Factory Art

This limited edition of 10, (#1/10) photograph is signed and editioned on the reverse by the artist and is unframed. It depicts the interior warehouse of the historic Brooklyn Domino Sugar...

Titled and signed, dated on mount margin. Dry mounted to exhibition board with typed information on label on verso. This image was exhibited in Charles Sheeler's Power Series at the Dallas Museum of Art...

Steam Train Press, Wyoming, 1954 - Elliott Erwitt (Black and White Photography) Signed, inscribed with title and dated on accompanying artist’s label Silver gelatin print, printed la...

Unsigned.

Artist: Phyllis Seltzer Title: Complex Year: 1995 Medium: Heat Transfer Print, signed, numbered, and titled in pencil Edition: 1/15 Image: 29 x 78.5 i...

The Wynwood Silos in Miami Florida. After shooting the Silos, I met and befriended the artist/muralist who painted them, "Krave" (Daniel Fila). Sold as a collaborative work of art.

Image size: 15 3/4 x 15 3/4 inches Signed in pen by artist on print recto.

18"x24" limited edition historic photograph, edition 1/5. This photograph features one of the many attractions to come and go at Coney Island. Phillip Buehler is a New York based ph...

Burritos, Tahoka, Texas by Peter Brown depicts a red brick building on a street corner, with "BURRITOS" painted in white above the white door. Edition of 25 Signed and numbered in black ink on print margin. Paper size: 20 x 24 in., Image size: 16 x 20 in. Series: Hometown Texas Available in additional sizes, limited to a single edition of 25 prints: 16 x 20 in. $2300 20 x 24 in. $2900 28 x 35 in. $4600 32 x 40 in. $5800 36 x 45 in. $6300 Peter Brown attended Stanford University (BA English, MFA Photography) and has taught in the art departments at Rice and at Stanford. He has exhibited and published his work widely. His photographic awards include the Dorothea Lange – Paul Taylor Prize (with Kent Haruf) from the Duke Center for Documentary Studies; an Alfred Eisenstaedt Award for a photo-essay published in DoubleTake; an Imogen Cunningham Award for his portfolio Seasons of Light; a graduate fellowship from the Carnegie Foundation; an Artist’s Fellowship from the National Endowment for the Arts; an Artist’s Grant from the Cultural Arts Council of Houston and a publication grant from the Graham Foundation. His book On the Plains won the Fred Whitehead Award from the Texas Institute of Letters. He presently is photographing the Llano Estacado of Texas and New Mexico under a grant from the Southwest Collection at Texas Tech University and the central high plains in a collaboration with the novelist Kent Haruf. His book with Haruf, West of Last Chance, will be published by W.W. Norton in January 2008. His photographs are in many public, private, university and corporate collections, including those of the Museum of Fine Arts and the Menil Collection in Houston, the Museum of Modern Art in New York, the San Francisco Museum of Modern Art, the Los Angles County Museum of Art and the J. Paul Getty Museum in Los Angeles, the Amon Carter Museum in Fort Worth, the Santa Barbara Museum of Art, the Stanford University Museum of Art, the Rice University Collection, The Humanities Research Center at the University of Texas Austin, the Sheldon Museum at the University of Nebraska, the Spencer Museum at the University of Kansas, the Snipe Museum at Notre Dame, and the University of Kentucky Museum of Art, among many others. His work has been exhibited in one man and group shows in museums and galleries in this country and abroad. Among others: The Museum of Modern Art in New York; The Museum of Fine Arts and the Contemporary Arts Museum in Houston; The San Francisco Museum of Modern Art; The Amon Carter Museum in Fort Worth and the Los Angeles County Museum of Art. His first book Seasons of Light, consisted of photographs of interior scenes with Brown’s short prose pieces, and was published with an afterword and poetry by Denise Levertov by Rice University Press in 1988. It was excerpted in American Photographer. His second, On The Plains, dealt with the open landscape and small towns of the western plains. Published with an introduction by Kathleen Norris by W.W. Norton, On the Plains was excerpted in DoubleTake, LIFE, The New Yorker, Aperture and Texas Monthly. His forthcoming book West of Last Chance, will be excerpted in Harpers, Texas Monthly and 5280. His work has also appeared in Dwell, House and Garden, Landscape Architecture, Duke, Stanford, Popular Photography, American Photographer, FotoMetro, Southwest Art, American Cowboy and other magazines - as well as on the covers of books by Annie Proulx, Jane Smiley...

Represented by George Billis Gallery, NYC & LA --Every painting begins with a place to stand. Sometimes I find one in seconds; sometimes the hunt goes on for many seasons. A canvas c...

Titled and dated in black ink on print margin. Signed, titled, and dated in pencil on print verso. Jack Delano, born Jacob Ovcharov, moved from his native Russian to New York in 192...

original en plein air winter cityscape oil on panel :: Painting :: Impressionist :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Han...

30"x45" C-Print photograph, available unframed edition of 5, signed on reverse Still holding the record that it set in 1952 for the fastest crossing of the Atlantic (fewer than 4 days from New York to La Havre, France), the USS United States...

Stéphane COUTURIER (*1957, France) Usine Toyota n°9 (Valenciennes), 2005 Sheet 182 x 241 cm (71 5/8 x 94 7/8 in.) Frame 189 x 241 cm (74 3/8 x 97 5/8 in.) Edition of 5; Ed. no. 3/5 Framed Born in 1957 in Neuilly sur Seine, Stéphane Couturier currently lives and works in Paris. In 1994, Stéphane Couturier showed his first works in a series called 'Urban Archaeology', viewing the city as a living organism with multiple aspects. He photographed it deliberately avoiding anything that suggested poetry, nostalgia or strangeness. From 1999 on, Stéphane Couturier was increasingly drawn to suburbs and began to focus on a different type of landscape: on the one hand, by tackling housing blocks and high-rises in his 'Monuments' series; on the other, by photographing mushrooming housing developments.These generic cities soon became his favorite subject. In 2002, the uniformity and repetitiveness of these landscapes around the world drove him to begin working on the concept of the polyptych: the combinations and interchangeability of each of the elements in a polyptych give rise to a play with 'Landscaping' (the title of a new series), with the spectator recomposing a landscape between reality and fiction. WStéphane Couturier series ‘Melting Point’ presents a Toyota assembly plant in Valenciennes (France). Emphasizing the cycles of construction and demolition endemic to modern industrialized life, the photographs possess dynamic vertical and horizontal lines, elegant curves, and brilliant effects of light and indigenous colour. Using a large-format camera, Couturier creates crisply detailed prints that expand the viewer’s awareness of how a photograph can look and how urban occurrences can be conceptualized. Each picture is printed from a sandwiching of two moments in time, creating highly abstract yet precisely detailed images. People, machines, car parts, wires and more all compete for the viewer’s attention—images of industry simultaneously out of control and in perfect harmony. – Art, Contemporary, Colour, Architecture, Photography, Geometry, Graphics, Structured, Pattern, Car Factory...

27"x40" (edition of 10) unframed, signed on reverse This photograph was taken at the site of Brooklyn's Domino Sugar Refinery, just before its dismantling and demolition. It was onc...

Print mounted on aluminium with plexiglas, framed. Edition of 15. Dimitri Bourriau is a French photographer, he has always been interested in history and architectural remains. He ...

Oil on canvas Andrea Vandoni is an Italian artist born in 1972 who lives and works in Novara, Italy. The artist studied and trained at the School of the Archaeologists and the Scho...

Ron Rizk’s paintings depict the intimate personal history of locales from his life. Ethereal and yet grounded in reality, the paintings tell the stories of very real places as seen ...

17 x 29.5 inch hand-pulled photogravure Image size 9 x 23 inches Signed, titled, dated and editioned on recto Edition 40

"Transfer" 20"x30" photograph edition 2/5 (unframed) please inquire about additional editions and availability This photograph is from Stephen Mallon's series entitled:...

Stéphane COUTURIER (*1957, France) Usine Toyota n°18 (Valenciennes), 2005 C-Print with Diasec Face in Artist's Frame Sheet 182 x 246.4 cm (71 5/8 x 97 in.) Frame 189 x 253.4 cm (74 3/8 x 99 3/4 in.) Edition of 5; Ed. no. 2/5 Framed Born in 1957 in Neuilly sur Seine, Stéphane Couturier currently lives and works in Paris. In 1994, Stéphane Couturier showed his first works in a series called 'Urban Archaeology', viewing the city as a living organism with multiple aspects. He photographed it deliberately avoiding anything that suggested poetry, nostalgia or strangeness. From 1999 on, Stéphane Couturier was increasingly drawn to suburbs and began to focus on a different type of landscape: on the one hand, by tackling housing blocks and high-rises in his 'Monuments' series; on the other, by photographing mushrooming housing developments.These generic cities soon became his favorite subject. In 2002, the uniformity and repetitiveness of these landscapes around the world drove him to begin working on the concept of the polyptych: the combinations and interchangeability of each of the elements in a polyptych give rise to a play with 'Landscaping' (the title of a new series), with the spectator recomposing a landscape between reality and fiction. WStéphane Couturier series ‘Melting Point’ presents a Toyota assembly plant in Valenciennes (France). Emphasizing the cycles of construction and demolition endemic to modern industrialized life, the photographs possess dynamic vertical and horizontal lines, elegant curves, and brilliant effects of light and indigenous colour. Using a large-format camera, Couturier creates crisply detailed prints that expand the viewer’s awareness of how a photograph can look and how urban occurrences can be conceptualized. Each picture is printed from a sandwiching of two moments in time, creating highly abstract yet precisely detailed images. People, machines, car parts, wires and more all compete for the viewer’s attention—images of industry simultaneously out of control and in perfect harmony. – Art, Contemporary, Colour, Architecture, Photography, Geometry, Graphics, Structured, Pattern, Car Factory...

40"x60"C-Print photograph edition of 5, signed on reverse This photograph is featured in a current exhibition of photographs by the artist, "Stephen Mallon" depicting the SS Un...

24"x30" edition of 5 photograph available unframed Phillip Buehler has been photographing abandoned places around the world since he rowed to the (then abandoned) Ellis Island in 1974. Many, like Greystone Park Hospital, have since been demolished; some, like Ellis Island and the High Line, have been restored, and some, like the S.S. United States and the New York State Pavilion, are now in jeopardy. Photographs from the (now demolished) Greystone Park Hospital are featured in this exhibition and in the book “Wardy Forty” which he wrote in 2013 about the last days of Woody Guthrie...

17"x24" color photograph signed on the reverse by the artist. This fine art photograph depicts the interior warehouse of the historic Brooklyn Domino Sugar...

40"x60" signed on reverse. This photograph was taken at the site of Brooklyn's Domino Sugar Refinery, Paul Raphaelson's photographs chronicle the final state of the once bustling in...

27 × 40 in available unframed Paul Raphaelson’s photographs of the Domino Sugar Factory in Williamsburg, Brooklyn document a topic of continuing controversy. It was once the biggest...

Pen, ink and wash on paper Image size: 8 1/2 x 9 1/2 inches (21.5 x 24 cm) Mounted Mary A Brooks Mary A Brooks was a notable contributor to a vast array of children's publications from the early 1940s to the late 1980s. Brooks was the illustrator of Enid Blyton...

limited edition of 5, signed on reverse by the artist, Phillip Buehler. This photograph depicts the faint residual outlines of the sign to the Avenue store at the deserted Wayne Hills Mall...

original oil on panel paint in contemporary impressionism style :: Painting :: Impressionist :: This piece comes with an official certificate of authenticity signed by the artist :...

17"x25" signed on reverse, available unframed, This photograph was taken at the site of Brooklyn's Domino Sugar Refinery, Paul Raphaelson's photographs chronicle the final state of ...

Original en plein air oil on panel :: Painting :: Impressionist :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: No :: Signed:...

Original cityscape paint in en plein air :: Painting :: Impressionist :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: No :: S...

from the series: "The Hundred- Acre Wood" edition of 5 Ken Ragsdale’s process begins with rough sketches of places and things from his past that are relevant to current themes h...

Denver cityscape original oil on panel :: Painting :: Impressionist :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: No :: Sign...

Casa das Caldeiras, Sao Paulo, 2012 C-print Signed, titled, dated and numbered edition of 5 on artist's label on verso. The photographer is based in Florence, and is fascinated h...

William Turner Gallery is proud to present a small solo exhibition of paintings by artist Lawrence Gipe called “Recent Pictures,” which draws fr...

Unique silver gelatin contact print Provenance: The Estate of Dora Maar

30 x 40 inch type-c print, edition 25. Signed on verso. Framing additional. Other sizes available - please inquire. For more than thirty years, David Graham has produced photographic images infused with both compassion and humor, as he has documented the homes we have built, our lives both public and private, and a purely American expression of “freedom.” Graham was born in Abington, Pennsylvania, in 1952. He received a BA from The University of the Arts, and his MFA from the Tyler School of Art, both in Philadelphia. He studied under Ray K. Metzker and Will Larson, and was mentored by Emmet Gowin...

Stamped with artist’s estate ink stamp and numbered 1/5 on reverse Modern silver gelatin print Printed on 15 3/4 x 11 3/4 inch paper From an edition of 5 Provenance: The Estate of D...

4" x 5" Unframed Closed Edition Photograph MAGNUM Photography Hand Signed by David Seymour

Medium: Oil on Canvas Dimensions: 24.00" x 36.00" Signature: Signed Lower Right

Gum Print Edition of 5 Artist name, title & date on sticker affixed to print verso

The machine under the canopy 2015 Oil on canvas on 3D chassis 80x80 cm Certificate of the artist 890 €

Edition of 25 Signed and numbered in black ink on print margin by Peter Brown Paper size: 20 x 16 in., Image size: 14 x 11 1/4 in. Series: Hometown Texas Peter Brown attended Stanfo...

Oli Sorenson’s solo exhibition, «Après moi, le déluge » discloses a series of impactful works on the deadly perils of capitalism through a group of paintings, prints, watercolours, a...

Framed dimensions are 16 x 20 inches Without an overt theme, Errol Barron’s recent work seeks primarily to convey the pleasures and mysteries of curiosity, speculation, and reflecti...

Hand printed by artist Signed in pencil on recto. Taken in Quebec City

Contemporary figurative painting

Represented by George Billis Gallery, NYC & LA --Every painting begins with a place to stand. Sometimes I find one in seconds; sometimes the hunt goes on for many seasons. A canvas c...

"Transfer" 30"x45" photograph edition of 5 (unframed) signed and editioned on reverse. please inquire about additional editions and availability This photograph is from Stephen...

27"x 40" photograph, signed on reverse, unframed with certificate of authenticity. This photograph was taken at the site of Brooklyn's Domino Sugar Refinery, Paul Raphaelson's photo...

40"x60" edition of 10, available unframed for $4200, or framed (as shown) for $5400. (mounted, framed with hardwood, shadowbox frame with spacers, signed on reverse) This photogra...

40"x60" signed on reverse. This photograph was taken at the site of Brooklyn's Domino Sugar Refinery, Paul Raphaelson's photographs chronicle the final state of the once bustling in...

C Print Photograph 30"x45", edition of 5 available unframed please inquire about additional print sizes This photograph is from Stephen Mallon's series: "The Reefing of ...

27 3/8"x40" (edition of 10) available unframed Paul Raphaelson's photographs of the Domino Sugar Factory in Williamsburg, Brooklyn document a topic of continuing contro...

photograph, edition of 5, unframed This photograph is from Stephen Mallon's series: "Prelude" - an examination of the "Prelude F.L.N.G.,"* the "largest offshore floating facility...

Michael WOLF (1954 – 2019, Germany) Paris Rooftops 14, 2014 C–print Sheet 121,9 x 172,7 cm (48 x 68 in.) Edition of 9, plus 2 AP; Ed. no. 2/9 Michael Wolf was born in 1954 in Munich, Germany. He worked and lived in Paris and Hong Kong where he died in April 2019. The focus of Michael Wolf’s work is life in mega-cities. His projects document both the architecture and the vernacular culture of metropolises. Born in Munich, Wolf grew up in Canada, Europe, and the United States, studying at UC Berkeley and at the Folkwang School with Otto Steinert in Essen, Germany. He moved to Hong Kong in 1994, where he worked for eight years as a contract photographer for Stern magazine. Since 2003, Wolf has been focusing on his own projects, publishing over thirty books of his work. His work is held in many permanent collections including the Metropolitan Museum of Art in New York, the Brooklyn Museum, the San Jose Museum of Art in California, the Museum of Contemporary Photography in Chicago, the Museum Folkwang in Essen, the Hong Kong Heritage Museum, and M+ in Hong Kong. paris roof tops...

Signature: Signed Lower Right