Cooking Art

Cherry Dancer Marcel Vertes French, 1895-1961 Beautiful girl juggling cherries is a beautiful and charming idea that is deftly rendered in a quick and loose style. Work is round De...

cotton, thread, found objects

Provenance: Collection of Emily Johnston De Forest and Robert Weeks De Forest, New York, by 1911-until 1942; thence by descent until 2018. Literature: ...

Panting of Fruits by Natalya Nesterova.

artwork dimensions (unframed): 15h x 20w inches LAURA TANNER GRAHAM’s drawings and installations are often discussed as part of the Southern Gothic literary tradition, sharing similar themes with authors such as Flannery O’Connor and Eudora Welty. As a Georgia native, Graham’s work seeks to understand the ways in which pattern and printed textiles are informed by social and political movements. Her narratives are tightly bound to antebellum traditions while balancing the changing ideals of the new generation of southern society. Graham received her MFA from the University of Illinois at Urbana-Champaign and a BFA from Florida State University. She has exhibited nationally in both group and solo exhibitions including the Weatherspoon Art Museum, the Ogden Museum of Southern Art, and the Athens Institute of Contemporary Art. She has also been a visiting artist at Tulane University and Valdosta State University. In 2016, Graham was awarded a fellowship and residency at the Ucross Foundation and the Vermont Studio Center. Graham is currently living and making work in Tucson, AZ. STATEMENT Firmly grounded in America’s expansive colonial history, my work interrogates how Southern culture has been idealized as “quintessential America” and the bedrock of traditional American values. Using my familiarity and position within Southern culture, I have created a new visual literacy to demonstrate how America’s nostalgia for tradition has been manipulated in an effort to isolate and disenfranchise. My drawings act as a visual archive of research that examines the consequences of American colonialism and addresses the sense of white fragility that continues to pervade Western culture. In the midst of widespread anxiety over the collective American identity, there has been a revival of many of the country’s unresolved historical battles, including contentious race relations, sexism, nativism, and an ever-growing wage gap. I employ the Americana aesthetic of the old South to parallel historical and contemporary acts of resistance to racial, economic, and gender diversity. Borrowing directly from the decorative arts, the meticulously hand-cut mylar and equally intricate drawing capitalizes on America’s propensity for nostalgia to lure the viewer into confronting injustices through the detached lens of that which has already happened. Through a combination of appropriated and invented imagery, my work contextually constructs contemporary accounts of systemic marginalization, executed under the guise of leisure, embellishment and luxury. The dense visual language invites investigation into the textured surfaces and leads the viewer to reflect on the social textures of contemporary culture while questioning their own complicity in current social constructs. Sourcing from period- specific textiles, turn-of-the-century advertisements, campaign posters, and found family photographs, the collaged images create a singular narrative composition that document the cyclical and systemic nature of marginalization in America. The methodology with which the drawings are constructed echoes historical layers of rules, regulations and hierarchies that are stitched into dominant white American myths. The resulting drawings are indexical in nature, recording the parallels between topics of current debate and 18th century Western expansionism. The disconnect between the delicate nature of the work and the unresolved cultural tensions that it reveals provides a visual record of the inconsistencies of American idealism. My current project explores the South as the embodiment of America’s pastoral traditions and values that are at the center of the “Make America Great Again” movement, a movement which has both exploited and is at odds with a social ideal that simultaneously proclaims itself to be “post- racial” and “post- gender” while identifying with a “pull-yourself-up-by-the-boot-straps” mentality. As one of the earliest colonized areas, the South is often portrayed as a region of racial and gender stability in the face of impending change. I am currently working with research institutions in the South to further understand how the architectural structure of the Southern plantation...

fiber, found object

A painting depicting a plate with some cooked fish in red and blue on the plate. Oil on canvas Natalya Nesterova, a figurative artist, became a memb...

From "The Good Dishes" and "Creatures of Curiosity" Collection E Shipley Zambezi with Blueberry Onion Cup 36" x 24" Edition of 5 +2AP Other sizes and Editions available Artist's Bio: US, Born in New Jersey, 1962 Lives in New York City. NY JP Terlizzi (American, b.1962) is a New York City photographer whose contemporary practice explores themes of memory, relationship, and identity. His images are rooted in the personal and heavily influenced around the notion of home, legacy, and family. He is curious how the past relates and intersects with the present and how the present enlivens the past, shaping one’s identity. Born and raised in the farmlands of Central New Jersey, JP earned a BFA in Communication Design at Kutztown University of PA with a background in graphic design and advertising. He has studied photography at both the International Center of Photography in New York and Maine Media College in Rockport, ME. His work has been exhibited widely in galleries including shows at The Center for Fine Art Photography, Vicki Myhren Gallery at the University of Denver, The Griffin Museum, Tilt Gallery, Panopticon Gallery, Candela Gallery, The Los Angeles Center of Photography, University Gallery at Cal Poly, Sohn Fine Art in Lenox, MA, and The Berlin Foto Biennale, Berlin, Germany, among others. His solo exhibits include shows at Foto Relevance...

With Into the Deep Blue Sea, Nova Scotia-born, New Brunswick-based artist Colleen Wolstenholme presents a series of deep sea oil paintings and ink drawings, accompanied by a tent ins...

With Into the Deep Blue Sea, Nova Scotia-born, New Brunswick-based artist Colleen Wolstenholme presents a series of deep sea oil paintings and ink drawings, accompanied by a tent ins...

From "The Good Dishes" Collection Marchesa Baroque Night with Pomegranate, 2019 30" x 20" Photograph Archival Pigment Print Edition of 5 + 2 APs: $2400 Signed en verso/Signed Certif...

From "The Good Dishes" Collection Gracie Lemonata with Lemon, 2019 30" x 20" Photograph Archival Pigment Print Edition of 5 + 2 APs Signed in Verso Artist's Bio: US, Born in New Je...

Kenny Harris's latest body of work was informed by two recent residencies in Tuscany, at Borgo Finocchieto and Monteverdi. Inspired by the heavy Tuscan light, Harris paints the lands...

Sz: 10 3/8"H x 10 5/8"W Acoma pottery dates back more than 1,000 years. Dense local clay, dug up at a nearby site, is essential to Acoma pottery. The clay is dried and strengthened ...

From the series Fragile Land

Represented by George Billis Gallery NYC. In my work I explore family objects as “families” of objects—individual silver heirlooms that are related to one another in a single collec...

Sz: 14 1/2"H x 23"W Alexander Warren Montel (1921-2002) Fashion illustrator for House of Lanvin Paris in the 1950s featured in Harper's Bazaar Yellow Circles

Rust on archival paper Cal Lane is an internationally acclaimed sculptor known for turning ordinary objects into lacy artworks. She holds a Bachelor’s degree in Fine Arts from Nova ...

Rust on archival paper Cal Lane is an internationally acclaimed sculptor known for turning ordinary objects into lacy artworks. She holds a Bachelor’s degree in Fine Arts from Nova ...

Holly King creates large format photographic landscapes in her studio with sculptural props and painted backdrops. She is interested in the tension between artifice and constructed r...

Holly King creates large format photographic landscapes in her studio with sculptural props and painted backdrops. She is interested in the tension between artifice and constructed r...

This ceramic vessel is part of the artist's Journal Entry series, which incorporates a story telling element on the surface much like ancient artists and their use of images.

Colour Lithograph "Théière grise" (Gray Tea Pot) by Georges Braque from 1947. The total edition comprises approx. 80 copies. The present copy is signed and numbered below the ima...

Jewels with caviar on a plate presented as a meal, photographed by Jesse Frohman. All prints are limited edition. Available in multiple sizes. High-end framing on request. All prin...

Signed and inscribed with title on reverse Silver gelatin print Printed on 12 x 16 inch paper

Signed and inscribed with title on reverse Archival pigment print Printed on 20 x 24 inch paper Edition of 25

Ancient Blessing, 2006 Roseta Santiago Oil on Canvas Signed Middle Left 42 x 48 inches 43 x 50 inches with frame Roseta Santiago was born and raised in Washington D.C. She started ...

Diamonds with caviar on a plate presented as a meal, photographed by Jesse Frohman. All prints are limited edition. Available in multiple sizes. High-end framing on request. All pr...

The work in For, and because of… was made mostly during Letinsky’s 2023 residency in the South of France at La Maison Dora Maar, the former home of Maar, the French photographer, pai...

RICHARD PRYOR TEAPOT (INV# NP3754) Roberto Lugo Clay, glaze and gold luster

"Expectation - S" is a bronze sculpture. The work is signed and numbered by the artist. Leon Bronstein's work is intimate, elegant and graceful. A sculptor of remarkable talent, he...

Luke Forsyth is a painter and illustrator living and working in Los Angeles, California. Known for a playful approach, Forsyth enjoys working in an array of colors and mediums. He dr...

Austrian artist Erwin Wurm works across a variety of media, including photography, performance, painting, text, video, and most notably, sculpture. Wurm is interested in the absurdit...

Austrian artist Erwin Wurm works across a variety of media, including photography, performance, painting, text, video, and most notably, sculpture. Wurm is interested in the absurdit...

Nick Veasey The Rat Race (Praxinoscope), 2021 Signed and numbered by artist Printed x-ray skeleton in acrylic on metal with mirrored rotating drum 14 x 11.8 x 11.8 inches Edition of ...

Adriana Marmorek was born in Bogotá in 1969. She developed her career around publicity and television, from which she would later borrow certain elements and rethink them through the...

Large white stoneware jar with orange, blue, yellow, and black abstract figurative elements by South Korean artist Yeonsoo Kim. This piece is included in a 2023 group exhibition, "Friend of a Friend," curated by Vincent Di Nguyen at Reeves Art and Design. Artist Biography: Yeonsoo Kim was born in 1977 in Haenam, South Korea. He earned his BFA in ceramics and glass from Hongik University, located in Seoul, Korea, and his MFA in ceramics at the Lamar Dodd...

Signed by the photographer

Signed by the photographer

Signed by the photographer

Rachel Hubbard Kline LaCroix Jar Medium: Stoneware, underglaze, glaze Year: 2021 Size: 6 3/4" x 4" x 4" Description: Jar with LaCroix images -------- Rachel Hubbard Kline is an art...

Rachel Hubbard Kline Fluff Jar Medium: Stoneware, underglaze, glaze Year: 2021 Size: 8 1/2" x 4 1/2" x 4 1/2" Description: Jar with Fluff jar images -------- Rachel Hubbard Kline i...

Rachel Hubbard Kline Bologna Jar Materials: Stoneware, underglaze, glaze Year: 2021 Size: 8" x 4 3/4" x 4 3/4" Description: Jar with packaged bologna images and textile patterns ---...

b. 1965 Paul G. Oxborough studied at Minneapolis College of Art and Design and Atelier Lesueur, a 4 year program that adheres to the French academic tradition. He has exhibited numerous times at both the British and Scottish National Portrait Galleries, the Smithsonian National Portrait Gallery, as well as several other notable museums. Paul has had over a dozen solo shows and his work is included in collections world-wide. Known for his bravura brushwork and his ability to capture light, Oxborough's frequent travels provide inspiration for his work, allowing him to paint a seemingly unlimited variety of subjects from intimate portraits and interiors to outdoor figures...

This is an edition of 10. Patty Carroll has been known for her use of highly intense, saturated color photographs since the 1970’s. Her most recent project, “Anonymous Women,” cons...

Bowl of Beads,trompe l'oeil painting on birch wood panel, black, green, orange Dimensional unique painting on birch wood panel. Stanley is a classic storyteller. As an artist or her work involves a media and contains movement, mystery and suspense; as a wife and mother, she basks in the vital role of nurturer, and as a teacher she stretches her own horizons with and parking was thinking from a lot time of pursuing her art. Stanley recognizes her "stories" - visual experiences that come to her, often in the form of dreams and the daydreams -in a journal , which then becomes the sketchbook from which she distills the dreams into paintings . Once she is dedicated as an artist, working up to 40 hours a week at her studio, but she also enjoys teaching, privately and at a nearby colleges: " Painting is so egocentric, so solitary, it's nice to get outside yourself, " she says of her passion the passing it on. Helen Stanley...

'Quinces & Apples' is a subtle, meditative and delicate painting by the hugely talented Contemporary Still life painter Mark Lijftogt. Photorealism at its very best! Lijftogt was b...

Artist : Genevieve E. Flynn Title : Golden Botrus Teapot Materials : Sterling Silver, Rosewood Date : 2016 Dimensions : 4.5 x 4 x 4.25 in. Description : This Saul Bell International Award finalist teapot was inspired from Flynn's love of mineral specimens with botryoidal crystal structures as a young girl. The body was raised from a single sheet of sterling silver, using chasing and repousse techniques. 23 1/2 karat gold leaf is applied over the surface of the "bumps." The handle is made of Pau Rosewood. ONE OF A KIND. Award winning silversmith, Genevieve Flynn, has been working in precious metals for 44 years creating hollow-ware and art jewelry family heirlooms. Flynn has been invited to create numerous private commissions, including an intricately chased and engraved hand mirror that was presented to music industry personality, Paula Abdul and a commemorative 1985 World Series pin for the late Ewing Kauffman, then owner of the Kansas City Royals and Marion Laboratories. contemporary art, ceramics, contemporary ceramics, contemporary fine art, ceramic artists, sculpture, contemporary sculpture, jewelry, contemporary jewelry, jewelry art, Margaret De Patta, René Lalique, Bruce Metcalf, fine art jewelry, Suzanne Belperron, Stanley Lechtzin, Art Smith, Margret Craver...

Artist : Genevieve E. Flynn Title : Life's Struggles Teapot Materials : Brass, Silver Date : 2016 Dimensions : 8 x 4 x 6 in. Description : "This teapot was created in response to the...

Dark Matter #2, Pomegranate and Hosta, 2016 - Jocelyn Lee (Colour Photography) Signed, dated and inscribed with title on reverse Archival pigment print Available in two sizes: 23 x ...

Artist: Rachel Hubbard Kline Title : Eleanor Rhino Whiskey Cups Materials : Porcelain, Underglaze, Glaze, Decals Date : 2018 Dimensions : 4" x 3.25" x 3.25...

Artist: Rachel Hubbard Kline Title : Steam Cultivator Whiskey Jug Materials : Stoneware, underglaze, glaze, decals, luster Date : 2017 Dimensions : 7.5" x ...

Photograph available in 15 x 15" (edition of 20), 22 x 22" (edition of 20) and 38 x 38" (edition of 10). Availability and pricing is subject to change without notice. Patty Carroll h...

“Untitled” 2018-2019 Porcelain, Paper Clay Cone 6 Size: 3.25 in. x 35 in. Danielle Weigandt explores the construct of events in time and their role in our lives. Time cannot be seen...

hydrocal, metal, sand, cotton, rubber

fiber, found object

acrylic and oil on board

Anonymous Women: Demise The subject is the conflation of woman and home. The woman is camouflaged among her domestic objects, activities, and obsessions. The still-life narratives co...