Penguin Art

Artist Name: Barbara Kwasniewska Title: Anadyomine Year: 1969 Medium Type: etching Size-Width Size-Height: 22.5'' x 30" inches Signed Edition Size: Signed, Titled, and Numbered 5...

"Of Earth & Ocean II" Detailed black and white photograph of a king penguin's bottom half An exceptionally detailed black and white portrait of a king penguin taken in the Falkland...

"Of Earth & Ocean I" Detailed black and white photograph of a king penguin's top half An exceptionally detailed black and white portrait of a king penguin's top half taken in the F...

Boathouse Landscape by Fanch Lel (French b. 1930) Size: 9 x 10.5 inches Oil painting on board, unframed Condition: The painting is in good condition, with minor signs of aging. Prov...

Title: French Impressionist Village Riverside Scene with Church Spire by Fanch Lel (French b. 1930) Size: 13 inches (height) x 10.25 inches (width) Oil painting on card, unframed Con...

Etching with relief printing Edition of 45/50 Signed on the front, numbered on the back Mint Published by Manifold Editions, 2021 Our mission is to connect art collectors to opportu...

Artist/ School: French School, 19th century Title: Classical Landscape with figures amongst ancient ruins. Medium: oil painting on canvas, unframed. canvas: 24.5 x 36 inches P...

Sheep in a VW Split Screen Camper Van with Beach Mountain Scene in Ireland by Contemporary Artist Art measures 12 x 10 inches Frame measures 15 x 13 in...

ARTIST: Signed indistinctly lower left (mid 20th Century) French School TITLE: "Paris River Seine Street Scene" SIGNED: Lowe left MEDIUM: oil on canvas SIZE: 69cm x 52cm inc frame C...

Venice from the Deck of the S.S. Orfod, 1931 oil on canvas 64 x 77 cm 25 1/4 x 30 1/4 in signed and dated Alexander Jamieson (1873–1937) was a Scottish painter renowned for his Impr...

"Giverny" C.Dumontier (French 20th century artist) signed oil on canvas, framed inscribed verso framed: 23 x 27.5 inches canvas: 18 x 22 inches provenance: private collection conditi...

Bird #2 is a striking vintage black-and-white monotype print by renowned Colorado artist Edgar Britton. Created in 1949, this original work features a bold composition of a white dov...

Original Artwork, Oil on Canvas. Bright blue beautifully painted canvas with the cute penguin and the tongue in cheek slogan that James McQueen is famous for. This incredible paint...

In this contemporary painting in oil on canvas, a bright and inviting interior scene is set with a still life arrangement of red and yellow flowers in a green glass vase, beside a pa...

Artist: Hunt Slonem, American (1951 - ) Title: Double Decoy II Year: 1980 Medium: Serigraph, signed and numbered in pencil Edition: 200, AP Image Size: 19.5 x 23 inches Size: ...

Zoa Ace's (US based) "Wild Horses" is an original, handmade oil painting depicting seven horses with a coyote in the distance. The piece is on gallery wrapped stretched canvas and is...

"Winter's Lullaby" Black and white photograph of two gentoo penguins at the edge of the ice Two gentoo penguins stand side by side at the edge of the snow and ice against a minima...

Expansive Landscape by Édouard Righetti (1924-2001) Gouache painting on artist paper, beautifully painted. very good condition size: 15 x inches x 25.5 inches, unframed provenance:...

Lithograph on vélin du Marais paper. Paper Size: 11 x 8.25 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the volume, Poèmes 1923-1958. Dix dessins d...

Rafael Duran Benet (1931-2015) - Still life - Oil on canvas on board Oil measurements 38x46 cm. Frameless. Rafael Duran Benet (Terrassa, 1931 - Barcelona, 2015) is a Catalan painter...

Edward Hopper American Diner Painting by Leading British Urban Landscape Artist, Angela Wakefield. Paintings of American Diners, Food Courts, Truck Stop...

La Baigneuse dans les Roseaux is a work by Henri Matisse created in 1909, during his Fauvist period. It is a painting rather than a collage. This piece features Matisse's characteris...

Aquatint etching with collage, 1975 Limited edition Signature and numbering in pencil by the artist , Numbered as: 48/100 Paper size: 54.5 x 41 cm Framed size: 57.5 x 45.5 cm Edited ...

'Fisherman' by Édouard Righetti (1924-2001) Signed Lower Front oil/gouache painting on artist paper, beautifully painted very good condition Painting: 15.75 x 25 inches provenance...

Joan Miro La Mélodie Acide, 1980 The complete portfolio of 14 Lithographs In Original Slip Case Hand Numbered. 184 / 1500 Plate signed Published by Ediciones Poligrafa Reference: M. 1212-1225 Acquire a unique and valuable piece of surrealist art with Joan Miró’s Melodie Acide...

Title: Historic Miniature Watercolor of Busy Wells Market Square by Jack Grunwell, 20th century British artist Medium: Watercolor on thin card, u...

An official artist of the Nazi regime, trained in Montparnasse in the 1930s, Arno Breker continued to sculpt after the fall of the Third Reich, producing large-scale public commissions in Germany and portraits of prominent figures. The two small bronzes presented here, dated around 1978, are part of a long tradition of prancing horses dating back to antiquity. The asymmetrical treatment of the two front legs and the inclination of the head make these two copies of the same artwork a highly decorative pair. 1. Arno Breker, a prolific sculptor, from the Bohemia of Montparnasse to the commissions from the Third Reich ... and from the Federal Republic of Germany The son of a stone carver, Arno Breker studied fine art and anatomy in his native Elberfeld. At the age of 20, he entered the Düsseldorf Academy of Art. He moved to Paris in 1926, where he continued his training in the studio of Maillol, who dubbed him "the German Michelangelo of the twentieth century". He shared a studio with Alexandre Calder and frequented Jean Cocteau, Foujita, Brancusi, Pablo Picasso and other artists of the bohemian Paris of the time. It was also in Paris in 1933 that he met Demetra Messala, the daughter of a Greek diplomat who posed for Maillol and Picasso, whom he married in 1937. Having won the Prussian Prix de Rome in 1932, he left Paris to stay at the Villa Massimo, the German Academy in Rome. Returning to Germany in 1934, his style evolved towards a more marked imitation of ancient sculpture. He created two monumental statues for Berlin's Olympic Stadium, before being appointed professor at the Berlin College of Fine Arts in 1937. He came to the attention of the Reich Propaganda Ministry, which awarded him several commissions and provided him with three large studios in which Breker produced many monumental sculptures to the glory of the regime. On June 23, 1940, Breker accompanied Adolf Hitler during a visit to Paris. During the Occupation, his political connections enabled him to intervene on behalf of many artists pursued by the Nazis: for example, he protected Pablo Picasso (then a Communist) from Kommandantur officers. Most of Arno Breker's work was destroyed in Berlin at the end of the war in 1945 by bombing and intentional destruction perpetrated by soldiers of the victorious powers. After the fall of the Nazi regime, however, Arno Breker was never prosecuted. He opened a new studio in Düsseldorf, where he sculpted until his death in 1991. He then carried out several public commissions in Germany (Bayreuth, Wuppertal), as well as portraits of numerous personalities, including King Mohammed V of Morocco, Léopold Sedar Senghor (commissioned by the Académie Française in 1978) and the two chancellors of the Federal Republic of Germany, Konrad Adenauer and Ludwig Erhard. The Arno Breker Museum in Nörvenich is now exhibiting some of his artworks. 2. Related artworks: from the Wild Horses of the Quirinal to the Horses of Marly The prancing horse is a major iconographic theme, found in a series of sculptures from Antiquity, the Renaissance and the Classical Age. Various photos from Arno Breker's studio in Berlin confirm the predominant place of equine representations in his work (alongside male nude statues), and confirm that this reduced version created in 1978 is part of the artist's preferred repertoire. Prancing horses are generally associated with a male figure in a group that, through a reference drawn from Antiquity, symbolizes man's domination over nature. In this respect, it is very interesting to compare our small bronzes with the horse forming part of a large sculpture by Arno Breker (made in 1936 and probably destroyed in 1945) depicting Alexander taming Bucephalus. This statue is itself directly inspired by one of the best-known works of 18th-century French sculpture...

Artist/ School: French School, 20th century Title: Elegant Figures on the Beach Medium: oil painting on board, framed Size: framed: 10.5 x 12.5 inches painting: 7.5 x 9.75 inches...

The oeuvre belongs to the series The Birds of America, published between 1822 and 1837. It was designed by John James Audubon and engraved, printed, and colored by R. Havell in 1834....

Jose Bedia (Cuba, 1959) 'Nuevas Enseñanzas', 2019 silkscreen on paper 27.6 x 35.1 in. (70 x 89 cm.) Edition of 30 Unframed

Artist: Peter Max (1937) Title: Two Cosmic Sages Ver. II Year: 2001 Edition: 500/500, plus proofs Medium: Lithograph on archival paper Size: 9 x 11 inches Condition: Excellent Inscri...

Title: "Rue de Village animée" French Oil Painting of a Village Street Scene By Fanch Lel (French b. 1930) Size: 6.25 x 8.75 inches (height x width) Signed: Bottom right Oil painting...

Classical Bird print, after John James Audubon, printed by Harry N. Abrams, Publishers, New York unframed, 17 x 14 inches color print on paper condition: very good provenance: from...

Medium: Lithograph on vélin de Lana paper Year: 1950 Paper Size: 9.75 x 12.5 inches Inscription: Unsigned and unnumbered, as issued Notes: From the album, Signac Dessins, 1950. Publi...

Giclee limited edition print by worldwidely established Polish artist Rafal Olbinski. Figurative surrealistic print with a ballerina with doves sitting on her leg. Colors are deep an...

"Sunbathing Lady" by Maurice Mazeilie (French) watercolour painting on paper, unframed double sided painting: 4.25 x 6.75 inches A delightful original oil painting by the 20th cent...

French School, 20th century oil on canvas, unframed canvas: 24 x 18 inches provenance: private collection condition: very good and sound condition

This flock of ducks lives near the mother-in-law of the artist and every Christmas visiting her , according to tradition, ducks are visited and fed . The picture shows a moment in th...

In my creation, I've captured the essence of holiday delight. Through the vibrant strokes of oil, I've woven a tale of innocence and joy. The snowman, adorned with a playful red scar...

Artist: Romare Bearden Title: Louisiana Serenade (From the Jazz Series) Year: 1979 Medium: Lithograph, signed and numbered in pencil Edition: 175 Paper Size: 24.5 x 33.75 inches Fram...

Must Rest My Rampage Is Over (Sculpture) By David Shrigley David Shrigley is a British artist known for his darkly humorous and satirical drawings, animations, and sculptures, ofte...

Frank Nelson Wilcox (American, 1887-1964) Cormorant Rock, Gaspé, Canada Watercolor on Whatman board Signed lower right 22 x 30 inches 29 x 37.5 inches Frank Nelson Wilcox (October 3, 1887 – April 17, 1964) was a modernist American artist and a master of watercolor. Wilcox is described as the "Dean of Cleveland School painters," though some sources give this appellation to Henry Keller or Frederick Gottwald. Wilcox was born on October 3, 1887 to Frank Nelson Wilcox, Sr. and Jessie Fremont Snow Wilcox at 61 Linwood Street in Cleveland, Ohio. His father, a prominent lawyer, died at home in 1904 shortly before Wilcox' 17th birthday. His brother, lawyer and publisher Owen N. Wilcox, was president of the Gates Legal Publishing Company or The Gates Press. His sister Ruth Wilcox was a respected librarian. In 1906 Wilcox enrolled from the Cleveland School of Art under the tutelage of Henry Keller, Louis Rorimer...

Introduction to Eric Schutte A publication in the art magazine 'Atelier', made us aware of his work. Very special we found his paintings, square-air paintings where the influences of the weather, the light to a special touch and a very colorful whole. Versatile What we do, when we see an artist's work that appeals to us, is to search for other work. This also applies to Eric. His website taught us that he is very versatile. In addition to paintings, Eric has found a special way of design. With waste plastic, iron and other material he makes the most special installations, commissioned, but also free work. An appointment was made quickly! Eric Schutte lives and works in Ommen, his studio is next to a beautiful mill. At the time of visit it is cold, there is some frozen snow and it is almost dark when I arrive. In the studio it is immediately clear that Eric is busy with everything. Mountains with tubes of oil paint, different donkeys with semi-manufactured paintings, a particularly large pile of waste plastic. Eric is an enthusiastic narrator, besides being an artist, he is a drawing teacher for a few days a week. I can imagine how he knows how to enthuse his students! Eric talks about special assignments that constantly lead to new ideas and new 'free works'. (The free work Eric likes to call 'research'.) For example, a cow, at De Brink in Ommen, produced Eric on behalf of the municipality. He made the cow out of iron. Old iron from all farmers in the immediate vicinity of Ommen. With this old iron he constructed a cow, the iron is particularly visible, but also the cow. Very clever! Environments Eric takes me enthusiastically to his work. The paintings, classical in origin, made with elegant imagination, and the images, beautiful and simple at the same time, and therefore also stimulating to look better. With these paintings Eric is always looking for the edge, during the opening exhibition we have a special work from him. Is it a 6-part, or are it 6 separate paintings of a railway crossing where a train is passing by? Anyway, you keep looking at it. Eric tells about this when I pick up the work: "I see something then, and then I want something with it, and this is it. Yes, otherwise I can not explain it ". Another and special piece during the opening exhibition is also by Eric Schutte. A calf made from almost 2000 yellow ear tags of slaughtered calves and iron. Particularly plastic and very lifelike. Eric Schutte is an artist who makes both conceptual and classical work. Eric himself about this: "The conceptual work consists of a figurative design in which the non-obvious use of materials is part of the imagination. The concept also plays a major role in classical work, but the material (use) is more traditional. I consider making images as a continuous game and research in which the idea and the design are equal and influence each other ". The opening exhibition and the work of Eric that we have kept in stock has been sold for a large part. Particularly enthusiastic and enthusiastic are people who see his work. During the exhibition 'Naar buiten!' We show new work by this special artist. Acrylic paintings made in the snow, outside in the cold. Also a number of works of waste plastic. The artist tells about his painting of a forest made from waste plastic: We make a waste mountain from nature, I make nature from waste again. The work is called biotope, our living environment. Nature, but at the same time, our environment is plastic. If later excavations are made to this time, the main thing that is found will be plastic. We live in the plastic age.

Emma Maiden has exhibited her sculptures throughtout the UK since the mid-1990s, with shows including The Fine Art Society, London; the RWA Bristol; West Wales Arts Centre, Fishguard...

Gary John's pop-street artworks have a whimsical, yet exciting and bold quality inspired by classic cartoon and comic book characters. Blending pop sensibilities with a roughened fau...

Three hand-colored lithographs from John Gould's seven volume book "The Birds of Australia", which included New Zealand, depicting: pairs of "Eudyptes Chrysocome" (New Zealand Rock-hopper Crested Penguins), "Diomedea O Thalassarche Cauta" (Australian Shy Albatross) and "Sula Fusca" (Brown Gannets). These beautiful sea bird prints are presented in identical very attractive brown wood frames, embellished with gold highlights in the corners and gold inner trim, along with light cream-colored French mats, each with a medium cream-colored band and a gold highlight line. There is scattered spotting. There is a small tear in the lower right corner of the penguin lithograph...

Juan Gil y Gil (1900-1984) - Landscape with Spanish village - Oil on canvas Oil measures 38x46 cm. Frameless. Painter. He began his artistic training ...

Penguins went hunting, they are lit by the sun, located among the Antarctic ice. This is an eternal struggle for survival. Provenance: 2007 - 2016 Private collection. Exhibition: 201...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered. Good condition, with centerfold, as issued. Notes: From Derrière le miroir, N° 92-93. Published by Aimé Maeght, Édite...

This artwork titled "Young Loons, 1990 is an original color lithograph by Canadian Inuit noted artist Pitaloosie Saila. 1942-2021. It is hand signed, titled, dated, located, described and numbered 34/50 in pencil by the artist. The subject size is 38.75 x 23.25 inches, sheet size is 44 x 30 inches, framed is 51.75 x 37.25 inches. Custom framed in a metal frame, with grey/blue backing. It is in excellent condition. About the artist: Pitaloosie was born in 1942 on the southwest coast of Baffin Island near what is now the community of Cape Dorset. She spent her childhood years in various hospitals in Quebec and Ontario for treatment of tuberculosis. She learnedEnglish during this time, and recalls the difficulty she experienced in relearning her native language upon her return to Baffin Island in 1957. She is now one of the few of her generation who speak both English and Inuktitut fluently. Pitaloosie began drawing in the early 1960’s, and quickly established herself as a versatile and intelligent graphic artist. Over the years, she has become a familiar presence in the Kinngait Studios, and her work has been included in annual print collections since 1968. Since the late 1960’s, Pitaloosie has made frequent trips to southern Canada to attend exhibitions and conferences. In 1967, she spent several weeks in Toronto while her husband, the well-known sculptor Pauta Saila, participated in an International Sculpture Symposium. Subsequently, she has visited Halifax, Toronto, Ottawa, Kansas City and Vermont. Her work has been featured in solo drawing exhibitions, and in 1977, Canada Post issued a stamp depicting her print, Fisherman’s Dream. Her 1985 lithograph entitled In the Hills represented the Northwest Territories in the centennial celebration of the National Parks of Canada. Amnesty International, the international human rights organization, selected a drawing by Pitaloosie entitled Mother and Child to use for their 1990 Christmas card. She was also one of nine featured artists in the acclaimed exhibition Isumavut: The Artistic Expression of Nine Cape Dorset Women, which opened at the Canadian Museum of Civilization in the fall of 1994 and continues to travel to other venues. Pitaloosie’s husband, Pauta, passed away in Cape Dorset in June of 2009 at the age of 93. In 2004, both she and Pauta were appointed members of the Royal Canadian Academy of the Arts, in recognition of their life’s work and contributions to Canadian art. Selected Exhibitions: • 2019 60/60, Feheley Fine Arts, Toronto • 2016 Pitaloosie Saila: A Print Retrospective, Feheley Fine Arts, Toronto • Toronto • 2003 The Inuit 2004 Sanaasimasiatok/Fine Works: Sculpture from Cape Dorset, Feheley Fine Arts, Icon: Selections from Private Collections, Feheley Fine Arts, Toronto • 1996-1997 Pitaloosie & Pauta, McMichael Canadian Art Collection, Kleinburg, ON • 1994 – 1995 Isumavut: The Artistic Expression of Nine Cape Dorset Women, Canadian Museum of History, Gatineau, QC • 1993 – 1994 Contemporary Inuit Drawings, Muscarelle Museum of Art, College of William and Mary, Williamsburg, VA • 1991 – 1992 In Cape Dorset We Do It This Way: Three Decades of Inuit Printmaking, McMichael Canadian Art Collection, Kleinburg, ON • 1989 – 1991 Kenojuak Ashevak...

A dramatic 19th Century watercolor painted by a competent hand in the style of David Cox the Elder. A spirited scene with weather-beaten figures on the waterfront looking out to sail...

Charles Frederick Tunnicliffe, R.A. (1901-1979) The fashion parade signed ‘CF Tunnicliffe’ (lower right) oil on canvas 25 ⅛ x 30 ¼ in. (63.8 x 76.8 cm.) frame 30 ⅞ x 36 in. (78.4 x 9...

Marjorie Best (1903-1997)- original watercolour. Still life of coneflowers. Signed to the lower right. Presented in a fine gilt-effect frame. On watercolour paper.

Seal with a Kiss is a lithograph on paper, 9 x 9 inches image size. From the edition of 395, numbered 60/275 (there were also 100 Roman and 20 AP), framed in a contemporary, silver-t...

This reproduction of Lucia by Michel Canetti, published by Graphique de France, features a striking portrayal of a woman wearing a long, flowing dress complemented by an elaborate fe...

Eve Nethercott, American (1925 - 2015) - Seaside (76), Year: 1958, Medium: Watercolor, Size: 15 in. x 22 in. (38.1 cm x 55.88 cm), Description: Populated with rocks and tide po...

Eve Nethercott, American (1925 - 2015) - Rockport (P5.52), Year: 1948, Medium: Watercolor on Paper, Size: 15.5 x 21 in. (39.37 x 53.34 cm), Description: Moored along the wate...

Still life in a landscape with fruit and game Work of the late Roman Baroque of the late seventeenth / eaarly eighteenth century attributable to Giovanni Paolo Castelli, known as Spadino (Rome, 1659 - 1730) oil on canvas 62 x 76 cm., Framed 90 x 109 cm. An open-air setting, with a hilly landscape gash that opens into the distance in the central part, surrounds our beautiful canvas, which showcases a rich selection of game and fruit, arranged in the foreground near the point of view of the observer, occupying a large part of the visual field with their bright and festive colors. The style and quality of the work, like the pictorial technique of this still life, characterized by subtle luminous vibrations and a lively chroma, make it attributable to the Roman Giovanni Paolo Castelli, known as Lo Spadino (Rome, 1659 - 1730), one of the most important specialists of this pictorial genre of late Baroque Rome, which had a very successful career between the 17th and 18th centuries. Analyzing the rich and heterogeneous catalog of the Roman master, in fact, our canvas can be included among his rare works which, alongside a selection of fruit - among which stand out large melons, ripe figs, dark grapes and plums - we see a game advert, presumably as requested by a patron who loves hunting. Next to various birds, spoils of a profitable hunting trip, there is also a small green woodpecker, with the characteristic red spot on the head, and a nice rodent that terminates from behind the trunk. The painter abandons himself to a skilful and brilliant chromatic texture of the surfaces, through a pictorial material rendered with exceptional vibration in its luminous and 'tactile' body, fully respecting the taste of the full Roman Baroque. The quality appears excellent, distinguished by a skilful and brilliant chromatic texture of the surfaces, which appear almost vibrant thanks to a skilful drafting of the pictorial material. Inevitable and evident are the Flemish suggestions, which had influenced the Roman Baroque still life, in particular the work of Abraham Brueghel...