Fire Art

"Majestic Momentum" is an oil painting that skillfully captures the breathtaking power and grace of nature in motion. The sun casts its radiant light on a sunlit wave, igniting it wi...

‘I have been working on eggshells since I was 8 years old, learning the traditional Ukrainian art of pysanky from my mother. This artistic and cultic use of eggs informs my work to t...

Robert Gamblin’s intent as an artist is to reach for transcendence through his color-centric oil paintings that capture the majesty of light as it graces the Earth. In this series, o...

c-print mounted on board. unframed. still image from a video of a burning wedding gown. Edition of 4. 2 framing options available. 1 of a series of 6 images. Inquire about discount...

Nick Vedros Barn Burner Archival Pigment Print Hahnemühle FineArt Baryta 325 gsm Year: 2000s Size: 9x13.5in Edition: 10 Signed, dated and numbered by hand on label Stamped COA provid...

Nick Vedros Smart Caveman Archival Pigment Print Hahnemühle FineArt Baryta 325 gsm Year: 1990s Size: 11x12in Edition: 12 Signed, dated and numbered by hand on label Stamped COA provi...

For the last 10 years Travis Walker has made landscape paintings about Jackson Hole, a place that never ceases to inspire him to pick up his brushes. He works on location, capturing ...

Extra large abstract painting on tones of peach fuzz - beige, brown, orange, white and blue. Abstract painting created with gestural energetic and expressive brushstrokes. Beautiful ...

Calvert’s current paintings investigate the relationship between digital media and the reception and perception of images, and utilizes diverse technologies such as fresco, 3D modeling, AI and data manipulation through code. She is especially interested in the evolution of pictorial space. Today we view our screens and the world they occupy as a shallowly layered space of overlapping desktop windows. The picture plane has tilted up again from the flatbed to float in front of our eyes. Calvert’s paintings in turn depict an intermediate space, where the verticality of the still life paintings cohabitate with these digital panes. Dutch floral still life paintings encapsulate multiple concerns. Their subjects were botanical fantasies, emblems of an economic mirage that has contemporary corollaries. Most important to Calvert’s pictorial concerns, they depict ephemeral things in shallow and diagrammatic space - they are all foreground. They contain an abundance of visual information in overwhelming density, creating an allover resolution; a visual field that is equivalent to digital noise. By making painterly interventions into reproductions, Calvert attempts to dissolve the layer between the resolution of the source image and abstraction of the painted mark. ⎯⎯⎯⎯⎯ Tiffany Calvert has exhibited her work in the US and abroad including Lawrimore Project in Seattle, E.TAY Gallery in New York, the Speed Museum in Louisville and Cadogan Contemporary in London. Residencies include the Djerassi Resident Artists Program, I-Park, and ArtOmi International Arts Center where she received a Geraldine R. Dodge Fellowship. Calvert has received grants from the Great Meadows Foundation and the Pollock-Krasner Foundation. Her work was recently profiled by critic John Yau in the online journal Hyperallergic. Her curatorial projects include “Some Abstraction Occurs” at 65GRAND Gallery in Chicago and “Magic” at Mercer College (featuring work by Chris Martin, Karla Knight, and Sarah Peters...

Surrounded, Crylic ink on Canvas Painting by Kenneth Craft, 2015 Additional information: Medium: Oil, acrylic, and India ink on canvas Dimension: 48 x 38 inches About artist: Ken C...

24 pieces 100 x 100 each. Total composition 3x8 m, canvas, oil.

Original painting signed by the Artist lower right.

Bold red and blue abstract painting, energetic brushstrokes and vibrant color for a happy mood. Created with professional acrylic paint on canvas, it will bring the outdoors inside. ...

Title: Mountain 1 Medium: Oil on canvas Size: 19.5 x 23.5 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This paint...

Metra Mitchell holds a BFA in Painting and minor in Art History from Western Kentucky University and an MFA in Painting from Fontbonne University. She has taught studio and art histo...

In the heat of the independence, locals fighting spanish colonizers. Uruguay first fought against Spain and later on against the brazilian. We also hat to get rid of british invador...

One of a kind original Oil painting by Ukrainian artist Alisa Onipchenko-Cherniakovska - Canvas painting stretched and ready to hang (NOT FRAMED. The sides are painted with acrylic. ...

Oil on canvas Wang Dianyu is a Chinese male artist born in 1983 who lives and works in Beijing, China. He is a bachelor of Oil Painting Department at Minzu University of China. Betw...

This image is currently on display at the Robin Rice Gallery in the Summertime Salon 2018. It depicts the strength and beauty of nature with a whale jumping from the ocean water. The...

Oil on canvas

Snow covered grasses line the shoreline of a lake in the Rocky mountains. The painting is varnished with a UV protective layer to prevent light or dust damage. :: Painting :: Impress...

Zion landscape paint in contemporary impressionism style :: Painting :: Impressionist :: This piece comes with an official certificate of authenticity signed by the artist :: Ready t...

A series of paintings where people are hurt in different ways. :: Painting :: Abstract Expressionism :: This piece comes with an official certificate of authenticity signed by the ar...

"Vibrant Lily" is a gestural and dynamic abstract artwork on paper. It is painted with the warm color palette of autumn and inspired by flowers and the beauty of flowers. The a...

Original Oil painting by Ukrainian artist Evgeny Chernyakovsky "Sunset by the river" 50.0 X 70.0 CM / 19.6 X 27.5 IN HIGH QUALITY oil on canvas Signed on the front and back Da...

Nobody loves you when you're down and out. :: Painting :: Abstract Expressionism :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Han...

"Earth, Air, Fire, Water" is an Original Oil Painting on cradled panel. Incorporating the four elements of life: The earthy greens of nature, the incense smoke unfurling in the air, ...

- Title: Sediments - Medium: Mixed media - Support: canvas, ready to hang - Size: 24"x48"x1.5" - Two coats of protective gloss varnish are applied to protect the painting from UV...

Archival pigment print Signed, titled, numbered, and dated, verso 17 x 22 inches, sheet (Edition of 15) 32 x 44 inches, sheet (Edition of 9) This photograph is offered by ClampArt...

Archival pigment print Signed and numbered, verso 20 x 24 inches (Edition of 5) $2,900 30 x 40 inches (Edition of 3) $4,200 40 x 50 inches (Edition of 2) $6,500 This photograph is...

"My work is about Place. There has always existed within me an urgency to define myself through place that stems from an upbringing full of uprooting and re homing. In the absence o...

White's recognizable orange umbrella's are featured in this picturesque beach scene. The textures and impasto that White always masterfully applies with his palette knife are present...

This listing is for a framed and mounted print. Additional unframed sizes are available. Beth Lilly is inspired by the work of Thomas Cole, JMW Turner and...

full title: And Abraham looked toward Sodom and Gomorrah, and toward all the land of the plain, and beheld, and, lo, the smoke of the country went u...

This is an original photographic print from Southern California artist Michal Greenboim. It is an abstract color print that is 13" x 19" x 0.5" (HxLxD) and is edition 5 of 10. It is ...

Abstract Nature shot. Beautiful swamp shot in Texas. About the artist: Mital Patel is an internationally recognized nature and wildlife photographer who focuses on capturing b...

All available sizes & editions for each size of this photograph: 90 cm. x 120 cm. Edition AP 1 `Residence of Impermanence` 2017-2019 My performance series, `Residence of Impermanence`, explores our relationship to animals, fire and nature. Through the element of fire, I have found a way to express myself in totemic ritualistic performance by burning decaying trophy animals. The element of fire is very symbolic. It represents both destruction and creation. Animals and fire have, in many ways, formed our culture since the dawn of Mankind. They have also served as essential symbols in myth, spirituality, art and religion. Fire has protected us and given us hope. Given us a means to evolve in all culture. In Greek mythology, remember Prometheus. In the hand of Man, fire can be anything. It is our ethics that define it. We have always mirrored ourselves in Nature. What we see staring back at us may not be the image we were hoping for. This series is a reminder to where we have come regarding our relation to Nature and the huge effects of climatechange in the Anthropocene. My work often juxtaposes the visually aesthetic and uneasiness. An underlying feeling of that which is lost often plays an important role. I like to explore work themes that emanate a cognitive dissonance in the viewer to reveal more profound truths. I regard trophy animals as symbols of Man´s vanity and presumed victory over Nature. To me, they also serve as symbols of our general attitude towards Nature. The flames gives each animal a last breath of life as it creates a new portrait. The animal is set free again, ending a symbolic circle of life. A closure if you will, both physically and existentially. The English-inspired wallpapers represent imperialism and a colonial idea from a time when we were obsessed by conquering Nature and other lands. These too are burned with the animals symbolizing a protest toward our autocracy towards Nature itself. The repetitive performance of burning each animal serves as both an offering and a liberation. This is a violent act, but also a meaningful and beautiful act to me. The animals` personality changes dramatically throughout the burning process. This cannot be planned and therefore the animals give off a sense of further individuality. In the process of burning animals, I am also taking an object of desire off the market for further sales. An act that hopefully will spark dialog our use of Nature, as well as where we want to be heading in the near future. Dialog foments change and action. I spent seven years collecting old trophy animals and taxidermy of different sorts. Many were bought through auctions, while others were given to me by hunters` or the widows of hunters for this specific project. During the following three years, I went through a somewhat cathartic process of burning and obsessively exploring the symbolism of fire and our relation to animals with my performance. The intention with my series is to connect the public to the crucial matters at hand through something tangible, personal, and symbolic. These three years of working with this series has made me so much more conscious of how delicate nature is and how we have taken it for granted for too long. A reminder of how crucial both animals, fire and nature, for our so-called progress in survival and progress. Through this process, exploring new questions and inviting a larger audience to ask their own crucial questions in the massive global changes we all are witnessing, is what I strive for. Loss of animal diversity, poaching and massive forest fires are increasing so rapidly that Nature itself is at a major turning point. A call for action is needed. Working so close to the animals in my project has been as uplifting as it has been obsessive and heartbreaking, as the animal's eye connects with you on a personal level as a human does in non-verbal communication. In 2016, the government in Kenya burned poached ivory worth an estimated 130 million dollars, making a clear statement that these tusks should only belong to a living animal. This dramatic action created meaningful dialog around the world beyond news and statistics. Fires are destroying critical areas of much-needed land vegetation, thus creating considerable effects on climate change. The meeting between Nature`s fragility and Mans` ego has shown that forests disappear, glaciers are melting, sea levels are rising and species become extinct. Humans have too easily exploited all parts of nature with our own culture and growth. In this short process, we have lost the very essence of what we are a part, and thus forget the very nature in ourselves. What can photography do to create questions regarding climate change, and help us move towards a sustainable future? In photography, we can ask important questions about changes in our surroundings and who we are—Man’s condition. Background: `Residence of Impermanence` has been exhibited at five museums and several galleries already (including a big solo show at Fotografiska, Stockholm (2019), and Arles Fotofestival (2019). Work from `Residence of Impermanence' is currently exhibited at the UCR: California Museum of Photography in Los Angeles with the exhibition `Facing Fire,` Art, Wildfire and The End of Nature in the New West.` This exhibition explores the ever-worsening Californian forest fires due to climate change. My previous environmental work has been nominated for the Prix Pictet Award twice before with my previous series for both Earth and Power themes. In 2005, my series `Arctic Technology` was shortlisted for the BMW Prize at Paris photo (through Scout Gallery, London). My other series has been shown in museums, including a symposium at Johnson Museum, N.Y. and been part of travelling exhibitions with WHATCOM (Museum of Washington) with the exhibition `Vanishing Ice` and a China tour on environmental issues with Three Shadows Photography...

Untitled (Nr. 0113) Photography 18" x 24" Edition of 20 by Ben Cope Unframed - ships rolled in a tube Ben Cope + Rowan Daly Off the Grid Off the Grid is the culmination of a six-year photographic journey through Baja, Mexico. Ben Cope and Rowan Daly began their travels in 2014, working their way through the towns of la Salinas, Baja Mar, and Cantamar, down through Ensanada and la Bufadora. This series of photographs depicts the pair’s adventures and explorations. Off the Grid documents the textures, people, and places visited during this incredible journey. Ben Cope is a Los Angeles based portrait artist with a BFA in ceramic sculpture and photography from Columbus State University. He maintains a successful career with a diverse portfolio including fashion, editorial, celebrity portraiture and advertising. He is widely known for his celebrity and fashion portraiture, which has been published internationally in publications such as Harper’s Bazaar, Elle, GQ, The Work Magazine, Fucking Young, and l’Officiel, and has shot international campaigns for such clients as Adidas, L’Oréal, Paul Mitchell, and Vidal Sassoon. He has photographed Selena Gomez...

As you gaze at my artwork, I hope you can't help but be transported into my world, sailing around the globe with my family for seven years. An incredible journey: 7 years, 30,000 nau...

One of a kind, original oil painting on Linen Panel by Jared Brady. Signed lower left. Framed Dimensions: 25.5" X 21.5"

An original Inkjet prints, carbon and beeswax mounted to wood that was included in the artistic duo's exhibition at the world renowned Albright Knox Art Gallery. Virocode is compose...

Please note: the canvas is unstretched, suitable for mount framing :: Painting :: Impressionist :: This piece comes with an official certificate of authenticity signed by the artist ...

c-print mounted on board. Unframed> framing options available. Still image from a video of a burning wedding gown. Edition of 4. series of 6 photographs available as set or individu...

Robert Longo, Ivy Mike Pigment print Edition of 15 113,9 x 86,4 cm (44.8 x 34 in.) Signed and numbered, accompanied by Certificate of Authenticity In mint condition, as acquired from...

Hand signed, dated and numbered by the artist. Published by Hatje Cantz Verlag, Berlin. Image: 21.75 x 15.75 in. Sheet: 23.875 x 17.875 in. Frame: 32.5 x 26.5 in. Artwork is in exce...

Signed. Photograph mounted to black paper & paper mounted to large Album Sheet. Vintage gelatin silver print

`Residence of Impermanence` 2017-2019 My performance series, `Residence of Impermanence`, explores our relationship to animals, fire and Nature. Through the element of fire, I hav...

`Zebra 2` Oslo, 2019- from the series `Residence of Impermanence` 120 x 170 cm Edition 7 `Residence of Impermanence` 2017-2019 My performance series, `Residence of Impermanence`, ...

`Residence of Impermanence` 2017-2019 90x120 cm. Edition 7 My performance series, `Residence of Impermanence`, explores our relationship to animals, fire and Nature. Through the element of fire, I have found a way to express myself in totemic ritualistic performance by burning decaying trophy animals. The element of fire is very symbolic. It represents both destruction and creation. Animals and fire have, in many ways, formed our culture since the dawn of Mankind. They have also served as essential symbols in myth, spirituality, art and religion. Fire has protected us and given us hope. Given us a means to evolve in all culture. In Greek mythology, remember Prometheus. In the hand of Man, fire can be anything. It is our ethics that define it. We have always mirrored ourselves in Nature. What we see staring back at us may not be the image we were hoping for. This series is a reminder to where we have come regarding our relation to Nature and the huge effects of climatechange in the Anthropocene. My work often juxtaposes the visually aesthetic and uneasiness. An underlying feeling of that which is lost often plays an important role. I like to explore work themes that emanate a cognitive dissonance in the viewer to reveal more profound truths. I regard trophy animals as symbols of Man´s vanity and presumed victory over Nature. To me, they also serve as symbols of our general attitude towards Nature. The flames gives each animal a last breath of life as it creates a new portrait. The animal is set free again, ending a symbolic circle of life. A closure if you will, both physically and existentially. The English-inspired wallpapers represent imperialism and a colonial idea from a time when we were obsessed by conquering Nature and other lands. These too are burned with the animals symbolizing a protest toward our autocracy towards Nature itself. The repetitive performance of burning each animal serves as both an offering and a liberation. This is a violent act, but also a meaningful and beautiful act to me. The animals` personality changes dramatically throughout the burning process. This cannot be planned and therefore the animals give off a sense of further individuality. In the process of burning animals, I am also taking an object of desire off the market for further sales. An act that hopefully will spark dialog our use of Nature, as well as where we want to be heading in the near future. Dialog foments change and action. I spent seven years collecting old trophy animals and taxidermy of different sorts. Many were bought through auctions, while others were given to me by hunters` or the widows of hunters for this specific project. During the following three years, I went through a somewhat cathartic process of burning and obsessively exploring the symbolism of fire and our relation to animals with my performance. The intention with my series is to connect the public to the crucial matters at hand through something tangible, personal, and symbolic. These three years of working with this series has made me so much more conscious of how delicate nature is and how we have taken it for granted for too long. A reminder of how crucial both animals, fire and nature, for our so-called progress in survival and progress. Through this process, exploring new questions and inviting a larger audience to ask their own crucial questions in the massive global changes we all are witnessing, is what I strive for. Loss of animal diversity, poaching and massive forest fires are increasing so rapidly that Nature itself is at a major turning point. A call for action is needed. Working so close to the animals in my project has been as uplifting as it has been obsessive and heartbreaking, as the animal's eye connects with you on a personal level as a human does in non-verbal communication. In 2016, the government in Kenya burned poached ivory worth an estimated 130 million dollars, making a clear statement that these tusks should only belong to a living animal. This dramatic action created meaningful dialog around the world beyond news and statistics. Fires are destroying critical areas of much-needed land vegetation, thus creating considerable effects on climate change. The meeting between Nature`s fragility and Mans` ego has shown that forests disappear, glaciers are melting, sea levels are rising and species become extinct. Humans have too easily exploited all parts of nature with our own culture and growth. In this short process, we have lost the very essence of what we are a part, and thus forget the very nature in ourselves. What can photography do to create questions regarding climate change, and help us move towards a sustainable future? In photography, we can ask important questions about changes in our surroundings and who we are—Man’s condition. Background: `Residence of Impermanence` has been exhibited at five museums and several galleries already (including a big solo show at Fotografiska, Stockholm (2019), and Arles Fotofestival (2019). Work from `Residence of Impermanence' is currently exhibited at the UCR: California Museum of Photography in Los Angeles with the exhibition `Facing Fire,` Art, Wildfire and The End of Nature in the New West.` This exhibition explores the ever-worsening Californian forest fires due to climate change. My previous environmental work has been nominated for the Prix Pictet Award on several occasions with my previous series for both Earth, Power and Fire themes. In 2005, my series `Arctic Technology` was shortlisted for the BMW Prize at Paris photo (through Scout Gallery, London). My other series has been shown in museums, including a symposium at Johnson Museum, N.Y. and been part of travelling exhibitions with WHATCOM (Museum of Washington) with the exhibition `Vanishing Ice` and a China tour on environmental issues with Three Shadows Photography...

Evening river bank, autumn trees, you will find all this in my new painting "Evening Rays". A rich palette of yellows, oranges, blues enhances the energy and beauty of the river. The...

NEBULA is an acrylic on wood panel 12 in H X 12 in W x 1.5 in DEEP piece of work. Nebula, an invitation to daydream. My work is influence by my surrounding, experiences, nature, tra...

Oil on canvas Keti Shapatava is a Georgian artist born in 1995 who lives and works in Tbilisi, Georgia. She was introduced to the world of art at Anastasia Virseladze Art Gymnasium ...

The Jewish holiday of Lag BaOmer has many customs. The most well-known custom is the lighting of bonfires throughout Israel, especially by children and families. ***** Limited ...

Peaceful nocturnal scene on gessoed heavy watercolor paper. Varnished with a satin finish for protection. Offered unframed. :: Painting :: Contemporary :: This piece comes with a...

24" x 24" x 1.5" original painting on stretched canvas, with the image continuing around the sides so that no frame is required. It comes with picture wire ready to hang. Redla...

One in a series of paintings of humans inflicting pain on themselves or others. :: Painting :: Abstract Expressionism :: This piece comes with an official certificate of authenticity...

One of a kind original Oil painting by Ukrainian artist Alisa Onipchenko-Cherniakovska - Canvas painting stretched and ready to hang (NOT FRAMED. The sides are painted with acrylic. ...

In the process of eating and drinking, people will produce all kinds of ugly behaviors, such as waste, vomiting, scramble, slapstick, and verbal ab...