Fire Art

Title: Spring Mountains Medium: Oil on canvas Size: 19 x 23 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Year: 2000 ...

David Shingler's (NC based) "Sangre De Cristo Sunrise, Colorado" is an original, handmade oil painting that depicts the Rocky Mountains caught in the or...

Agnieszka Zawisza (born 1970) is a painter, visual artist and art teacher. She studied at the Warsaw Art Academy, Department of Painting (1994-2000), obtaining a Master's degree with...

1989/2002, pigmented inkjet print, 14 1/8 x 11 inches (image size: 11 x 8/5/8 inches), edition of 12, signed by Jean Conner, the artist's widow, on verso; accompanied by a photo-certificate from the Conner Family Trust BOMBHEAD was originally conceived as a newspaper and photocopy collage by Bruce Conner in 1989. This edition of BOMBHEAD was scanned using the original negatives of a portrait of Bruce Conner by Edmund Shea and a photo of an atomic bomb explosion taken from the National Archives, Library of Congress. A separate large format edition with hand-coloring was produced the same year. The image was digitally edited by Conner and Donald Farnsworth...

The painting is sold on a stretcher. The painting depicts nature in the golden evening time - when the sun gently touches the earth with its warmth. The rays pass through the treeto...

Félix-François Georges Ziem 1821-1911 French Coucher de soleil, quai des Esclavons (Sunset, Dock of the Esclavons) Signed “Ziem” (lower right) Oil on panel Venice was a favorite ...

From an incandescent sunset on Long Island Sound to an iconic pop-kitsch ice storage bin at the neighborhood corner store, Rob Brooks offers us a visual journey from the real to surr...

Fires 10 is a stunning Digital C-Type Print on Fuji Maxima Matte paper, available in this size only. This is Artist Proof 2 of 2, and is the last print of the Limited Edition. Th...

Circle of Dominic Serres British, (1722-1793) Attack of the Fire Ships Oil on canvas, indistinctly signed and dated 176(1)? Image size: 23.5 inches x 39.25 inches Size including fra...

In "Nostalgia" a 21st -century Nigerian painter uses an impressionist technique the brushwork clearly visible —to evoke the haziness between wakefulne...

The painting "Cannas" is a burst of energy and passion. Fiery shades of orange and red create a sense of movement and vitality, while soft accents of blue and green balance the compo...

Extra-large dramatic painting from 1985 by Francois Boissiere (1956 - )

The hovering installations featured in this ongoing series of photographs are inspired by self-organizing, "emergent" systems in nature such as termite mounds, swarming locusts, scho...

This impressive painting by Edward Moran does justice to the epic America’s Cup Challenge of 1885. Moran’s point of view captures the day’s enormity to the world’s yacht racers and designers. This account portrays PURITAN’s second and decisive victory of the match on the 40-mile course, 20 miles leeward from the Sandy Hook Lightship and back. PURITAN reached the line a scant 1 minute 38 seconds in front, the closest margin of victory to date. Well publicized and awaited on both sides of the Atlantic, the race held the public’s interest while knowledgeable yachtsmen waited to see if Boston’s Edward Burgess had innovated the centerboard sloop design to a degree capable of holding off the challenge of a true English cutter. GENESTA was designed by John Beavor-Webb, for her owner, Sir Richard Sutton...

Paper Size: 15 x 40 inches ( 38.1 x 101.6 cm ) Image Size: 12 x 9 inches ( 30.48 x 22.86 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additional Details: D...

El Pulpo Mechanico (Black Rock City), - Burning Man - 2010 Edition of 10, 32x49cm, Archival Print on Velvet Watercolor, 310gsm, Bright White, Acid Free. Signature label and Certificate. Not mounted. Published in Tao Ruspoli's Monography 'Midway on our Life's Journey’, 2018 The Exaltation of Imagination Photographs and Musings in Defense of Burning Man by Tao Ruspoli The press around Burning Man had gotten so bad that I almost felt embarrassed to be going this year. Even Daniel Pinchbeck, famed psychonaut and burner par excellence, had written a thoughtful piece explaining why, after 15 consecutive years, he wasn’t going back this year: the festival had changed too much--the rich had taken over, it had gone from a relevant and fascinating social experiment to epitomizing the worst elements of capitalist excess. Besides, he seemed to be saying, the world is going through too many crises, both ecological and humanitarian, to justify the extravagance of an event like this. Two burners heading to Temple, one of the massive temporary structures in Black Rock City The burning of the Temple which happens every year the night after the man burns. Keith Spencer...

'Tree' From Nina Dietzel's Borderland series. Archival Pigment print is Ed. 1/7 - Unique. 12 x 16 inches / Frame outer dimension is 15 x 19 x 1 inches. Contemporary white powder coat...

For the last 10 years Travis Walker has made landscape paintings about Jackson Hole, a place that never ceases to inspire him to pick up his brushes. He works on location, capturing ...

“The hovering installations featured in this ongoing series of photographs are inspired by self-organizing, "emergent" systems in nature such as termite mounds, swarming locusts, sch...

The work of figurative oil painter Sean Cheetham is steeped in traditional portraiture with mysterious narrative leanings, and it has been included in numerous significant exhibitions, including the National Portrait Gallery in London and The National Portrait Gallery at the Smithsonian in Washington, D.C. While he is celebrated for his technical prowess in achieving accuracy and harmony in his alla prima paintings, the artist credits...

The Bark 'Black Eagle' cutting in at Chesterfield Inlet

Acrylic on canvas, signed and framed Image 16" x 16". Framed 18" x 18"

Lithography on paper, e.d 1/10 Jean Duquoc is a French artist born in 1937 who lives & works in Belz, Brittany in France. In his work, we can see the skill with which he uses color,...

Brad Davis' "Campfire" is an original, handmade oil painting that depicts an orange fire glowing as its embers drift out from the fire ring.

Ahmadi Oil Fields by Steve McCurry depicts two figures standing in a fiery landscape. They are both dressed in white hazmat suits with gas masks. Both figures are fixated by the fire...

An early twentieth-century, American School oil showing a view of a sailor caulking the seams of a substantial wooden sailing ship with a view beyond towards red-tiled houses beneath...

Todd Carpenter's (US based) "Crystallized" is an oil painting that depicts a black and white landscape of soaring peaks. Bio/artist statement: Todd Carpenter is a Los Angeles based...

"Evening" by Shawn Krueger (United States) is a handmade landscape oil painting that is unframed, but ready to hang.

Desert Hell, Kuwait, 1991 - Black and White Photography Sebastião Salgado Stamped with photographer's copyright blind stamp Signed, inscribed on reverse Silver gelatin print 20 x 24 ...

Signed illegibly lower right

Jeanine Donkers Fire I 20 x 20 cm ( framed included in price) Measurement with included frame: 24 x 24 cm Oil on wood panel Jeanine Donkers' paintings offer a world filled with fam...

Fires 1 is a stunning Digital C-Type Print on Fuji Maxima Matte paper, available in this size from a Limited Edition of 7 + 2 Artist Proofs. Ellie has been working in the forests o...

Original painting signed by the Artist on lower right.

Oil on board. Portrait of an "anxious man". Raoul Van den Heede (1924-1999) was a Belgian expressionist from Ghent.

This is a Morris Katz painting on board. In good condition measures 68x46. Buyer must pay and cover all shipping cost.

Lucien Lévy-Dhurmer 1865-1953 French Le fondeur de bronze Signed "Levy Dhurmer" (lower right) Pastel on paper French painter Lucien Lévy-Dhurmer was one of the leading artists of...

All available sizes & editions for each size of this photograph: 90 cm. x 120 cm. Edition 7 126 cm. x 170 cm. Edition 7 `Residence of Impermanence` 2017-2019 My performance series, `Residence of Impermanence`, explores our relationship to animals, fire and Nature. Through the element of fire, I have found a way to express myself in totemic ritualistic performance by burning decaying trophy animals. The element of fire is very symbolic. It represents both destruction and creation. Animals and fire have, in many ways, formed our culture since the dawn of Mankind. They have also served as essential symbols in myth, spirituality, art and religion. Fire has protected us and given us hope. Given us a means to evolve in all culture. In Greek mythology, remember Prometheus. In the hand of Man, fire can be anything. It is our ethics that define it. We have always mirrored ourselves in Nature. What we see staring back at us may not be the image we were hoping for. This series is a reminder to where we have come regarding our relation to Nature and the huge effects of climatechange in the Anthropocene. My work often juxtaposes the visually aesthetic and uneasiness. An underlying feeling of that which is lost often plays an important role. I like to explore work themes that emanate a cognitive dissonance in the viewer to reveal more profound truths. I regard trophy animals as symbols of Man´s vanity and presumed victory over Nature. To me, they also serve as symbols of our general attitude towards Nature. The flames gives each animal a last breath of life as it creates a new portrait. The animal is set free again, ending a symbolic circle of life. A closure if you will, both physically and existentially. The English-inspired wallpapers represent imperialism and a colonial idea from a time when we were obsessed by conquering Nature and other lands. These too are burned with the animals symbolizing a protest toward our autocracy towards Nature itself. The repetitive performance of burning each animal serves as both an offering and a liberation. This is a violent act, but also a meaningful and beautiful act to me. The animals` personality changes dramatically throughout the burning process. This cannot be planned and therefore the animals give off a sense of further individuality. In the process of burning animals, I am also taking an object of desire off the market for further sales. An act that hopefully will spark dialog our use of Nature, as well as where we want to be heading in the near future. Dialog foments change and action. I spent seven years collecting old trophy animals and taxidermy of different sorts. Many were bought through auctions, while others were given to me by hunters` or the widows of hunters for this specific project. During the following three years, I went through a somewhat cathartic process of burning and obsessively exploring the symbolism of fire and our relation to animals with my performance. The intention with my series is to connect the public to the crucial matters at hand through something tangible, personal, and symbolic. These three years of working with this series has made me so much more conscious of how delicate nature is and how we have taken it for granted for too long. A reminder of how crucial both animals, fire and nature, for our so-called progress in survival and progress. Through this process, exploring new questions and inviting a larger audience to ask their own crucial questions in the massive global changes we all are witnessing, is what I strive for. Loss of animal diversity, poaching and massive forest fires are increasing so rapidly that Nature itself is at a major turning point. A call for action is needed. Working so close to the animals in my project has been as uplifting as it has been obsessive and heartbreaking, as the animal's eye connects with you on a personal level as a human does in non-verbal communication. In 2016, the government in Kenya burned poached ivory worth an estimated 130 million dollars, making a clear statement that these tusks should only belong to a living animal. This dramatic action created meaningful dialog around the world beyond news and statistics. Fires are destroying critical areas of much-needed land vegetation, thus creating considerable effects on climate change. The meeting between Nature`s fragility and Mans` ego has shown that forests disappear, glaciers are melting, sea levels are rising and species become extinct. Humans have too easily exploited all parts of nature with our own culture and growth. In this short process, we have lost the very essence of what we are a part, and thus forget the very nature in ourselves. What can photography do to create questions regarding climate change, and help us move towards a sustainable future? In photography, we can ask important questions about changes in our surroundings and who we are—Man’s condition. Background: `Residence of Impermanence` has been exhibited at five museums and several galleries already (including a big solo show at Fotografiska, Stockholm (2019), and Arles Fotofestival (2019). Work from `Residence of Impermanence' is currently exhibited at the UCR: California Museum of Photography in Los Angeles with the exhibition `Facing Fire,` Art, Wildfire and The End of Nature in the New West.` This exhibition explores the ever-worsening Californian forest fires due to climate change. My previous environmental work has been nominated for the Prix Pictet Award on several occasions with my previous series for both Earth, Power and Fire themes. In 2005, my series `Arctic Technology` was shortlisted for the BMW Prize at Paris photo (through Scout Gallery, London). My other series has been shown in museums, including a symposium at Johnson Museum, N.Y. and been part of travelling exhibitions with WHATCOM (Museum of Washington) with the exhibition `Vanishing Ice` and a China tour on environmental issues with Three Shadows Photography...

Sz: 11 3/4"H x 17"W Alexander Warren Montel (1921-2002) Fashion illustrator for House of Lanvin Paris in the 1950s featured in Harper's Bazaar Santa And Reindeer...

Robert Longo Untitled, 2021 Moab Entrada Natural paper 9 3/5 × 12 2/5 in 24.5 × 31.5 cm Edition of 150 + 5AP

Signed J. Sureda Lloveras - Fishermen's beach - Oil on board Oil measures 33x41 cm. Frameless. Signed J. Sureda Lloveras.

Rinko KAWAUCHI (*1972, Japan) Untitled, from the series 'Ametsuchi', 2013 Lambda print Sheet 148 x 185 cm (58 1/4 x 72 7/8 in.) Edition of 3; Ed. no. 2/3 Print only Kawauchi, curre...

Morgan Cameron’s (US based) “Dust Storm” is an oil painting on panel that depicts a red and white horse galloping with it's mane flowing. This painting is framed and ready to hang. ...

JUN AHN (*1981, South Korea) Self Portrait 2021 Archival pigment print, face mounted to Acrylic (Diasec) Brown flame stained and hardened wood frame Image 101,6 x 134,6 cm (40 x 53 i...

Duane Bryers, American (1911 - 2012) - Blue Harmonica, Year: 1979, Medium: Lithograph, Signed and Numbered in Pencil, Edition: 300, AP, Image Size: 17.5 x 22 in., Size: 21.5 in....

"Day Garden IV" is part of the ongoing series Garden Narratives. Dexheimer, while consistent in her focus on shape, color, texture and form works simultaneously on several projects i...

An abstract painting of great dynamism and diversity - like the landscape of different emotions. The abstract composition is characterized by contrasts. In the foreground are warm co...

In this textured oil painting, I've captured the fiery essence of autumn in a melody of reds and oranges. Using strokes brimming with passion, the merge of realism and impressionism ...

Oil measures 54x65 cm. Frame measures 59x70 cm. Francisco Carbonell Massabe (1928) Francisco Carbonell Massabe was a Catalan painter with an impressionist spirit. It was in La Lonj...

Quang Ho's "Embers" (2024) is a beautiful impressionist oil painting on panel that depicts a landscaped engulfed in bright red and orange flames. About the artist: Quang Ho was bor...

Capturing the limpid liquid forms of water in Finland, Vuokatti, the skeletal outlines of autumnal trees, and glowing lights in the woodland, Llorens' real subject is the inner psych...

Todd Carpenter's (US based) "Melted" is an oil painting that depicts a black and white panoramic landscape of soaring peaks. Bio/artist statement: Todd Carpenter is a Los Angeles b...

Provence Olive Groves by Josine Vignon (French 1922-2022) signed on front and back oil painting on canvas, unframed canvas: 15 x 21.5 inches Colors: Green colors, black, brown, bei...

Letter M- from the suite Letters of the Alphabet is a contemporary artwork realized by Erté (Romain de Tirtoff). Lithograph and Screen Print. The artwork is...

"Warm Reflections: A Golden Landscape" is an extra large contemporary impressionistic painting measuring 125 x 125 x 2 cm. The artwork will be shipped without a frame and is ready t...

'Rendez-vous 2020 50x50cm, Edition of 7 plus 2 Artist Proofs, Archival C-print, Based on the Polaroid. Signed on the back and with certificate. Artist inventory PL2020-8612 Not ...

Protests after the Death of M.L. King is a historical photograph realized in the 1968. Good conditions and aged.

Nature Morte by Josine Vignon (French 1922-2022) oil painting on canvas, unframed canvas: 36 x 25.5 inches Colors: Green, pink, brown and red Very good condition Provenance: from ...

“The hovering installations featured in this ongoing series of photographs are inspired by self-organizing, "emergent" systems in nature such as termite mounds, swarming locusts, sch...