the Age of Thornhill, 1974, no.12 (as by Louis Laguerre); London, Tate Gallery, Manners and Morals: Hogarth and British Painting, 1700-1760, 1987, no.10 (as by Louis Laguerre); London, Tate Britain, British Baroque: Power and Illusion, cat. no 92, 2020. CUPID AND PSYCHE BEFORE JUPITER Collections: With Appleby Brothers, London, June 1957; Hazlitt, Gooden & Fox, London, 1961; Anthony Hobson, acquired from the above, to 2015. These recently re-united paintings are the most ambitious surviving baroque ceiling sketches made in Britain in the early eighteenth century. From the Restoration until the rise of Palladianism in the 1720s decorative history painting formed the preeminent artistic discipline in Britain. It was a field dominated by Continental artists including the Italian Antonio Verrio and the Frenchmen Louis Laguerre and Louis Chéron...

This is an original vintage acrylic mixed-media painting on canvas painting Titled " Nostalgic Woman on a Divan" By American Artist Mase Lucas. Mase Lucas has been a studio artist ...

"Valerio Adami (Italy, 1935) 'L´Univers j´aimé', 1979 Original poster from 1979 lithograph on paper 29.2 x 21.1 in. (74 x 53.5 cm.) Unframed Ref: ADA100-203 Valerio Adami Italian p...

Yoshitomo Nara Tomorrows Far Away Offset print on paper Sheet size 51.5 × 36.4 cm

Bicentennial Bandwagon by Red Grooms, American (1937) Date: 1975 Offset Lithograph (unsigned as issued) Image Size: 10 x 13 inches Size: 14 in. x 17 in. (35.56 cm x 43.18 cm) Frame S...

Untitled Set, From 'Serendipia' Series, 2018 by Mauricio Velez Archival Pigment Print Individual Image Size: 40 in. H x 60 in. W Overall Image Size: 40 in. H x 120 in. W Edition of 9...

Virginie Schroeder is an innovative artist based in Quebec, Canada. She puts in play lines, circles, and other geometric forms to create works with subjects that are not immediately ...

Christ and St John the Baptist embracing Studio of Joos van Cleve (1485 – 1541), Antwerp First half of 16th century Oil on oak panel, h. 55 cm, w. 43 cm A 17th century ebonized wood frame Framed: h. 100 cm, w. 83 cm Provenance: • Advertisement in Burlington Magazine, 1929, at the antique dealer Paul Larsen, 34 Duke's Street, London, United Kingdom • Clowes Sale, Christie's London, 7 July 1950, lot 153 (as Joos Van Cleve) • Acquired from the Katz antique dealers in Dieren (Netherlands) in the 1950s (one of the most important art galleries in the Netherlands specialising in Old Masters) • By descent, private European collection The composition of our painting depicting two naked babies embracing, Jesus and Saint John the Baptist, draws its source from a drawing by Leonardo da Vinci, probably executed in Milan around 1490 (kept at Windsor Castle, United Kingdom). This scheme, widespread early in the Lombard school, was widely reproduced by Leonardo's Milanese followers (Marco d'Oggiono, Bernardino de Conti or Bernardino Luini.) It is very likely that Joos Van Cleve was inspired by one of the works of his artists during his stay in Italy, however some historians hypothesize that he borrowed the figures from the painting by Marco d'Oggiono who had copied it on site in Flanders (it would have belonged to Margaret of...

Leon Bibel, 'Unemployed Marchers', 2-color lithograph, c. 1938, edition 25. Signed, titled, and numbered '2/25' in pencil. A fine, richly-inked impression on off-white, wove paper, w...

Egyptian tomb paintings, Thebes. Elephant folio engraving, by Allais after Andre Dutertre, from 'Description de l'Egypte', published after Napoleon's e...

MADRE TERRA (Mother Earth) by Lorenzo Vignoli (2012) striking hand carved Carrara marble sculpture by contemporary Italian sculptor Lorenzo Vignoli, incorporating classical referenc...

Lithograph and stencil on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the album, L'Art Cubiste, Théories et Réalisations, Etude Critique...

Medium: collotype (after the painting). Printed in 1926 at the Leon Marotte atelier and published in an edition of 1000 by Editions des Quatre Chemins. Image size: 8 x 5 1/4 inches (...

Original China ink drawing on ivory colored cardboard, representing grapes harvest, resembling a dramatic and satiric scene. Hand-signed on the lower right corner, in black ink, by "...

Alice O. Clay, After Faed, The Silken Gown 19thC Large Fine Antique Oil Painting. In good condition some minor frame chips. Measures 41x29.

Woodcut in colors on vélin de Rives BFK paper, mounted on vélin d’Arches support, as issued. Paper size: 13 x 10.375 inches. Inscription: Signed in the block, and unnumbered, as issu...

This limited edition color lithograph, titled The Little Prince and His Fox, is a beautiful reproduction from the beloved book Le Petit Prince by Antoine de Saint-Exupéry. This print...

Artist: TARKAY, ITZCHAK Title: Tea At The Club Year: 2000-2010 Size: 36 X 48 INCHES Medium: ORIGINAL ACRYLIC ON CANVAS Edition: ORIGINAL 1/1 Description: Hand signed by the artist. T...

After PABLO PICASSO (1881-1973) Maternity (Grande Maternité) 1963 Offset Lithograph on Paper Signed and Dated Handsigned in Pencil Numbered: 73/200 9...

Facial Expressions Seen at the Cinema is an original China Ink Drawing realized by an artist in 1940s. Signature unreadable. Good condition on a white little paper.

Virgin and Child No.1 is a limited-edition photograph by French contemporary artist Ronald Martinez. This photograph is sold unframed as a print only. It is available in 2 dimensio...

"The Red Boots" by Jean Marc (French 1949-2019) gouache paint painting: 15.5 x 15.5 inches provenance: private collection, South of France Superb original ...

Etching realized by Chagall in 1929, and printed by Tériade in 1952. It belongs to the Series "Les Fables de La Fontaine". Edition of 200. Hand signed and numbered in pencil. Pri...

Artist: TARKAY, ITZCHAK Title: "SUNNY DAY" Size: 15 X 22 INCHES Medium: WATERCOLOR ON FRANCH ARCHES PAPER Edition: ORIGINAL Description: Hand signed by the artist The artwork is in e...

Touching the skin of the past is an extraordinary collection of Roman Statues captured with the ICM technique in order to make the marble skin like a truly human body. 'Touching the ...

A fine oil study depicting a family perching on the steps of their coastal home. The mother sits on the top step holding a baby while the two other children sit below. Each holding t...

Musica per el Colom is part of the Suite Musical. Alvar’s creative embossing design exists as a resting place for his subject to recline while playing the flute. An onlooker serenel...

After Antonio Canova (Italian, 1757-1822) Bust of the Young Octavian, 19th Century Carved alabaster on matching socle Inscribed "Made in Italy" 22.5 in. h. x 10.5 in. w. x 9 in. d....

ERTE Serigraph 31x39 Signed And Numbered With Coa. In good condition minor frame wear

Gorgeous Antique Belle Epoque French ACADEMIC Sensual Nude by Jules F. Ballavoine (1855-1901). This is a large rare example by the artist, painted in the...

Hand-tinted albumen print, 7 3/4 x 10 inches (195 x 252 mm), pasted onto a gold-edged board with caption hand-written in black ink.

Marc Chagall Original Lithograph 1969 From the revue XXe Siecle, edition of 12,000 Unsigned, as issued Dimensions: 32 x 24 Condition : Excellent Reference: Mourlot 572 Marc Chagall (born in 1887) Marc Chagall was born in Belarus in 1887 and developed an early interest in art. After studying painting, in 1907 he left Russia for Paris, where he lived in an artist colony on the city’s outskirts. Fusing his own personal, dreamlike imagery with hints of the fauvism and cubism popular in France at the time, Chagall created his most lasting work—including I and the Village (1911)—some of which would be featured in the Salon des Indépendants exhibitions. After returning to Vitebsk for a visit in 1914, the outbreak of WWI trapped Chagall in Russia. He returned to France in 1923 but was forced to flee the country and Nazi persecution during WWII. Finding asylum in the U.S., Chagall became involved in set and costume design before returning to France in 1948. In his later years, he experimented with new art forms and was commissioned to produce numerous large-scale works. Chagall died in St.-Paul-de-Vence in 1985. The Village Marc Chagall was born in a small Hassidic community on the outskirts of Vitebsk, Belarus, on July 7, 1887. His father was a fishmonger, and his mother ran a small sundries shop in the village. As a child, Chagall attended the Jewish elementary school, where he studied Hebrew and the Bible, before later attending the Russian public school. He began to learn the fundamentals of drawing during this time, but perhaps more importantly, he absorbed the world around him, storing away the imagery and themes that would feature largely in most of his later work. At age 19 Chagall enrolled at a private, all-Jewish art school and began his formal education in painting, studying briefly with portrait artist Yehuda Pen. However, he left the school after several months, moving to St. Petersburg in 1907 to study at the Imperial Society for the Protection of Fine Arts. The following year, he enrolled at the Svanseva School, studying with set designer Léon Bakst, whose work had been featured in Sergei Diaghilev's Ballets Russes. This early experience would prove important to Chagall’s later career as well. Despite this formal instruction, and the widespread popularity of realism in Russia at the time, Chagall was already establishing his own personal style, which featured a more dreamlike unreality and the people, places and imagery that were close to his heart. Some examples from this period are his Window Vitebsk (1908) and My Fianceé with Black Gloves (1909), which pictured Bella Rosenfeld, to whom he had recently become engaged. The Beehive Despite his romance with Bella, in 1911 an allowance from Russian parliament member and art patron Maxim Binaver enabled Chagall to move to Paris, France. After settling briefly in the Montparnasse neighborhood, Chagall moved further afield to an artist colony known as La Ruche (“The Beehive”), where he began to work side by side with abstract painters such as Amedeo Modigliani and Fernand Léger as well as the avant-garde poet Guillaume Apollinaire. At their urging, and under the influence of the wildly popular fauvism and cubism, Chagall lightened his palette and pushed his style ever further from reality. I and the Village (1911) and Homage to Apollinaire (1912) are among his early Parisian works, widely considered to be his most successful and representative period. Though his work stood stylistically apart from his cubist contemporaries, from 1912 to 1914 Chagall exhibited several paintings at the annual Salon des Indépendants exhibition, where works by the likes of Juan Gris, Marcel Duchamp and Robert Delaunay were causing a stir in the Paris art world. Chagall’s popularity began to spread beyond La Ruche, and in May 1914 he traveled to Berlin to help organize his first solo exhibition, at Der Sturm Gallery. Chagall remained in the city until the highly acclaimed show opened that June. He then returned to Vitebsk, unaware of the fateful events to come. War, Peace and Revolution In August 1914 the outbreak of World War I precluded Chagall’s plans to return to Paris. The conflict did little to stem the flow of his creative output, however, instead merely giving him direct access to the childhood scenes so essential to his work, as seen in paintings such as Jew in Green (1914) and Over Vitebsk (1914). His paintings from this period also occasionally featured images of the war’s impact on the region, as with Wounded Soldier (1914) and Marching (1915). But despite the hardships of life during wartime, this would also prove to be a joyful period for Chagall. In July 1915 he married Bella, and she gave birth to a daughter, Ida, the following year. Their appearance in works such as Birthday (1915), Bella and Ida by the Window (1917) and several of his “Lovers” paintings give a glimpse of the island of domestic bliss that was Chagall’s amidst the chaos. To avoid military service and stay with his new family, Chagall took a position as a clerk in the Ministry of War Economy in St. Petersburg. While there he began work on his autobiography and also immersed himself in the local art scene, befriending novelist Boris Pasternak, among others. He also exhibited his work in the city and soon gained considerable recognition. That notoriety would prove important in the aftermath of the 1917 Russian Revolution when he was appointed as the Commissar of Fine Arts in Vitebsk. In his new post, Chagall undertook various projects in the region, including the 1919 founding of the Academy of the Arts. Despite these endeavors, differences among his colleagues eventually disillusioned Chagall. In 1920 he relinquished his position and moved his family to Moscow, the post-revolution capital of Russia. In Moscow, Chagall was soon commissioned to create sets and costumes for various productions at the Moscow State Yiddish Theater, where he would paint a series of murals titled Introduction to the Jewish Theater as well. In 1921, Chagall also found work as a teacher at a school for war orphans. By 1922, however, Chagall found that his art had fallen out of favor, and seeking new horizons he left Russia for good. Flight After a brief stay in Berlin, where he unsuccessfully sought to recover the work exhibited at Der Sturm before the war, Chagall moved his family to Paris in September 1923. Shortly after their arrival, he was commissioned by art dealer and publisher Ambroise Vollard to produce a series of etchings for a new edition of Nikolai Gogol's 1842 novel Dead Souls. Two years later Chagall began work on an illustrated edition of Jean de la Fontaine’s Fables, and in 1930 he created etchings for an illustrated edition of the Old Testament, for which he traveled to Palestine to conduct research. Chagall’s work during this period brought him new success as an artist and enabled him to travel throughout Europe in the 1930s. He also published his autobiography, My Life (1931), and in 1933 received a retrospective at the Kunsthalle in Basel, Switzerland. But at the same time that Chagall’s popularity was spreading, so, too, was the threat of Fascism and Nazism. Singled out during the cultural "cleansing" undertaken by the Nazis in Germany, Chagall’s work was ordered removed from museums throughout the country. Several pieces were subsequently burned, and others were featured in a 1937 exhibition of “degenerate art” held in Munich. Chagall’s angst regarding these troubling events and the persecution of Jews in general can be seen in his 1938 painting White Crucifixion. With the eruption of World War II, Chagall and his family moved to the Loire region before moving farther south to Marseilles following the invasion of France. They found a more certain refuge when, in 1941, Chagall’s name was added by the director of the Museum of Modern Art (MOMA) in New York City to a list of artists and intellectuals deemed most at risk from the Nazis’ anti-Jewish campaign. Chagall and his family would be among the more than 2,000 who received visas and escaped this way. Haunted Harbors Arriving in New York City in June 1941, Chagall discovered that he was already a well-known artist there and, despite a language barrier, soon became a part of the exiled European artist community. The following year he was commissioned by choreographer Léonide Massine to design sets and costumes for the ballet Aleko, based on Alexander Pushkin’s “The Gypsies” and set to the music of Pyotr Ilyich Tchaikovsky. But even as he settled into the safety of his temporary home, Chagall’s thoughts were frequently consumed by the fate befalling the Jews of Europe and the destruction of Russia, as paintings such as The Yellow Crucifixion...

Vase Of Roses Still Life - Original Impressionist on Board Original oil still life painting of a vase of colorful roses by Leon Franks (Canadian, 1914-1970). The green vase sits hol...

Original 1970s Las Vegas Fun Map. Archival linen backed and in very good condition, ready to frame. The poster is not signed by is presumed to be done by “King”. Size: 22 5/8" x 34" The linen backing corrected the pin holes in the poster, and the borders were restored. The edge tear was restored. The color matches the known existing copy, which is housed at Standford. B condition. As you venture down the strip in this vintage Las Vegas Fun Map, you will find the Tropicana, Aladdin, the old MGM Grand...

This work was acquired directly from The Andy Warhol Foundation for the Visual Arts. The work is in pristine condition and has never been framed. This is a unique work which comes w...

Wide, whimsical and spontaneous impasto strokes with a palette knife and brush using restrained almost monochrome colour combinations highlight the grace of the forms of these amazin...

A stylized cat named Babette is depicted licking her paw. It is rendered in black and white, which bears the influence of Asian art in its simplicity of line, use of wash, and bleedi...