Neighborhood Art

Howard Behrens is Chicago born artist famous for his heavy palette style. This giclee of Lake Como is a signed limited edition, embellished and an artist print. It is numbered 22...

Josep Maria Vayreda Canadell (Gerona 1932-2001) - Portofino - Oil canvas Oil measurements 61x50 cm. Frame measurements 87x76 cm. Josep Maria Vayreda Canadel...

Artist/ School: Leon Hatot (French 1883-1953) Title: Impressionist oil painting Medium: signed initials oil painting on thick paper, stuck on board unframed. Size: painting: 13...

Ed. 1/5, unframed. Framing options available. With his passion for formal technique and composition, internationally renowned photographer Nathan Coe’s works exude a deep reverence ...

The French Town French School (Fauvist), mid 20th century indistinctly signed lower front oil painting on artists board, unframed size: 15 x 18 inches condition: very good provenance: from a private collection in Paris Superb mid 20th century French Fauvist...

Artist: Louis del Bianco (French b.1925), signed Title: The Tranquil Canal, Venice Medium: oil painting on canvas, unframed Size: painting: 24 x ...

City Rooftops French School, circa 1950's oil on canvas 13 x 16 inches provenance: private collection, Paris The painting is in good and presentable cond...

Oil on canvas This artwork titled Marseille or Grand Marseille illustrates rooftops on the second largest populated city in France after Paris. The artist started to paint the artwo...

June 19th by Earlie Hudnall, Jr., is a black and white photograph documenting a family's celebration of Juneteenth, the day in which the last of the enslaved people in Texas were tol...

Oil painting of a Chestnut tree in Amagansett. Artist Bio Marc Dalessio was born in 1972 in Los Angeles, California. Even in his earliest years, it was evident that his passion was...

Title: British Watercolor of a Sunlit Mediterranean Courtyard with Figures and Fountain By Anthony Avery (British 1946-2023) Original watercolor on artists paper, unframed Dimensions...

Title: British Impressionist Watercolor of an Italian Harbor Scene with Fishing Boats By Anthony Avery (British 1946-2023) Original watercolor on artists paper, unframed Dimensions: ...

Frame size 54x46 cm. Josep Maria Vayreda Canadell Year of birth: 1932 Biography: Member of a family spanish saga of artists, which highlighted Joaquim Vayreda...

Black and white fine art long exposure waterscape - landscape photography. Archival pigment ink print as part of a limited edition of 9. All Gerald Berghammer prints are made to orde...

The print edition is 150 The size of print is  40cm X 44cm image size 50cm X 54cm paper size ( approx ) Each print is signed and numbered by Susan Brown Giclée Print on Paper E...

Le Marche by Regine David (female French artist, 1910-2018) signed verso oil on board, unframed board : 15 x 18 inches inscribed verso Provenance: the artists estate, France Conditio...

"Muddy Waters in NY" is a limited-edition black & white photograph by contemporary artist Tadeusz Zych from the series entitled Black and white States. The photo was taken during a t...

Anthony Thieme (1888 - 1954) Other Side of Town (Leading to Pigeon Cove) Oil on canvas 30 x 36 inches Signed lower left Provenance: David H. Hall Fine Art, Dover, Massachusetts Vose Galleries, Boston, Massachusetts Private Collection, New Jersey Anthony Thieme was born in the Dutch port city of Rotterdam in 1888. He studied at the Academy of Fine Arts in Rotterdam, at the Royal Academy at the Hague, as an apprentice to George Hoecker, a well known stage designer in Düsseldorf, Germany, and to Antonio Mancini, an Italian Impressionist. After completing his studies, Thieme journeyed throughout Europe and South America, working in stage design to support his travels. Thieme first came to the United States in 1917 and initially worked as a set designer and book illustrator first in New York and later in Boston. By the late 1920s, Thieme had married and moved from Boston to Cape Ann in Rockport, Massachusetts, an emerging art colony. Like the other Rockport artists...

'Wild Child' depicts a San Francisco home, painted brightly to reflect the free spirited city that is bathed in warm west coast sunlight with shadows cascad...

Oil measures 73x92 cm. Frameless. Francisco Carbonell Massabe (1928) Francisco Carbonell Massabe was a Catalan painter with an impressionist spirit. It was in La Lonja and in Bella...

Barcelona, 1953 Painter, sculptor and draftsman of deep-rooted post-impressionist tradition among the most colorful exponents of the moment: Mir, Amat, Sanvisens ..., who from an eas...

Mid 20th Century gouache on paper of a Provençal village or 'hameau' and a 'bastide' or manor house in the landscape signed or titled 'Bodol' and dated bottom right. The style and c...

Village Bridge scene by Ronald Birch, British circa 1970's watercolour on art paper, unframed overall paper measures: 14.75 x 19 inches *FREE SHIPPING ...

Dale O Roberts' "Tuscan Hill Town" is an original, hand made encaustic painting that depicts a colorful Tuscan hillside. About the artist: Born 1959 in Waterville NY, Dale O Robert...

Large Original Painting of Chamonix Mont Blanc in France by Contemporary British Artist, Angela Wakefield. European Series No.4. Art measures 48 x 36 inches Frame measures 53 x 41 ...

French Landscape signed by Y. Blanchon, French 1950's Impressionist gouache on artist paper, mounted in a card frame mounted: 11.5 x 14.5 inches painting: 9 x 11 inches provenance: ...

Title: British Watercolor Village Street with Church and Figures By Anthony Avery (British 1946-2023) Original watercolor on artists paper, unframed Dimensions: 11.25 x 15.25 inches ...

Norris Rahming (1886-1959). New Hope Canal, Bucks CO. PA., 1944. Watercolor on paper, image measures 14.75 x 19.5 inches; measures 22 x 26 inches in original frame. Signed lower righ...

The 1923 original poster by Roger Broders for the Services Automobiles de la route du Jura promoting Salins-les-Bains et le Fort St André is an exquisite example of early 20th-century travel poster design. Commissioned by the P.L.M. (Paris-Lyon-Méditerranée) railway company, this artwork perfectly reflects the charm of the Jura region while showcasing Broders' mastery of composition, color, and visual storytelling. Roger Broders, one of the most celebrated travel poster artists of the Art Deco era, was renowned for his ability to capture the essence of a destination with elegance and clarity. His posters played a pivotal role in promoting tourism across France during the golden age of travel, often highlighting scenic routes, idyllic landscapes, and picturesque towns. In this particular work, Broders portrays the serene beauty of the Jura region with his characteristic style: clean lines, harmonious compositions, and a rich yet restrained color palette. The poster invites travelers to explore the famous Salins-les-Bains, a historic spa town celebrated for its saltwater springs, and the iconic Fort Saint-André, a stunning hilltop fortress offering panoramic views of the surrounding countryside. The artwork vividly conveys the natural splendor of the Jura, with rolling hills, lush greenery, and soft, sunlit skies. The carefully composed scene features winding roads, inviting travelers to journey through the tranquil region aboard the “Services Automobiles”—a service that complemented the P.L.M. railway network by connecting train passengers to remote and scenic destinations by road. Broders’ attention to detail is unmistakable. His use of warm earth tones and subtle shading creates a sense of depth and atmosphere, drawing the viewer into the landscape. The elegantly stylized typography adds to the poster’s charm, seamlessly integrating the text into the composition without distracting from the artwork itself. This poster is not only a masterpiece of travel advertising but also a reflection of the growing trend of leisure travel in the early 20th century. As rail travel flourished, companies like P.L.M. recognized the need to promote lesser-known but stunning destinations to affluent tourists seeking adventure, relaxation, and scenic beauty. Broders' work became an essential tool in this effort, helping to define the visual language of travel posters for decades to come. The 1923 Services Automobiles poster...

Make it yours! A fabulous painting titled "47th & Woodlawn Ave in Chicago, ILL" by EC Nieman and dated 1950. It depicts a Walgreen's Drug Store, a horse pulling a milk truck, a new...

Original acrylic on canvas painting by the well known Saint Tropez artist, Michel Guy Nochet. Signed lower right, “Guy Nochet. Dated in pencil on frame verso, 1983. Condition is e...

Frank Duffield (British, 1908-1982) signed original gouache painting on board, unframed size: 10 x 15 inches condition: overall very good, minor wear to the edges as is normal for an...

Will Moses (American, b. 1956) Turkey Trot, 2012 Oil on board 8 5/8 x 7 5/8 inches Signed lower right Soft, shadowy foothills dotted with traditional white farmhouses; weathered red barns tilted haphazardly on broad patchwork sweeps of green and hay-gold fields; small clusters of black and white cows grazing placidly in the distance…it's all part of Moses Country. And, the 200 year-old farmhouse, where Will Moses has his studio, is as solidly traditional as the surrounding landscape…the white house where the legendary Grandma Moses began her career. Born and raised here, in Eagle Bridge, New York, Will Moses creates paintings that reflect the quiet beauty of this tiny community nestled close to the Vermont border. Will has created a vivid, delightful miniature world, peopled with villagers who have stepped out of the past to charm us with their simple, everyday pastimes. As a fourth generation member of the renowned Moses family, painting is a natural tradition for Will, who began painting when he was four years old. Encouraged by his grandfather, a well-known folk painter in his own right, young Will was allowed to experiment freely with paints. Forrest K. Moses was totally committed to self-expression and passed this freedom of spirit along to his young grandson. Stimulated by his grandfather's confident approach, Will developed his own unique style of Americana. Today, Will continues to carry on the family tradition. Although his style is reminiscent of that of his celebrated great-grandmother, it is more complex and sophisticated. Basically self-taught, Will has honed his technique to capture all the most minute details in sharp-edged focus. It is a technique that has gained him considerable attention in art circles. Will Moses has had several well acclaimed exhibitions of his work in the United States, Canada and Japan. The Japanese are enthusiastic collectors of Will's art and Will has personally toured Japan with an exhibition of his work there. In North America, Will continues to make appearances at art galleries and folk art shows, meeting friends, collectors and admirers of his work. Recent public exhibitions of Will's work have taken place at the Cahoon Museum of American Art, The Everson Museum, The Bennington Museum, the North Shore Art Gallery and the President Ford and Reagan Libraries. Will continues his work illustrating and writing children's books. Philomel Books/Penguin Books for Young Readers, have now published ten books to date: Silent Night, The Legend Of Sleepy Hollow, Rip Van...

Michel Delacroix was born in 1933 on the Left Bank, in the 14th Arrondissement of Paris. He started painting at the early age of seven just as the German Occupation of Paris began. P...

Title: British Impressionist Watercolor of a Rural Cottage, Farmyard, and Chickens By Anthony Avery (British 1946-2023) Original watercolor on artists paper, unframed Signed: Yes Dim...

Pedro Friedeberg is an artist and designer from Mexico of Italian origin, known for his surreal work full of lines, colors, and ancient religious symbols. His best-known piece is the...

There is a cinematic style to this artwork, Lone Pine, taken in a former movie town in California, many Western films were made there. Taken outside Richard's iconic interior photogr...

Painting: Oil on Canvas Original: One-of-a-kind Artwork Size: 33.9 W x 29.9 H x 1 D in Frame: Not Framed Ready to Hang: No Packaging: Ships Rolled in a Tube :: Paintin...

Original oil painting on canvas. Hand signed on front by the artist. Artwork is in excellent condition. Certificate of authenticity included. Stretched. All reasonable offers will b...

Jack Hofflander, American (1920 - 2003) - Barnyard II, Year: 1979, Medium: Screenprint, signed and numbered in pencil, Edition: 250, 30 AP, Image Size: 30 x 22 inches, Size: 35 ...

Armand Tatossian, Canadian, 1948-2012 Hockey game Oil on canvas 30 x 40 in (picture) Signed lower right; framed

California Suburbs - Plein Aire Landscape in Acrylic on Canvas Suburban landscape by California Plein Aire artist Nick White (American, 1943-2009). Two homes sit side by side on a w...

Lithograph on vélin d’Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Les Peintres mes amis, 1965. Published by Éditions d'art Les Heures Cla...

London: Gebbie & Husson Co., 1879. Héliogravure and engraving on cream wove paper, 10 1/4 x 12 1/4 inches (258 x 310 mm), full margins. In good condition with some very minor margin...

John Baeder Berkshire Diner - 1980 Print - Serigraph on Somerset paper Paper Size - 30'' x 22'' in. Edition: Signed in pencil and marked from the edition of 250 John Baeder's calcula...

Signed lower left, 'Pauline Palmer' (American, 1867-1938) and painted circa 1915, two years after the artist's first solo exhibition at the Art Institute of Chicago. Exhibited: Chicago Galleries Association and titled, 'Sunny Yards' (attached, partial label from original frame) A staunch proponent of pure Impressionism at the turn of the twentieth century, Pauline Palmer influenced the world of American art far beyond her Midwestern art community. Primarily known for her landscapes and portraits, Palmer rejected the waves of modernism that hit the United States in the teens and twenties, remaining true to the traditions of Impressionism. In 1923, she established the Association of Chicago Painters and Sculptors as an alternative to the increasing number of institutions celebrating Abstraction and Cubism. Pauline Palmer was enrolled at the Art Institute of Chicago from 1893 to 1898, and studied with some of the most prominent artists of the period, including William Merritt Chase and Frank Duveneck. Following her graduation, Palmer moved to Paris and attended the Académie de la Grande Chaumiére and the Académie Colarossi, where she studied under Raphael Collin. While in France, she exhibited with success including at the Paris Salon each year from 1903-06 and, again, in 1911. Her principal teacher and friend in Paris was the American Impressionist, Richard Emil Miller, whose shimmering handling of light made a profound impression upon her. Palmer also traveled extensively throughout Europe, a rite of passage for aspiring artists of her time. Returning to Paris, she studied with Gustave Courtois and Lucien Simon, both exemplars of compositional structure. Upon her return to the United States, Palmer set up her first American studio in the legendary Tree Studios building in Chicago. The artist's husband, Dr. Albert Palmer, whom she had married in 1891, both supported and encouraged his wife's artistic development. The couple kept a summer home in Provincetown, Massachusetts, where she made friends with many of the Portuguese fishermen's families, often using their children and the routines of their daily lives as subject matter for her painting. Pauline Palmer exhibited widely and with success, including in Italy, France, Norway and throughout the United States. Her works were shown at the National Association of Women Painters and Sculptors and, beginning in 1899, she exhibited at the Art Institute of Chicago for twenty-seven consecutive years. Over the course of her long career, she exhibited over 250 paintings at the Art Institute of Chicago, including at two solo exhibitions. She was the recipient of numerous prizes, medals and juried awards including nearly all the AIC's major awards, purchase prizes and honorable mention citations. Palmer also received a gold medal from the Colarossi Academy in Paris. Involved in numerous artist organizations, she was a member of the Chicago Municipal Art League, the Chicago Art Guild, the Chicago Arts Club and a charter member of the Chicago Women's Salon. Elected the first woman president of the Chicago Society of Artists, she went on to serve as president of both the Art Institute Alumni Association and the Chicago Association of Painters and Sculptors. Considered by the Modernists of her day to be a traditionalist, Pauline Palmer remained true to her artistic vision and she continues to be regarded as one of the leading women of American Impressionism. Her light-filled, colorful compositions captured landscapes and scenes of American daily life with unusual freshness and seeming effortlessness. Celebrated during her life as "Chicago's Painter Lady," Palmer was honored twelve years after her death by a posthumous retrospective at the Art Institute of Chicago and the establishment of an annual scholarship awarded in her honor by the Art Institute of Chicago. (with thanks to Hali Thurber) CHRONOLOGY 1867, Born in McHenry, IL 1885, Moves to Chicago to teach art 1891, Marries Dr. Albert Elwood Palmer 1893, Exhibits, World's Columbian Exposition, Chicago 1896, First exhibits at the Art institute of Chicago 1898, Exhibits at Exposition in Omaha, NE 1899, First exhibit, Pennsylvania Academy of Fine Arts 1900-1902, Studies with various artists in Paris 1901, Exhibits at Exposition in Buffalo 1903-1906, Exhibits at Paris Salon 1904, Exhibits at Universal Exposition in St. Louis, 1907, Four prizes at the Art Institute of Chicago 1911, Exhibits at the Paris Salon 1911, Exhibits at the Expositione de Belle Arti, Naples 1913, Solo exhibition, Art Institute of Chicago 1915, First prize, Society of Western Artists 1917, Opens first American studio in Chicago 1918, First woman president, Chicago Society of Artists 1918-1929, holds position of president for 11 years 1918-1921, Silver medals, Society of Chicago Artists 1921, Silver medal at Peoria Society of Allied Artists 1927, President, The Art Institute Alumni Association 1929-1931, President, Chicago Association of Painters and Sculptors 1938, Dies, Trondheim, Norway AWARDS 1904, Universal Exposition in St. Louis, bronze medal 1907, Art Institute 's Chicago Artists' Exhibition 1915, Society of Western Artists exhibition, first prize 1918, Society of Chicago Artists, silver medal 1921, Peoria Society of Allied, silver medal Solo Exhibitions: 1913, Art Institute of Chicago 1939, Art Institute of Chicago, memorial exhibition Union League Club of Chicago, memorial exhibition Group Exhibitions: 1893, World's Columbian Exposition in Chicago 1896, Art institute of Chicago 1898, Exposition in Omaha, NE 1899, Pennsylvania Academy of Fine Arts 1899-1926, Art Institute of Chicago 1901, Exposition in Buffalo 1903-06 Paris Salon 1904, Universal Exposition in St. Louis 1911, Paris Salon 1911, Expositione de Belle Arti, Naples 1915, Exposition in San Francisco 1950, Chicago Galleries Association 1984, Lakeview Museum of Arts and Sciences, Peoria Memberships: 1918-29, First woman President,Chicago Society of Artists 1927, President of The Art Institute Alumni Association 1929-31, President of Chicago Association of Painters and Sculptors Reference: E. Benezit, Dictionnaire des Peintres, Sculpteurs, Dessinateurs, et Graveurs, Jacques Busse, 1999 Nouvelle Édition, Gründ 1911, Vol. X, page 523; Thieme-Becker Allgemeines Lexikon der Bildenden Künstler von der Antike bis zu Gengenwart, Ulrich Thieme and Felix Becker, Deutscher Taschenbuch Verlag 1992, Vol. XXVI, page 129; Who Was Who in American Art 1564-1975: 400 Years of Artists in America, Peter Hastings Falk, Sound View Press 1999, Vol. III, page 2512; Mantle Fielding’s Dictionary of American Painters, Sculptors and Engravers, Glen B. Opitz, Apollo Press 1983, page 708; Biographical Encyclopedia of American Painters, Sculptors & Engravers of the U.S.: Colonial to 2002, Bob Creps, Dealer’s Choice Books, Inc. 2002, Vol. II, page 1047; Mallett’s Index of Artists, Daniel Trowbridge Mallett, Peter Smith: New York 1948 Edition, R.R. Bowker Company 1935, page 326; Pauline Lennards Palmer...

Artist: Peter Tovpev Work: Original oil painting, handmade artwork, one of a kind Medium: Oil on Canvas Year: 2009 Style: Impressionism Title: Bus Stop Size: 21.5" x 27.5" x 0.8'' ...

Jim Beckner's (US based) "Money to Loan" is an oil painting that depicts a unique red Money for loan sign on a busy city block Artist statement: Jim Beckner’s art vibrates with the...

Jim Beckner's (US based) "Denver Neighborhood" is an original, handmade oil painting depicts a quiet city street in Denver graced with mature trees and a stately brick house. About...

Paper Size: 11 x 17 inches ( 27.94 x 43.18 cm ) Image Size: 11 x 17 inches ( 27.94 x 43.18 cm ) Framed: Yes Frame Size: H: 12 x W: 18 x D: .75 in. Condition: A: Mint Additiona...

The print edition is 150 The size of print is  40cm X 44cm image size 50cm X 54cm paper size ( approx ) Each print is signed and numbered by Susan Brown Giclée Print on Paper E...

Robert Kennedy (RFK) and his wife Ethel Kennedy, campaigning in a small town in Indiana USA in 1968 is a color photograph, 16” x 24,” an archival pigment...

Paris Colour Scene from the Paris In Colour Series 1956-61 By Peter Cornelius 40 x 60 inches / 101 x 152 cm paper size Printed 2023 Archival pigment print Framing and size options available - Please enquire About: Peter Cornelius (1913–1970) was a German photographer and photojournalist. The goal he set himself was to capture: “the right colours at the right moment”. He was never concerned with a pure, apparently “right” picture of “reality”. After World War II, he began his career with reportage, landscape and sailing photography...

Josh George's (US based) "Triplicate Trouble" is an original, handmade mixed media painting that depicts a colorful cityscape. About the Artist: Josh George is a contemporary reali...

Title: British Impressionist Watercolor of Bustling Market Street with Flower Stalls by Anthony Avery (British 1946-2023) Original watercolor on artists paper, unframed Dimensions: 1...

This poster features Ken Keeley's photorealist depiction of the iconic Manhattan landmark, Paddy's Clam House. Known for his meticulous attention to detail and ability to capture the...

Original oil painting on canvas. Hand signed on front by the artist. Artwork is in excellent condition. Certificate of authenticity included. Stretched. All reasonable offers will b...