Pattern Art

Color lithograph, hand signed and numbered. Dada Paris Printed Guilde de la Gravure stamp

A very fine original antique English botanical watercolour painting depicting this beautiful depiction of a flower/ plant. The work came to us from a private collection in Surrey, En...

Date: 1969 Screenprint, signed, titled, numbered and dated in pencil Edition of 8/100 Image Size: 17 x 17 inches Size: 20 x 20 in. (50.8 x 50.8 cm)

The paintings are drawn with oil on the canvas. A summer's day with pink peonies. A sunny, bright picture. oil painting on a circular canvas. The painting's borders are not the limi...

Lithograph on vélin d'Arches paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Les Signes du zodiaque, 1959. Published by Édit...

Really bright happy cheerful work from the clifftop studio of Susan Bleakley.

Lebanese American artist Sally K.'s captivating floral portraits are both mesmerizing and empowering. Her pop-realistic paintings are inspired by strong, feminine women, celebrating...

This charming still life is painted with oil on canvas and highly textured flowers depicted. The flowers, mostly red and crimson, are shown in a ceramic vase of dark blue and purple...

'Flying Composition no. 2' original watercolor painted in 2021. Large work at 40 x 60 inches, in multi-color including an explosion of blue, orange, yellow, and green from Cleveland-...

Fred Wessel's "The Constellation Delphinus" is an egg tempera painting with gold and silver leaf created in 2019 depicting a female with a gold leaf background. About the artist: ...

Lori Eubanks' "Timeless" is a 36x36 oil painting on canvas. Depicted is a lively bouquet of pink roses set against a deep blue and black background. The high contrast between the flo...

This vivid original 1969 concert poster was designed by Lee Conklin, one of the iconic artists of the psychedelic poster movement, for a legendary series of shows at the Fillmore West in San Francisco. Featuring Santana, The Youngbloods, and Allmen Joy, with light shows by Little Princess 109, the concerts ran May 15–18, 1969. Conklin’s surrealist vision explodes in a cascade of melting forms, vibrant color, and sun-drenched dreamscapes, encapsulating the acid rock aesthetic and the energy of the late-60s Bay Area music scene. His use of morphing hands and searing color waves evoke a hallucinatory trance that pairs perfectly with Santana’s Latin-infused psychedelia and The Youngbloods’ mellow groove. Commissioned by Bill Graham Presents, this is BG #124 in the Fillmore poster...

This piece titled "Weed Wreath (edition 4/6)" is an original artwork made from hand colored cut-plate intaglio on Somerset by Katie VanVliet. This piece is the fourth in an edition o...

'Tick Tock' is a masterfully painted oil on canvas. The painting is 8 1/4 x 5 3/4 inches unframed. Tick Tock is wired and ready to hang and enjoy. Conditio...

Sarah Robertson, Garden on Blush, 30 x 30 in, Mixed Media on Canvas A soft, romantic celebration of garden blooms, Garden on Blush is layered with delicate botanicals in a palette of...

Archival pigment print in colours Edition of 100 Signed, numbered and dated on the front Mint. Sold in the original Kaikai Kiki packaging

Will Beger and his contemporary-minimalist paintings, take on an entirely unique approach to southwest art. Influenced by his youth and inspired by nature, he effortlessly captures a...

Rosy peonies on a mint background. Faith, hope, love" is an original interior textured painting with 3 D effect. The painting is made with acrylic paints, porcelain pigments,. The ...

This wall-hanging painting titled "Be Here Now" is an original artwork by Melissa Lomax made of acrylic paint & colored pencils on wood. This piece measure...

Spode Creatures of Curiosity with Goose-Cranberry, limited edition photograph The Good Dishes integrates memory, legacy, and metaphor with my ...

Fred Wessel's "Autumn Zinnia" is a stunning egg tempera painting on gold leaf with malachite cabochons. Created in 2024, this piece features a freshly bloomed stem of an Autumn Zinni...

Artist: Ara H. Hakobyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Canvas Year: 2023 Style: Impressionism Title: Flowers Size: 27.5" x 31.5" x 0.8'' ...

Friends Yannis Amoryanos Greek Date: 1980 Screenprint, signed and numbered in pencil Edition of 300, AP 45 Size: 25.5 in. x 22 in. (64.77 cm x 55.88 cm)

Still life with the Warren Cup 2, 2019 by Zoltan Gerliczki From the series "Still Life" Archival Pigment Print Image size: 31.5 in H x 25.5 in W. Edition 2/6 + 2AP Unframed As an a...

Immerse yourself in the radiance of ' Song of the Wildflowers' a unique painting that captures the triumphant spirit of summer. This dynamic, textured-style artwork portrays a war...

'Bouquet de Fleurs', oil on board, by Louis Toncini (1982). Painted towards the end of his career, this piece belongs to that part of his body of work which was lighthearted, optimistic and pleasing. It is a stunning still life characterised by Toncini's vibrant colours and textured layers of oil paint deftly applied. This vase holds the flowers of Toncini's native Provence and is a love letter from the artist to the viewer. In good overall condition. It is newly framed with a French-style linen slip. It is signed by the artist in the lower left hand. Upon request, a short video of this piece may be provided. (NB - On the reverse of this painting is another called 'Landscape in Saint Clément on the Durance' which is currently covered by the backing board. Image with accompanying photos to this listing. About the Artist: Louis Toncini (1907-2002), born in Marseille, France and was one of a group of artists who founded the 'peintres prolétariens', or later, the painters of the people. He painted the world of workers and depicted such subjects as factories, warehouses, train stations and working ports, etc. After the war his work took a more optimistic turn with paintings of still lifes, bouquets and country landscapes. In 1936, along with fellow artists Antoine Serra, François Diana...

The artwork is print on silk and it is limited edition. "In the garden of thought, ideas take flight, Topiary sculptures, in the soft morning light. Concepts shaped and trimmed, in ...

Medium: pochoir (after the watercolor and collage). Printed in 1957 at the atelier of Daniel Jacomet and published in Paris by the Galerie Berggruen for a rare catalogue. Image size:...

This is a one-of-a-kind original cubist painting by San Diego artist, Alexander Arshansky. Its dimensions are 16"x20"x2". It is unframed. A Certificate of Authenticity will follow th...

Jean Marais (1913 - 1998) Astrology & Zodiac : Aries "Impulses of the Heart" Original lithograph and photolithograph Signed with the stamp of the artist (Also bears printed signatu...

Two very fine original antique English botanical watercolour paintings depicting this beautiful depiction of a flower/ plant. The work came to us from a private collection in Surrey, England and had been part of an album of works assembled by the artist during the early 1900's. During the Victorian and Edwardian era in Britain, it was very fashionable for ladies of aristocratic and wealthy backgrounds to draw and paint still lifes of flowers and plants that they had picked or seen in gardens. Many were highly accomplished and extremely talented artists, who sadly were not encouraged to exhibit due to society frowning upon such activities. Artist/ School: Caroline Worsley...

Edward Ridley (British, 1883-1946) A circular design featuring ivy in blossom Gouache 9.7/8 in. (25 cm.) tondo This design was one of 5 submitted for ACT...

ITEM DETAILS The edges are painted Some parts of the picture glow under blue light ABOUT THE ARTWORK This painting captures the essence of the nightly reflections and deep emotio...

This is a beautiful oil painting of an array of flowers in a vase in front of dark background. Reminding us of old master paintings, this is a brand new painting full elegance and ti...

Medium: lithograph (after the watercolor). Printed in 1962 at the Mourlot atelier for "Jerusalem Windows". This piece was executed by Chagall in preparation for his famous stained-gl...

Medium: lithograph (after the decoupage and gouache). Printed in 1958 at the Mourlot Freres atelier and published in Paris by Teriade for the art revue Verve. Size: 14 x 10 1/4 inche...

Heidler & Heeps Vinyl Collection Nine Piece Multicolor Installation. Acclaimed contemporary photographers, Richard Heeps and Natasha Heidler have collaborated to make this beautifull...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 5. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph. ABOUT: Every year, the gallery owner curates the show to best exemplify the 56 exhibited artists’ strengths and aesthetics, remaining cohesively linked by Robin’s extensive knowledge of her artists and of photography. “This is my favorite exhibit, even though it takes months to curate and a week to install,” says Robin. “It is my curatorial showcase.” From floor to ceiling, the walls of the gallery rooms are a mosaic of nearly a hundred photographs, their various sizes, color schemes and subject matter expertly laid out to fit together like the pieces of an eclectic puzzle. This year’s invitational image, “Beach Samba” by Patricia Heal, is a portrait of a woman in a large, orange-red sunhat, whose downward gaze obscures her face entirely. Blurring the line between photography and painting, the color palette and uniquely large grain pattern of the photograph is reminiscent of Georges Seurat’s pointillism...

Very fine original antique English botanical watercolour paintings depicting this beautiful depiction of a flower/ plant. The work came to us from a private collection in Surrey, Eng...

6-layer screenprint on white paper with a white border 40 x 40 cm Edition of 50 Chris Keegan is a British illustrator and artist known for his intricate and vibrant works that blend...

Two very fine original antique English botanical watercolour paintings depicting this beautiful depiction of a flower/ plant. The work came to us from a private collection in Surrey,...

Red Flowers and Buddha, 2017 by Zoltan Gerliczki From the series "Still Life" Archival Pigment Print Image size: 31.5 in H x 25.5 in W. Edition of 6 + 2AP Unframed As an artist, He...

Original watercolor on archival paper by Rosalind Oesterle. Circa 1970. Signed lower left by the artist. Oval format. Condition is excellent. Profe...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gal...

Original painting by Agnese Negriba. This painting on paper from 'Garden Spirits series' is inspired by gardens in London and Oxford. Female figure is depicted in a reclining positio...

European School, circa 1960's signed lower left corner Still Life of Flowers, Burst of Color oil on canvas, unframed canvas: 32 x 24 inches provenance: private collection, France Th...

This piece titled "The Garden" is an original artwork by Jason Andrew Turner made of acrylic on canvas. This piece measures approximately 36"h x 48"w. Jason Andrew Turner (b. 1982, ...

Dale Dunning’s eclectic and contemporary sculptural work explores universal themes. This wall sculpture is made from laser-cut brushed aluminum. The ‘head’ is mounted on a background...

Figurative chalk drawing of grey, black, and teal clouds and birds silhouetted on collaged vintage music pages 'Black Bird Tours Around the World ' by Louise Laplante in 2022 silhouettes made with chalk on vintage collaged music pages 24 x 30 inches unframed, 27.5 x 33.5 inches in natural light wood frame with non-glare plexi Louise Laplante bridges the past and present with mixed media drawings made with figurative charcoal silhouettes juxtaposed on collaged sheets of vintage paper. Finding beauty in forgotten or discarded sheets of ephemera, Laplante uses it as a guide for playful compositions of stenciled birds in mid-flight, drifting feathers, or taxidermized deer heads in rich pastel. A final burst of wistful linework glides over the pastel forms, accentuating her subject’s movement while adding another layer of texture. In this particular work, the artist using a palette of black, grey and shades of blue and teal to compose a balanced graphic of fluffy clouds extending above a single black bird. In certain segments the stenciled images are delicately brushed over with a thin wisp of chalk which adds a delicate textured effect to the drawing. The drawing is framed with a light wood frame and has non-glare plexi glass galzing. About the artist: Interested in blending the old world with the new, mixed media artist Louise Laplante combines her original images with ephemera of the past, enticing a conversation about it’s “relevancy to the present.” Her compositions begin with vintage book pages, personal handwritten letters, sheet music, or instruction from old guides on etiquette or science. While the text itself is weighted with reference to a particular subject, the visual of the typed or handwritten words and printed illustrations establish a unique pattern. These layered backgrounds are superimposed with opaque charcoal drawings that are inspired by the themes read between the lines. Most recently, the artist has opted for larger scale work, combining multiple sheets of vintage paper to expand her unique motifs. Laplante exhibits across the Northeast and has shown with Carrie Haddad for more than ten years. Artist Statement: My work connects the texts, and ideas, in the vintage book, music or correspondence pages, with images those words evoke to comment on how the past still resonates, whether we are aware of it or not. It is informed by my love for old paper, letters, books and images, both as reminders of the past and as bits of pattern, tone, line and shape. The text on them acts as both content and visual device. With each work, I select, arrange and collage these pieces creating both a support and pattern building on it with motifs that are suggested by words on the papers. Although I often start with an agenda I always allow each work to build its own image. Artist Resume: Education MA in Fine Art, State University of New York at Albany, New York BFA, College of New Rochelle, New Rochelle, New York Studied, Art Institute of Boston, Boston, Massachusetts Exhibitions 2019 Mediums of Exchange, Lehman College Art Gallery, Lehman College, CUNY, Bronx, New York 2018 Figures We Fancy, Carrie Haddad Gallery, Hudson, New York Shelter, A.P.E. Gallery, Northampton, Massachusetts Material Flow: Rhythm in Collage and Sculpture, Pratt Gallery, Goddard College, Plainfield, Vermont 2017 Abstractions in Black and White, Gallery 175 Pawtucket, Rhode Island Blanche Ames National, Borderlands, North Easton, Massachusetts Five Points Biennial, Five Points Gallery, Torrington, Connecticut A Declaration of Sentiments: Reflections on the Centennial of Women’s Right to Vote in NYS, Athens Cultural Center, Athens, New York 2016 Winter Exhibit, Carrie Haddad Gallery, Hudson, New York 2015 Boston Biennial 4, Atlantic Gallery, Boston, Massachusetts Drawing, Carrie Haddad Gallery, Hudson, New York Taking Root: Caniskek and the Meeting of Two Worlds, Athens Cultural Center, Athens, New York North Northeast, Brattleboro Museum and Art Center, Brattleboro, Vermont NBMMA 45th Exhibition, New Britain Museum of American Art, New Britain, Connecticut 2014 New Directions ’14, Barrett Art Center, Poughkeepsie, New York Connecticut Women Artists – 85th National, Slater Memorial Museum, Norwich, Connecticut New England Collective V, Galatea Fine Art, Boston, Massachusetts Boston Biennial 3, Atlantic Works Gallery, Boston, Massachusetts 2013 Storytellers and Conjurers, Carrie Haddad Gallery, Hudson, New York 2012 Works on Paper, Carrie Haddad Gallery, Hudson, New York Drawing, b.j. spoke gallery, Huntington, New York Strange Glue, Thompson Gallery, Weston, Massachusetts Silhouette, A.P.E., Northampton, Massachusetts The Cadence of Familiarity, Krauss Gallery, Providence, Rhode Island 2011 20th Anniversary Exhibition, Carrie Haddad Gallery, Hudson, New York Paperworks, Paper City Studios, Holyoke, Massachusetts Small Works, Towne Gallery, Wheelock College, Boston, Massachusetts 2010 Text/Context, McCoy Gallery, Merrimack College, North Andover, Massachusetts A Community of Artists, Danforth Museum of Art, Framingham, Massachusetts Here and Gone: Presence, Absence, Memory and Time, Amy H. Carberry Fine Art Gallery, Springfield Technical Community College, Springfield, Massachusetts 2009 Dreamscape, Carrie Haddad Gallery, Hudson, New York 2008 Small ’08, Wunderarts Gallery, Amherst, Massachusetts Interaction: Louise Laplante and Liz Chalfin, Wunderarts Gallery, Amherst Massachusetts Artists and Books, Art Complex Museum, Duxbury, Massachusetts One Night, Pivot Gallery, Florence, Massachusetts 2007 20 Artists X 2 Feet, Wunderarts Gallery, Amherst, Massachusetts Biennial 2007, New Hampshire Art Institute, Manchester, New Hampshire Salon, Clark Gallery, Lincoln, Massachusetts 2006 Small: 20 Artists X 2 Feet, Wunderarts Gallery, Amherst, Massachusetts Salon, Clark Gallery, Lincoln, Massachusetts 2004 On Paper, Carrie Haddad Gallery, Hudson, New York Encaustics, Carrie Haddad Gallery, Hudson, New York New Acquisitions, University Gallery, University of Massachusetts, Amherst, Massachusetts 2003 Hart Gallery...

4009 Colorful bouquet of flowers on canvas

Hino creates a still life of a lotus from an edition of 65. A prominent figure in Buddhist and Egyptian culture, and native flower for both India and Vietnam, the lotus holds enormous symbolic weight. It spans various thousand-year-old Eastern cultures and yet, is still considered one of the most sacred flowers today. So what is it about this mysterious blossom that people find so enrapturing? Its colorful bloom is an obvious suspect, but the lotus also has a life cycle unlike any other. With its roots based in mud, it submerges every night into murky river water, and—undeterred by its dirty environment—it miraculously re-blooms the next morning without residue on its petals. Although cultures have their own interpretations of this daily process, there is a general consensus among ancient texts...

Belle lithographie de Jean Lurçat. Créateur infatigable, Lurçat est un artiste aux multiples facettes : peintre, poète, illustrateur, il se passionne pour les techniques de la céramique et de la tapisserie dont il est le plus illustre représentant du XXe siècle. ​ Engagé dans son époque, et passionnément curieux du monde, Jean Lurçat est né dans les Vosges à Bruyères, où Lucien, receveur des postes, et Charlotte engendrent une descendance de créateurs : Jean le peintre et André l’architecte. Jean Lurçat se forme dans l’atelier de Victor Prouvé, chef de file de l’École de Nancy, puis vient s’immerger dans l’effervescence artistique et intellectuelle de Paris, il a alors vingt ans. Il complète sa formation en marge des circuits officiels, fonde avec des amis la revue Les feuilles de mai, et décide alors d’entamer une carrière de peintre fresquiste, mais le projet tourne court à cause de la guerre. Jean Lurçat, engagé volontaire, subit le sort terrible des fantassins ballottés dans la tourmente : cela le marquera à vie. Un Lurçat, impatient et ne tenant pas en place, s’exprime durant la décennie des années vingt. Il se fait connaître par sa peinture, en France et aux Etats-Unis. Peintre de renommée internationale, il figura parmi les artistes les plus significatifs de son temps, tout en restant en marge des courants esthétiques contemporains. Il collabore avec Pierre Chareau, architecte-décorateur connu par l’intermédiaire de ses amis Jean et Annie Dalsace, les commanditaires de l’iconique maison de verre rue Saint-Guillaume. Il produit aussi de grands canevas brodés par son épouse et donne des projets de tapis. La collectionneuse Marie Cuttoli fait tisser à Aubusson des tapisseries d’après des œuvres de Lurçat et des autres artistes de sa collection, et cette expérience ouvre la voie de la renaissance de la tapisserie par son ambition esthétique. Parallèlement, aux Manufactures nationales, un salon des Illusions d’Icare est tissé ; destiné à l’ambassade de France en URSS, il ne sera jamais mis en place à cause de la guerre. ​ Lurçat, à cette époque, abandonne la peinture de chevalet. L’étape décisive est franchie lorsqu’il s’approprie la technique de la tapisserie de lisse et s’implique dans la technique du langage de la laine. L’Apocalypse d’Angers qu’il découvre en 1938 confirme son intuition. Il perçoit le potentiel immense et l’originalité de cet art. Grosseur du point, gamme limitée et carton chiffré, il n’aura de cesse de prôner les avantages d’une méthode qui revient aux fondamentaux de la technique du Moyen âge, période qu’il estime celle des plus grands chefs...

Mary Van Blarcom, 'Gardenias', color serigraph, c. 1945, edition small. Signed 'Van B' in pencil in the image, lower right. Titled in pencil, bottom left sheet corner. A rich, painterly impression, with fresh colors, on cream wove paper; the full sheet with margins (5/16 to 1 1/16 inches), in excellent condition. Image size 6 x 8 3/8 inches; sheet size 6 7/8 x 10 1/4 inches. Matted to museum standards, unframed. ABOUT THE ARTIST Painter, printmaker and craftsperson, Mary Van Blarcom was born in Newark, New Jersey and studied at Wellesley College. She was a member of the National Serigraph Society where she served on the board of trustees from 1945 through 1952 and was 1st vice-president from 1949-51. She was also a member of the National Association of Women Artists, the Artists Equity Association, the American Color Print Society, the New Jersey Artists Association (Director), and Artists of Today. Van Blarcom exhibited actively throughout the 1940’s at many prominent art organizations including: Montclair Art Museum, 1941-45 and 1947-51 (prize, 1948); Society of Independent Artists, 1942-44; Artists of Today, 1942-46; Elisabeth Ney Museum, 1943; Northwest Printmakers, 1944, 1946-49; Laguna Beach Art Association, 1945-47, 1949; National Association of Women Artists, 1945-50, (prize, 1946); Library of Congress, 1946-47; Museum of Modern Art travelling exhibition, 1945-47; Carnegie Institute, 1947; Serigraph Gallery, 1946, 1951 (solo); American Color Print Society, 1947-52; Newark Museum, 1947-48, 1951; California State Library, 1947, 1949; National Serigraph Society, 1949 (prize), 1950 (prize); University of Chile, 1950; New Jersey State Museum, 1950; Philadelphia Art Alliance, 1951; and the Main Gallery, NY, 1952. Van Blarcom’s work is in the collections of the Newark Public Library, U.S. Library of Congress; the American Association of University Women; New York Public Library; Tel-Aviv Museum, Alabama Polytechnic Institute, Princeton Print Club...

La Noche De Lele Artist signed and titled. Acrylic, Indian Ink on Archival Paper. Gabriela Fournier emerging young Mexican artist, born in Guanajuato born 2001. She discovered art...

On the Road, reimagines classic Richard Heeps artworks presented with full film rebate almost like a blown up contact sheet. Anita, photograph from Richard Heeps autobiographical se...

Medium: Lithograph on vélin d'Arches Arjomari paper Year: 1965 Paper Size: 11.81 x 9.45 inches Inscription: Unsigned and unnumbered, as issued Notes: From the folio, Lettre à mon pei...

Patty deGrandpre’s “The Complements 1” is a unique abstract 1.75 x 10 inch polychromatic inkjet print on 11 x 14 inch rag paper with a band of varied stripes in saturated complementa...