Steamer Art

To see more, scroll down to "More from this Seller" and below it click on "See all from this Seller." Leslie Carr (1891 - 1969) Paddlesteamer Mixed media with pencil bodycolour 19 ...

Durrenstein is an original modern artwork realized in the first half of the 19th Century. Original B/W Lithograph on Ivory Paper. Inscripted on the lower margin in Capital Letter...

We acquired a series of marine works from Laurence Dunn's Archives. To find more scroll down to "More from this Seller" and below it click on "See all from this seller." Laurence D...

Vintage Photo from the Fascist period. Photo by Studio Gherlone, Torino. Photo dimensions 17 x 23 cm. Includes passepartout. Good condition.

We acquired a series of marine works from Laurence Dunn's Archives. To find more scroll down to "More from this Seller" and below it click on "See all from this seller." Laurence D...

We acquired a series of marine works from Laurence Dunn's Archives. To find more scroll down to "More from this Seller" and below it click on "See all from this seller." Laurence D...

Circa 1880 Unsigned Thames was commissioned in 1842 Overall size with frame 8 x 11 in.

To see our other Modern British Art, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the artist you want. We also have several more ship drawings...

The Ford Motor Company is a black and white press print, realized in 1960s. The photo depicts an air view of the Huge Ford Motor Company in Dagenham, Essex. Good conditions and age...

To see our other Modern British Art, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the artist you want. We also have several more ship drawings...

Ernest Fiene Along the Kanahawa River, West Virginia, 1936 Signed lower right Oil on canvas 26 x 36 inches Fiene made a series of paintings, drawings and lithographs which are based on his travels through Pennsylvania and West Virginia during the winter of 1935-36. The industrial areas of Pennsylvania and West Virginia are represented in numerous oils, among which are some of his most well-known. Fiene wrote of the trip, "The increasing snow and atmospheric conditions [in the Kanawha River valley} enhanced this mountainous coal mining country with a majestic beauty." Winter on the River is Fiene's only American Artists Group print and there were only two lithographs produced from the West Virginia trip. The American Artists Group (AAG), under the direction of Carl Zigrosser, who was then working at New York's famed Weyhe Gallery, published ninety-three prints by over fifty artists in 1936 and 1937. Zigrosser's goal was to popularize contemporary American art through original prints offered at the low price of $2.75. The project was also a means to provide income for impoverished artists during the Depression. The prints were featured in many of the leading print exhibitions and publications of the period. The lithograph produced from this image is now in the collection of the Amon Carter Museum, Baltimore Museum of Art, Cleveland Museum of Art, Philadelphia Museum of Art, Pensacola Museum of Art, San Francisco Fine Arts Museum, Syracuse Museum, Yale University Art Museum. Ernest Fiene was born in Elberfeld, Germany in 1894. As a teenager, Fiene immigrated to the United States in 1912. He studied art at the National Academy of Design in New York City from 1914 to 1918, taking day classes with Thomas Maynard and evening classes with Leon Kroll. Fiene continued his studies at the Beaux-Arts Institute of Design in New York from 1916 to 1918, adding classes in printmaking at the Art Students League in 1923. Fiene began his career as an artist in 1919 with his first exhibition of watercolors at the MacDowell Club arranged by his mentor Robert Henri. In 1923 the Whitney Studio Club mounted a large exhibition of his works. The following year he had an exhibition at the New Gallery in New York, which completely sold out all fifty-two works, including paintings, watercolors, drawings, and etchings. With the proceeds of sales from the New Gallery exhibition, Ernest Fiene and his younger brother Paul, a sculptor, built studios in Woodstock, New York in 1925. In the early Twenties Ernest Fiene painted mostly landscapes of Woodstock and both the Ramapo and Hudson River Valleys. The first monograph from the Younger Artists Series was published on Fiene in 1922. Published in Woodstock, the series went on to include Alexander Brook, Peggy Bacon, and Yasuo Kuniyoshi. The book reproduced 1 illustration in color and another 27 reproductions in black and white. Around 1925 Fiene became fascinated with the intensity, excitement, and opportunities for color harmonies New York City offered as a subject. His paintings shifted to urban and industrial themes with architecture, industry, and transportation becoming his subjects. By 1926 Fiene had attracted the dealer Frank K.M. Rehn, who gave him a one-man exhibition that year, which travelled to the Boston Arts Club. C.W. Kraushaar Galleries gave Fiene a one-man exhibition of urban, landscape, portrait, and still life paintings in 1927. Julianna Force, the director of the Whitney Studio Club and first director of the Whitney Museum of American Art, included two of Fiene’s paintings in a fall exhibition in 1928. The Whitney Studio Club showed Fiene’s paintings in a two-man exhibition with Glenn O. Coleman that year and acquired three of Fiene’s paintings. Also in 1928 Fiene became affiliated with Edith Halpert’s Downtown Gallery where he had an exhibition of 20 lithographs in the spring. Fiene sold his house in Woodstock in 1928 to spend more of his time in New York City. With so many successful exhibitions, Fiene returned to Paris in 1928-29 where he rented Jules Pascin's studio and studied at the Académie de la Grande Chaumière. In France, Fiene painted both landscape and urban subjects developed from ideas influenced by Cubist geometry and the use of flat areas of broad color. Upon returning to New York in 1930, Fiene used this new approach to continue to paint New York skyscraper and waterfront subjects, as well as to begin a series of paintings on changing old New York based on the excavations for Radio City Music Hall and the construction of the Empire State Building. Frank K.M. Rehn Galleries exhibited this series, titled “Changing Old New York,” in 1931. Fiene also has solo exhibitions at Rehn Galleries in 1930 and 1932. Fiene’s oil paintings are exhibited at the Chicago Arts Club in 1930 as well. Fiene was included in the Museum of Modern Art’s exhibition Painting and Sculpture by Living Americans in December of 1931. Visiting New York, Henri Matisse saw the exhibition and called Fiene’s Razing Buildings, West 49th Street the finest painting he had seen in New York. Fiene had two mural studies from his Mechanical Progress series exhibited at the Museum of Modern Art’s exhibition Murals by American Painters and Photographers in 1932. Fiene sent View from my Window which depicts Fiene working on a lithograph stone while looking out his window to the newly completed Empire State Building to the Carnegie International in 1931. In 1932 Fiene participated in the first Biennial of American Painting at the Whitney Museum and his prints were included in exhibitions at the Downtown Gallery and the Wehye Gallery. In the same year, Fiene was awarded a Guggenheim fellowship to further study mural painting in Florence, Italy. On his return from Italy in 1933 Fiene re-engaged himself in New York City life and won several public and private mural projects. Fiene resumed his active exhibition schedule, participating in two group exhibitions at the Whitney Museum and a one-man exhibition of recent paintings at the Downtown Gallery in January 1934. In 1933 he purchased a farm in Southbury, Connecticut, which added Connecticut scenes to his landscape subjects. This was also the year Fiene began to spend summers on Monhegan Island, Maine, where he painted seascapes, harbor scenes, and still lifes. Fiene’s landscape paintings attracted numerous commissions as part of the American Scene movement. Through the fall and winter of 1935-36, Fiene took an extended sketching trip through the urban, industrial, and farming areas of Pennsylvania and West Virginia. Most of the twenty-four Pennsylvania urban and rural paintings from this trip were featured in an exhibition held at the First National Bank in Pittsburgh in October of 1937 by the Pittsburgh Commission for Industrial Expansion. Fiene said of these works that he formed rhythm, opportunity for space and color, and integrity in the Pennsylvania mill and furnace paintings. Fiene received the silver medal for one of the Pittsburgh paintings...

Jhelum River 1961 by Slim Aarons Slim Aarons Limited Estate Edition A luxury boat trip on the Jhelum River near Srinagar, in Jammu and Kashmir, India, 1961. The boat is called th...

Talented artist Jim Clary's work focuses heavily on his love and passion for the history and beauty of seas and ships. Growing up near the St. Clair River, his ideas for maritime art only grew deeper. This piece, titled "Put in Bay...

"Dominion Monarch" by Harry Todd The 26,263 ton Shaw Savill liner Dominion Monarch dwarfs the surrounding houses in Saville Road from her dry dock at the King George V docks in Lond...

Otto Kuhler (1894-1976) original etching, 1923. Title: “Mississippi Evening” Signed in pencil lower right. Title in pencil lower center. Dated lower left, 1923. Image measures 7 7/8...

A boat trip on the Jhelum River near Srinagar, in Jammu and Kashmir, India, 1961. The boat is called the 'HB Cutty Sark'. 48 x 48 inches $4500 40 x 40 inches $3950 30 x 30 inches ...

Signed lower left. Contemporary artist Julian Nemethy is the son of artist Albert Nemethy, and his work can be distinguished from that of his father by the use of fantastical elements, extreme use of color and detail, and whimsical touches. Julian Nemethy is one of the many artists in the Nemethy family. Born in Hungary, his parents fled the Communist regime in the mid-1950s when Julian was a small child. He was one of six siblings who were raised by their father. In high school, Julian taught himself to paint, and felt he had found his vocation. In the 1980s, he moved to the Smokey Mountains of...

Old days Photo - The Boat is a black and white vintage photo, realized in the mid-20th century. Good conditions and aged. It belongs to a historical and Nostalgic album including h...

Uses and Customs - Mother island on Lake Maggiore is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " ...

Uses and Customs - Bridge of Lodi is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History of the g...

Signed lower right. Contemporary artist Julian Nemethy is the son of artist Albert Nemethy, and his work can be distinguished from that of his father by the use of fantastical eleme...

The Old Days  Photo - The Port of Palermo is a black and white vintage photo, realized in the early 20th century.  It belongs to a historical album including historical moments, roy...

Pier in Algiers is a lithograph made by Auguste Wahlen in 1844. Good condition. At the center of the artwork is the original title "Molo di Algeri". The work is part of Suite Moeu...

Allonby is an etching realized in 1845 by W. H.Bartlett. Signed on the plate. Titled on the lower center. Good conditions with slight foxing. The artwork is beautifully realized...

Whitby is an etching realized in 1845 by Edward Francis Finden. Signed on the plate. Titled on the lower center, from the series of "Ports of Great Britain" The artwork is beautif...

Cromer is an engraving on paper realized by F.Finden in 1838. The artwork is in good condition. The artwork is depicted in a well-balanced composition.

Entrance to the Port of Dundee is a lithograph on paper realized by the artist W.H. Bartlett. Signed on the plate on the lower left. Titled on the lower center. The state of preser...

View of Widdin is an Original Lithograph realized by an unknown artist in 19th century. The little artwork is in good condition. No signature, title on the lower margin in Bulgarien.

Ancient Roman Drawing, from the series "Antiquities of Herculaneum", is an original etching on paper realized by Filippo de Grado in the 18th century. Signed on the plate. Good con...

Ancient View of Dublin is an original modern artwork realized in Germany in the Mid-19th Century. Original B/W Lithograph on Ivory Paper. Inscripted on the lower central margin in...

Das Dampfschiff "Staat Newton" is an original modern artwork realized in Germany in the Early 19th Century. Original B/W Lithograph on Ivory Paper. Inscripted on the lower central...

Das Hipathius - Kloster is an original modern artwork realized in the first half of the 19th Century. Original B/W Lithograph on Ivory Paper. Inscripted on the lower margin: Das ...

Hallstadt is an original modern artwork realized in the first half of the 19th Century. Original B/W Lithograph on Ivory Paper. Inscripted on the lower margin: Hallstadt. Engrave...

Ancient view of Kyoto, Shijio iron bridge is an original vintage albumen print, hand colored, on single cardboard: 26 x 34 cm. Realized between the 1880s and the early 1890s. The i...

Zierikzee - 16-04-19 The first great day of Spring has arrived and my mood for landscape painting and drawing still is growing. I am heading for Zeeland soon and to warm up I made...

Image dimensions: 9.5 x 12.5 cm. Mississippi is a black and white xylograph on paper, realized in 1890 by anonymous artist. Of little dimensions but high fineness, this original print portrays a historical view on the New Orleans port...

The Ferry Boat by Alfred Stieglitz is a photogravure on tissue. The photograph depicts a ferry boat on the water with a crowd of people on the lower level o...

This late 1950s maritime photograph, captured by society photographer Slim Aarons, features the British ocean liner 'SS Queen of Bermuda' in Hamilton Harbour, Bermuda. This is an es...

Medium: Watercolor on Paper Signature: Signed Lower Left Dimensions: 9.00" x 12.00" Steamship on river

Cooper Hart’s watercolor painting titled "The Rattler at Vicksburg" captures a poignant moment from one of the most tumultuous periods in American history. The piece is a masterful b...

Zierikzee – 16-04-19 The first great day of Spring has arrived and my mood for landscape painting and drawing still is growing. I am heading for Zeeland soon and to warm up I ma...

Michele Zalopany was born in Detroit, Michigan. She attended the Columbus College of Art and Design from 1973 to 1974 and the Cleveland Institute of Art from 1976 to 1978. She earned her Bachelor of Fine Arts degree from the School of Visual Arts in 1981. Through her labor-intensive mezzotints, Zalopany employs realism to depict fictitious scenes, bearing witness to the disintegration of what was once the fulcrum of the American economy in Detroit. Zalopany’s work is widely represented in many public and private collections in the United States and in Europe including The National Gallery of Art, The Yokohama Museum of Art, The Whitney Museum of American Art, The Walker Art Center, The Museum of Fine Art in Boston, The Cleveland Museum of Art, The Royal College of Art in London, and numerous others. Her work has been exhibited in galleries that include P.P.O.W., John Good...

Medium: Oil on Canvas Signature: Signed Lower Right

Medium: Oil on Canvas Signature: Signed Lower Left

A boat trip on the Jhelum River near Srinagar, in Jammu and Kashmir, India, 1961. The boat is called the 'HB Cutty Sark'. Estate stamped and hand numbered edition of 150 with cert...

Signature: Signed Lower Right

A steamboat at Hudson River Pier.

Date: 1940s Medium: Acrylic on Board Dimensions: 21.5" x 15.5" Signature: Signed Lower Right Likely an illustration from a Ballantine Books publication. 21.5 x 15.25 inches (image...

Medium: Oil on Canvas Signature: Signed Lower Right This illustration dates circa 1950.