Dress Art

Purvis Young (1943 - 2010) Collage 1994 - 1996, 1994-1996 Paint and wood construction on board 96 x 24 in Collage totem of found objects and paint

Lisa - Edition : 1/5 signed + numbered by artist with certificate of authenticity, unframed Please note. There are three sizes of this archival pigment print; each is an edition o...

The 1890 original poster by Eugène Grasset for the Théâtre National de l'Odéon is a prime example of the elegant and refined design that defined the French Belle Époque period. This ...

This painting is a finalist of the international art contest organised by Artbox project and was exhibited as finalists in Basel International airport during Art Basel week in 2024. ...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authent...

Tennis Guests 1953 (printed later) C print Estate stamped and hand numbered edition of 150 with certificate of authenticity from the estate. Michael Canfield and Jacqueline Bouvier...

The Runaway (Till Death do us Part) - 2005 40x48cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid, Certificate and Signature label. Artist Inventory...

ABOUT THE PIECE: The Colorsafe paintings are an exploration of the use of color and pattern. They are constructed from 'vintage' catalogs of the late 1960s / early 70s, a particularl...

Timothy Rees was fascinated with drawing throughout his youth and after high school pursued a degree in animation. The pull to painting portraits and figures was strong, however, leading him to learn the craft in the open studios of the Palette and Chisel...

Giclee on canvas in good condition Measures 36x27 International buyers must cover shipping expense

Item is in excellent condition and has only been displayed in a gallery setting. Item includes frame Vincente Esparza was born in Graus, Huesca in 1946. In 1967 he began his studie...

Paper Size: 36 x 24 inches ( 91.44 x 60.96 cm ) Image Size: 36 x 24 inches ( 91.44 x 60.96 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additional Det...

Falling Stars - 2021 Archival C-Print based on an original Polaroid on Hahnemuhle photo rag paper. Edition of 10 plus 2 Artist Proofs. Signature label and certificate. Not mount...

Linda Adair's (Germany based) "Can I Borrow Your Wings" is an oil painting that depicts a figure in an urban city space Linda Adair is a contemporary figu...

The work is inspired by the tenderness and purity of the girl on the shore, in whose hands is a white dove. Another moment and the dove will fly in the sky. In this oil painting, I ...

This is a one of a kind original sculpture by San Diego artist, Cheryl Tall. Its dimensions are 30" x 66" x 30". A Certificate of Authenticity will follow the delivery of this piece...

MAXIMILLIAN KURZWEIL (Austrian 1867-1916) DER POLSTER / THE CUSHION, 1903. Color woodcut printed on laid japon paper, affixed as usual to a support sheet from its upper sheet edge...

'Beginnings', 2016, Print based on an original Polaroid on Hahnemühle photo rag paper, not mounted . Edition of 10 plus 2 Artist Proofs. Signature label and certificate. Not mounte...

'3497' London, United Kingdom 2022 It is a black and white film photograph. Giclée print on Hahnemühle photo rag Baryta 308 Gsm fine art paper, limited edition of 20. Photograph...

Original cover for Liberty magazine, published January 22, 1927. Blissful in her recent engagement to Sandy, Lil spends an evening at home knitting him a pair of green zigzag sport ...

The Player is an original artwork realized by Italian artist Pietro Morando (Alessandria 1889- 1980). Hand-colored lithograph. Good Condition except for ...

Harry Humphrey Moore led a cosmopolitan lifestyle, dividing his time between Europe, New York City, and California. This globe-trotting painter was also active in Morocco, and most importantly, he was among the first generation of American artists to live and work in Japan, where he depicted temples, tombs, gardens, merchants, children, and Geisha girls. Praised by fellow painters such as Thomas Eakins, John Singer Sargent, and Jean-Léon Gérôme, Moore’s fame was attributed to his exotic subject matter, as well as to the “brilliant coloring, delicate brush work [sic] and the always present depth of feeling” that characterized his work (Eugene A. Hajdel, Harry H. Moore, American 19th Century: Collection of Information on Harry Humphrey Moore, 19th Century Artist, Based on His Scrap Book and Other Data [Jersey City, New Jersey: privately published, 1950], p. 8). Born in New York City, Moore was the son of Captain George Humphrey, an affluent shipbuilder, and a descendant of the English painter, Ozias Humphrey (1742–1810). He became deaf at age three, and later went to special schools where he learned lip-reading and sign language. After developing an interest in art as a young boy, Moore studied painting with the portraitist Samuel Waugh in Philadelphia, where he met and became friendly with Eakins. He also received instruction from the painter Louis Bail in New Haven, Connecticut. In 1864, Moore attended classes at the Mark Hopkins Institute in San Francisco, and until 1907, he would visit the “City by the Bay” regularly. In 1865, Moore went to Europe, spending time in Munich before traveling to Paris, where, in October 1866, he resumed his formal training in Gérôme’s atelier, drawing inspiration from his teacher’s emphasis on authentic detail and his taste for picturesque genre subjects. There, Moore worked alongside Eakins, who had mastered sign language in order to communicate with his friend. In March 1867, Moore enrolled at the prestigious École des Beaux-Arts, honing his drawing skills under the tutelage of Adolphe Yvon, among other leading French painters. In December 1869, Moore traveled around Spain with Eakins and the Philadelphia engraver, William Sartain. In 1870, he went to Madrid, where he met the Spanish painters Mariano Fortuny and Martin Rico y Ortega. When Eakins and Sartain returned to Paris, Moore remained in Spain, painting depictions of Moorish life in cities such as Segovia and Granada and fraternizing with upper-crust society. In 1872, he married Isabella de Cistue, the well-connected daughter of Colonel Cistue of Saragossa, who was related to the Queen of Spain. For the next two-and-a-half years, the couple lived in Morocco, where Moore painted portraits, interiors, and streetscapes, often accompanied by an armed guard (courtesy of the Grand Sharif) when painting outdoors. (For this aspect of Moore’s oeuvre, see Gerald M. Ackerman, American Orientalists [Courbevoie, France: ACR Édition, 1994], pp. 135–39.) In 1873, he went to Rome, spending two years studying with Fortuny, whose lively technique, bright palette, and penchant for small-format genre scenes made a lasting impression on him. By this point in his career, Moore had emerged as a “rapid workman” who could “finish a picture of given size and containing a given subject quicker than most painters whose style is more simple and less exacting” (New York Times, as quoted in Hajdel, p. 23). In 1874, Moore settled in New York City, maintaining a studio on East 14th Street, where he would remain until 1880. During these years, he participated intermittently in the annuals of the National Academy of Design in New York and the Pennsylvania Academy of the Fine Arts in Philadelphia, exhibiting Moorish subjects and views of Spain. A well-known figure in Bay Area art circles, Moore had a one-man show at the Snow & May Gallery in San Francisco in 1877, and a solo exhibition at the Bohemian Club, also in San Francisco, in 1880. Indeed, Moore fraternized with many members of the city’s cultural elite, including Katherine Birdsall Johnson (1834–1893), a philanthropist and art collector who owned The Captive (current location unknown), one of his Orientalist subjects. (Johnson’s ownership of The Captive was reported in L. K., “A Popular Paris Artist,” New York Times, July 23, 1893.) According to one contemporary account, Johnson invited Moore and his wife to accompany her on a trip to Japan in 1880 and they readily accepted. (For Johnson’s connection to Moore’s visit to Japan, see Emma Willard and Her Pupils; or, Fifty Years of Troy Female Seminary [New York: Mrs. Russell Sage, 1898]. Johnson’s bond with the Moores was obviously strong, evidenced by the fact that she left them $25,000.00 in her will, which was published in the San Francisco Call on December 10, 1893.) That Moore would be receptive to making the arduous voyage across the Pacific is understandable in view of his penchant for foreign motifs. Having opened its doors to trade with the West in 1854, and in the wake of Japan’s presence at the Philadelphia Centennial Exposition of 1876, American artists were becoming increasingly fascinated by what one commentator referred to as that “ideal dreamland of the poet” (L. K., “A Popular Paris Artist”). Moore, who was in Japan during 1880–81, became one of the first American artists to travel to the “land of the rising sun,” preceded only by the illustrator, William Heime, who went there in 1851 in conjunction with the Japanese expedition of Commodore Matthew C. Perry; Edward Kern, a topographical artist and explorer who mapped the Japanese coast in 1855; and the Boston landscapist, Winckleworth Allan Gay, a resident of Japan from 1877 to 1880. More specifically, as William H. Gerdts has pointed out, Moore was the “first American painter to seriously address the appearance and mores of the Japanese people” (William H. Gerdts, American Artists in Japan, 1859–1925, exhib. cat. [New York: Hollis Taggart Galleries, 1996], p. 5). During his sojourn in Japan, Moore spent time in Tokyo, Yokohama, Kyoto, Nikko, and Osaka, carefully observing the local citizenry, their manners and mode of dress, and the country’s distinctive architecture. Working on easily portable panels, he created about sixty scenes of daily life, among them this sparkling portrayal of a young woman dressed in a traditional kimono and carrying a baby on her back, a paper parasol...

Salvatore Quasimodo With Gina Lollobrigida in Catania- Vintage Photo is a black-and-white photograph, realized in the 1960s. Good condition.

Rodeo Grounds (29 Palms, CA) - 2008 including Stefanie Schneider's new monograph "A Half Forgotten Dream" signed. 196 pages, hardcover, published by Snap Collective, 2024. 20x20cm...

A striking study depicting a woman walking along the beach in a long flowing dress. She has her back to the viewer, walking towards a hazy horizon. Signed to the lower right. On canv...

Tennis Guests 1953 Slim Aarons Estate Edition Michael Canfield and Jacqueline Bouvier (later Kennedy and then Onassis) at Newport Casino for Tennis Week, 1953. Original Publicati...

Inclined (Wastelands) - 2008 20x24cm, Edition of 10, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory #1185 Not mounted. Stefanie Sc...

This piece is an original artwork by Jason Chen titled "Unavoidable Gaze". It is made of archival pigment prints from the artist's photography that he cuts and weaves together by hand. The piece measures 38”h x 28”w and ships framed in the pictured 41”h x 31”w frame. In 2012, Jason Chen shifted his long-running focus on dry plate tintypes to a new process: photo weaving. Chen began using two separate images of the same person, then wove them together in a process exploring time, movement, process, and mutation. He has exhibited works in the series one by one over the years, but in Fragments, his 2015 solo exhibition at Paradigm Gallery, a full collection of these works were on display together for the first time. Bio // Jason Chen is originally from Guangzhou, China. He received his BFA in Animation from the University of Arts in 2008. Jason is a Philadelphia-based photographer specializing in Fashion, Editorial, and Alternative Process Photography...

Kiyoshi HASEGAWA Japanese Woman with Fan, 1930 Original stone lithograph Printed signature in the plate On Arches vellum 28 x 22 cm (c. 11 x 9 inch) REFERENCES : Catalog raisonne (...

Kirk Decker I Know I Left That Six Pack Around Here Somewhere Archival Pigment Print Year: 2024 Visible Size: 11 x 17.5 inches Framed: 19 x 23 x 2 inches Signed: On Label COA provide...

'Amaluna's Day Off #14', 50x50cm, Edition 1/7, 2015 / 2018 [From the series Cirque du Soleil] Art print based on an expired Polaroid mounted on DILITE 0,2mm - 50x50cm - gloss coati...

Shana Levenson's (US based) "Inner Peace" is an oil painting that depicts a female wearing a lace covering with a floating origami bird above her outstretched hand. Artist Bio/stat...

Date: 1993 Medium: Oil on Canvas Dimensions: 30.00" x 20.00" Signature: Signed Lower Left Zebra Books, Robert Berran has been a prolific romance and historical book cover il...

One Day I'll Fly (Stage of Consciousness) - 2008 20x20cm, Edition of 10, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory #6481 Not mo...

The Bride’s Kiss (Till Death Do Us Part), 2010 including Stefanie Schneider's new monograph "A Half Forgotten Dream" signed. 192 pages, hardcover, published by Snap Collective, 2024....

Edition of 10 Fashion and fine art embrace each other in the photography of Jacques Olivar (b. 1941), where the miseen-scene often subtly references literature and film. Olivar orig...

Finely painted after August Riedel (German, 1799-1883) with the biblical heroine, depicting holding a sword in one hand and the head of Holofernes at the...

'Amaluna's Day Off #35', [From the series Cirque du Soleil] 50x50cm, Edition 1/7, 2015 / 2018 Art print based on an expired Polaroid mounted on DILITE 0,2mm - gloss coating Hand si...

Once upon a time, a wonderful girl posed for Evgeniy, outwardly very similar to the well-known blonde from Game of Thrones. Almost a doppelganger of her fairy-tale sister .. And then...

Lithograph and pochoir realized by Emile Gallois in the mid-20th Century ca. to illustrate japanese costumes. Signed in the plate. Published by H. Laurens, Paris. Very good condit...

Medium: Lithograph on grand vélin Filigrané a sa marque paper Year: 1950 Paper Size: 12.5 x 9.75 inches; image size: 10.63 x 8.27 inches Inscription: Signed in the plate and unnumber...

Artist: Vahe Yeremyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Canvas Year: 2021 Style: Impressionism Subject: Winter Trees, Size: 30" x 45" x 1...

Photographically accurate realism and conceptualism, peacefully coexisting on the canvases of Pavel Polanski. His canvases are gray with different depths of tone, almost monochrome a...

A set of four photographs by Andy Warhol. "Paola Dominguin" is a set of four Polaroids, Polacolors by American pop artist Andy Warhol. The artwork is numbered AWL065, FA12.00066, FA1...

Vintage Leonard of Paris 100% silk scarf, warm-toned flowers on vivid red ground. "Leonard" designer printed along lower edge and also within the floral design itself. 27" x 27", ca....

"Portrait of Goar" (2024) by Bunyod Suvonov is original handmade oil painting done on canvas. This piece depicts a portrait of a woman sitting outdoors on a small flight of stairs. ...

Paul Dillon by Richard Fegley is a collection of two photographic prints on leyered baryta paper. Photographs realized in 1989 by famous Playboy's offi...

Sleepy Head (29 Palms, CA) - 1999 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid, Signature label and Certificate. Artist inventory Numbe...

2009, Unique Artwork Oil on Canvas 59 1/10 × 66 9/10 in - 150 × 170 cm The artwork and signed by the Artist on verso of the canvas & stamped with the logo of the Studio of the Artist...

This stunning black and white portrait features the glamorous Ramsay Ames in a gorgeous pinup studio portrait, posed in a metallic top and skirt. Ramsay Ames was a leading 1940s Amer...

All my life I have held a fascination with the animal kingdom, which began in my childhood growing up on a farm and extended into my adult years. On some inexplicable level I feel a ...

"Cocktail Dress" by John Chillingworth 4th September 1954: A cocktail dress and waist length fitted jacket in cream satin made by Jacques Fath. Original Publication: Picture Post - ...

Prom Nights (Till Death Do Us part) - 2005 20x75cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print based on the Polaroid. Certificate and signature label. artist Inventory...

The term "hijra" applies to a very diverse group of people in India who identify as third gender. They can range from a natural born hermaphrodite to a male cross dresser. Dating bac...

Original 1931 collotype created from Gustav Kilmt’s Portrait of Friederike Maria Beer, oil on canvas, 1916. Published by Max Eisler and printed by Österreichischer Staatsdruckerei (Austrian State Printing Office), Vienna, in an edition of 500. In 1931, Max Eisler published the most notable posthumous collection of Gustav Klimt works to date. Using a complex gravure process, Klimt’s original oil paintings were painstakingly reproduced as collotypes on a handmade, deckled-edge cream wove paper. This world-class example of collotype captures the superb resolution and color-richness and ornamentation of the original 1916 oil painting. "Friederike-Maria suggested that Klimt should paint her in a Viennese Workshop dress; she wore these exclusively. She was also very proud of a fur coat she owned, particularly during the hardship of the First World War, and Klimt decided that she should wear the coat too, but inside out, so that the decorative lining, also by the Viennese Workshop, was visible. Klimt decided to make use of an imaginary oriental screen...

Hemingway -  Vintage Photo is a black and white photograph realized in the 1950s. Good conditions.

Lithograph and pochoir realized by Emile Gallois in the mid-20th Century ca. to illustrate japanese costumes. Signed in the plate. Published by H. Laurens, Paris. Very good condit...