Sword Art

The Royal Navy (Armata del mare) is a lithograph by Antonio Zezon. Interesting colored lithograph which describes the Army of the Sea with the Royal Co...

Dancer Don Lopez photographed nude for 'After Dark' magazine in 1985. This is a vintage gelatin silver print, made by hand by master photographer Jack Mitche...

Partial Gilt Gold and Sterling Silver Megillah with a Superior Illuminated Parchment Scroll of the Esther Megilah. Beautiful artistry clearly evident in this limited edition Megillah...

Cast in 1984, The Crusader presents a modern interpretation of the medieval warrior, blending classical sculptural techniques with a contemporary sensibility. The bronze bust capture...

Monkey is an original artwork realized by Alberto Mastroianni in 1970 ca. Lithograph. Hand Signed. Edition of 150 pieces.

Liberator Cycles & Automobiles

This flat shadow puppet was created by an unknown Indonesian artist. This shadow puppet, 16" high and 5" wide with movable, was used in Indonesian Wayang puppet shows. Wayang (Krama Javanese: Ringgit ꦫꦶꦁꦒꦶꦠ꧀, "Shadow"), also known as Wajang, is a form of puppet theatre art...

Cutting the Cord by Patty Carroll is a 22 x 22 inch archival pigment print, available in an edition of 15 This sheet size of this photograph is 30 x 30 inches, and the image size is ...

Signed lower right. Albert Nemethy Jr.'s pastel paintings beautifully capture the essence of nature, showcasing his mastery of light, texture, and atmo...

The Duel by Alcide Joseph LORENTZ (French 1813-1891) signed and dated 1857 oil painting on canvas, framed framed size: 30 x 25 inches condition: very good and presentable, previous r...

Richard Kagan, born in Philadelphia, followed a circuitous path to become a photographer. Beginning with street photography using a meterless Asahi Pentax as a student at Temple Univ...

Dopo la Liberazione di Andromeda Oil Painting on Canvas Mythology In Stock Giovanni Tommasi Ferroni (1967, Rome) descended from an artistic Tuscan family. His grandfather, father, s...

Luc Olivier MERSON (1846-1920) Biblical Mythology: Judith and Holofernes, 1899 Original lithograph (Champenois workshop) Printed signature in the plate On vellum, 40 x 31 cm (c. 16 ...

Ed. of 10, includes black frame with white mat. Robert Farber’s style has influenced generations of photographers. His painterly, impressionistic style captures the essence of compo...

Sextus Tarquinius Raping Lucretia Engraving, c. 1546-47 Signed with the intials in the plate (see photo) From: "Four Scenes of Early Roman History" An early impression with plate ton...

Harbor View is a very good watercolour by Herna Hausmann. The artwork is in good conditions, except for some stains on the margins. Atelier stamp on the right margin at the bottom.

Unknown Artist, "Untitled Baseball Player", Figurative Charcoal Drawing, 17.50 x 23.50 (In Frame 25.50 x 31), Late 20th Century Colors: Blac...

Elizabeth Taylor in "The Taming of the Shrew" The Taming of the Shrew is a 1967 period romantic comedy film directed by Franco Zeffirelli, based on William Shakespeare's play about ...

There is a reason why there are few contemporary painters who can paint a portrait of a man and bear this good. It's hard to do. It's easy to throw some paint or spray a mess of graf...

Hand Signed. Edition of 150 pieces.

This circa 1915 French wartime propaganda poster is a striking example of World War I-era rationing efforts, emphasizing collective sacrifice and equitable distribution. Designed under the direction of the Comité de Prévoyance et d’Économies, this poster encouraged the French population to ration essential goods, particularly sugar, during the war. At the heart of the artwork is a symbolic sugar loaf, partially cut by a saber, visually reinforcing the message of dividing resources fairly. The text reads: "Avec la carte, nous en aurons peu – mais nous en aurons tous." ("With the ration card, we will have little – but we will all have some.") This message aimed to instill a sense of national solidarity and compliance with rationing policies. The lower inscription, "Casse aujourd’hui ton sucre en deux pour en avoir demain?" ("Break your sugar in half today to have some tomorrow?"), serves as a direct appeal to personal responsibility in wartime resource management. The bold yet simple color scheme (blue, red, black, and beige) gives the poster a striking visual identity, making it both an effective propaganda piece and a historically significant artifact. This rare wartime poster is a powerful reminder of civilian resilience and the role of public cooperation in wartime economies. Due to its historical importance and striking design, it remains highly collectible, particularly among WWI memorabilia...

'A Good Soldier' Chromolithograph. 1884. Vanity Fair portrait of Lt.General George Wentworth Alexander Higginson. He joined the Grenadier Guards at 19 and fought in the Crimean W...

Claudio Villa-Vintage Photo is a black and white photograph realized in the 1980s. Good conditions and aged.

Date: 1886 Medium: Oil on Board Dimensions: 14.00" x 17.00" Signature: Signed at Bottom Right Corner Wide Awake Magazine, Oct., 1886.

Printed later Combined Edition 10 Also available in 101 x 127 cm 40 x 50 inch and as combined Edition 25 in 40 x 50 cm / 16 x 20 inch 50 x 60 cm/ 20 x 24 inch Black and white Portr...

Gold Necklace With Diamanté Arrows Jewelry Design circa mid 20th century by Paul Touzet (French b. 1917) original gouache painting, with pencil on tracin...

James Rosenquist Nails, from Monochromes at the New Gallery, 1975 Limited edition lithograph and offset lithograph (pencil signed and numbered) Signed and numbered 10/100 in graphite...

Study Easter Sunday Baby

Lisa with Turban, NY 1940 (Printer later)Silver Gelatin print Printed later 1984 Sheet size: 14 H x 11 W in. Image size: 11.5 H x 9 W in. Engraved signature on front Hand written, ti...

Monkey is an original artwork realized by Alberto Mastroianni in 1970 ca. Lithograph. Hand Signed. Edition of 150 pieces.

This is a Erte bronze signed out of 375. In good condition. Measures 20x12

Gloria II by Nando Kallweit Bronze sculpture, edition of 25 Dimensions: 26 x 19 x 7cm

Ugo Cara’ was born in Trieste, Italy in 1908. He took part to numerous Home and International Shows, among which: International Biennale in Venice, Quadrienni...

GENGIS KAN - Maximilian Ciccone - Italia - Oil on canvas cm.210x120. In this majestic oil on canvas painting the Artist Ciccone portray the Mongol leader and ruler Genghis Khan...

Freedom is probably what characterizes the most "Kiki" or Christophe Stouvenel: collage, acrylic, aerosol can, on signs, old posters recovered or even a fo...

Archery, Olympic Games Beijing 2008 is a lithograph print realized by Gianmarco Montesano.  Limited edition of 260. Hand signed and numbered in pencil. This artwork is from the por...

"For the Shear Fun of it" Charcoal Painting 29" x 21" inch by Casey Baugh Medium: Charcoal on paper ABOUT THE ARTIST: Baugh's work can be described as n...

The Noble Pontifical Guard is an Artwork realized in 1827 by the Engraver, Giuseppe Capparoni (Rome 1800- 1879). Etching hand colored on ivory paper. Signed on plate and dated on th...

This piece titled "Shovel, Recovered" is an original artwork made from iron, paper, beeswax, brass, pine, mounted on panel by Katie VanVliet. This piece measures 12"h x 24"w x 5"d Katie VanVliet (she/her) is a sculptor and printmaker practicing from her home studio in Elkins Park...

“Declaration” was inspired by my return to international travel in 2022. Just as life had changed with the impact of Covid, my photography work shifted from elements of magic realism...

Surrealistic figurative print by Polish artist Joanna Wiszniewska-Domanska. Artwork depictics a man dressed in black visible from the back. There are magician's accesories in front o...

Archery, Olympic Games Beijing 2008 is a lithograph print realized by Gianmarco Montesano.  Limited edition of 260. Hand signed and numbered in pencil. This artwork is from the por...

2 oil on canvas paintings. in good condition, frames not guaranteed for condition but one with separation between gilded inset and black frame

Gloria III is an elegant figurative bronze sculpture of the female form by Nando Kallweit. The elongated, graceful subject rests her hands on a disc as though she is in command of he...

This artistically recolored group portrait features some of the greatest stars of the 1920s and 30s all standing together and chatting. From left to right: Bela Lugosi...

Astounding painting and carving on wood panel by the “Hound of Heaven” artist Robert Gammell. Created 1947. This beautiful work features rich color, gold accents and incredible detail. Signed lower right “R.H. Ives Gammell” and dated ‘47. The subject comes from the imagination of the artist and is titled “Lady of the Seven Sorrows.” The work measures 34 1/2"h x 11 1/4"w and is considered to be one of the artist’s “Puppy Panels.” The ornate frame measures 38 1/2"h x 15 1/2"w x 1 1/4"d. The weight is 9 ½ pounds. A label is attached to the verso listing the work as being an entry for the 1967 Grand National Show with the American Artists Professional League in New York. This detailed and beautiful painting is a work to be treasured. More Information Robert Hale Ives Gammell: After completing his major allegorical sequence, the Hound of Heaven, Gammell felt compelled to revisit certain themes and figurative compositions in later years. His original plan was to display the smaller panels, or "Puppy Panels" as he affectionately called them, between the larger Hound panels. Robert Hale Ives Gammell (1893-1981) was a prolific professional painter working in Boston, Provincetown, and Williamstown, Massachusetts. During the sixty-five years of his career, Gammell painted murals, portraits, landscapes, and still lifes, but the pieces which excited him most were the allegorical works drawn from his imagination. In his diary Gammell wrote that he was “fascinated by the drama of man in his relationship to the forces of the universe and of his own nature.” Over the years he experimented using ancient myths and rituals as well as contemporary symbols in his attempts to articulate images of man’s terror, wonder and yearning in the face of a century of upheaval. Excerpt from Elizabeth Ives Hunter, the God-daughter of R. H. Ives Gammell and the daughter of his assistant, Theodore W. J. Valsam. R. H. Ives Gammell believed in the practice and standards of art should rest on the Gold standard established by the 19th-century French system of learning, as practiced by the Ecole des Beaux-Arts and Academie Julian of Paris. His personal mission was to follow that tradition, so he established his own Studio working with a handful of students at a time. His book ‘Twilight of Painting’ would help define a way back to those lofty goals for future artists, reflecting the uncompromising levels of quality that he embraced, and maintained. Robert Hale Ives Gammell was born to wealth in Providence, Rhode Island and spent the majority of his artistic life in Boston at the Fenway Studios and in Williamstown, MA, where he died in 1981. In 1910, Gammell studied briefly with William C. Loring and Wm. Sergeant Kendall before training in 1913 at Boston's Museum School with Philip Hale, F.W. Benson and Edmund C. Tarbell for a few months. Gammell then went to Provincetown, MA to study with Charles Hawthorn and then to the Academie Julian in Paris and the Academie Baschet until the end of 1914. He was tremendously influenced by the teachings of Tarbell and the work of Joseph DeCamp and William M. Paxton. He was so influenced by the Boston School he vowed to hand down their teaching traditions to generations of students and he did exactly that. Some of the painters who are "Gammellites" are Samuel Rose, Thomas R. Dunlay, Robert Cormier, Richard Lack, Gary Hoffman, Stephen Gjerston, Robert Douglas Hunter, David Lowrey, David Curtis...

11 x 14" vintage silver gelatin photograph of choreographer Agnes de Mille. Signed by Jack Mitchell on the print recto. Comes directly from the Jack Mitchell Archives with a certifi...

Princess Ruspoli 1979 by Slim Aarons Slim Aarons Limited Estate Edition Princess Lucy Ruspoli stands in front of a colourful wall of old skis in Lech am Arlberg, Austria, February...

William Hogarth was an English painter and engraver, the outstanding British artist of his period. During his childhood, his father, a schoolteacher, was imprisoned for debt, and this early experience of the seamy side of life left a deep mark on Hogarth (much of his output is concerned with the contrast between success and failure, and he depicted prisons in several works). He trained as an engraver of silver plate and by 1720 had set up his own business in London, doing various kinds of commercial work. In his spare time he studied painting, first at the St Martin's Lane Academy and later under Sir James Thornhill, whose daughter he married in 1729. By the early 1730s he had achieved some success as a painter of conversation pieces and at about the same time he invented the idea of using a sequence of anecdotal pictures ‘similar to representations on the stage’ to point a moral and satirize social abuses. A set of 12 original engravings illustrating Industry and Idleness, after the drawings by William Hogarth, printed in 1833. The engravers are F Jordan, E Smith, C Armstrong, S Davenport, H Adlard, W H Worthington, H Fernell, A Duncan and F F Walker. The engravings, which are in excellent condition, would be mounted (matted) and ready to frame Edward Smith (fl. 1823-49) The landscape, figure, and portrait engraver Edward Smith may have been a native of Edinburgh but appears to have worked mostly in London. His earliest recorded plates...

Peace by Jules COUTAN (1848-1939) Bronze sculpture with a dark brown patina Signed on the base " Jules Coutan " Cast by " Thiébaut Frères Fondeurs Paris " (with the foundry stamp) P...

This is a one-of-a-kind original acrylic and gold leaf still life painting by San Diego artist, Duke Windsor. Its dimensions are 5" x 70" x 2.5" in (L x H x D). It is unframed. A cer...

Miscellany circa 1990 by Christopher Simon Sykes A wall of discarded implements, including a large scythe, in the attics at Doddington Hall, Lincolnshire circa 1990 This beautiful...

In the NX Series, Krag uses guitar necks as the space to recreate the score of a rock and roll song that brings strong personal memories. He marks the notes with nails in the guitar’s fretboard and weaves color threads among them to represent the song’s flow. The guitar as an acoustic object does not exist anymore. The object is a soundless fragment of a broken instrument that — through a mnemonic image of the placement of fingers — is referencing a sound the viewer recreates in his mind. Photography helps Kevin Krag...

Femmes Objets, 1991 27.5 x 35.5 in. Unframed. Femmes Objets Series In this series in black & white and with the same model. The artist represents what for him the object woman of th...

Apache Gahn Dancer limited bronze edtion

An abstract sculpture of wood and paint.

Work on canvas

Wooden boat building in a village on the Mosquito Coast, Honduras, Central America 1980s. (photograph Alain Le Garsmeur) A gorgeously evocative s...