Clothing Art

Frasconi, Antonio. SNAPSHOT. Cleveland 165. Woodcut in colors, 1950. Edition of 10. Titled, inscribed "Ed 4/10" and signed and dated in pencil. 22 1/4 x 14 15/16 inches in an oval fo...

Pablo PICASSO (1881-1973) Diurnes: Woman in a Lemon Tree, 1962 Original collotype and stencil (Jacomet workshop) Unsigned Limited to 1000 copy On paper 40 x 30 cm (c. 15.7 x 11.2 i...

Nobuyoshi ARAKI (*1940, Japan) 69YK #41, 2009 Gelatin silver print 50.8 x 60 cm (20 x 23 5/8 in.) Print only Nobuyoshi Araki (Tokyo, 1940) is a Tokyo-based photographer. Araki completed his studies at Chiba University’s Department of Photography, Painting and Engineering with a focus on the study of film and photography. His photographic project Satchin earned him the prestigious Taiyo Award in 1964, shortly after he had joined the advertising agency Dentsu, where he worked until 1972. At Dentsu he met his wife Yoko, to whom he paid homage in Sentimental Journey, a photographic record of their honeymoon published in 1971. Eros and thanatos (sex and death) has been a central theme in Araki’s work; an abiding fascination with female genitalia and women’s bodies in Japanese bondage...

Hotel du Cap-Eden-Roc 1976 C print 30 x 30 inches Estate stamped and hand numbered edition of 150 with certificate of authenticity from the estate. Guests standing by a white Rol...

From a Portfolio printed by Mother Jones. Authorized copy. Stunning reproduction. Limited Edition. Certification of Authenticity.

Lithograph realized by Daumier in 1845, belonging to the Series "Les Gens de Justice" Hand monogrammed in plate. Very good condition. Ref. Delteil 1371

Yokohama, Japan: c 1880. Hand-tinted albumen print, 8 1/8 x 10 1/2 inches (205 x 267 mm), numbered 1625 and captioned "Dancing" in negative at lower right; pencil inscription in Jap...

MASSIMO LISTRI Massimo Listri - Hermitage Museum VII, St. Petersburg (Portrait of Interiors), 2018 48 x 60 inches 120 x 150 cm Edition of 5 Chromoge...

Beautiful 1976 oil on canvas painting depictes an African woman in native dress. Oil on canvas measuring 14 x 34 inches, signed and dated lower right. The panel in unstretched and c...

The body, in opposition to this language system and ironically living it, speaks through organs, plays with images, sounds, smells, textures, mixtures, everything reacts, absorbs and...

I cherish a the Dutch Old Masters. As a contemporary artist, I work with the female nude and portraiture, so I was enthusiastic when the Rembrandt House approached me to create a new series inspired by Rembrandt’s nudes. His incredible drawings and etchings show not only amazing technique and individuality, but also a sublime mastery of light, shadow and composition. His strong light-dark contrasts and his bold compositions, engaging costumes and draperies, resulted in powerful visual images. His models, portrayed from life, with their own personalities and bodies, not adjusted to fashion and ideals, were striking in their day, and have remained so into the present. Rembrandt’s nudes inspired me to create new works in which I have been able to capture magical moments in new works of art. The explosion of creativity has resulted in a large body of work which I call The Rembrandt Series...

Henri de Toulouse-Lautrec 🇫🇷 (1864-1901) is the image of the revival and decadence that blows on the Belle Époque. Painter of the nightlife of Montmartre, but also of the promiscu...

Original oil painting by Steve Smulka. Steve Smulka (b. 1949, Detroit, Michigan) attended the School of Visual Arts in New York City, studying with Chuck Close, among others. Upon c...

Toronto artist Sophie DeFrancesca has always been fascinated by vintage fashion. Pictures of her mother wearing gorgeous frocks from the 40’s, 50’s and 60’s served as a connection to...

"Madre Joven (Young Mother)" is an original oil painting on jute by Ernesto Gutierrez. The artist signed the piece lower right. It depicts a woman cradling her child. 22" x 20" art...

Bad Hare Day (Whistler's Mother) is a lithograph on paper, initialed 'BD' lower right, 9 x 9 inches image size. From the edition of 395, numbered 178/275 ...

Woodcut in colors on vélin de Rives BFK paper, mounted on vélin d’Arches support, as issued. Paper size: 13 x 10.375 inches. Inscription: Signed in the block, and unnumbered, as issu...

This artwork throws three impeccably dressed figures into the middle of a vast, sun-drenched desert—because nothing says "existential crisis" like wearing all black under the scorchi...

Stillfried, Raimund von Japan, Girl Winter Costume Yokohama, Japan: c 1880. Hand-tinted albumen print, 10 1/4 x 7 3/4 inches (260x 200 mm), numbered B 1080 and titled in the lower r...

"Woman in Blue” Oil Painting 53" x 27.5" inch by Katherine Bakhoum Tisné Katherine Bakhoum represents art that has been forgotten for a long while. She draws upon the concept and the subject of the orientalism and the enchantment of that period. Through her work we can feel the researches she has done to reveal her Egyptian origins and the magic and power of the bygone times. Katherine Bakhoum has succeeded in imprinting her own stamp to evoke a new world full of charm, nostalgia and magic that is deeply implanted in her canvas. Her power dwells in creating her own style of contemporary expressionism building upon the old orientalism. Katherine Bakhoum’s art comes up out of an Egyptian childhood and from the distance of a life spent in France. What is left unsaid is as important as what is shown. Decorative yes, as in old orientalism, when everything was texture and what wasn’t texture was veiled, a reincarnation of old spirits, dervishes, orientalist motifs and the stuff of a once powerful civilization, the better to suggest it all might just come to life again. The choice of ancient subject matters, the echo of orientalist pieces in the collages, like the echo of the appeal of ancient gestures, of foreign lands, and domestic tapestries, all this weaves up out of Katherine Bakhoum’s creations. Sometimes we only have the line of a horizon on which to hang our imagination, sometimes we only have the trace of a profile in the shadows. What we always have is a persistent belief in beauty. Where there is beauty, there is hope. Katherine Bakhoum has abandoned neither. SOLO EXHIBITIONS Claudine Legrand Gallery: Annual exhibitions from 1996 to 2016 Safar Khan Gallery, Cairo: Annual exhibitions from 1999 to 2018 Galerie la Sirène, Le Mans 2010 Galerie Ghislaine Eonnet-Dupuy, St Briac 2008 2009 Green art gallery Dubai 2009 Galerie La Medina, Tunis 2001 Italian Cultural Institute, Cairo 1999 Gallery Lézard d'Ailleurs 1998 Influence Gallery 1997 Bruno Delarue Gallery Etretat 1997 Jolymont workshops in Brussels 1996 Gallery Lézard d'Ailleurs St Rémy de Provence 1995 Etienne Causans Gallery 1995 Gallery Art 50 1994 Gallery Art 50 1993 Anne Vignial Gallery 1992 Galerie Escalier Rouge, Ouagadougou 2002 City of Arts, Florence Foundation 1992 Galerie Peinture Fraiche...

Artist Statement by Rachelle Krieger: These new ceramic sculptural works are a reflection of biodiversity and vitality, capturing natural elements in various stages of life. During ...

Norman Parkinson (1913-1990) was one of the Twentieth Century’s most celebrated fashion photographers. He pioneered epic storytelling in his images, taking portrait and fashion photo...

16 x 10.5 inches - Edition 1 of 7 with 2 APs framing is an additional $265. Photography and acting are kindred spirits in the new series by e2 (Elizabeth Kleinveld and Epaul Julien...

'Remote Control' (Odd Stories) - 1/25, 2014 digital print, mounted on black mdf, matte coating, dimensions 15x11,3cm (the second image shows a sample pi...

In 1980, Mobil commissioned artist Josh Collier to create a promotional poster for the Masterpiece Theatre presentation of Leo Tolstoy's Anna Karenina. This large-format offset litho...

No title (No 29) Photography Edition of 18 45" x 45" in by Yevgeniy Repiashenko No title (No 29) Photography Edition of 18 45 x 45 inch Year photo was taken: 2016 This picture is ...

Leonor Fini - Saturday Night Dress - Original Lithograph The Flowers of Evil 1964 Conditions: excellent Edition: 500 Dimensions: 46 x 34 cm Editions: Le Cercle du Livre Précieux, P...

Armenian Bishop is an Artwork realized in 1828 by the Engraver, Giuseppe Capparoni (Rome 1800- 1879). Etching hand colored on ivory paper. Signed on plate and dated on the right mar...

Stephen White - The Bead Seller, Year: 1978, Medium: Woodblock on Japon, signed, dated, titled and numbered in pencil, Edition: 6/150, Size: 26.75 x 24.5 in. (67.95 x 62.23 cm)

Artist: Nobuyoshi Araki (b.1940) Artwork: Photographoary: Photo-Mad Old Man A Turning 77 on 5.25.17 (set of four pieces) Medium: Gelatin silver print Size: 11.1 × 16.7 cm. × 4 4 3/8 ...

Original Nina Ricci watercolor c1960s illustration w/ fabric swatch attached Provenance: a Beverly Hills, CA estate Art Sz: 12"H x 8 1/4"W Frame Sz:16"H x 12"W

A model wearing Dior's Silver Chambord ensemble was photographed by Mark Shaw in1954. Image size is 10" x 15" (for 11" x 17" paper size). All Mark Shaw prints are made to order in l...

9 3/4"H x 6 3/4"W

Landon Nordeman is inspired by the work of Garry Winogrand and William Eggleston. Nordeman's unique point of view, characterized by National Geographic senior picture editor Sadie Quarrier, as "delightful, bold and unexpected," provided his audience - many of whom follow his work on his Instagram feed - with a fresh perspective on the world of fashion. "Photography for me is about discovery and appreciation," states Nordeman. "It is a way of probing the world, and making pictures to satisfy my curiosity." Landon Nordeman (born 1974, NYC) has photographed around the world for fine art projects as well as commercial clients. American Photography, Communication Arts, Pictures of the Year International, The PDN Photo Annual, The Best of Photojournalism, The Center for Documentary Studies, PDN's 30, The Society for Publication Design and The James Beard Foundation have all commended his work. "Leaving the Scene (Met Gala...

Laia at Eleven as an Appearance - 2017 40 x 50 cm, Edition of 10 + 2 Artist Proofs. Photograph printed in Hahnemühle Baryta Photo Rag 340gr, based on the original reclaimed Fuji...

"Wrapped Series Untitled #1B" Photography Edition 1/10 42x28 in by Robert Mack 2008 Photograph, archival exhibition paper Aluminum mount, UV mat protecti...

Bruno Bisang Haute Couture Karen Mulder with Gianfranco Ferré at Dior 16 x 20 inches 40 x 50 cm Edition of 7 23 x 31 inches 60 x 80 cm Edition of 5 3...

Edward S. Curtis The Water Carriers 1921 Photogravure Print 18 x 22 inches Vintage large format Curtis Portfolio Photogravure, Portfolio 12, Plate ...

Bert stern Marilyn Monroe black and white scarf Mythical photo of the last seance (1962) Ink jet print by bert stern 2012 No 31/100 signed on b...

A model wearing Dior photographed by Mark Shaw in the mid 1950s. Recently published in the book Dior, Glamour, Mark Shaw. Rizzoli, 2013. Image size is 10" x 15" (for 11" x 17" pap...

Dior, Three Models in Doorway, 1956, (1953 in Dior Glamour) -- Published in the September 3, 1956 issue of LIFE, these Dior mannequins encased in muslin...

16 x 9 inches - Edition 2 of 7 with 2 APs STATEMENT: e2, a collaboration between New Orleans artists Elizabeth Kleinveld and Epaul Julien, re-imagines iconic images from the history...

11" x 7.5" Unframed 3 Ink Woodcut Print on Paper Hand Signed by Iván Bautista

Color lithograph after the 1954 oil on canvas by René Magritte, printed signature of Magritte and numbered from the edition of 300. The lithograph features the dry stamps of the Magritte Foundation & ADAGP and is countersigned in pencil by Mr. Charly Herscovici, President of the Magritte Foundation, Chairman of the Magritte Museum and unique representative of the Magritte Succession. A proof of edition is printed on the back of the lithograph, guaranteeing its authenticity. Magritte was a Belgian surrealist artist whose witty and thought-provoking images challenged observers? preconditioned perceptions of reality. Magritte's work frequently displays a juxtaposition of ordinary objects in an unusual context, giving new meanings to familiar things.Magritte grew up in a simple and somewhat tragic household. His father was a modest tailor. His mother, who was mentally unsound, committed suicide in the year 1912. Magritte started drawing at a young age, and his first paintings, produced c. 1915, were Impressionistic in style.Magritte first worked as a draughtsman in a wallpaper factory and, in the year 1922, fell in love with and married Georgette Berger. In 1926, Magritte signed...

Albert WATSON (*1942, Scotland) Sebastian in Issey Miyake, New York City, 1989 1989 Archival pigment print Image 142 x 107 cm (55 7/8 x 42 1/8 in.) Edition of 10, plus 2 AP; Ed. no....

Landon Nordeman is inspired by the work of Garry Winogrand and William Eggleston. Nordeman's unique point of view, characterized by National Geographic senior picture editor Sadie Q...

Lithograph in colors on vélin Fabriano charta ex meris pannis "ab alveo" manu fabricata, perlucidis figuris intexta paper. Paper size: 19 x 13.75 inches. Inscription: Signed in the p...

16 x 10.25 inches - Edition 4 of 7 with 2 APs STATEMENT: e2, a collaboration between New Orleans artists Elizabeth Kleinveld and Epaul Julien, re-imagines iconic images from the his...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Morakinyo Femi is a visual artist born in Akure, Ondo State Nigeria in 1984. At an early age, Femi was intrigued by the stamps collected by his banker father which have now become a significant source of inspiration for his art style. Femi lived briefly with his grandmother, a connoisseur of old textiles...

Marilyn in the black and white scarf Bern Stern Print on photo paper Inkjet technique Paper dimension: 48 X 33 cms Photo dimension: 43 X 25.4 10...

Lithograph in colors on vélin Fabriano charta ex meris pannis "ab alveo" manu fabricata, perlucidis figuris intexta paper. Paper size: 19 x 13.75 inches. Inscription: Signed in the p...

“la Belle au Drapé Jaune” Figurative Painting 51x38in by Katherine Bakhoum Tisné Mixed Media with Glass Frame Katherine Bakhoum represents art that has been forgotten for a long while. She draws upon the concept and the subject of the orientalism and the enchantment of that period. Through her work we can feel the researches she has done to reveal her Egyptian origins and the magic and power of the bygone times. Katherine Bakhoum has succeeded in imprinting her own stamp to evoke a new world full of charm, nostalgia and magic that is deeply implanted in her canvas. Her power dwells in creating her own style of contemporary expressionism building upon the old orientalism. Katherine Bakhoum’s art comes up out of an Egyptian childhood and from the distance of a life spent in France. What is left unsaid is as important as what is shown. Decorative yes, as in old orientalism, when everything was texture and what wasn’t texture was veiled, a reincarnation of old spirits, dervishes, orientalist motifs and the stuff of a once powerful civilization, the better to suggest it all might just come to life again. The choice of ancient subject matters, the echo of orientalist pieces in the collages, like the echo of the appeal of ancient gestures, of foreign lands, and domestic tapestries, all this weaves up out of Katherine Bakhoum’s creations. Sometimes we only have the line of a horizon on which to hang our imagination, sometimes we only have the trace of a profile in the shadows. What we always have is a persistent belief in beauty. Where there is beauty, there is hope. Katherine Bakhoum has abandoned neither. SOLO EXHIBITIONS Claudine Legrand Gallery: Annual exhibitions from 1996 to 2016 Safar Khan...

The root of these unique photographic works by the artist Celso Castro occurred when the artist returned from Italy to live back in Colombia in 1987. Castro wanted to produce from t...

In Kings Road (2022) Mona Kuhn lyrically reconsiders the realms of time and space within the midcentury architectural elements of the iconic Schindler House in Los Angeles. Built by Austrian architect Rudolph M. Schindler in 1922, the house was both a social and design experiment and an avant-garde hub for intellectuals and artists in the 1920s and ’30s. The body of works incorporates chromogenic color prints, reflecting vignettes and materials of the building's emotional architecture, juxtaposition with unique solarized gelatin silver prints capturing traces of an ethereal human presence. Brave (2022) Kings Road: A Rudolph Schindler House 30" x 40" / 76cm x 102cm /edition of 12 15" x 20" / 38cm x 56cm / edition of 12 limited edition solarization photograph printed by the artist + accompanied by signed artist certificate: artist signature label (8x10") signed/editioned/dated/titled by the artist + stamped for authenticity label is placed centered on verso of the mounted print __________________ About the artist Acclaimed for her contemporary depictions, Kuhn is considered a leading artist in the world of figurative discourse. Throughout a career spanning more than twenty years, the underlying theme of her work is her reflection on humanity’s longing for spiritual connection and solidarity. As she solidified her photographic style, Kuhn created a notable approach to the nude by developing friendships with her subjects, and employing a range of playful visual strategies that use natural light and minimalist settings to evoke a sublime sense of comfort between the human figure and its environment. Her work is natural, restful, and a reinterpretation of the nude in the canon of contemporary art. For the past two decades, the Los-Angeles based artist's works have been shown steadily, revealing an astonishing consistency in technique, of subject and of purpose. In 2001, Kuhn’s photographs were first seen by an influential audience during the exhibition at Charles Cowles Gallery in Chelsea, New York. Kuhn’s distinct aesthetic has propelled her as one of the most collectible contemporary art photographers—her work is in private and public collections worldwide and she is represented by galleries across the United States, Europe and Asia. Kuhn was born in São Paulo, Brazil, in 1969, of German descent. In 1989, Kuhn moved to the US and earned her BA from The Ohio State University, before furthering her studies at the San Francisco Art Institute. She is currently an independent scholar at The Getty Research Institute in Los Angeles. Occasionally, Mona teaches at UCLA and the Art Center College of Design in Pasadena. Kuhn’s first monograph, Photographs, was debuted by Steidl in 2004; followed by Evidence (2007), Native (2010), Bordeaux Series (2011), Private (2014), and She Disappeared into Complete Silence (2018/19). In addition, Stanley/Barker Editions published Kuhn's Bushes & Succulents in 2018. In 2021, Thames & Hudson published a career retrospective titled Works. Kuhn's most recent publication Kings Road (2022) with Steidl accompanies a multi-dimensional museum traveling exhibition shown in Europe and the US. Mona Kuhn’s work is in private and public collections worldwide, including The J. Paul Getty Museum, Los Angeles County Museum of Art, The Hammer Museum, Perez Art Museum Miami, Museum of Fine Arts, Houston, and the Kiyosato Museum in Japan. Kuhn's work has been exhibited at The Louvre Museum and Le Bal in Paris; The Whitechapel Gallery and Royal Academy of Arts in London; Musée de l’Elysée in Switzerland; Leopold Museum in Vienna Austria, The Polygon Gallery in Vancouver Canada, Taipei Fine Arts Museum in Taiwan and Australian Centre for Photography. Mona Kuhn lives and works in Los Angeles. __________________ Solo Exhibitions 2025 Mona Kuhn: Y Tu Desnudo será Un Gran Poema, Museum of Contemporary Art, Malaga, Spain Mona Kuhn: Kings Road, Lianzhou Museum of Photography, China 2024 Mona Kuhn: The Schindler House, A Love Affair, Galerie XII...

Oaxaca and Santa Maria (sillon) Triptych by Paola Dávila Photograph printed analogically on 255 gr baryta fiber photographic paper. turned to selenium. 1. OAXACA 2003 2. SANTA MARÍA ...

Yokihi is an original print realized by Tsukioka Kôgyo in 1923. Mixed colored woodblock print. This print is from the series "One Hundred No Dramas (No...

'The Lamentation', lithograph, 1941, edition 35, Fine and Looney 198. Signed, titled, and annotated 'Ed 35' in pencil. Initialed in the stone, lower ri...

ROBERT TRAILL ROSE (1863-1942) Primordium Vitae Signed with monogram; signed, inscribed with title and the artist’s address and dated 1899 on a labe...