Baby Art

Muscle Boy, Harlem, 1963 by Leonard Freed is a signed and numbered archival Iris print. The edition 25/100 was in a planned edition of 100 and halted at 25 prints (as annotated on ve...

Etching by Brunet-Debaines, Alfred (after William Ewart Lockhart) Paris: A. Durand, 1878. Etching on watermarked Van Gelder Portfolio cream laid paper,10 1/4 x 7 1/4 inches (260 x ...

Musica per el Colom is part of the Suite Musical. Alvar’s creative embossing design exists as a resting place for his subject to recline while playing the flute. An onlooker serenel...

This is a watercolor painting of a female figure inside the belly of a reindeer. Dana Sherwood is a New York based artist whose work explores contact between human and non-human ani...

- lithograph in four colours on transparent transfer paper, composition reprinted on stone - 1000 copies for the cover of the brochure published on the occasion of the Picasso exhibi...

SMILE Acrylic and spray paint on canvas. 30in x 40in (76cm x 101cm). Ready to hang (wire at the back). :: Painting :: Pop-Art :: This piece comes with an official certificate of a...

"They Say Every Little Gesture Has a Meaning", Playboy cartoon illustration, August 1968 Pen and watercolor on board 12.5 x 9.5 in. (image) Signed...

Original oil pastel and gouache figure drawing by celebrated, twentieth-century California landscape painter, Ronald Shap. Vibrant sketch of sitting nude woman with washes of blue, g...

Yugen Sheep have more fun or do they? It so happened that my dear friend, poet and photographer Alexis de Roode went for a little stroll in nature. Obviously to experience some y?...

Bengt Lindström - Original Handsigned Engraving The Seven Deadly Sins. 76 x 56 cm Signed in pencil by Bengt Lindström Paris, ABCD, 1976. Original etching in color Limited edition 90 ex. This is the unique copy offered to Claude Manesse, The story of B. Lindström was collected by Frederick Towarnicki, assisted by Agathe Malet-Buisson. The engravings were drawn on the presses of Claude Manesse. Bengt Lindström (1925-2008) Bengt Lindström was born on September 3rd, 1925 in Storsjökapell, a small isolated village in the Swedish province of Norrland. The young child thus grew up in that vast, mythical and harsh expanse of mounts, glistening lakes and endless forests known as Lapland. His father was a primary school teacher who was fond of Lapps and who showed great interest in their ethnic group and culture. The child was only three days old when Lapp King Kroik, his godfather, administered the Baptism of the Earth, where the child is conveyed between two roots of a tree to grant him protection from the Gods. Lapps as well as local lumberjacks would occasionally abandon their silent ways to tell him and reveal the tales, legends and mysteries of the Great White North. 1935-1945 : He left Storsjökapell and headed to Härnösand, where he wrote short science-fiction novellas, became a renowned athlete and began to paint. 1944-1946 : Isaac Grünewald Art School in Stockholm, Sweden. Study drawing with Aksel Jörgensen at the Copenhagen Fine Arts School in Denmark. He realized his first two lithographs, Meditation and Le Modèle Etendu (The Stretched Model). 1947-1952 : He arrived in Paris. He travelled to Italy, where he visited Florence and Assisi, developing a deep fascination for Giotto and Cimabue. He was granted a scholarship by Swedish magazine Aftontidningen, which helped him move into a workshop in Arcueil, France. He began working on mosaics. 1953-1967 : He returned to Paris, once again taking up lithography and engraving, which holds a vital position in his work. He moved into a workshop in Rueil-Malmaison. This was the start of his collaboration with the Rive Gauche Gallery in Paris. London Tooth & Sons Gallery Director M. Cochrane purchased a large number of his works. He left the workshop in Rueil-Malmaison to settle in Savigny-sur-Orge, France. He began taking to figurative art with Masks, Gods and Monsters. He exhibited with the Nouvelle Figuration Group at the Mathias Feld Gallery. He also began working with the Ariel Gallery in Paris. 1968-1978 : Lindström completed a series of 10 lithographs about Scandinavian mythology. He also completed a series of drypoint works. An association with the Protée Gallery in Toulouse, France, led to exhibitions at the Protée Gallery II in Paris starting in 1984. He executed a large mural painting the Grand Hotel in Härnösand, Sweden. He also made two large frescoes for the Nacksta-Sundsvall covered market in Sweden. He took to sharing his working time between the workshop in Savigny-sur-Orge and the one in Sundsvall. He began collaboration that was to last several years with the ABCD Gallery in Paris, which provided exclusive publication for his engravings and strong ink work. Les Hommes du Nord (Men of the North) was the first of the major tapestries. He published a boxed set album, Eddan, Eddan, Eddan, illustrating Scandinavian mythology. Together with Jacques Putman, he completed two editions of bronze sculptures, Les Enfants Sauvages (The Wild Children). 1979-1982 : He worked on glass, making thirty dishes and goblets for renowned Swedish glassmaker Kosta Boda. He painted a car for Volvo, Sweden’s leading car manufacturer. Then, close to his birthplace, he painted gigantic tarpaulins over forty metres high, covering the slopes of the neighbouring Våladalen Mountain, as a protest against the building of a dam. This action caused a sensation and provoked fierce reactions. He also created small painted papier mâché sculptures, Têtes (Heads), as well as some gold and silver jewellery. 1983 : He exhibited seven monumental 3x2.5m works at the Art and History Museum in Stockholm: Les Grands Dieux Ase (The Great Aesir Gods), depicting the gods from Scandinavian mythology: Thor, Odin, Frej, Balder, Ymer, Loki and Unknown God, as well as acrylic paintings about the Valkyries. Les Grands Dieux was ultimately exhibited in a purpose-built chapel adjoining the Midlanda Contemporary Arts Centre in 1996. He completed Thor’s Hammer, a monumental sculpture. 1985-1990 : He lived also in the Alicante region, where Spanish friends found him a new workshop. While there he completed Novelda, an album of lithographs featuring poems by Spanish poet Paco Pastor. He completed a new mural, 5mx5m, for the Västeras Science Institute in Sweden. He then started working with the San Carlo Gallery in Milan, Italy, which coordinated all of the Italian events. Major exhibitions and retrospectives were held in Italy, Belgium, Luxembourg, Germany and Spain. He created two boxed set albums, containing series of 10 aquatints, Monde Autre et Chamanes (Otherworld and Shamans), featuring poems by Michel Perrin. 1991-1994 : He went back to working in black and white, completing some very-large-format works. In Murano, in association with the San Carlo Gallery, he created Grands Verres (Large Glasses), a series of large vases and sculptures made of crystal. He painted Kåtan Mimi, an 8x9m Lapp tent, for the town of Arjeplog in Swedish Lapland. He completed a couple of 2m-high painted polyester sculptures, Lui et Elle (Him and Her). He then made a new series of crystal glasses and sculptures in Murano, Italy. He completed Présence (Presence), a new 3.5x2.7m tapestry for the municipality of Timrå, Sweden. He started on the Grands Initiés (Great Insiders) series, all large format and mixed black and white techniques. He finished the strong series about Norse gods. 1995-1996 : He moved into a new workshop in Paris. A retrospective was held at the Sundsvall Museum in Sweden, and on that occasion he painted a monumental 700-m² canvass, Le Géant sur la montagne (The Giant on the Mountain), which was hung all summer long on the mountain slope facing the town. He went on to complete a suite of six silkscreen prints on the same theme. Then he inaugurated the Y, a monumental sculpture. Lindström then completed Temps Zéro (Zero Time), a watch made for Swatch. One of his works, L’hiver (Winter), made the cover of the first 1996 issue of Telerama, the leading French weekly. In association with Sydkraft Sweden, he painted a fresco for the municipality of Örebro on a 17m-high tank with a surface area of 3,000 m², located at the crossroads of major Swedish motorways, by the entrance to the Åbyverket industrial estate. He also created a 6.5m-high Tången sculpture made of painted concrete in Ånge, which was inaugurated on September 3rd in the presence of their Majesties the King and Queen of Sweden. 1997-1999 : He began working on ceramics in Albisolla, Italy. He also completed a new 30m-high fresco for the town of Örebro, located close to the tank he had painted in 1996 near Åbyverket. The year saw the inauguration of the Midlanda Contemporary Arts Centre in Sweden, which harbours the collection of the Bengt and Michèle Lindström Foundation, featuring the entire engravings collection (about 800 works), as well as a selection of paintings and sculptures. He completed a 4x10m mural in the lobby of the University of Eskilstuna, Sweden, and also completed two monumental frescoes on the Akkats dam and a mural on the power station facing Jokkmokk in Swedish Lapland. 2000-2003 : He painted all of the sides of a semi-articulated lorry for Scania, Sweden’s main truck manufacturer. In Italy, he completed a new series of crystal sculptures with Adriano Bérengo. He finished the Great Prophets, a series of 2x2m oil on canvass works. Swiss publisher Ides et Calendes published a small but luxurious monograph, with text by Françoise Monnin. A notebook was also published, Le Visage dans l’Art de Bengt Lindström (Faces in the Art of Bengt Lindström). He completed a substantial series of large blue acrylic paintings, Femmes (Women). 2003 : Bengt fell ill and was unable to paint, but the exhibitions went on. 2004 : Saw the release of the film by Dag Jonzon and Hans Östbom, produced by Dell’arte AB and Östbom Filmbild, about the life of Bengt Lindström. Entitled Lindström - Le Diable de la couleur et de la forme (Lindström – The Colour and Form Devil), the film was produced thanks to support from Film Västernorrland, Länsstyrelsen Västernorrland and Sveriges Television. It was broadcast on Swedish television channels. That same year, the Midlanda Contemporary Arts Centre was closed as a result of municipal policy. 2005-2007 : The 6m-high sculpture Le Loup (The Wolf), made for PEAB, was inaugurated in Botkyrka-Stockholm. Lindström – The Colour and Form Devil was screened at the Paris Swedish Cultural Centre and released on DVD. The Michèle and Bengt Lindström Foundation was donated and transferred to the Länsmuseet i Västernorrland in Härnösand, Sweden, where a special room was prepared to host Les Grands Dieux Ase. Edition of the 1998 Ceramics, created in association with Francis Dellile’s ”La Tuilerie” workshop. The Bengt Lindström Collection was inaugurated at, Murberget, the Länsmuseet i Västernorrland in Härnösand, Sweden. He illustrated Sinfonietta för Juliana, a collection of poems by Italian poet and art critic Sebastiano Grasso. On January 29th, 2008, Bengt Lindström passed away at his home in Sweden. 2008-2012 : The Fondation Krimaro presents the first volume of the works of Bengt Lindström in his collection. Numerous exhibitions-tribute to the work are presented in major cities in Europe. 2012 : Retrospective - Black and White in the engravings - Museum of Härnösand, Murberget, Sweden. Main exhibitions 1952 Fair Réalités Nouvelles – New realities, Paris, France. 1953 Craven Gallery, Paris, France. 1954 Gummeson Gallery, Stockholm, Sweden. Fair Salon d’Octobre, Paris, France. 1958 Breteau Gallery, Paris, France. 1959 Autour du Spontanéisme – Around the sontaneity, Stockholm, Sweden. L’Europe Nouvelle – The new Europe, LaUnited Statesnne, Switzerland. 1960 Rive Gauche Gallery, Paris, France. 1961 Tooth Gallery, London, England. Le Zodiaque Gallery, Brussels, Belgium. Fair Salon de Mai, Paris, France. 1962 Nouvelle Figuration – New Figuration , Mathias Fels Gallery, Paris, France, 1964 Nord-Sud – North-South, in several cities in Sweden. Ariel Gallery, Paris, France, 15 artists of my generation. Museum of Fine Arts in Gent, Belgium, Figuration-Défiguration – Figuration – Disfigurement. 1965 Rive Gauche Gallery. Paris, France. Nord Gallery, Lille, France. Birch Gallery, Copenhagen, Denmark. 1966 Museum of Modern Art, Gothenburg, Sweden. 1967 Veranneman Gallery, Brussels, Belgium. Carnegie Institute, Pittsburgh, United States. Seibu Gallery, Tokyo, Japan, 23 peintres in Paris. 1968 Ariel Gallery, Paris, France, followed by six exhibitions until 1976. 1969 La Pochade Gallery, Paris, France. Protée Gallery, Toulouse, France, who exhibited him in Paris, Gallery Protée II, from 1984. 1973 Galliera Museum, Paris, France. 1974 Gallery 111, Lisbon, Portugal. 1982 Gallery Protée-Arco, Madrid, Spain and Fair Foire de Cologne, Germany. 1983 Historia Museum, Stockholm, Sweden, The Ase gods and the Valkyries. 1984 Gallery Arcano XXI, Lisbon, Portugal. Gallery Christian Cheneau, Paris, France. Museum Château comtal, Carcassonne, France. 1985 Gallery Italia, Alicante, Spain. 1986 Gallery Sala Gaspar, Barcelona, Spain. Gallery Juan Mordo-Arco, Madrid, Spain. Gallery Italia, Alicante, Spain. Museum of Salamanca, Salamanca, Spain. Gallery Three Continents, New-York, United States. Gallery Protée, Toulouse France, Autour du Roi Lear – Around King Lear. 1987 Gallery Kostel, Paris, France. Gallery Zwirner, Cologne, Germany. Gallery Leu, Rottach-Egern, Germany. 1988 Maison du Lot, Figeac, France. Gallery Protée, Paris, France. Gallery Michèle Sadoun, Paris, France 1989 Gallery Michèle Sadoun, Paris, France, La terre des ancêtres - The Land pf the ancestors. Gallery Protée, Paris, France, Nomads. Gallery Raab, London, England. 1990 Gallery Michèle Sadoun, Paris, France. Centre Culturel de Brest, France. 1991 Gallery Michèle Sadoun, Paris, France. 1992 Archotèque, Saint-Denis, La Réunion, France. Museum of Vesoul, Vesoul, France. Gallery San Carlo, Milan, Italy. 1993 Gallery 111, Lisbon, Portugal. Tonnellerie du Cognac Monnet...

CAM’s work can be seen as a moving meditation on the very nature of transformation and the notable significance of challenge as a rite of passage to sacred change. Concerned with ho...

Rome  is a modern artwork realized by Gabriele Galantara (1865-1937) in 1908. Watercolor, tempera, ink and pencil on paper. Hand signed on the right margin. Good conditions and age...

Higher ground - 2021 50x40cm, Edition of 7 plus 2 Artist Proofs. Archival C-Print based on a Polaroid. Signed on the back and with certificate. Artist inventory PL2021-1070. No...

Childhood 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on a Medium format Negative. Signed on back with Certificate. Not mounted.

CAM’s work can be seen as a moving meditation on the very nature of transformation and the notable significance of challenge as a rite of passage to sacred change. Concerned with ho...

"Heart of the World II" (1988), lithograph numbered 11/30, dated and signed by John Anthony Miller, unfolds a tense, dense, and complex world where every centimeter holds a presence....

This is a portrait of family life. The fullness of imagination within.I start a painting with colored ground, a full tummy and good working pens. It is priming for my children to scr...

Ink & pencil on paper Nina Narimanishvili is a Georgian artist born in 1999 who lives and works in Tbilisi, Georgia. Nina has been painting since childhood and over time her interes...

Sketchbook Page with Figures and Anatomical Details in Pencil on Paper Drawings of a man at a desk and other figurative sections by an unknown artist (19th Century). On the left sid...

Anne Siems has created this stunning watercolor on Strathmore Cold press paper. All archival materials. Paper size: 44x44 inches Silver wood Frame size: 50x50x1.25 inch ANNE SIEMS (b. 1965, Germany) Artist Statement I was born in Berlin, Germany. From 1969 to 1971 I lived near Buenos Aires, Argentina. My first extended stay in the US was as an exchange student in 1986. Then in 1991, after finishing my MFA in Berlin, I moved to Seattle, WA. My work has moved from semi-abstract, room-filling plant and insect drawings...

Yves SAINT-LAURENT La Vilaine Lulu at Easter Time (Eggs and Bells), 1985 Lithograph On heavy paper 50 x 65 cm (c. 20 x 26 inch) Limited to 300 copies INFORMATION : Edited in 1985 a...

A bloomy view - Polaroid Photographic Print Framed by Pia Clodi The blue tones within her work should not be interpreted as coldness, as her works are full of fleeting moments withi...

From the series “Flag”; oil and graphite pencil on canvas; 50 x 75 cm. Every time that I come back home from a journey or a holiday, I always find, among the photographs that...

Couple is an original modern artwork realized in 1980 by the Italian artist Mino Maccari (Siena, 1898 - Rome, 1989). Original colored watercolor and pencil...

Keun Young Park depicts the body in a state of transformation. Her works on paper show floating figures, faces, draped arms and cupped hands, which appear to be disintegrating and re...

"Ragards sur le passé" - is an original woodcut engraving of Wassilij Kandinsky which was edited by Nina Kandinsky from his work from 1912. The work is in the artist's characterist...

Biagio Civale, Italian/American (1936 - ) - Tarots, Medium: Screenprint, Signed and Numbered in Pencil, Edition: 45/75, Size: 27 x 19.5 in. (68.58 x 49.53 cm)

serigraph, Edition of 100 image of abstract flower from KINETIC PORTFOLIO

Francesca Woodman in Providence, Rhode Island (1976) photographed by George Lange. 11 x 14" archival pigment print 17 x 21 x 2" frame with UV plexgias Edition 2 of 10, signed and e...

Charles Fazzino Betty's Booping, Popeye's Swooning on Coney Island Beach 3D. In good condition measures 45x36

America Martin "Shovel and Shellfish" Oil & Acrylic on Canvas 22.5" x 18" Framed Exploring the identity of both her namesake and country, LA-based Ame...

Italian School Female Figure Carved Alabaster Bust, late 19th century, the portrait with tied back hair and flowing dress tied at her breast, on a rockwork plinth, unsigned. 26" H x ...

Oil on canvas

UNTITLED (INV# NP2233) Ken Price silkscreen on Arches 88 paper 14.875 x 12.375” 1981 edition of 150 stamped by Ken Price, SOMA Fine Art Press and Arabesque Books Ken Price (1935 - ...

"LaLa has a Crush on the Primo Ballerino, but Thinks that he Prefers Boy Bunnies". Not that there is anything wrong with that. :: Painting :: Pop-Art :: This piece comes with an offi...

"Renee's Breakfast" depicts a simple image of three eggs on a plate with bacon, a breakfast so familiar to many, and serves as a poignant reminder of the passage of time and the transience of even the most ordinary moments. Just as the morning sun rises and sets, casting shifting shadows and changing the hues of the yolks, so does life move forward, never standing still. The sizzling bacon mirrors life's moments, fleeting and ephemeral, yet leaving behind a savory residue of memories. In this seemingly mundane tableau, we find an allegory for the ceaseless march of time, urging us to savor each bite, each moment, for they are as precious as the breakfast on our plate. John Kato...

Milan: c1965. Linocut in colors on watermarked CM Fabriano white wove paper, 26 1/2 x 19 inches (673 x 482 mm)), the full sheet. Signed and numbered 62/100 in black grease pencil, a...

Surf Wagon, St. Petersburg Beach by Al Satterwhite is a 16 x 20 inch archival pigment print, available in an edition of 25. This photograph features a group of teenagers sitting on top of a car filled with surfboards. The image size is 12 x 17 3/4 inches, the paper size is 16 x 20 inches. This photograph is signed, titled, dated, print date, and numbered by Al Satterwhite. This photograph is available in multiple sizes: 11 x 14 in., Edition of 25 16 x 20 in., Edition of 25 20 x 24 in., Edition of 25 24 x 36 in., Edition of 25 36 x 54 in., Edition of 15 Al Satterwhite started working as a photographer at a major daily newspaper in Florida while in high school, covering major news stories in the Southeast. After a year as the Governor of Florida's personal photographer, he started a career as a freelance magazine photographer. Over the next 10 years he worked on assignment for almost every major magazine (Automobile, Car & Driver, Fortune, Geo, Life, Look, Money, Newsweek, People, Playboy, Sports Illustrated, Time, Travel & Leisure, to name a few). He was a consultant to Kodak for digital imaging for a number of years. He has lectured at Boston University, Brooks Institute of Photography, Hallmark Institute of Photography, ASMP, NYU/Tisch School of the Arts, PhotoExpos in Los Angeles & New York. He has given workshops at Dawson College (Montreal), ICP (NYC), Kauai Photographic (Hawaii), the Maine Workshops, the Missouri Workshops, Palm Beach Photographic Workshops, Santa Fe Workshops & his own studio in New York City. He lectures and holds workshops at various facilities around the U.S. His photographic prints are in the permanent collections of the Smithsonian National Portrait Gallery, Houston Fine Art...

This artwork "Young Girl with Doll" c.1990 is an oil painting on panel by noted American artist Gunnar Donald Anderson, b.1927-2022. It is signe...

Jane Hading Lithograph, 1898 Monogramed in the stone upper left corner (see photo) From the First Edition, printed posthumously before 1906 c. 400 impressions (per Wittrock) The sitt...

This Blue Dog work consists of a blue dog face looking through what appears to be a window framed in black. The dog has soulful yellow eyes. This pop art animal original silkscreen...

David Schluss original painting on canvas . In good condition measures 53x42.

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist May...

Acrylic on canvas

Donald Baechler, Blue Spruce, 2005 A fun, whimsical, and highly decorative signed limited edition Baechler piece that works well in any setting. Medium: Aquatint and drypoint, on ...

LINA SCHEYNIUS (*1981, Sweden) Untitled (Diary) 2015 Fibre-based silver gelatin print Sheet 26,75 x 40 cm (10 1/2 x 15 3/4 in.) Edition of 3, plus 2 AP; Ed. no. 2/3 Print only Touc...

" Opened eyes " is a modern art line painting by Maestro Dimitar Voynov -Junior, About the artwork: TECHNIQUE: Acrylic, oil on canvas painting STYLE...

Serigraph in colors on paper. Hand signed and numbered by Linda Le Kinff. From the edition of 350. Sheet size 18.5 x 15 inches. Image size 16 x 12.5 inches. Artwork is in exc...

Paco Rabanne ( 1934-2023 ) " Christ Roi " is an original and rare drawing , signed , dated . " succession Paco Rabanne " framed with museum glass : 38 x29 cm drawing : 29 x 21 cm ...

Woodcut printed in black on buff laid paper, 4 1/2 x 5 3/8 inches (113 x 135 mm), full margins. Scattered minor foxing in the lower right sheet quadrant, recto, and with the lower sh...

Examining with interest this "Sacred Scene" from the end of the 1500s/beginning of the 17th century (oil painting on canvas, 32 x 26 cm without frame and 40 x 33 cm with frame) representing the Madonna supporting the Infant Jesus on her knees, S. Giovannino with the lamb of god, I can say that it is a Cremona school close...

TIEFENG JIANG “Mountain Ghost” Circa 1990s Serigraph on paper. Signed and numbered ##/293. Image Size: Approximately 32” x 32” Framed: 43.5” x 43.5”x 2.25” Tie Feng Jiang was born i...

KEJ is a French artist born in 1959 who lives & works in Paris, France. He is considered to belong to the movement of Figuration Libre & Outsider Art. His works are referenced in the...

Original Lithograph by Jean-Gabriel Domergue Title: Elegance Signed in the plate Dimensions: 40 x 31 cm 1956 Edition of 197 This artwork is part of the famous portfolio "La Parisienne"

Bright colors and gestural paint-strokes exaggerate the shape of a nude woman hanging over bunches of pillows :: Painting :: Impressionist :: This piece comes with an official certi...

John Edward Jones (Irish – 1806-1862) “Portrait of Lady Lucy Henderson” Signed and dated London 1858, and inscribed, “Lucy Henderson, Nee Durham” 28 ½” high x 20 ½” wide x 11” deep Provenance: Collection Saratoga Springs, NY About John Edward Jones was born in Dublin on May 2nd, 1806. He was the son of a miniature painter Edward Jones. He was trained as an engineer under Alexander Nimmo and worked with him on many important works in Ireland, including the building of the bridge at Waterford between 1829 in 1832, of which he was in charge. A taste and an aptitude for sculpture induced him to relinquish his prospects as an engineer and he commenced practice in London as a sculptor. He achieved considerable success, especially in portrait busts, and was employed by many notable persons of the time. He first exhibited at the Royal Academy in 1844 and continue to do so until his death. He executed a considerable number of bust of Irish personages. He paid occasional visits to Dublin where he contributed to the Royal Hibernian Academy in 1847, 1852,1853 and 1854. A full-length statue by him of Sir Robert...

The Flutiste is an original lithographic poster created by Pablo Picasso in 1968. It was produced to promote a short exhibition of Picasso's works, held at Galerie Louise Leiris from...

Marius de Zayas was born in Veracruz, Mexico and emigrated to New York with his family in 1907. He joined the art staff of the New York Evening World newspaper and quickly became kno...

Charles Lapicque Original Handsigned Lithograph Dimensions: 56 x 38 cm Edition: Epreuve d'Artiste Hand Signed Charles Lapicque was one of the great painters of the “Ecole de Paris...

Yoshitomo Nara News Offset print on paper Sheet size 51.5 × 36.4 cm