Grassland Art

C-print on Endura metallic paper (Edition of 5) Signed and numbered, verso This artwork is offered by ClampArt, located in New York City. Begun in 2003, the series of works collect...

Amboseli, Kenya 2018 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: 48 x 66 inches 67 x 105 inches All prints are on 315gsm Hahnemühle photo rag Baryta paper and varnished after processing to give both endurance and sheen. Each is signed, dated and numbered on the front. Price includes David Yarrow's custom black ash frame, white archival matting and protective UV acrylic. For unframed, $1,500 will be deducted from the price. David Yarrow has built an unrivaled reputation for capturing the beauty of the planet’s remote landscapes, cultures and endangered animals. Born in Glasgow, Scotland in 1966, he is an internationally acclaimed fine art photographer and Europe’s best selling wildlife photographer. "This is one of the most unusual contextual images I have taken in East Africa in the last few years. The white of the flowering meadows and the white of the summit of Kilimanjaro combine to give the image an ethereal glow. The extreme weather conditions - it had rained torrentially for four or five days - had resulted in an implausible theatre of dreams. There was more snow on Kilimanjaro than I have ever seen before and the normal arid dustbowl of Amboseli was a garden bursting into acres of white carpet. For anyone that knows this area, the combination of whites provokes a degree of visual disquietude. It was quite a remarkable sight that was all down to the freak weather. The biblical rainfall had discouraged almost any other visitors and we had the amphitheatre to ourselves. We also had a film permit which allowed us to go off road - albeit the ground was very saturated and we were getting stuck regularly - we needed two vehicles to be safe. The bigger problem was that there were very few elephants in the park - the rain had pushed them out of the park and into the forests below Kilimanjaro. I knew, however, that in the vicinity of the KWS Rangers’ HQ, there are always a good number of big elephants hanging around as they feel safe. It was here that we spent much of our time this March - despite it being a 90 minute drive from our base. As soon as I saw the white meadows, I knew we had the chance of an image that offered a story of both lyrical grace and beauty - especially if the cloud lifted and we were exposed for a few brief minutes to the summit of Africa’s tallest mountain. Then we just needed the elephants and this was the X factor. No elephant - no party. About 5 pm on one unforgettable evening, everything came together as a small group of elephants headed to the foothills for the night and in so doing walked right through the white meadows. Getting in the right place for the composition was a fairly intense 10 minutes - I knew that this was a moment in time and I would not forgive myself if we missed it. I look at this picture a great deal and wonder whether it would be better if the elephants had been coming away from Kilimanjaro rather than moving towards it? We will never know, but the formation of the herd has a nice diagonal shape and it tells a story of a journey unaffected by my presence. I think the anonymity of the individual elephants helps focus on the wider context - which is really a hallmark of some sort of fantasy. Was this what The Garden of Eden...

Title: Cordoba Series II Medium: Photograph on paper Date: 2017 Dimensions: Multiple Sizes Available (please inquire within) - Multiple Sizes Available - Multiple Paper Choices Avai...

Amboseli, Kenya 2015 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: 48 x ...

Amboseli, Kenya 2017 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: 48 x ...

Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: 48 x 73 inches 67 x 105 inches All prints are on 315gsm Hahnemühle photo rag Baryta paper and varnished after processing to give both endurance and sheen. Each is signed, dated and numbered on the front. Price includes David Yarrow's custom black ash frame, white archival matting and protective UV acrylic. For unframed, $1,500 will be deducted from the price. David Yarrow has built an unrivaled reputation for capturing the beauty of the planet’s remote landscapes, cultures and endangered animals. Born in Glasgow, Scotland in 1966, he is an internationally acclaimed fine art photographer and Europe’s best selling wildlife photographer. "I have long aspired to capture imagery of big elephant shadows in Sub-Saharan Africa. This is normally only feasible from the air on little bush planes and this practice is both expensive and hardly in keeping with the serenity of the subject matter. The far better alternative is to find vantage points high enough to be able to look down on the land below and perhaps capture shadows from nearby elephants. On the edge of Amboseli National Park there is such a place. The problem then is simply that big shadows...

Leonard Freed is considered one of the most prolific and timely photojournalists of his generation. Born in Brooklyn, he traveled to Europe for the first time in 1952, where he disc...

Thin Cloud, Campo Imperatore, Abruzzo, Italy - Michael Kenna (Black and White) Signed, dated and numbered on mount Signed, dated, inscribed with title...

Born and raised in France, Anouk Masson Krantz moved to the United States in the late 1990s. She earned her bachelor's degree and worked at Cartier’s New York corporate office. Anou...

Born and raised in France, Anouk Masson Krantz moved to the United States in the late 1990s. She earned her bachelor's degree and worked at Cartier’s New York corporate office. Anou...

Born and raised in France, Anouk Masson Krantz moved to the United States in the late 1990s. She earned her bachelor's degree and worked at Cartier’s New York corporate office. Anou...

Gustavo Ten Hoever was born in Uruguay and attended photography school in Montevideo, Uruguay. He moved to New York in 1986 and now divides his time between Paris and New York. After an eye opening time spent traveling into the Brazilian Amazon, he began shooting for his first photo exhibit, Full Moon People, covering the indigenous people of this region. Since then, the artist has traveled continuously and exhibited globally, while his editorial work can be seen in publications around the world. Publications featuring his work include I-D Magazine, French Vogue, Wall Street Journal Magazine, US Vogue, Arena, and the New Yorker. His clients include Hermes, Dosa, Editions Gallimard, Persol, Dunhill, Jose...

Gustavo Ten Hoever was born in Uruguay and attended photography school in Montevideo, Uruguay. He moved to New York in 1986 and now divides his time between Paris and New York. After...

Gustavo Ten Hoever was born in Uruguay and attended photography school in Montevideo, Uruguay. He moved to New York in 1986 and now divides his time between Paris and New York. After an eye opening time spent traveling into the Brazilian Amazon, he began shooting for his first photo exhibit, Full Moon People, covering the indigenous people of this region. Since then, the artist has traveled continuously and exhibited globally, while his editorial work can be seen in publications around the world. Publications featuring his work include I-D Magazine, French Vogue, Wall Street Journal Magazine, US Vogue, Arena, and the New Yorker. His clients include Hermes, Dosa, Editions Gallimard, Persol, Dunhill, Jose...

Photograph by renowned photographer, Steve McCurry, of a man walking on Crawick Multiverse in Scotland, UK. Signed, numbered, and dated on verso. Please contact us for additional si...

"Windseeds" by Norman Mooney White-Pigmented Aluminum Norman Mooney is a contemporary, abstract sculptor born in Dublin Ireland. He was selected to participate in the third degree ...

Edition of 10. Please contact the gallery for pricing information and other inquiries.

I present unspoken stories which illustrate fleeting moments in time and which are intended to evoke a mood in the viewer. These mythical illustrations might address the fragility of...

There is perhaps something more profoundly iconic, mythological even, about the animals of East Africa, as opposed to say, the Arctic or South America). And there is also something i...

The High Desert near Abiquiu is the inspiration for Texas artist Jim Woodson. His paintings are a unity of the intuitive process of painting, personal ideology, and the desert lands...

Blackmon's images offer a fantastic and surreal commentary on contemporary American family life while referencing a 19th Century Flemish painting – they are intricate tableaux, combi...

Signed on front of the mount. Stamped, titled, dated, numbered on the back of the mount. Printed in 2015. This image may be available in a few different sizes so please contact us as...

There is perhaps something more profoundly iconic, mythological even, about the animals of East Africa, as opposed to say, the Arctic or South America). And there is also something i...

Feels Like Real

Hanzlova

Hanzlova

Hanzlova

Hanzlova

Hanzlova

Signed, numbered and dated on the front of the mount. Signed, dated and numbered and titled with artist’s copyright stamp on the back of the mount. We have over 2,000 works available...

The High Desert near Abiquiu is the inspiration for Texas artist Jim Woodson. His paintings are a unity of the intuitive process of painting, personal ideology, and the desert landsc...

Signed, dated and numbered on mount Signed, dated, inscribed with title and stamped with photographer's copyright ink stamp on reverse Sepia-toned silver gelatin print 7 3/4 x 7 3/4 ...

Edition of 8

From an edition of 30

Sze Tsung Leong's series of color photographs, Horizons, depicts expansive views of a broad spectrum of environments throughout the world. The locations of the images may be distant ...

Stamped on the back of the mount and signed and verified by the trust with date and number. Available in various sizes. One original cibachrome print is available printed and signed ...

A rare, early original painting by American artist Robert McIntosh(1916-2010) McIntosh was extremely prolific and exhibited throughout his lifetime, including first prize awarded at the Los Angeles County Museum in 1948. "Japanese Farm...

Signed, dated, titled on the front of the mount. Early vintage print circa 1926.

Edition of 10

Signed, numbered and dated on front of the mount. Signed, dated, numbered and titled with artist's copyright stamp on back of the mount. Image size: 7 x 9 inches approximately. Over...

Signed on front of the mount. Edition number and date on back of the mount. Edition of 50. May be available in various sizes. Please contact the gallery as prices and availability ar...

Signed, titled and dated on the back of the print. Edition of 25.

Signed, dated, titled and numbered on print recto. Signed, titled with artist's copyright stamp on mount verso. Available in 15 x 15 inches or 22 x 22 inches. Availability subject to...

From La Petite Mort Edition of 6

Signed and titled on front of mount.

Tea Estates, Study 1, Kerala, India, 2008 - Michael Kenna (Black and White) Signed, dated and numbered 16/45 on mount Signed, dated, inscribed with title and stamped with photograph...

from the series, "Let's sit down before we go"
Ed. of 5

C print